Samuel M. Moss Interviewed by Perry Ruhland

In Samuel M. Moss’ debut novel The Veldt Institute (Double Negative Press, 2025), anonymous patients seek the cure for their own ineffable malady. Their treatment is conducted on the grounds of the titular institute, some strange cross between an abbey and a sanatorium, where their philosopher-doctors prescribe a wide range of strange and specific activities. Reading this great book, and particularly the accounts of these treatments, prompted me to take long walks, sit by the lake, and stare at my ceiling. I asked Samuel M. Moss about some of the practices behind the cures.   Perry Ruhland: One of the…

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YOU MAY APPLAUD NOW: JOSEPH COWARD ON ‘JESUS CHRIST KINSKI’ BY BENJAMIN MYERS

Klaus Nakszynski was born in Germany in 1926, and within a few short decades became everything from Nazi conscript, to piss-drinking mental patient, to one of the most prolific and notorious stage-screen presences of the twentieth century. Despite everything he was as an actor, Kinski (excising sections of his name after returning to Germany from a Colchester POW camp) became better known for his psychopathic behaviours both at work and recreationally. He screamed at Werner Herzog for an hour and a half over a cold cup of coffee; he once stalked one of his psychiatric nurses for three days before…

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FOLLOWING THE THREADS: AN INTERVIEW WITH JOHN HASKELL by Rebecca Gransden

How to move. John Haskell’s Trying to Be (Fiction Collective Two, 2025) plots the potentials in life by means of undefinable and expressively changeable essays. Always shifting, the collection weaves around the central conundrums of existence, and in so doing implicates itself in this unceasing mystery. At once a humane interrogation of headspace and exploration in what it means to pass through the world as a physical being, Haskell’s work teems with the presence of the engaged observer, caught in the maelstrom we sometimes call reality. I spoke with John about this slippery and enigmatic book.   Rebecca Gransden: You…

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MEMOIRS IN THE MORAL MUD: DAVID LEBRUN AND JOSHUA MOHR TALK SHOP

My debut memoir, Delirium Vitae (Tortoise Books, 2025), recounts five months of hitchhiking and street busking I did from Costa Rica to Phoenix Arizona, in 2001, when I was broke and struggling with addiction and mental health issues. In 2020, I was halfway through editing my memoir, when the pandemic left me happily unemployed. I read Joshua Mohr’s Sirens and discovered he offered editorial service through his Decant Editorial. We worked hard on my manuscript for three months, but what stuck with me most was his encouragement and certainty that the book would find a publisher. Four years later, when…

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STUFF YOUR FACE WITH SCOTT LAUDATI by Scott Laudati

A special offshoot of our Recommends series, where Scott Laudati enjoys the planet’s best foodstuffs and eateries.   The Title Fight: Frank Pepe’s VS. Sally’s. New Haven, CT Once upon a time, back in the closed society that was 1990’s Staten Island, there was a wholesome order. Our fathers grew up in our houses before us and so we ate the same pizza on Friday nights they’d always eaten, because we were still Catholics then, and we didn’t consume meat on Fridays to honor Jesus’ sacrifice of his own flesh. You knew your local pizza guys by name, and if…

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AND NOW IT’S TIME FOR A COGNITIVE EMPATHY BROADCAST: AN INTERVIEW WITH PAUL RIEDL FROM BLOOD INCANTATION by Chris Kelso

Music is the shorthand of emotion. There is something intrinsic to the structure of it – with its overtures, rising crescendos, and authentic cadences – which seem to mirror our temporal patterns so effectively. Ethnomusicologists have divided the empathic processes of listening to (and creating) music into two categories – low-level emotional contagion (the unconscious mimicry of nonverbal cues that leads to synchronised emotional states) and high-level affective empathy (the ability to share in the emotions of other). Often the former ‘low-level’ state is achieved through listening to catchy pop music, or music which feeds the brain’s natural desire to…

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FAULKNER DIDN’T GIVE A SHIT ABOUT TEMPORAL INCONSISTENCIES, SO WHY SHOULD I?: AN INTERVIEW WITH JOHN WADDY BULLION by Kirsti MacKenzie

John Waddy Bullion is as versatile a writer as they come. His loosely-linked collection This World Will Never Run Out of Strangers follows coming-of-age tales of Midwestern sons and the fraught relationships they have with role models: fathers, grandfathers, uncles, peers, sports heroes. It’s also a showcase of Bullion at his best: forever balancing humor with pathos, mastering pop culture and sports references, commanding attention from first page to last. It’s a collection that’s quick to devour and demands re-reading; Cowboy Jamboree Press was smart to pick it up, and you can grab your copy here.  Ahead of its November…

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THE ANSWER HAS TO BE YES: AN INTERVIEW WITH KIRSTI MACKENZIE by John Waddy Bullion

Kirsti MacKenzie’s debut Better to Beg (Sweet Trash Press, 2025) is a rock ’n’ roll novel set against the backdrop (and at the tail end) of the Meet Me in the Bathroom-era New York indie boomlet, told in the vivid alternating voices of the Deserters—driven, determined Viv and drug-addled but transparently striving Hux—as they tumble across post-9/11 America’s cramped venues, wild house parties, and downtrodden motel rooms, forever arriving but never quite arriving. In MacKenzie’s deft hands, what emerges is not only a lean, mean, and surprisingly lyrical story of music and ambition, but also a sly exploration of the…

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YOU THANK THE MARQUIS DE SADE: AUDREY SZASZ’S ‘TELEPLASM’ by Jesse Hilson

My dictionary of British slang tells me that “Sloane” was the first name of an insufferable female archetype of the upper class in the 1980s. When I saw that the protagonist of Audrey Szasz’s novel Teleplasm (Amphetamine Sulphate, 2025) was named Sloane Epstein it suggested great wealth and privilege crossed with echoes of the human trafficking, pedophilia, and white collar underworld of Jeffrey Epstein. Indeed, the novel exists in a narrative Petri dish of high-class travel, Internet media celebrity, psychological deterioration and pervasive sexual violence. Sloan Epstein is a young woman attached to a roving paranormal researcher Dr. Novák, her…

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WORD HORNY: JACK SKELLEY RECOMMENDS

writer Nastya Valentine with books reviewed by Jack Skelley   Nastya Valentine – Cyberhorny: Navigating a Sexual Dystopia, and The Cyberhorny Dream Diaries: In Defense of e-Subjectivity (cyber-horny.com) Earlier this year, a writer friend said to me, “You and Nastya should talk. Her new book is kind-of Myth Lab-adjacent.” This was in reference to my novel (subtitled Theories of Plastic Love, Far West press). Sure enough, both Cyberhorny and its Jungian appendix The Cyberhorny Dream Diaries orbit with my art obsessions in “the clitoverse” – the eroto-celestial plane where forces of pleasure defeat the denial of desire and warping of…

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