
He loved how pale lines looked on my skin. After we fuck, he’d trace his fingertips up and down the jagged, raised scars. One night, he admitted jealousy. He wanted—no—needed to be there when it happened. Who was I to deny? I came over when the sun set. Every three nights. After his confession, he led me to his at-home office, grabbed a dull pair of hot pink Fiskars from the desk drawer and made the cuts. Not deep, but enough for warm bubbles to spill. He spread my blood with his tongue. He couldn’t wait long enough to take

When I met Julia Fishwell, I was trying out a lot of different deodorants. A fungal infection had left my armpit skin itchy and brittle. The Old Spice I’d used since puberty was too harsh. All the new ones too. Every week I smelled like a different person. Julia stared straight at me from behind the drug store counter. “You don’t want this one.” She swept my hypoallergenic stick from the conveyor to clatter against other rejections in a basket at her feet. She rapped the counter like I was a distractable pet. “I’ll be right back.” She stepped from

Everything I know about love I learnt working weekend shifts on the Ghost Train. It was a sweet gig for a 15 year-old — sitting in the mucky perspex booth, trading tokens for screams. We opened after the sun went down, when the kids from nearby villages would descend in packs. In the queue, the mating ritual would begin. They would size each other up and pair off, giggling and bopping to the music. People go crazy for fairground music. Despite this, there was always a gap between partners. Sometimes it was small but it was always there, as if

Drake catches a boot with the foot still inside. The policeman lets him touch his gun. We all eat mandarin oranges, even the policeman. We’re not allowed to talk about the foot, but we talk about it because we’re boys. We’re not allowed to tell scary stories around our campfire. When everyone else falls asleep, I hike up to the lake with my rod, hoping to catch hands, arms and legs, maybe a head. I want to compile one whole man. I only hook bass and some brim. Then, I feel a greater tug. I wonder if the policeman will

Chelsea Sutton’s rollicking novella Krackle’s Last Movie (Split/Lip Press, 2026) deals in magic and monsters. The mythology of horror icons meets the world of the film documentarian, in a whimsical ride full of frisky humour and spooky glamour. At its ghoulish heart the tale is a quest—a resolution residing somewhere within old videotapes and archived audio cassettes. I spoke to Chelsea about the book. Rebecca Gransden: Travelling back in time, what is the first monster you remember? When did monsters enter your life? Chelsea Sutton: Monsters very clearly entered during The X-Files era of my life — which was

$25 | Perfect bound | 72 pages
Paperback | Die-cut matte cover | 7×7″
Mike Topp’s poems defy categorization. That’s why they are beloved by seamstresses, pathologists, blackmailers and art collectors.
–Sparrow