Creative Nonfiction
I ALWAYS SAY I LOVE YOU FIRST by Bob Hill
I want to tell you about a day in late August of 2009. It is just past noon, and this is a clear day, a gorgeous day with almost zero headwind. I am sitting on the street-level deck of an Upper East Side coffee shop named M. Rohrs’. M. Rohrs’ is located just off of 86th and 2nd. The traffic is moving briskly throughout this part of town, and that is because the city has settled into a malaise, an annual two-week period that bridges the divide between true summer and the academic fall. This is a quiet time in New York City. This is a bittersweet time that is meant to usher in new things. When I think of this time, I tend to think of the outer boroughs, and I tend to think of the vacant parking spaces along open streets. I tend to think of the downtown and of the West Village. I tend to think of the Meatpacking District, and of the West Side Highway. I tend to think of the docks, and of the rhythmic plunging of waves against cement. I tend to think of the Rockaways and of City Island, where the steel and the asphalt give way to front lawns, to grass and rock and, eventually, to sea. For whatever reason, I tend to think of all these places as existing short of sundown, within some cosmic frequency that is perennially wave-jumping between the outgoing sax of HAIM’s “Summer Girl” and the opening strains of “White Dress” by Lana Del Rey.The outside deck at M. Rohrs’ runs empty. I am joined now by a girl named Zuzana. Zuzana is from Prague, but she has traveled to the US on a working visa for the summer. Zuzana is cute and unpretentious and she is engaging in a way that exudes charm. Every now and again, Zuzana will attempt to teach me Czech phrases, but I have struggled to retain these in the way that I have retained bits and pieces of Italian and German and Spanish and French. Zuzana is affectionate. Zuzana looks at me with what one might refer to as the petal-dust eyes. On July 4th, a week after the two of us first met, Zuzana agreed to go watch the fireworks with me along the Hudson River. Only we never made it to the Hudson River. We stopped off instead inside a corner bar where we got wasted while listening to the jukebox. Our songs played out to the sonic echo of pyrotechnics. Our songs played out to an electrified sky. Zuzana and I do not demand a great deal of each other. Our interests hedge toward the mundane … dinner and a movie. Last week we went to The Metropolitan, where we sat by a window and discussed Pieter Bruegel’s The Harvesters while gazing out across Central Park. The two of us prefer to stay at home and eat takeout. The two of us prefer to sit along the esplanade and read. The two of us prefer to have ravenous sex, the kind where the windows shake and the walls run damp with perspiration. On nights, and there have been a handful of them, when I have slid my arm from beneath Zuzana’s shoulders, only to tiptoe into the kitchen where I can write, Zuzana will appear several minutes later, her face cast in the ghostly glow of my computer screen. “Why do you need to do this now?” Zuzana will ask me. On certain nights, I will allow Zuzana to lead me by the hand back into the bedroom. On certain other nights, I will convince Zuzana that she should just go back to sleep. Zuzana and I are similar in certain ways, yet we are not similar enough to justify anything beyond what we have been doing. And it is because of this that I have decided to break things off. There is someone else, a woman who has been away for most of the summer. This woman and I had gone out a couple of times back in the spring, and while I am uncertain whether we are meant to be friends or something more, I also recognize that this woman is inbound, and that Zuzana is outbound, and that the city moves too quickly for anyone to stand in wait until he can be sure. Entire theses have been written about this, which is to say the meet-cute world of serial dating in a metropolis, about the ill effects of trading up or swiping down. Lipstick Jungle. Guinea Pig of Love. Throughout Gotham Proper, any long-term commitment takes on the auspices of a surrender. Exchanging vows signals the beginning of a slow and steady drift toward the suburbs, toward North Jersey, toward Long Island, toward the crimson edge of everything that had drawn one toward Valhalla in the first place. Among the undesirables—And I include myself among those ranks—dating in New York City serves as a reminder that we will always be the underclass, and that we will never be well-suited to the pass/fail immediacy of surface apps. And so we demure. Either that or we search for an outlet, and whereas that outlet might provide us with fulfillment, it might also provide us with an excuse. It's not about me, it's about the work, and so on … even though the work is almost inevitably about us, for better or for ill.“I see,” Zuzana says after I have explained the situation. Zuzana runs one finger along the pattern of her dress. I sip my coffee, and then I begin to atone. “No,” Zuzana interrupts me. “She is coming and I am going, and so there is no need for you to say anything more.” Zuzana has shifted in her seat, and she is facing west now, toward 2nd Avenue. “Part of me just feels sorry for you,” Zuzana continues. "Based on what I have seen, I think you are going to keep on doing this whenever anybody attempts to get close to you. And I think that you are going to end up alone when you are in your fifties. By then it will be too late.” “Too late for what?” I say. Zuzana scoffs. Her jaw is set in such a way as to indicate that there will not be any further discussion. And so we allow for the white noise – a distant car horn, a whirling blender. I think that you are going to end up alone when you are in your fifties. I sidestep any display of emotion by generating a mental checklist of all the would-be baptisms, birthday dinners, wine tastings, graduations, church socials, bad art openings, group vacations, investment opportunities, weddings, funerals, hospital visits, housewarmings, engagement parties, holiday traditions, fishing trips, recitals, and general inclusiveness I will be able to avoid just by remaining unattached. I enjoy being in a relationship, I do, right up until the point at which a paramour’s friends or family begin to insist that I do not meet their standards. It’s not that I don’t think you’re a nice guy, the drunken sister of an ex-girlfriend once informed me. I’m just not sure whether you are the right guy for her. That comment burned, and it left its brand upon my id. Why not tell a man with pockmarked skin that he should have taken better care of his complexion as a teenager? I have spent the bulk of my adult life feeling as if I have been a burden upon the people whom I adore. I struggle with this, although I have struggled a great deal more with the idea that I am not the caliber of human being that others would like to receive at their front doors. The moment passes, and, eventually, it comes time for Zuzana and me to say our goodbyes. The two of us hug, a halfhearted hug that leaves one arm dangling like an empty windsock at our sides. Then a brief wave, and Zuzana heads uphill toward the 6 train. I, in turn, hightail it back to my apartment so that I can get some sleep. Around 7 PM, I set out toward Central Park. Once there, I follow the ellipse until it lets me off along the north side of the Delacorte Theater. The Delacorte is home to Milton Hebald's Romeo and Juliet sculpture. Whenever I think of Hebald’s sculpture, I tend to think of it in deep winter, with a 2-inch mound of snow accumulating along the back of Romeo’s head. I would die here, Hebald's bronzework seems to say. And it would not be a tragic death, to perish now, at the celestial height of all emotion. This is love as an act of bravery. Or is it love as an absolutely glorious mistake? Love as an elegy; the poison pill that lovers take. Elizabethans. I have mentioned another woman, and I am on my way to see that woman now. Besima. Besima is Canadian and she is a schoolteacher. Besima stands 5'9” and she is bookish and brilliant and she wears Louis Vuitton frames that bring out the accents in her cheeks. Besima and I met online. We exchanged emails. We shared our first date at a bar called David Copperfield’s, and, once there, I presented Besima with a copy of Oliver Twist (as a playful nod to the whole Dickensian motif). At the end of that night, Besima gave me a quick peck just before she disappeared into a taxi. Three weeks later, when Besima and I met up again, I leaned in to kiss her at the end of the night. Only this time the gesture seemed contrived, as if I had been seeking reassurance along a nonexistent front. Besima left to spend the summer in Ontario a few days after that. Tonight will be the first time that she and I have seen each other since. Besima and I have the potential to become great friends, which would be grand given that I need great friends. But our great friendship, which is to say our potential friendship—a friendship that will require several months before it can be cemented—that friendship is commensurate upon me understanding not to push things beyond their established limits. Historically, this has been an issue for me, and it has been an issue because I tend to view male-female relationships from a perspective of wins and losses. I am referring here to a negative trait, long-standing and hardwired, that finds its basis in my lack of self-esteem. I do not think myself attractive, and so I seek out others who can provide that validation for me. This harkens back to my childhood, and to my peer group, and to a suburban rejection of everything I held dear, if not the pedestrian idea that the brooding measure of a man has something to do with heterosexual prowess. I come from a place of Catholic guilt and shame and deflection (based on hypocrisy). I come from a place where people define themselves based on what other people insist that they should be. I want to be loved. No, what I want is to be wanted. No, what I want is to be someone who is perceived to be wanted. Whether that is true or not makes almost zero difference to me. I crave attention. I am a child of Eros. I grew up on the suburban myth of a big-city romance. As a teenager, I would idealize men and women based on movies like The Apartment and Manhattan and When Harry Met Sally. I came to envision love as resembling some sort of a thunderclap, an epiphany, a jolt from out of nowhere that went off like a starter pistol, precipitating a breakneck sprint along the uptown streets. Bring it in … and now cue the strings. Only none of that was real. In fact, it wasn’t even real to any of the writers who had originally imagined that it could be. A case in point. I remember reading a 1991 New York Times profile about Woody Allen and Mia Farrow that explained how they lived across from each other along opposite sides of Central Park. Whenever the two of them were on the phone, they could signal, wave and gesture, Woody from high atop his 5th Avenue penthouse and Mia from an upper-floor apartment along Central Park West. As a seventeen-year-old from the suburbs, this struck me as idyllic. As an aging cynic (with the added benefit of hindsight), it strikes me as emblematic of just how complicated any of these big-budget romances tend to be. I am close now. Besima and I have agreed to meet at an outdoor bar just off of Riverside Drive. Besima lives 1.5 miles north of that bar, a half-mile south of Columbia University, which seems appropriate, given that she is an academic. Besima arrived in New York City around the same time I did, which was 2006, when the country was still in its post-9/11 era. For a Canadian whose parents had emigrated to Ontario by way of Bosnia, adjusting was not easy. At the time, Besima could not purchase a cell phone in New York City without a background check, and she could not travel within the US freely. Her address and her employment status were both being monitored. She had applied for a green card, but the process kept getting delayed. Despite this, Besima immersed herself within the city, and she gravitated toward its pockets. Given the choice, Besima opted to teach in the public education systems of the Bronx and Harlem, as opposed to the more prestigious academies located south of 96th Street, and in Brooklyn.I make one final turn after which I can see Besima. I can see Besima sitting alone at a table in an otherwise deserted dining area. Unfortunately, my mind is still fixated on whether Besima and I are destined to be friends or something more. We are destined to be friends. My heart and my gut seem to be in agreement, and I am fairly certain that Besima has already arrived at that exact conclusion. The only issue is my ego. A fit of conquest. The need, yet again, to be perceived as a person who is wanted, as a person who keeps pace. I need clarity. I need to be able to comport my affairs in a binary manner so that my friends will not be confused. Or maybe I need to make new friends. And maybe I keep chasing all of the new friends away. Is a life about reporting back? It is not. Yet I know that I will have one drink before hedging the conversation toward a place that it should not be.
***
Zuzana. She existed in the middle of things, arriving as she did sixteen years after the first time that I had experienced true love and thirteen years before the place that I am now, which is alone. I am writing to you tonight from a one-bedroom walk-up which is situated directly across from a post office, roughly one half-block from a railway (but not a train station), and approximately two-tenths of a mile from the Lehigh River in Northeastern Pennsylvania. Nothing happens here, and the townspeople prefer it that way. On an April night when the weather allows for the windows to remain ajar, one can hear the neighbors coughing from a hundred meters away, just as one can hear the diesel blast of the tractor trailers barreling hard across the I-80 bridge. This is not a place where I would have envisioned myself, nor am I the person whom I would have envisioned myself as becoming. I am a shipwreck, and I have washed ashore here. To some extent, I have been subsisting in exile, even though I am financially secure (at least for the time being), and I have a meaningful job at a company that emphasizes the right things. For me, exile exists as a place where, to quote the poet and essayist Elisa Gabbert, “not suffering [becomes] a form of suffering.” My life is calm here, but I prefer the chaos. I seldom reflect upon the periods in my life when fortunes soared and stasis ruled the day.A bit of context. When I left New York City, I had no money and no prospects. I had been sober for five years; I had not dated anybody for four. During the summer of 2017, I took to splitting my time between Manhattan and the Poconos. In short order, I had been offered a full-time job in the Poconos area, and at about the same time, I had met a woman there, as well. In the job, I saw an opportunity for stability. In the woman, I saw an opportunity for escape. But, oh, how much of love is dependent upon slanted truths and omitted details? It’s that old story wherein one partner says to the other, “Do not move here on account of me,” and the other partner insists that he or she had been planning on moving there all along. Only this woman and I, we were not partners so much as we were co-conspirators. Our first kiss felt arcane. It felt like witchcraft, or perhaps the beginning of some unholy alliance. The two of us were sitting by a fire in the backyard of a lakehouse, and the October breeze came rolling in from off the water, and the embers crackled, and the two of us got high, despite the fact that I would rarely get high even before I had gotten sober. I made a pass, and this woman rebuffed me. Shortly after, she relented, but only if I would agree to take a sip of wine first. And so I did. If I wanted a second kiss, this woman contended, then I would need to smoke a cigarette with her. And so I did. At some point during that cigarette, this woman looked toward the fire and she said, “I’m gonna hurt you, Bob.” She said that with concern and she said it with forewarning, and I ignored her, and that is on me. By mid-November I had fallen in love with this woman, and I told her as much. She did not tell me that she loved me until two months later, when the two of us were lying in bed one afternoon. She had her back turned toward me, and she whispered the words as if they were an allocution, or a mea culpa. (She had admitted to sleeping with an ex of hers ten days prior.) Our relationship lasted from October until May, and there were several breakups in between. One night when it was all but decided, I went over to this woman’s house and we put her kids to bed, and we went downstairs and we sat in the living room and we watched TV. My heart felt light, and so I smiled, and this incensed her. “Whatever it is you’re feeling,” this woman said to me, “I don’t feel it.” – a comment that dug its nails into my psyche. When I went home, I wrote these words inside a notebook: People who are in need of saving should not develop a Messiah complex. It brings things low, and it breeds enablement. Our dismount was awkward, and it took place in stages. By early spring, the two of us were living seventy-five meters apart along the same street. We could wave to each other in lieu of texting. We could walk over to see each other in lieu of a phone call. Less than a month after this woman and I had called it quits, she took to seeing a woodcutter who lived one block away; a woodcutter who had also been the previous tenant in the apartment where I was the current lessee. I cursed the wind. I began to long for the city, where sorrow only lasts until one turns the corner. There are no soulmates in a metropolis. There are no soulmates anywhere, really. Soulmates are for platitudes. Soulmates are for small towns and bad fiction. Soulmates are for suburban stopovers where the talent pool is limited and where people marry for lack of knowing how else to proceed. In the wake of this affair, I felt unlovable, and, as such, I began to question whether I had been attempting to force love out of people before they could get up the energy to leave. I had a checkered past. I had objectified women. I had been a good boyfriend, but a bad bachelor, and it seemed as if all of that was beginning to pirouette its way back to me in streams.***
Nightfall, and I am looking out a tenth story window from inside the Hotel Richland. The Richland is located along the southern boundary of the Lower East Side. Tonight is Mischief Night, and I have been here for six days. I was initially scheduled to check out this morning, but I added an extra night due to a hangover, my second of this week. The first hangover was mild, and it occurred after a twelve hour binge in Greenwich Village. This second hangover carries with it a reminder of the old ways, of a melancholy that all but shrouded me throughout my thirties. I feel skittish. The only light in the room comes from the ghostly glow of the TV. I am wearing sweatpants and I have the heat turned up to seventy-two. There are fast-food wrappers crumpled up along an end table and there are breadcrumbs in the sheets. I have no cash left in my wallet. I withdrew $220 from my checking account during the overnight hours. This according to a pair of receipts.I feel spineless. I want to divebomb through this window. I want to sweep down low across the rooftops; I want to springboard over ledges. I want to glide my way through Chinatown, then veer left onto the Bowery, toward the colonnades, up through the arches, onto the bridge, where I can dematerialize into a ray of light that’ll cascade like so many particles into the river. I want that. I want to transcend. Only I am stuck here, a fool and his bad choices. I deal in self-deception. As such, I prefer to look out at things that cannot look back. Up here, there is no barrier between what is art and what is architecture, between what is progress and what is preservation. Up here, every bit of skyline is being bought up by the speculators. So many structures, a great many of them already living under the threat of demolition. Will you become a landmark or a relic? It is the quintessential question of aging. I can trace this back to its flashpoint, the glint of the muzzle. Toward the end of 2019, I began to allow myself a drink on occasion. I did this as a matter of ceremony after eight years off the sauce. Only now I am backsliding. I am giving in to the wrong impulses. I am wading into what are both bleak and terrestrial waters. Last night I turned a three hour outing with an old friend into a twelve hour trainwreck on my own. I have no wisdom to impart. I am not penning an advice column. The starch has faded, and my line has gone slack. I look forward to drinking these days. I spend two hours of every binge feeling charismatic, and then I spend the rest of those evenings chasing the glow. I am in the bars again, and being in the bars means barhopping, and, at least for me, that barhopping means a babbling stream of toxic chauvinism and wasted money and awkward rejections and shameful boasts. I lack control. The longer the night, the more compelled I feel to meet somebody, to end up dick-deep in some woman whose name I cannot recall. I pursue this not out of a need for companionship, but as a means of compensating for the extra hours spent desperate and semi-lucid and alone.Be aware that these are the fledgling stages, a series of unremarkable deviations. The skin loosens; the jowls sag. I do not lie so much as I omit details. I commit oversights. I go from running five days a week to running four. Minor variances, but they can lead to a place where the road narrows and there is nothing but the Valley of Gehenna below. I have struggled to reclaim my honor, and I have no interest in an about-face. I need to stop drinking. Nostalgia is for the discarded. Three days from today I will turn forty-nine, and as I enter year fifty, I have occasion to consider that the most gratifying period in my life took place between 2012 and 2016, an incandescent metamorphosis during which I was newly sober and entirely celibate and only sporadically employed, all while still living in New York. Those years felt like deliverance; they felt like nirvana. Those years felt like coasting through a sundrenched mist after a quarter-century spent charging into a headwind with a massive chute fused to my spine. I ate better upon getting sober, and I slept better, and I began to turn inward. I had divorced myself from the conceit that one needs a lover – or some ongoing bevy of sex partners – to make him feel whole. This past August, I received an email from an ex-girlfriend, Meghan, my first true love, and one of the two great loves of my life. Meghan and I were in a relationship from the spring of 1993 until the fall of 1995. I was young and she was younger, and we both had separate worlds we needed to explore. There was a breakup, and following that breakup, Meghan and I lost touch. For a time, I would hear things, that Meghan was doing well and that she had married well, and that she had settled long in Lancaster, Pennsylvania. Meanwhile, there was no way of knowing. I had gone looking for Meghan online, only to discover she had the digital footprint of a person who does not want to be found. But then there was this email, and at the heart of it, a question: Would I be open to Meghan coming to visit me in the Poconos? I was, which is to say that I had accepted. And, thus, one night toward the end of summer, Meghan and I built a fire and we ate outdoors, and we worked through a quarter-century of gasp and void. It was the beginning of something, a reclamation. It was an eleven hour conversation that did not ebb until the dawn. Meghan has been to visit me a few times since that night. Earlier this week, she came here, to the Lower East Side, and the two of us spent a couple of days together. We walked through Little Italy and Tribeca and Washington Square. We went to the Whitney and the Met. We had dinner at the White Horse Tavern, after which we attended the fiction writer Sara Lippmann’s book launch at P&T Knitwear. After P&T, Meghan and I disappeared into the Village, where we got drunk, a good drunk, a warm drunk, the kind of drunk that makes me wish that I was capable of doing things in moderation. Meghan grounds me, and I am spellbound by her. I should also mention that Meghan has been tremendous for my psyche. When things went sour with that woman who had cheated on me, I stopped believing in myself. I took a header into the dark south. Intimacy, or at least the physical manifestation of it, is like a drug. It is like a mainline cocktail to the soul, the sudden removal of which can create a vacuum. I did not want to overcome that emptiness so much as I wanted to avenge it. I wanted to meet somebody, somebody who was fierce and smart and accomplished and who could make me seem attractive by association. And I did meet somebody like that eventually, only when I did, I resorted to drinking because I thought I needed to. This cheapened me, not only in my own eyes, but in the eyes of everyone who had supported me. I could go on for another ten paragraphs. I could expand on the idea of love and its apparent station in my life. I could comment on the age of androgyny and the inevitability of an asexual revolution; of the cultural shift from time management into energy supply. I could tell you that I like to think about love as a way of honoring the principled people in my orbit, but that I also like to think of it as a form of integrity. I could bring matters full-circle by explaining how Besima and I have become the closest of friends, how I met up with Besima this past Thursday, and how we went to see a movie at the Lincoln Square 13. I could run deep along any number of tangents, but instead I would simply like to impart that my life, at its most profound, has been about moving forward. And that my fears, at their most paralyzing, have arisen from remaining idle for too long. Companionship has been a struggle, particularly because I am selfish and I have an overwhelming indifference to remaining on my own. That aside, I feel privileged to be able to sit here and look out across Valhalla on a Saturday in late fall. There is more. There is an ocean. But the room is paid for, and we’ve got time. October 9, 2024
Fiction
NAMING CONTESTS by Will Musgrove
The cashier, whose name tag reads Barbara, scans my items, a two-liter of Coke and a Milky Way, my usual. It became my usual once I discovered the total, $6.66. Barbara, wearing a faded Looney Tunes T-shirt, won’t say the amount out loud like she does with every other customer. Instead, she stares at me as if I’m summoning a sugar-powered demon. The number never fails to get a reaction, unlike the fact I’m dressed as a cell phone.I pay and grab my stuff off the counter, which is made difficult by the big white gloves velcroed to my hands. The bells tied to the gas station’s main door jingle as I exit. Outside, the sun hangs in the sky like a giant Fuck You. Sweating, I eat the Milky Way on my walk back to the store, arriving just before my boss, Hank. I’m able to get the contest sign from my rusted-out Buick and lug it to my corner before he flips on Cellular Dude’s lights.The sign advertises Cellular Dude’s mascot-naming contest. Motorists driving down Highway 71 are supposed to shout names for the store’s mascot, me, from their cars. At the end of the month, Hank, the Cellular Dude, will pick his favorite. There’s no prize, so most people don’t shout anything. A couple of days ago, a lady in a convertible called me a jackass, but most of the time I’m just an invisible dancing cell phone.It’s okay. I come from a lineage of unnamed people. I only know my dad by the numbers on his slaughterhouse work badge: 5156252. I only know my mom by the smell of the hot dogs she used to leave defrosting in the sink before leaving for her second-shift cleaning job. The light turns red. A row of cars starts to pile up. I wave the sign, do a little jig. People inside the cars avoid looking at me, but I look at them. I like to imagine I’m a part of their lives, of their commute, that I’m going where they’re going. My favorite is pretending I’m a planet the cars are orbiting, that they all know my name, but I don’t know theirs. The light turns green. The cars inch away. A Honda slows down next to me. The car behind it honks. The Honda’s driver’s-side window rolls down to reveal a middle-aged man sporting aviator sunglasses, which reflect my painted face, the blown-up pictures of apps taped to my chest.“You look like a Chip, maybe a Charles,” he shouts through cupped hands.Once he says it, he’s gone, down the highway and around the block. Chip? Charles? I wonder which one Hank will like better. A couple of hours pass, and I walk back to the gas station on my lunch break, craving another Milky Way and Coke. During the walk, I imagine what life would be like as a Chip or a Charles. I imagine “Chip Was Here” carved into a park picnic table, imagine parkgoers being able to perfectly picture me in their heads. I imagine a skyscraper office where Charles is drilled into my door like a landmark.Sitting in the gas station’s parking lot is the exact same model of Honda as before. I run a white glove across its hood, hoping it’ll uncover my new name. The entrance of the gas station opens, and out steps the middle-aged man.“Holy shit, it’s the cell phone,” he says, slapping me on the back. “Man, I bet that job sucks. I’m Jerry, by the way. You?”“Pete.”“Why not Pete then?” he says as if it’s obvious.I watch as Jerry gets into his car and backs out of the parking lot before I go inside. I gather my Milky Way and Coke. Barbara frowns as she sees me approaching the counter. She goes to scan my usual, but I throw in a pack of gum at the last second. She cocks her head, flashes me a look of confusion mixed with relief. She says my total out loud, but all I hear is, “Why not Pete then?”Kkkkriiissshhh. I yank off a glove. “Name’s Pete,” I say, extending Barbara a fleshy hand.
October 8, 2024
Fiction
CREEP by Julia Meinwald
Arriving home from work, Mina noticed a man crawling along her building’s perimeter. He was close to the wall, his bare shoulders almost touching the dirty brick exterior, and wore only a pair of plain white underwear. He had a grim, determined look on his face, which was clean but partially covered by a coarse, unruly beard. He was very thin. The man looked down at the ground as he crawled. Mina watched him, shifting her weight from one foot to the other, for a number of minutes. Only after he’d crept out of sight did she dash in the front door. Generally, Mina tried not to look at the shabby bus stop on the corner of her apartment complex, the uneven patch of sidewalk, the building’s faded blue awning announcing its name: The Warwick Arms. It was a grand name for a run-down place. The lock on her apartment’s door frequently broke in one of two contradictory ways, either sticking such that she couldn’t get in, or refusing to lock on her way out. The paint on her walls flaked and chipped, and one of the three elevators was always broken. If she arrived home at the same time as a neighbor, she had to converse for too many minutes about the weather, the time of day, being tired, before the heavy doors finally opened to ferry her up to the fourteenth floor. (Everyone knows that it’s really the thirteenth floor in disguise.) Mina didn’t know the names of her neighbors, and would likely not recognize any of them outside the context of her building. When she left for work the next morning, the man was still at it. His knees were now dirty and scabbed. His pace had not slowed or quickened. Could this be performance art? Or some eccentric fundraiser, with donors pledging dollars for each lap around the building? His expression was so serious, though. Mina had read a study once, about cats with injured brains. The injuries were located in a spot that affected the animals’ sense of navigation: they could only turn in one direction. Left unattended, they would walk in endless circles.
***
Every Saturday, Mina babysat her niece Anna, a chaotic blonde spring of sticky energy. She told her sister Lydia to meet her at the park for the dropoff, not wanting the young girl to see the crawling man. Anna held Mina’s hand as they walked towards the playground, though she argued that four is old enough that she didn’t need to. The girl would stop along the way to pick up discarded fast food boxes, seltzer cans, once a (thankfully empty) blood collection tube like the kind you’d see in a hospital. Mina was disturbed by the trash in the park, wondered whose job it was to collect it. She didn’t see any real harm in it though, and Anna regarded each treasure with respectful attention before Mina gingerly pried it from her hands. At the playground, a dead rat was lying at the foot of the swingset. Anna jetted towards it, picked it up, and cradled it in her arms. “Honey, put that down, please,” Mina said, trying not to sound afraid.“She let me pet her.” “Actually, I think it might be dead,” Mina said, hoping she wasn’t introducing the concept of mortality for the first time.“No she’s not,” said Anna. Looking closer, Mina realized her niece was right. The rat’s abdomen was rising and falling in a ragged arrhythmia. Its eyes gazed blankly upward, as if asking for mercy. “We don’t know if it’s sick though,” said Mina. The image of the rat rousing itself in a final death-twitch to bite Anna flashed through her mind, and she grabbed the creature by its tail and flung it out of Anna’s hands. It landed with a soft thump a few feet away. “We’re going to wash our hands,” she said, dragging Anna towards the grimy public park bathroom. “Now.”Shaken, Mina walked a jittery lap around the park once Lydia had picked up Anna. With each step she said to herself, I’m fine, I’m fine, but she couldn’t quite dismiss the expression she remembered on the crawling man’s face, the sound of the rat’s wheezing breath. She had the unsettled feeling of being infected by some undefined threat. The sun set, and Mina walked home. She would make rice and melted cheese for dinner. She would watch last night’s episode of The Bachelor. It was just another day.***
To her relief, there was no sign of the crawling man outside her apartment. Perhaps he was just on the far side of the building. Perhaps he had crawled away. She was alone in the elevator, which trundled her up to her floor without fanfare. Pushing into her apartment, Mina felt suddenly tired. She let her bag drop to the floor, and turned the corner to find the crawling man circumnavigating her kitchen. She froze in the doorway. He continued his slow circle, knees dragging against the off-white tile floor, eyes down. When he reached her feet, he lifted his head slowly. His watery blue eyes met hers.“I mean you no harm,” he said in a soft, choked voice. An ant crawled out of his beard and across his face. He did not brush it away, but instead resumed his own slithering around the edge of the room. Mina backed out of the doorway. She sat gingerly on her living room couch, unsure what to do. She could hear the shuffling sound of the man in the next room. Eventually, she tiptoed to the hallway and retrieved her phone from her purse. She brought it back to the couch and dialed 9-1-1. “There’s someone in my house,” she whispered to the operator. After she hung up, she sat quietly, waiting for the police to arrive. She breathed a stuttering breath. The man crawled. She breathed. The man crawled. She breathed. The man crawled. October 7, 2024
Creative Nonfiction
SMIONAGAR by Catherine O’Brien
CW deep griefSmionagar (Irish word meaning shattered fragments or pieces). It is an orchard bathing in fog but you would have described it as a swatch of your life receiving its daily powdered kiss. It is a ramshackle house, your former home, but you would have said it’s where you learned that some parasols don’t always give shade to their own suns. It is the anger that you are gone and that the sunrise doesn’t have the decorum to abandon its rays. It is having no jurisdiction over when and where your unpunctual and formidable smile will thaw the freezing demesne of my grieving mind. It is silly, insignificant things like knowing we pronounce vase and scone the same way. It is the crying shame that not all saw the elegance of your ballerina’s legs as they danced. It is lazy, useless afternoons and the even longer nights that were talked into morning. I never told you that smionagar is my favourite Irish word but only when I’m in a tenebrous mood. It is those conversations we shared that were carbonated by the soda stream of realising we were for all intents and purposes the same. It is those laughs forged by the abstract silhouettes of others’ otherness and our similarities in reverse. It is the free-wheeling anarchy of a concert featuring a violinist on the triangle. It is recognising in hindsight that every moment shared was an occasion. It is all the obsolete joys when the world is devoid of the waterfall of your gentle voice. It is life’s cruelty that refuses to let it scrape its dishes. It is the privilege of calling myself your daughter. It is the defenestration of futures and their gradual replacement with forevers. It is knowing that nothing but love beautified the landscape of your mind as it died.
October 3, 2024
Fiction
FIVE OF THE WAYS I WISH I WAS MORE LIKE MOISSANITE by Patrick Eades
People often ask me what my spirit animal is. I'm not sure why I am asked so frequently. Maybe they are unsure if I am still human. Or maybe it is the clear spirits mixed with bile I have used to decorate their terrazzo floors that confuses them, and they are not sure whether to use lion strength metho or if bumblebee spray-and-wipe will be enough. In any case, I tell them I don't have a spirit animal, but if I could choose a spirit mineral, it would be Moissanite. Moissanite is somewhat of an unknown in the spirit world, but it’s one hell of a mineral. Moissanite is the second hardest mineral on earth, behind only diamonds. So hard it is almost impossible to chip anything off an old block of Moissanite. More the pity for me, who has been carved straight from my guilt-ridden Catholic of a mother. Guilt strips me slowly, or sometimes in great chunks. Nothing eats away at Moissanite. Not even alcohol. Eight gin and squashes on a Tuesday night doesn’t even leave a blemish.Moissanite—unlike my former self—does not contain any soul, or at least none yet discovered by the technology we have available to us as amateur mineral enthusiasts. This is a good thing. Souls are weak. They break at the drop of a baby. Moissanite—unlike diamonds—is conflict free. Like a dim-witted alien without a spaceship licence, it hitched a ride on a meteor and crashed to the earth’s surface. It can also be grown in a lab, where synthetics can be manipulated for greater strength and resilience.Perhaps Moissanite is conflict-free because it is incapable of blame. Even if it was able to remember which set of hands strapped —could you really call it strapped?—that baby bicycle seat, or who it was that panicked when a magpie beak perforated their eardrum and haywired their vestibular system—completely understandable—it would not be able to allocate blame in a fair and balanced manner. It wouldn’t even try. Credit to Moissanite where credit is due, I do believe it would be able to sit through grief counselling sessions without chain-smoking three joints in the alley outside prior. Conversely, it would not have the thumb dexterity to secretly record the most salient points made by Sally the grief therapist to later use as ammunition in a war in which both combatants are already buried in trenches.And perhaps most importantly—unlike any animal I have met or seen in David Attenborough documentaries, and unlike any of the spirits hiding in my pantry, or in the shaving cabinet, or underneath my bed—Moissanite is not transformational. It is what it is.It does not have the ability to harden at the sight of a familiar face—now seen only once a year—as it trudges towards a crooked slab of marble lodged in grass. It cannot soften, as it watches this face leak upon withered yellow daisies. And it cannot re-harden, as it sees the face turn, swallow the apology on the tip of its tongue, stand, and walk away once more. Moissanite originates from the stars, a twinkle in the sky. On cloudless nights, I stand outside and gaze up at all my unmet wishes. If I wait here long enough, perhaps one day she will fall again. This time I will catch her.
October 2, 2024
Micros
THREE MICROS by Sarp Sozdinler
BUTTHOLE PROBLEMSWhat’s it, what’s it, I can hear you saying, what’s even a butthole problem, or what’s a butthole other than being a problem in itself, of itself, that sounds to me like a butthole problem, butthole, a butthole that rashes like hell after a hot date, that itches like a motherfucker after a night well spent at Taco Bell’s, unlike some other buttholes that smell like proper buttholes, buttholes that smell like years of regret and day-old butter, buttholes that gossip about other buttholes in family functions, about Steve Bannon, about Santa Claus, buttholes that dream of traveling far away and broadening their buttholes, buttholes that wish they could trade their buttholes for other things—a roof, some money, fair sex—buttholes that burn with regret in the mornings, buttholes that should deal with external threats, like inflation, like novel viruses, like lubricants and penetration, buttholes that go on around other buttholes like can we make this happen, how can we make this happen, buttholes that bear smaller buttholes inside them like a Russian doll of buttholes, buttholes that could turn cancerous—if not malodorous—if left unattended, buttholes that could move from one butthole of a place to another, like from Texas to another part of Texas, or straight from Texas to hell, a hell that’s not particularly literal or metaphorical, not even allegorical, a hell where demons could famously roast your butthole on a spit, a hell that could make you feel at home and wish you didn’t even have a butthole in the first place, that you didn’t have a life after all, that you didn’t come into this world, into this body, most certainly not this body attached to this particular butthole you were born with, have to carry with, live with, laugh with, die with, halfwit. A DROWNINGEach of us was supposed to either push the turtles over the pier or jump into the water ourselves.Jimmy said, “How many turtles?” and we had to explain to him that one would do. Though I could tell he wasn’t fully convinced, he took the news in good faith. He checked us out one by one, then gently grabbed a turtle from its shell in his last act of mercy. His arms quivered in hesitation before he tossed the turtle into the lake like a skipping stone.“How’s this exactly a punishment?” he turned to ask upon the unclimactic silence. It was a fair question. Though the gist of the game wasn’t about punishment, there was something about meeting up this late, far from our homes, that lent the whole ordeal an unmistakable element of sin. If my sister were still here, she would tell us all about her own wrongdoings, about how testy the waters could be when provoked at just the wrong time.But she could no longer talk, no longer breathe.“It’s where they come out from.” It was Cornball who finally broke the silence, who then picked up the remaining turtle and catapulted it into the water with a kind of intensity that made me assume he had some unfinished business with the turtle kind, or that he was resolving some unfinished business he had with someone else with turtles.We all stood in a delicate silence before someone said we should go back. The crickets filled the air with chirrups, another mark of the South. When we arrived at the car we found the main road deserted, which made me feel as if everyone was dead and we were stuck in some kind of limbo. I could almost hear my sister calling me a dickhead from beyond. COVENANTFor Pim’s seventh birthday we pin her to the ground and shout “Eat shit, you human” by her side, Cane’s homemade Xenomorph costume torn from the thighs, revealing the sponges he filled his crotch with to make it bulge, all while clawing at Pim’s ketchup-stained chest with his needle-like tinfoil fingers, watching Pim’s head jerk to left and right as if slapped by a pair of phantom hands, shouting “Stop,” strictly in character from the start, Pim is our Ripley for the day though she looks nowhere near Sigourney Weaver, she’s half-German and standing at 4-foot-5 but she’s the birthday girl anyway so we keep our mouths shut and try to have fun, except for her brother Percy who stands all brickfaced on the porch like Michael-frikkin-Meyers when he was supposed to play Ripley’s crewmate, but it’s no surprise, he’s known to be a softie like his dad who’s now babysitting Pim’s newborn sister in the rocking chair, smiling and winking at us every few minutes like that one weird uncle in every family——and Pim suddenly elbow-strikes Cane’s jaw and somersaults to say, “Hope you like soup, motherfucker,” grinning at us all Ripley-Ripley, showering us with what remained of her piss in her nerf gun, we Xenomorphs glancing at each other as if we’re truly done, Cane starting to wail through his broken teeth, his head peeping out of his tinfoil Xenomorph costume like a chick in a hatching egg, and that’s when Percy shows a sign of life and starts to run toward us like a good crewmate, screaming out obscenities and cries of revenge, his habit of eating beef jerky for the past three months nonstop finally showing through his self-confidence, and Cane turns to me like a rabbit caught in the headlights and says, through his swollen gums, “Wow.”
October 1, 2024
by Mike Topp
$25 | Perfect bound | 72 pages
Paperback | Die-cut matte cover | 7×7″
Mike Topp’s poems defy categorization. That’s why they are beloved by seamstresses, pathologists, blackmailers and art collectors.
–Sparrow
