My cinematic education started pretty early. My mom introduced me to Humphrey Bogart films and my dad to the Marx Brothers and Elvira’s Movie Macabre all before I was a teenager. Later, I would attend Steve Byrd’s Basement School of Cinematic History (that consisted of a solid wall of VHS tapes from floor to ceiling and even laser discs) and John Schloman’s Arthouse Academy (that mostly involved traveling to the Cedar Lee Theatre in Cleveland). During this same time, a number of my friends and I regularly went to The Rocky Horror Picture Show and then started a New Year’s

1. About a week before the deer trouble starts, the mayor of Westerntown is sitting with his wife in a swinging loveseat on their patio, and their three kids, the two boys, who are four and six, and the girl, who’s almost two, are playing. The two boys are in the sandbox that’s in the middle of the yard, building sandcastles, and the girl is pushing a fire truck around on a blanket that’s been spread out on the ground next to where the mayor and his wife are sitting.  As the mayor and his wife relax and their kids

“How’s your night going?” the man asked.  Mary looked into his eyes—his deep brown eyes, beautiful by all objective standards—and knew they were the eyes of a liar. He didn’t mean “Having a good night?” or even “Having a horrible night?”; he meant, “Are you willing to tolerate my attention, and thus sustain my sexual fantasies about you, for the duration of this elevator ride?” “Amazing,” Mary answered. She wasn’t leading him on; she was setting him up.  He grinned, falling into her trap. “Oh? You on a winning streak?” “No, but my boyfriend is.” There it was, as if

Michael Seymour Blake is just some person with a nice butt in Queens, NY.

For many years, so many we have lost count, a Stairmaster has occupied this room, an unsightly apparatus left to gather dust after a (short-lived) period of committed use, its panels and planks fading in the sun, the curtains on the window it faces left open as often as not by the owner of this room and the many adjoining rooms. The window once overlooked a sycamore tree, but it was chopped down by sullen men in gray jackets who arrived early one morning before the first snowfall of the waning year.  We were not expecting this uproar, nor could

Every spring, the inimitable Sam Berman gathers the finest writers in the land, and me, for the StoryFort Festival in Boise, Idaho. One of the writers who made the strongest impression on me at the 2025 festival was Drew Buxton. After one of his readings, I pinned him in a corner and bombarded him with questions about his work-in-progress, a novel titled Daytona Teddy Riggs (Hub City Press, 2026). It’s about a promising football star who gets himself kicked off his college team and then pursues the World’s Strongest Man title. To say I was excited about the prospect of