Interviews & Reviews

Chatting with the Meat Puppeteer: Ben Gross interviews Hannah Smart

May 12, 2026

Hannah Smart’s debut novel Meat Puppets (Apocalypse Confidential, 2026) is a metafictional romp through the lives of people who know they want more without being entirely sure of what they want more of. Weaving her way through drug-use, acting seminars, and a celebrity-based stock exchange where people can put up real money in the hopes of cashing in on the soon-to-be-famous (or-not), Smart crafts characters whose lack of self-transparency makes them as relatable as they are complicated, as charming as they are repulsive, and as touching as they are fantastic—then she puts them through the wringer. Like all great works of experimental fiction, Meat Puppets’ formal fireworks

Author on Author: Cairo Smith and David Polonoff – Part Two

May 6, 2026

Part Two: Cairo’s Questions to David about Wannabeat (Trouser Press Books, 2024). Click here for Part One. The Novel Within the Novel Cairo Smith: Your hero, Philip, spends much of WannaBeat working on (or avoiding working on) his book, which seems like a deliberate parallel to your own project. It features thinly veiled versions of the people around him (Sally Sassafras for Wendy, Heine for himself), an elaborate Gold Rush allegory, and eventually the arrival of El Nihilismo to destroy everything he’s built. Is the novel-within-the-novel a parody of WannaBeat itself, or a record of an earlier failed attempt,

Author on Author: Cairo Smith and David Polonoff – Part One

May 5, 2026

Part One – David’s Questions to Cairo about Scenebux (New Ritual Press, 2025). Part Two will publish tomorrow. Is Scenebux a Kind of IRL Cyberpunk? David Polonoff: Many of your readers (myself included) have noted the parallels between Scenebux and the work of William Gibson in its fluid mixture of hard-boiled detective/thriller narrative and post-human technology. You’ve quoted ARX-Han on the difficulty of “writing cyberpunk now, because real-life just is cyberpunk.” To what degree is that true? Is it like reading Jules Verne in the 20th century and marveling at the inventions and gadgets he foresaw or more that the cyborgian

Art, Oxy, & L.A.: An Interview With Luke Goebel By Kevin Maloney

April 23, 2026

Luke Goebel is a unicorn in the literary world: an outlaw writer with an underground classic in the indie lit community (Fourteen Stories, None of Them Are Yours, 2014) who has also collaborated on screenplays for two major Hollywood films, Causeway and Eileen, cowritten with Ottessa Moshfegh (the two married in 2018). His new novel, Kill Dick, seeks to bridge these worlds, bringing all of the fire, guts, and intelligence of an experimental indie to a page-turning sunshine noir thriller that feels ready for the big screen (and is in the works). The result is an imminently readable crime novel

Richard Cabut Recommends: Constructed Situations and Torn Surfaces

April 21, 2026

We launched my current book Ripped Backsides: Postcards from Beneath the Pavement at Flux Lumina, an arts loft both luminous and dark, as well as fab, on the Bowery in NYC last summer. As is the custom, I made a short introduction to the book, treating the cross section of subway-annotated-novel types, tote-bag literati, bookstore-event lurkers, Downtown creatives – no ironic moustache wearers to be seen unfortunately, but you can’t have everything – in other words a lovely crowd; my kind of people. Ripped Backsides is a personal post-punk drift tracing ruined maps of the noir cities… A fragmentary situationist

Spiritual Holes: Stephanie Yue Duhem interviews Audrey Lee

April 9, 2026

Audrey Lee’s Utter Goodness (Farthest Heaven, 2026) is a collection of ambitious range. The stories traverse American landscapes from Malibu to small-town Idaho, ventriloquizing fearlessly across gender, class, and generation. Lee, who has previously published two poetry collections, has made a decisive turn toward fiction, trading the mirror of confessional poetry for what she calls the “larger container” of the short story. The result is a book concerned with judgment and redemption, with “spiritual holes” and the dubious ways Americans try to fill them. What follows is our conversation about genre, place, absurdity, faith, and inspiration. Stephanie Yue Duhem:

RECOMMENDS: DREAM MACHINES by Emmalea Russo

March 24, 2026

Dreams. Dreams. Dreams. Nightmares. Reveries. How do they power us? Take hold? What do they tell us, in their own wicked and unwieldy ways? Lately, they’ve been on my mind, as I’m teaching a yearlong dream study workshop. We’ve been delving deep into dreams from literature, film, and psychoanalytic cases. I often teach long and trippy workshops, but this might be my favorite yet. I chose dreams this year, in part, because in the days/daze of digital-everything and quick AI answers, the dream remains impenetrable. It is remnant, belonging to the world of high weirdness and ungraspable grossness and subtlety.

DAVID SIMMONS RECOMMENDS: THREE BOOKS

March 11, 2026

The Winnowing Draw by Michael Tichy (Castaigne Publishing, 2024) “Keeping a fire alive is an act of vigilance. The darkness merely awaits.” The Winnowing Draw is like Bone Tomahawk meets The Neverending Story, with beautiful language that really immerses you in the time period. We are in 1880 where a poor teenager named Cecil is on the run after accidentally (or not so accidentally?) murdering his best friend, another boy, but from a privileged and prestigious background. Meanwhile, a colonel, his kidnapped two-spirit guide, and his band of ragtag soldiers are on a hunt for American monsters. The wild

Things I Hate A Little Bit Less Than Others By Travis Jeppesen (author For Those Who Hate a Little Bit of Everything)

February 24, 2026

The stories of Diane Williams After finishing a thousand page novel a few years ago (Settlers Landing, ITNA Press, 2023), as a way of “recovery” I started writing these very short stories, many of which are gathered in this latest book. Diane Williams has built an entire career out of writing such miniatures – I hate the term “flash fiction”; one is almost tempted to call them “fragments,” only they’re not. Williams’s stories, along with Kafka’s parables, might look like fragments; in fact, they are wholes. (When we speak of fragmentation as form, we’re really talking about texture.) Equal,

DISCO AND THE INFERNAL CITY: AN INTERVIEW WITH CALEB BETHEA by Rebecca Gransden

February 17, 2026

The city lights up after nightfall, and Caleb Bethea knows the way. With Disco Murder City (Maudlin House, 2025) Bethea takes the lead, chasing fear along emptied alleys, into pulsating nightclubs filled with star-kissed divas. The sweat of violence and the will to get down infect every pore, and demons release their energy with a smile. Bethea decorates the city in cinematic grit and sparkle. The only thing more silver than the screen are the knee high platform boots. I spoke to Caleb about the book. Rebecca Gransden: Disco Murder City takes place in a world saturated in the