Flash

GHOST STORY by Shae Sennett

December 13, 2024

Being a girl inside Blue Park is insanely humiliating, but I am prepared to weather the storm. I am cased in my androgynous armor of enormous jorts from the early aughts and a baggy N-Sync shirt that subtly signals irony in an overtly post-ironic way — the mustache finger tattoo of my generation. God bless me, I am positively swimming in a sea of cute boys. I feel like I am in a fanfiction, but I am way too ugly to be Y/N and no one here even cares that I am reading Nietzsche’s Collected Works. Nonetheless, I am doing my best to project an effortless cool, the kind that all guy’s girls have, like the one in sexy clothing who is offering me a hit of her blunt right now. It is an act of solidarity, not friendship, because she is not my friend, just my friend’s girlfriend. I no longer have girlfriends after what happened to Dasha. I also don’t go into the ocean.After I watch the boys skateboard in the concrete park I follow them to Joe’s concrete apartment building, where I am allowed to watch them watch skate videos or even watch them play Tony Hawk’s Skate 3 on Xbox 360, or possibly PS2, I’m not really sure. It’s part of my research as I build an internal lexicon of tricks like bean-plant and sex-change and Casper, like the ghost. I perform my silent assimilation ritual secretly on the couch and before anyone notices I’m one of the freaking boys. I can smoke weed if I throw in, I can do a line if I Venmo Joe $5, I can have a Coors Banquet tall boy if I steal it myself and quickly enough that I don’t keep them waiting. I don’t think about Dasha or the ocean or the ghost and the boys don’t think about me. Sometimes they sleep with me and sometimes they don’t and sometimes they get it up and sometimes they don’t and for some reason none of them ask me to be their girlfriend, even though I am doing such a good job of being just like them. I’m pretty sure it’s because they somehow found out I’ve seen every single episode of RuPaul’s Drag Race, even though I wipe my web history every time I watch it, but it could also be that I’m ugly. It also could be that they think I’m a lesbian simply because I bite my nails and have a strong jawline and can’t afford to buy weed and shaving cream at the same time so I keep choosing weed for five years, but I kinda don’t think it’s that.The “third space” is the basement called Heck, where people with dyed hair and gender troubles play the sounds of rattling chains and creaking door hinges off of sub-bass speakers that got broken from being left out in the rain. The boys throw their bodies at each other and I throw my body at their bodies and we all laugh because violence is funny, especially with your friends (they taught me this). A girl dressed like me is there and she makes all the boys laugh and I wonder what her secret is until one of the boys says she’s a lesbian. Figures — everything good happens to people who don’t want it anyway. She asks me to bum a cigarette and I pretend I don’t have one and I turn red hot with embarrassment from lying and also maybe from all the body heat. One of the boys gives her a cigarette and she doesn’t even have to Venmo them $1, which is insane. They are monkey-fucking and my heart swells with jealousy and also maybe some other unparsable passion, I’m not sure. The lesbian is breezier than a windchime and laughs twice as loud and I swear I’m not that funny. She wants to smoke weed after the punk show together in my apartment, nearby and covered in dust and ash and socks that smell bad. I say yes because saying no is harder and also I’m out of weed. I’m probably not a lesbian but I’m sure it will be fine. She rolls us a spliff raw dog on my Amazon plywood coffee table and she explains to me an episode of 30 Rock and all her favorite jokes in it and I say “Wow that’s crazy” seven times and by the eighth time I realize I should probably say something else so I say “Wow, that’s… insane.” It’s here that she decides to kiss me.“Her lips are so soft,” I narrate along in my head, preparing for how I will describe this to the boys at Blue Park. I figure if we can talk about fucking pussy together I will be better girlfriend material. I am choosing which boy I want the most in my head when suddenly the lesbian pulls her lips away from my lips. I am worried for a second that I did something wrong, but also kind of relieved that I won’t be munching box or whatever, until she looks at me with that’s amore eyes and says: “Have you ever seen a ghost?”I haven’t seen a ghost but I have seen all one million thousand episodes of RuPaul’s Drag Race in shameful secret. I haven’t seen a ghost but I have seen Dasha follow one into the ocean and never come back. “I haven’t seen a ghost, but I’m sure you have, so… what’s the story?”Usually “the story” is a painting that fell off the wall in your great aunt’s house, or a shadow that passed by your bedroom window of a childhood vacation home and the floorboard creaked from the weight of its absolute spookiness, and every once in a blue moon the story is that a ghost with my name and my haircut is drowning you in the ocean and you are swallowed by the water and the night and all the void-like things that haunt them. But the lesbian doesn’t have a story. “I see ghosts all the time,” the lesbian is like. “There’s like two ghosts in your apartment right now, and they’re both girls. One of them looks kind of Russian. The other one looks kind of like you.”Then she tries to kiss me again, but I am too busy being haunted by Dasha and the ghost that once replaced me in her life. The lesbian calls herself an Uber, muttering under her breath about how expensive it is to sail just halfway across Brooklyn until, finally, she leaves me alone with my ghosts. The Google search “Do lesbians have higher rates of schizophrenia” yields unsatisfying results. Thankfully RuPaul’s Drag Race is already open in another tab, God bless me, and I drift into the ocean of the night, the sea of sleep, and dream of ghosts.

LADIES OF THE PRIVY CHAMBER by Mark Iosifescu

December 5, 2024

“There was a russet-coloured moon of ominous size too low above the whispering bushes; he danced exuberantly for five minutes beneath it after the click when his neck broke. His bowels opened. What a mess!”—Angela Carter, “Elegy for a Freelance” It was on the basis of his sorry reputation that we arranged for Puccio the ex-valet to desecrate the chapel. When we first arrived in town, we were told by villagers of every description—the lordlings and plainclothesmen, the monastics and innkeepers, the stewards and eelbaiters and whores—that he was a timid man and a coward. Puccio was, they said, bumbling and ineffectual, hopelessly maladroit, constitutionally avoidant of drinking and fights, a slow worker, and a punk around women. The older nuns recalled how, as a child, he’d been too scared to milk the cows. Though he had the body of a nominally grown person, all spotted and hairy, he yet retained the anxious, carping predisposition of a little boy. He was stunted and aggrieved, so pilloried as to justify any counterclaim. He was estranged from creation itself. Mwah. He was perfect.We devised a plan: the town pariah, the dead animal glorified, and the awful village brought low. Whirlwind, heat, and flash.To prepare for the ritual, we camped out in open forest by night. Mornings we entered the village, disguised assiduously, to collect information. Few in town knew where to find the young man, but eventually a pair of pockmarked merchants pointed us in the general direction. These days, they said, Puccio kept mostly out of sight, bivouacked with the sick and unwanted animals in the far field behind the burnt stable.“They say he accidentally started the fire,” one of the merchants told us, clutching his wool wrap against the biting wind. “Since then he’s been a shiftless louse, Mesdames, if you’ll pardon my saying so.”The men were under the impression we were Ladies of the Privy Chamber, maidservants in the household of a regional consort. Though they were determined to play it cool in this regard, they were idiots, and their titillation was obvious.“I’ve seen his type before,” the merchant continued. “Too lazy for a trade, too womanlike for military service.”“And too warped for the church,” the other one said. “Prone to unholy acts, how I’ve heard it put.”The first merchant clucked and shook his head. “You don’t know that, after all.”“What, about his deviant behaviors?” The second man made a lewd gesture and grinned, revealing several broken teeth. “His tendencies contrary-to-nature?”The first merchant covered his ears. “You shouldn’t speak of it, not in front of strangers—”“It’s alright.” We affected clean, girlish accents and placed reassuring hands on their shoulders. “I’m sure we’ve heard worse before.” “Course they have,” the second man said, looking us over, trying to be impressive. “Anyway it’s just how he is, innit? Once a stableboy, always a stableboy.”

***

We emerged from the woods on the third night, rubbed clean and slicked in hot tallow, moonlight catching where it would. Each of us had drunk heavily from the consecrated sacks of wine, and as we sprinted through the dark, our breaths inside our masks resounded like wet slaps. The members of our detachment were giddy, lightheaded by the time we reached the clearing and fixed sights on the ruined stable.It was a four-cornered plot, patchily mown but much neater than what the townspeople had described, at whose center the smolderings of a recent campfire smoked beside some wire-lined animal hutches and a pair of shabby linen tents. Though the intervening distance was largely obscured by darkness, we’d taken care to reconnoiter the whole of the field during the prior days of close observation. We knew exactly where to be.We squinted through the loose, flappy eyeholes, trying to bypass the smoke from the camp while our visions adjusted. Finally, at the clearing’s far edges, we saw them: our Sisters, in all their finery, standing stock still. Shapely forms, angles all glistening, fleshly knots of curve and slick straightaway culminating at their necks, where the fearsome glory of the masks slipped over the top like a churchmaid’s headdress. Gazing at them, noting their formidable bodies against the dark, their towering nakedness, the easy dominance of their stance, we felt rushes of pleasure. We loved the idea that this was how we looked. We howled the signal across the clearing. The other detachment howled back its readiness. And together we moved in.We found Puccio in the larger tent, asleep on a pallet of loose cloth and hay, a small earthenware bowl balanced on his sweaty belly. In the corner, a clatter of personal items: sacks of food, sheep shears and farming utensils, a bridle, a guitar, other pieces of frippery. Beside these, a corpulent sow lay snoring facedown, a dozen or so fussy piglets vying for access to a single exposed teat.“Peace?” When he woke, Puccio’s voice was high, tentative, trembling. He couldn’t see us yet, but he knew someone was there.“Shhh,” we answered.We bound him to the tentpole with his bedclothes. Within a minute or so we’d commandeered the rusty shears and started in on his long, greasy hair. On account of our not having gagged him, he made a lot of noise at first—shrill, ribboning sounds that seemed to aggravate the nearby animals, some of whom we could hear neighing and stomping fitfully from their hutches outside. But everyone soon calmed down, and by the time we completed his shave, Puccio had become docile, accepting, eyes sort of passively unfocused as he gazed into our false faces. It was as though, in feeling the monastic tonsure we’d cut out of his crown, he’d begun to intuit his role.The assault on the chapel and the breaking of the town would require, we knew, another animal of sufficiently encrusted contempt. We asked after the ones in Puccio’s care: their number, the nature of their ailments, the causes of their abandonment. It turned out he kept an ancient pack donkey named Cephas who’d been worked to lameness by a village farmer, beaten badly and left at the edge of town. The creature couldn’t walk or even stand, having developed enormously inflamed hoofs; it also suffered from infections along its flanks, where it frequently worried the flesh and bit itself raw. It would be dead by Sunday.“Can the animal be transported into town?” Our speech flowed slow, slurred almost to indecipherability; the night was heady, and our voices caused the air to warp inside the tent.But Puccio nodded easily. “I can use the old stable van,” he said. “It made it through the fire in good shape. Two horses should be enough to pull it.”We smiled beneath the masks, petting the halo of locks we’d left intact along the rim of his skull. Puccio’s cheeks were clammy, and a steady, obedient pulse could be seen beating out from a notchpoint at his temple while we whispered instructions into his ear. Our little monk.

***

That weekend, the chapel was full, the sabbath having drawn the attendance of nearly every townsperson: the church officials, of course, but also the midlevel nobles, all manner of working folk, indigent passersby. Sneering shopkeepers lined the benches beside combative drunks, shameless propagandists and wifebeaters, sanctimonious elders and loudmouth zealots. The merchants who’d shown us the way to Puccio’s camp were also visible in a front pew, their skinny, dour families crumpled beside them. They didn’t recognize us in our disguises, but we knew everyone, and as we scanned the room a hot feeling of anticipation moved through our centers.The portly priest stood, and his painted throne heaved a sigh. Though he wore the highly decorated garb of his order—the ornately-woven sackcloth and cuffs, the heavy pendants and jewelry, the bulbous crown of damask and gold cloth—he resembled nothing so much as a bloated pigeon.He began his invocation, turning toward the altar and chanting in a low voice while a pair of punctilious aides bobbed along the perimeter with perfume censers. The congregants picked up their end of the chants indifferently, eventually finding a sort of delicate unison, one filled with subtle desynchronizations and flatnesses of tone, with distracted murmurs and slow lullings. Human voices, shabby and drifting; testaments to impoverished, complicit spirits, to lifetimes of violent disregard. And our miracle, sudden and senseless, coming to free them.We closed our eyes, listening as the crowd thrummed and droned toothily, and thought of the instructions we had given the stableboy, that night in the tent beside the broken stable. “You might imagine it as a doorway,” we’d said, directing his lolled-over head toward the small symbol we’d painted in the dirt: a loose oval, an egg shape, rendered in the darkened purple of our upchucked wine. The ritual, we explained, required that the symbol be wordlessly pondered, fixed on with concentration, revivified in the incorruptible space of one’s steadfast attention and enlarged, slowly and carefully, to a greater and greater stature. To the size of a key. To the size of a knob. To the size of a door.“Carefully look over the door in your imagination.” Puccio’s hands had been tied, fingers outstretched, bloodless white. Tears on his cheeks as he nodded.“Now open the door.”At that moment, a crash was heard from the chapel’s entranceway.We opened our eyes just as an enormous shape skidded across the floor. The broken donkey, lobbed deadweight into the center of the space. A terrible smell filled the air.“If you wish to fatten up on blood,” a voice said, “then spill it in sight of the throne.”A hush had fallen, but as soon as the congregants could see who was speaking, the tone changed again. People scoffed, rolled their eyes. More than one attendee gestured to their neighbor, indicating the speaker’s clerical haircut with ridicule.“Stableboy.” From the altar, the priest snorted. “Are you good?”Puccio entered, his head low. Stubbly patches had begun growing back in across his scalp the last few days, little crusts of dirt and bunchups of dead skin along the crown, along his neck and thin forearms and the furled hideaways beneath his threadbare tunic. He looked beleaguered, filthy, abject, the way they thought of him. But his smile was clean.Looking up, he loosed a stream of curses, of invective, of magic in the old style. Probably he spoke of youth and humiliation, of unspeakable memory made concrete if not quite knowable—the details of what was said being academic, really, where actual practice is concerned. Nothing to relate about his words that isn’t irrelevant, not so much paltry or inadequate as altogether meaningless when conceived in context, amid generations of injustice, of massed mourning, of increments of voltage accumulated, held, and discharged, finally, in a single paroxysmal move. Of what consequence is language, anyway? We’re talking about action here.Instantly, the building itself seemed to slip out of phase. A chair snapped and splintered of its own. A mother wept, staring at her baby. The flames in the censers leapt their containers, and the shocked aides dropped the vessels to the floor. The donkey’s hoofs began to twitch.Puccio had been speaking continuously as he came up the aisle. “If you want to feed your gods on sacrifice,” he said, “then take a look at what it is they actually eat.”Probably nobody heard him. The crowd pressed against itself, flexing and roiling, falling into the walls and the locked doors. The flames from the censers spread slowly, inching themselves along the timber floorplanks, fingering the tassels on the woven rugs. We stood, calmly, irrevocably, and in one move, cast off our disguises and revealed our true faces. Cries, prayers, panic. Behind us, the merchant with the broken teeth, desperately avoidant of our sightline, was trying to climb the masonry, scrambling over his family, knocking over icons and paintings.In the cleared central space of the room, the donkey wiggled a leg, pressed on it tentatively, and rolled onto its feet. It breathed steady amid the building smoke, rocking back and forth for a moment, then reared up on its hind legs and, with an unbidden bray of pleasure, began to cross and uncross its forelimbs. It stood on one hoof then the other, trotting and shuffling, circling the burning chapel decorously. With a stately tempo, it danced a processional for the end of services.

THREE WORKS by Myles Zavelo

November 20, 2024

My First Cousin Once Removed: Regarding Your Inquiry1. Sure.2. She’s still young, I guess.3. She paints and wishes and likes fancy things.4. Never believes me.5. Teases me mercilessly.6. Canned foods repulse her.7. Pretends she can’t stand me.8. Can't orgasm to save her life.9. Makes everything about herself.10. Suffers from excessive jealousy.11. Doesn’t have a family anymore.12. Acts like she has no choice.13. Knows how to seem extremely polite.14. Has consistently failed to make a dent.15. Always mad and sad and never the same.16. Loves Gatorade (almost every popular flavor).17. Wants a destination wedding — wants elegant wedding moments...18. Growing up, she bullied her younger siblings sadistically.19. Grabbed her mother’s genitals once at the breakfast table.20. Got grounded for six weeks after that.21. Then set a small fire in her father’s study.22. The mother: a successful homemaker who made sure to feel good about herself always.23. The father: a closeted bisexual businessman who thrived in 1980s Manhattan.24. I’ll get to my first cousin once removed’s terrible grief in just a moment.25. She used to have a sense of humor.26. She needed to get a life.27. I needed to get a life, too.28. Want to French kiss her again.29. Want to ejaculate on her face again.30. So sorry that I said that.31. Just really wish I could have sex with her one more time.32. But certainly you don’t want to hear about my mess.33. And now I’ll never get to her terrible, terrible grief.34. We used to get together every now and then.35. Rebecca.

***

CilantroMy ex-wife, she hated cilantro.My father and brother, they hate it too.My mother and I, we love cilantro, we put it in fucking everything.My father, brother, and ex-wife say it tastes like soap.But my mother and I: we severely disagree with them.We raise our voices at them, we wish cardiac arrest on them.Because they are useless freaks with legitimate genetic conditions.And when it comes to useless freaks with legitimate genetic conditions, we must force the worst possible outcomes.Love against hate, good against evil—my mother and I burn alive.

***

What Mom Said This Afternoon About My Emaciated FatherDo you know what it’s like to be married to a man whose bottom is smaller than my face!?Then she pressed PAUSE.What a cautious sip of HOT tea on her part...!In the meantime, my father poured himself a stiff, skinny drink.And? What? When water changes? In the COLD afternoon? What an unholy letdown.Then again, life lets you down like this all the time.Have I neglected to mention the rocks in her throat?Then she pressed PLAY.Will you just look at your Daddy’s little disappearing bottom!

BEAUTY QUEEN by Sam Pink

November 13, 2024

We’re eating chocolate cake for Ronni's bday after work. At a table in the hay barn that serves as my boss’s office. It’s me, Ronni the team lead, my boss, and her two teenage daughters who barback/take out garbage. I’m covered in mud from the waist down because my boss’s youngest daughter took an ill-advised shortcut with the golf cart during a garbage run. So I went out and helped, lifting the back and pushing forward while she gassed it.‘You’re buying him a new pair of pants,’ my boss says, eyebrows up.‘Okayeeee, jeez,’ says her daughter.She’s been crying a little, on account of the embarrassment as well as her sister’s accusations of being stupid. I’d told her multiple times not to worry about it.Ronni puts her feet up on a chair and spreads her legs to ‘air her balls out’ under her skort. She’s wearing a bday girl sash and tiara. She takes a bite of cake with an anguished look and says, ‘Man I feel like a bag of smashed assholes.’ This is her main line, the smashed assholes. A whole sack of them, battered and stinking, amassed from various asses and collected in a single sack as a sign of some greater pain. 'I made out like a bandit though. I knew if I let people know it was muh berfday and had my titties out a little, they'd tip me more.’ She takes a last bite of cake and sets the fork on her plate.I ask my boss's older daughter how her boyfriend’s doing. I met him recently. Bit of a dopey fellow, handshake like someone handing you an oven mitt and all that. 'What’s his name,' I say. 'Ricky?''No it's Walter. He's fine, I guess. I broke up with him tho and he started crying. He's always crying, I literally think maybe he’s gay.''Oh man, I liked him. Seemed like a nice fella. You don't like him anymore.''No he's gross. And his mom saw my texts and started texting me all this angry shit.'My boss says, 'He does have some hygiene issues but he’s a good kid.''He’s literally gay and he stinks,' says her daughter.I eat some more cake. Looking up at the window, high in the barn. A rectangle of bright blue sky. Like something in a video game I’d yet to unlock. The next map, if only I’d the tools. I start thinking about my elderly friend in town, the gunsmith. Hadn’t seen him in a while. He’s like the first character you meet before you go off, in search of other maps. I remember how he described getting into guns/gunsmithing when he was younger. He said he got his first .410 and it was ‘off to the races’––a phrase which I’d heard before many times but only then, and ever since, truly enjoyed and understood, realizing the meaning, to be off to the races, not stuck at the beginning line, somehow already a loser.‘I can’t believe you lifted that thing,’ says my boss. ‘Thank you so much. And again, [her daughter] is gonna buy you new pants.’I look down at the mud, all over my pants and boots. ‘You think these are done?’My boss’s daughters laugh.Ronni says, ‘Hell yeah they’re done, looks like you buttfucked a hippo, son.’The boss's younger daughter is looking at crowns on Amazon. She won runner up in the Ms. [town they're from] beauty pageant and didn't like the crown they'd supplied. 'What about this one,' says the beauty queen, showing her sister, who wrinkles her face, shaking her head. The beauty queen turns her phone to me and asks what I think.Staring at the crown, which has 536 reviews, I say, 'The only way to truly get a crown is to slay the queen currently wearing it. To strike her down. Bring terror to her court.'My boss laughs.Ronni says Jesus, taking her feet down off the chair with a grunt, then says if I want a ride home we have to get going.

STATIONS OF THE CROSS AS PERFORMED BY A 6TH GRADE CATHOLIC EDUCATION GROUP FOR A SMALL CONGREGATION ON THE THURSDAY BEFORE EASTER by Michael Harper

November 8, 2024

Jesus is condemned to deathMark is desperate to be crucified. He’s been acting especially pious this week. Smacking his cheeks to make them look ruddy and hallow. Doing push-ups before rehearsal. Crafting his body into a canvas for suffering. The other boys and Julie volunteered to be Roman soldiers. Cardboard swords clash dully. I should have tried out for Pilate. One scene then done. But my reputation isn’t good enough to condemn Jesus to death. I miss months of masses in a row. Crucify Him! rings out from the class. The trial seems rigged. I feel for Jesus even if Mark’s a giant prick. Jesus takes up his CrossThe soldiers get into it. They’re allowed to jostle and there is a moment when their roughhousing feels like it will overflow. Spill into actual violence. An overt shove. A tug on Mark’s thin toga. A rambunctious smack across his defenseless skin. The acting feels dangerous. A mask slipping to reveal a jagged scar. The congregation holds its collective breath. Most eyes get lost in the stained-glass kaleidoscopes that twist the morning light into prisms of color. It’s like the awkward reports on the nightly news. Global warming. Meth/opioid epidemic. We pray it will pass. Survive till the football scores. Jesus falls the first timeGolden chalices catch the light. The girls’ primary-colored cloaks flutter behind Mark’s staggers. They wail like raucous ghosts. Sometimes snorting into laughter. Mark’s really dragging this out. Juicing his time in the spotlight. He falls. The sound booms in the quiet church. Ricocheting off the vaulted ceiling. I jump in my seat. The sound of violence feels dangerous in a place I’m only allowed to stand, sit, and kneel in. Where control is strictly enforced. Mark stays down. The soldiers push him. Tug at his arms. Red beads of wax slide down the eternal candle. The crucifix hovers. Watching. Waiting.Jesus meets his MotherCough. Cough. Stifled laugh. The crowd shifts in their seats as Vikki’s hand lingers on Mark’s face and then slide down the length of his partially exposed chest. The leader announces the station. The crowd responds: Have Mercy On Us! The words fill the nearly empty church. The chorus spreads like a flood through my upper body. Vikki and Mark don’t break eye contact. The public suffering activates something. The being watched by the audience makes their bodies tingle with desire. The leader pushes the narrative forward. Breaks the young lovers apart. We try to remember this is very serious. Simon of Cyrene helps Jesus carry the crossThe procession approaches me. I’m pulled from the wooden pew and forced at cardboard sword point to pick up the back end of the cross. Its Styrofoam. Weighs less than the air. It’s more like a texture in my hands than a burden. In rehearsal I felt like a reluctant ally. An unlikely side hero in this story. But in front of the crowd, I turn into an accomplice. Another force pushing Jesus toward his inevitable ending. I strain my face. Flex my arms and shoulders into a garish struggle. Showing the crowd this is no picnic for me too. Veronica wipes the face of JesusRosita dabs at Mark’s face with a Dollar General wet wipe. Vikki stares daggers at her as she moistens his skin. Her touch is so tender. Light and humane. I don’t understand how someone could feel jealousy toward it. I forget my role. Find myself in a dream where hands as gentle as these press into me. Make the tiny electric sparkles under my skin flare and then settle. Feel my pores. I sense the tautness of my skin and how the pathways in my body connect like a waterway. HAVE MERCY ON US! Sucks me back into my performance. Jesus falls for the second timeMark really sells the fall. Spreading himself across the red carpet. Pulsating agony. I try not to look directly at him. The altar sneaks up on the procession. A green and gold cloth hangs off its skeletal frame. The site of the encroaching crucifixion. It’s like a tractor beam. What if we all just stopped? I could drop this cross. Walk out of the church. The soldiers could cast down their fake swords. Mark could put on a shirt. The crowd could go home. Why didn’t Jesus run? Is it a son’s responsibility to sacrifice his body for his family? Jesus meets the women of JerusalemWails, wailing, wailed. The warble rises and falls. A flutter of reds, blues, yellows and greens heave with inconsequential grief. All we own is our pain. It is ours to cart around. To mold into a story of self-suffering. Mark draws a cross in the air before the girls and the hunger of their suffering intensifies. It’s unclear if he is blessing or forgiving them. If we are freed from our suffering would there be anything left? Life might become boring quick. Purpose is easier to create and easier to achieve when we’re pushing a boulder up a petrified hill. Jesus falls for the third timeWe get it. Mark’s suffering. His body heaves on the ground. His ribs push through his skin. I’m unsure of what to do with my hands. The faster he gets to his feet the faster the suffering continues. Stay down. I’m a shadow of this fallen figure. No longer a person but an outline of a body on the floor. An idea which I can fill my own body with. Should I have been Jesus? Instead of floating behind him, unsure of what to do. I could fill my soul with divine guidance. Let a higher purpose guide my life. Jesus is stripped of his garmentsMark’s skin looks translucent under the altar’s bright lights. His arms are slender. Veins run blue down his forearms. A complex root system spreading in the shallows of his body. It’s difficult imagining his body as temporary. As something separate from his eternal being. Flesh and bone and blood is the centerpiece of our sacrifice. The physicality, the realness of him makes the backs of my legs tingle. A horror spasm slithers down my legs. I shift my weight between feet. Time feels urgent. My skin becomes aware of a taught string stretching from this moment to a wooden coffin. Jesus is nailed to the CrossThe soldiers’ faces hang heavy with purpose. Their movements precise. Mark is stretched open. His body splayed wide for the audience. The splotchy homemade cross is pitiful under the looming crucifix above him. His acting quaint next to Jesus’ carved suffering. A soldier holds his hammer and spike above Mark’s wrist, checks the lectern, and swings. A hollow ping rings from the sound system. I choke on my breath. The soldier moves to the other wrist. The next ping slips inside my body and ricochets around. He kneels with his tools. I close my eyes. Waiting for the final strike. Jesus dies on the crossDuring rehearsal we held ice cubes in our hands to simulate Jesus’ pain. I didn’t feel it then. The cold felt funny. The wet was simply wiped away. Watching Mark on the cross, I feel the sting of the ice in my palms. He’s stoic. Only wears the pain in his furrowed expression. His chest heaves. The final breaths become deeper, more exaggerated. And then silence. Or very shallow, near silence. Tiny signs of life escape him. A small sip of oxygen. A slight quiver through his finger. The church goes quiet. Holds its breath in solidarity. Prays in thanks. Jesus is taken down from the crossA limp body doesn’t cooperate. Feels like moving a mattress. Except its Mark. I remind myself that he’s still alive. We cover him with a white sheet. He becomes an outline under the thin layer of cloth. The shape of his body a ghostly terrain which dips and curves like a gentle mountain range. I imagine it’s a relief to no longer be looked at. I stare at the still form. The end of the pain. Relief spreads slowly from my fingers. Pushes up my arms like a tremble. Thank god it’s over. But now what? Where do we go?Jesus is laid in the tombApparently, we go to the basement. They just announced there’s Jell-O salad and Maid Rites. Mark doesn’t move. Everyone starts for the stairs. We walk past his body, quiet as a shiver. I pack away the performance inside myself. Breathe easier now it is over. No embarrassments. No impression at all. After eating I go upstairs. The sheet is empty. The lights are dark. Jesus stares down at me hard. I put the sheet over my head. A kid on Halloween. Breath deep into the fabric. Feel the memory of ice in my palms. Taste the air leaving my lungs.

FRACTURED by Lana Frankle

November 7, 2024

The existence of a Neural Correlate of Consciousness that persists after the administration of anesthesia is such anathema to the established position taken by physicians of the modern age that publication of any supporting data has been effectively relegated to the annals of pseudoscience. This is despite the clear and alarming implications of not one but several studies attempting to chronicle the experience of the Fugue. As a man of science I at first balked, predictably: if overwhelming and conclusive evidence is rejected by the likes of Nature and Science than I as an individual bear no responsibility for its dissemination. However, I have since been prevailed upon: the public is not directly responsible for the systemic biases inherent in the academic standards that deceive them. If they are indeed active participants at all, it is indirectly. If their eyes have been blinded, and indeed even if it is through their own actions and mechanisms, it is not through any fault of their own. The public may be an agent in the dynamic, but assumptions have been made on the collective level that on the individual level are unwarranted: you, dear reader, may have done nothing wrong and still be subject to implications of the decisions of your peers. Perhaps this is not the case at all, and you will read this publication with a laugh and a sneer. But if, upon finding it here, you feel naught but surprise and betrayal, know that this is for you. That the anesthetics touted and trumpeted as groundbreaking medical technology, come at a cost that is well hidden, but that I, active in their development, am suited to deconstruct. One thing I would like to make clear from the outset is that I fully appreciate the massive societal-level benefits imparted by the development of modern anesthetics: hundreds of thousands of life-saving surgical procedures are performed daily worldwide, and this scale of medical intervention improving the lives of millions of people would simply not be possible without them. It is no overstatement to say that our human ability to self-repair our own physiology has been instrumental in allowing us to control the tide of our own evolution as a species. I am thus fully aware of the implications of my own research into the persistence of consciousness into the anesthetized state. It is only because I have seen with my own eyes and proven with incontrovertible data the agonizing states induced and never recalled consciously in fully anesthetized surgical patients that I took up the obligation of raising social awareness for this most sensitive issue of public interest. Given this knowledge, it is still not imminently clear which is the most optimal course for setting policy or making individual decisions regarding surgical procedures – the vast majority of which, including technically “elective” procedures, are done for sound and necessary medical reasons and cannot be forgone without drastic health consequences up to and including death. Some fairly straightforward implications, however, include ones for surgery done for purely aesthetic reasons, as well as implications on health decisions underscoring the importance of maintaining physical health through lifestyle to pre-empt the need for eventual surgery altogether. The more interesting and difficult cases are ones in which surgery has already been medically advised, but would involve inducing extreme pain in a phi network that will not be able to communicate this either during or after the experience, but would fail to provide ongoing active consent were they able.Ultimately, the NCC in question has no means of exercising their legal rights, bodily autonomy [sic], or freedom of choice, and no recourse to protect or represent their own interests. While this matter warrants legal and not just clinical expertise and consultation, there does seem to be a precedent for the protection of conscious entities not reliant on their integrated personhood – Cleever vs. the state of California and Scober vs. the State of Indiana can be here referred to, albeit the relevance of a criminal punishment in cases of insanity or incompetence may supersede the relevance of any protections relevant due to Markovian or causal independence. Because these NCCs have no way of prosecuting such a case, protections would need to be implemented on their behalf – as is already done in cases of abortion and life support of comatose or vegetative individuals. It is my firm belief that this direction should be explored by libertarian and other relevant ideological organizations and think tanks, and I will gladly offer my guidance for them to do so should they request it.

THE VARIANT by Lana Frankle

November 6, 2024

In the months since The Visitation there have been ceaseless efforts by the Department of Defense, including within my own division at DARPA, to develop strategies to either obliterate and neutralize the foreign Entities, or (in my own research lab) to counteract or mitigate the seemingly inevitable effects they have on human observers. Thus far, efforts to kill or immobilize these foreign agents have been largely unsuccessful, and this is due mostly to the lack of techniques for localizing and targeting them in ways that circumvent the need for soldiers or others to perceive them. The use of infrared goggles to attack in darkness at night did not prevent the known psychotogenic effects and suicidality in any significant way, and efforts to secure video-surveillance triggered munitions and drones has likewise been unsuccessful due to the lack of known distinguishing features that can be used to identify the targets from other warm bodies such as humans. After the third accidental death, of a toddler, with no confirmed hits on the Beings, the program for automated gunfire and drones to wipe them out was put on hold until better identifiers, whether visual or other, can be found. Our own techniques are less risky, and while they would not eliminate the threats, they show real promise in limiting the severity of reactions to them, which in normal cases range from debilitating to cataclysmic. So far over 15% of the population has succumbed, most of whom die too soon to be assessed or treated, and many of whom kill others before they go. The few we have been able to bring in for consultation are generally useless as they have been reduced to incoherence and frenetic oscillation of their mood, goals, and speech. Others still retreat inwards, becoming near-motionless, affectless, and catatonic. Analysis of brain tissue of those affected post-mortem offered another potential avenue of research, however it proved difficult to draw meaningful conclusions about any neurological effects as the timescale between the initial exposure and death is usually on the order of hours to days, generally too short to allow for clear atrophy, gliosis or synaptogenesis. Our findings based on this approach were therefore inconclusive, although they did allow us to rule out gross tissue damage such as cerebral infarction, ischemia, edema, or encephalopathy - bearing witness to the Beings does not appear to cause stroke, fluid build-up, or tissue swelling. Fortunately there remains one final and quite promising research opportunity left to pursue: a very small subset of people, somewhere between 0.1% and 0.5%, appear to be largely immune to the ill effects that beset those who look upon the Beings. So far we have only been able to examine one such individual, a thirteen-year-old girl. Two others are rumored to be under study by labs in Atlanta (CDC containment facility) and an old university in Tokyo, however, these reports remain unconfirmed, as currently all televised news media has been cut off and radio reports are intermittent and have limited geographical range. Some of these limitations in media and communication are inadvertent inevitabilities, while others are necessary enforced precautions to limit the spread of images containing the Beings. Electronic communications of any kind, as well as access to electronic databases, are theoretically still accessible to high-level government and military officials, which includes myself, as well as persons with some other very limited essential roles. However, maintaining an internet connection has itself been intermittent due to outages, electric grid failure, the near-impossibility of any maintenance of the system, and general chaos. This means that while we were able to run tests for many genetic markers on our subject, we have so far been completely unable to compare the results to those of other individuals with similar immunity, and analysis of the sequenced regions without such comparators could not suggest a pattern, as absent any polymorphisms or normal inter-individual differences, her genome appeared unremarkable. We do suspect that other similar cases can be found locally, however the obvious limitations on communication and safe mobility make any form of coordination or selection of potential subjects untenable for the time being. We are, however, grateful for the opportunity that has been presented us, and so far we have diligently made use of every means at our disposal to uncover what biological, neurological, psychological and/or soteriological defense mechanisms are at work, and how they might be co-opted or replicated in the general population, or at least in the servicemen responsible for deploying lethal force to rid our society of the Beings. Our primary base in Arlington has been out of commission since two weeks after the Visitation, the satellite research facility in Virginia Beach has connection to generator-powered electricity and well water, as well as stable architectural foundations and a primary lab space that is several feet underground, all of which makes for ideal research conditions given the larger global circumstances. It is equipped with a physical reference database consisting of decades of published scientific research across multiple disciplines, as well as cable internet, although this connection has so far only worked briefly and on two occasions, the latter of which was unsuccessful in connecting with any other labs or military bases. As mentioned previously, the facility is also limited in terms of the diagnostic instrumentation and other medical research equipment on hand. One of the newer DARPA employees, Major Chambers, an army psychiatrist recruited just a week prior to the Visitation and with no combat zone experience whatsoever, has adamantly insisted since we acquired our test subject that he can perform vital and informative assessments on her neurological and psychological functioning using verbal and cognitive tests alone. While I remained skeptical, his initial interview with the subject was the first time I had heard her speak openly about her witness of the Beings, and I reluctantly acknowledged that our options are currently narrow and granted him full license for any non-invasive tests he might want to run, provided there was negligible physical risk. Several days ago he presented me with some of the subject’s color pencil drawings of the Entities, of which she claims to have seen three. The drawings are quite skilled for a child of her age with no artistic training, but still rudimentary compared to what might have been accomplished by, say, a police sketch artist. It is also of course an open question how much of the drawings’ poor detail was due to an amateur’s lack of skill, and how much was due to the impossibility of conveying an incomprehensible horror whose visual presentation itself may not be standardized between different perceivers. The first of her drawings features a rotund gray thing with six long, spidery legs bent about halfway up. It features a ring-like raised ridge around the middle of its corpus, like Saturn. Its top is dotted with several protruding bumps, also gray, but darker. It has no discernable face. She calls this one Calye, though she would not say if it told her that name or if she gave the name to it herself. The second also has spindly insect-like legs, but an elongated, brown corpus. The subject mentioned that the color she used was “not quite right” but that she couldn’t find “what the real one would be”. It was ambiguous whether she meant that the color spectrum of the Beings was outside the spectrum of electromagnetic wavelengths typically visible to the human eye or simply that the 32 ct. Crayola colored pencil set provided her was insufficient. The last of the Entities she drew was perhaps the most intriguing, as rather than possessing legs it appeared to hover midair, and the lighter imprint of the coloration (which was sky blue with a touch of green) made it cloud-like. However, when asked if it did hover, or fly, the subject merely furrowed her brow in that way that children do when posed with a tough riddle, and answered, “I mean, sort of.” This being was also interesting because it was the only one which appeared to possess a face, or at least, several rounded circles resembling a single large, compound eye. When asked if she knew whether it was an eye, or if it ever seemed to look at her, or blink, however, the subject replied in the negative. There appears to be no harm or risk from viewing the drawings themselves, which speaks to the non-transferability of supernatural visual perceptual experiences and the inevitable loss of information at various points along the pipeline of basic sensation, integrated perception, cognitive and emotional processing, and repackaging for communication purposes using either the verbal or visual medium. Additionally, the colored pencil set she was given contained two missing colors (aqua green and light orange), one (violet red) which was broken into two pieces, as well as several others that were quite dull. Artistic tools are not, remember, a category of equipment necessarily kept on hand in either a secret military base or a secret research facility. Psychosocial interview and debriefing by the scientist about the Beings as well as any relevant background of the subject previously mentioned also proved at least partly fruitful as they revealed the following: -encounters with the Beings was somewhat disturbing or at least puzzling -when she saw the first one she found herself staring involuntarily, as one might a trainwreck, despite some slight discomfort akin to, but not exactly like, staring at the brightness of the sun. She also acknowledged, of her own initiative, that at least part of her fascination with these creatures stemmed not from the direct effect their forms had on her psyche, but from her prior knowledge that what she was witnessing were sights that had drove many others, including her own father and brother, into madness (immediate suicide and attempted attack on her mother with a knife, leading to a bystander shooting him, respectively). These reactions also provide further evidence against the origin of this type of relative immunity having any genetic component, barring the possibility of a de novo mutation, which the limited chromosomal regions on which we performed genetic sequencing fail to fully rule out. Medical history revealed no major medical conditions, disabilities, past surgeries or injuries, and psychiatric assessment ruled out any serious mental health conditions or history of trauma (prior to the death of her father and witnessing the death of her brother, which given the current societal circumstances are not outside the norm). Her beliefs regarding the supernatural prior to the Visitation, as well as her thoughts about or speculations on (or even knowledge of) the Beings were also probed. While she had not previously been religious or very superstitious (occasionally mixing up “potions” with friends or pretending to be witches, which all sounded relatively normal for her age) she did seem to have atypical attitudes to the Beings, including speculation, despite the trauma and devastation that had directly and indirectly affected her, that they carried a certain message that it was important to decode. When asked for further details on what this message was, however, she merely shrugged and said she didn’t know. “I think a lot more people are going to die, and I don’t think there’s anything you can do about it either, even though I know you’re trying.” is what she is recorded as having said, to which Chambers doing the interview replied, “You’re right, we are trying.” and nothing more. Various visual and cognitive tests were also performed by Chambers. While her vision was normal at 20/20 and she did not suffer from astigmatism or colorblindness, some tests of visual processing did render abnormal results including slower visual processing (less proficiency at detecting changes in rapidly switching images which showed added and then removed black dots on a white background, as well as movement of these dots to slightly different locations - an ingenious test designed for this purpose by Chambers himself, but based closely enough off of existing psychometric assessments to ensure the ability to form judgements and comparisons with the general population). While she was sometimes able to detect these changes, her accuracy was two standard deviations below the norm, despite her above-average intelligence. With a slower “frame rate” of changes to the layout and positioning of these dots, her accuracy improved significantly and was within normal range. When administered a Wechsler adult intelligence test rather than the Stanford-Binet children’s test (both tests have both children’s and adult versions) it was noted that her performance on Raven’s Matrix Reasoning was also well below two full standard deviations lower than average. Low performance on this test means her ability to predict the expected form of a symbol associated with several other previous symbols which together demonstrate a clear pattern with no a priori description was severely impaired. Her scores on picture arrangement and picture completion were also below normal, but only by one standard deviation. These tests assess for ability to make sense of discrete scenes that can be arranged into a coherent story, and ability to make sense of isolated images with missing features by adding these missing details. Lastly, her answers to the Rorschach inkblot test were highly irregular, not in a way suggesting psychological problems or trauma, but rather in interpretations of ambiguous imagery that take on highly specific, nuanced, and uncommon situations, events, and combinations of objects, such as two cardboard cutouts of South America being held in the cloven hooves of a ram standing on its hind legs. These answers were always given after a lengthy, deliberative pause, but with an air of complete certainty. Taken together, these results point to a general pattern of non-standard conceptual frameworks for visual input. Rather than seeing a few lines in the general shape of a chair as a chair with a missing line or two, for instance, the subject would see half of an oddly shaped horse or a chipped coffee cup with curves missing. Inability to predict the next abstract figure of a sequence, as in Raven’s Matrices, points to the formation of incorrect visual expectations and inability to recognize visual patterns. Trouble noticing changes in the patterns of dots on a screen points to lack of sequential organization in visual construction. Our working hypothesis is that the combination and interaction of these deficits decrease the subject’s ability to process the sheer horror of the Beings. It does this by interfering with the neural impulses of the brain regions responsible for object and scene level construction along the ascending pathways before they can reach the brain regions responsible for semantic-psychological level interpretations, existential terror, horror at the very nature of existence, and unfounded homicidal rage.changing dot patterns Raven’s test matrix picture arrangement test Rorschach test cards drawing completion test Our motivations for elucidating these mechanisms are twofold: to provide potential assessment tests available to the public to determine how likely it is that they are among the unsusceptible population (although we will proceed with this objective with extreme caution, if at all, as cognitive and psychological tests are unreliable, especially when self-administered, and any definitive causal relationship currently remains theoretical) and to use the information collected to attempt to induce a similar protection or immunity in previously vulnerable (normal) persons. Currently two different strategies to this end are already underway. The first involves the construction of a kind of physical distortion barrier, namely, protective lenses which can theoretically be manufactured, at least on small scales, for the use of select test populations, mainly the military troops tasked with elimination of the threat. The construction of these goggles will not be trivial and will require a complicated system of optic distortion combing artificial time delay/choppy or lagging video feed and certain image processing tools designed to compress or alter visual information in carefully specified ways, such as by inducing graininess, jitter, or watershed effects to split whole objects (such as the Entities) into collections of discrete parts. The use of this technique has not been tested and there is no way of guaranteeing it will work without testing it directly. However, existing strategies are virtually nonexistent and include trying to quickly look away or shut one’s eyes if a soldier hears the approach of, or glimpses, a Being, which is both ineffective (it generally does not prevent them witnessing it and all subsequent effects) but also almost completely prevents them from actually killing these Beings, which is the entire point of all their existing missions. The second strategy is less straightforward and involves psychological and therapeutic interventions, either as a prophylactic mechanism for those likely to encounter the Entities (again, mostly soldiers - civilians are often inadvertently exposed as well, but any targeted training of them remains unfeasible under current circumstances and they are advised to simply seek shelter and remain hidden and secluded) or to limit post-exposure effects. The therapeutic techniques involve visual training with the use of video feedback, in a setup similar to Eye Movement Desensitization and Reprocessing (EMDR), as well as to existing video feedback military training. Another option which could be applied both prophylactically and in cases of catatonic or disturbed but contained/restrained persons recently exposed to the Beings is the use of cognitive behavioral therapy (CBT) techniques to actively reprocess the trauma of exposure to the Beings in ways that are more aligned with the less harmful, chunked or distorted processing that our subject experiences naturally. One final cautionary note remains: while we have not been able to maintain steady contact with either the Atlanta lab or the Tokyo lab and do not know much of any information about subjects alleged to be similar, yet another similar subject has been rumored of in Mumbai, and this person (a man in his thirties with a wife and children) was said to be completely immune to the Entities, for several weeks, and became convinced that he was a deity whose duty it was to encounter and document them. He was said to have witnessed and photographed tens of such creatures as he sought them out intentionally, like a storm chaser. And then, it is rumored, he came across one and went mad, just as everyone else, and slaughtered his family. This tragic case (which onceagain, is unconfirmed by any reputable source, but was told to me by two people independently, both members of the US military) raises a concerning issue, namely, that even the type of immunity that we and others have documented may not be a complete immunity. It seems possible, and in fact very likely, that there exists at least one and possibly multiple variants of Being which still affect even the lucky few who resemble our subject. What to make of this information Chambers and I are unsure. His suggestion, which does seem plausible, is that there are alternative visual pathways that are utilized by alternative types of visual processing and scene construction, and that there are vulnerabilities that exist aside from the one that is currently known.

(TEAR DOWN) THE OPRY by Carolynn Mireault

November 4, 2024

On their first night alone together, Anne Cowan has gas, and is the type of modern woman to announce this mid-noir, center candlelight, right as Robert is pushing aside their T-bones. Tonight they’re Clean Plate Rangers, having tested each other’s manners—wrong knife, tines up, napkins on the table—but zilch, he’s certain, could have girded him for this.“What would you like me to do about that?”“Nothing, I guess,” she says, “unless you have something. Do you have anything? Phazyme?”They’re at the El Dorado Bed & Breakfast halfway between Carthage and Sedalia. This alone required some finagling, a detailed fabrication about a meeting Robert had in the area, and even still, it had to be on Anne’s terms. A hotel, for instance, was out of the question, but she’d supposed it’d be all right if it were a B&B, and all right so long as he made steak dinner in the bulking onsite oven, and if they discussed their future over wine, and agreed, if things felt natural, it would be all right to spend the night together, in each other’s arms.“No, I don’t.”The room is cramped with enormous tan furniture that can’t come apart nor be lifted, has been here forever, and will stay just as long. A mismatched bedroom set is mixed in with the couch and dining area, so they are as much in the chamber of coition as they are in the kitchen. A ceiling fan is fast over them and turned as bright as it can go, lighting the dumplings of skin beneath her sockets and the start of a unibrow. Her brown velvet dress matches the throw pillows, and soon, she could be between them, if things go all right.“Can you go down and ask?”“Down?”“Yeah,” she says. “The front desk might have some.”It’s a frivolous mission already, made more fabulous still considering that Robert does have Phazyme tucked in the side pocket of his messenger bag, where he keeps his wallet and pictures of Susan and the boys. He fusses for a moment, deciding whether to put back on his shoes, which require a production to tie, and he’s already gotten comfortable. Plus, El Dorado is carpeted all the way down, thick blue to every baseboard and over each stair. He opens the door to leave.“No shoes?”“I’ll just be fast,” he says.“Do you have a key?”“You’ll be here, won’t you?”“In case I’m indisposed when you get back.”He goes to the dresser where he’s placed the key and holds it up to her before sliding it into a front pocket, then leaves. To his right, a single mother and her children are trying to get into Room 4, but struggling with the key. The little daughter in blush overalls looks at him with credulous misery, and being the generous man he is, Robert walks over to help.“Let me get this for you, ma’am.”“It’s not ‘ma’am,’ it’s ‘miss,’” says the boy, who’s older than the girl, and wearing a too-large hat.“Quiet, James,” she says. Then, “Thank you,” to Robert.The boy’s got on his stinkface, and when the door comes open, pushes his sister in first then throws a big, green purse at her. The mother is too tired for patience or gratitude, nods at Robert and shuts him out. Through three inches of original oak, he can hear the squeals of the girl at the cruelty of brotherhood and the crash and bang of flung objects.He takes to the stairs, which threaten a spill when his socks slip on the carpeting. It feels as though there are infinite other carpets beneath it, filled with lint and accidents, dead with beetles and dust mites. At the bottom, beside a tower of ice-blue luggage, a mastiff puppy sleeps on a bath towel beside a dish of water. There isn’t much of a lobby—just a desk in the hallway—and no one is manning the counter. There’s no bell to ring, and once one minute passes, Robert considers going back upstairs and telling Anne he checked, he asked, and she’s out of luck. But without the Phazyme, she might not be all right, may not want to move forward or finish the wine, and he’s not sure when his next chance will be to see her overnight. Keeping waiting, he stares at a poorly composed still life of a gray bagel on a checkered blanket beside a tub of Kraft cream cheese, (two times the size of the bagel), and a plate of anchovies. It is signed Kojak. As Robert’s hope is failing, he hears the desk clerk’s voice in the next room: “I’ll be with you in a minute!”When the next minute passes and she still isn’t with him, and what felt like a miracle begins to act like something he’s dreamt, Robert follows the voice into the next room—the dining room—to find she had not been talking to him at all, but rather three supermodels sitting with their forearms on the tablecloth, and whispering to each other around an ewer of carnations. All three look up at the same time, and beam in a way that the room fills with daylight, then dims again to the glare of exposed lamp bulbs and extraordinary silence.“Hello,” he says. “Have you seen the clerk?”“Nice socks,” says the one with the blond bob.“Come sit,” says another.“Guys,” the third whispers, “what are you doing?”“What?” asks the first. “He could be here for the convention.”“What convention?” he asks, then again, “Have you seen her? Has she been in here?”“Come on,” the second one says again, patting the chair beside her.Robert goes to it and sits there, putting a napkin quickly over his lap, where he fears at the slightest suggestion, blood will flow and all life and comfort will be destroyed.“I only have a minute,” he says. “I need to ask the clerk something.”“Are you here to see Dr. Eadburg?”The one beside him slides her wine past the carnations. He takes a drink and gives it back. Behind them, a fireplace with a grand, white mantel is lined with porcelain lambs and foals. There is a patriotic urn on the end with a newspaper clipping framed above it. An orange map of Missouri is glassed-in above a peacock chair in the corner.“Never heard of him,” he says.The three look at each other and take a sip as if making a pact.“Okay,” the first one says. “We’ll tell you.”“That’s all right. I don’t mind.”“It’s important that you know,” says the second. “You’ll find out anyway. Dr. Eadburg is a prophet of God.”“Is that right?”“And we’re his wives,” says the third, “or we will be, in Heaven. He selected us three out of everybody in the world.”“I wonder why,” says Robert. “So, the prophet is right here in El Dorado?”“He’s at El Dorado.”“What do you mean ‘at’?”“He’s being wrongfully held at the correctional facility,” says the second, “for one hundred and seventy years.”“Oh, I see,” says Robert. “So, he’s a rapist and murderer?”“How could you say that?” asks the third. “Dr. Eadburg’s mind is God’s mind. His body is God’s body. His schmunt is God’s schmunt. He writes to us. He writes about the snake of Heaven. He loves us, and even if you hate him, he loves you, too. Even you. He’s your prophet. Even you.”“His schmunt is whose what?”“All his outcomes are blessings.”“Him in jail?” Robert asks.The second one laughs with anger. “You don’t know what you’re saying,” in singsong. “You don’t know what you’re talking about. You don’t know who you’re talking about or who you’re talking to.”“We’ll finally meet tomorrow,” says the first.“You’re going to the jail?”“It’s the circumstances,” she says. “We can’t change the circumstances but we don’t have to accept them.”“Can’t he change the circumstances if he’s so God?”“You have such a rude way of talking,” says the third one. “No wonder you’re here alone.”The front desk clerk comes in from the kitchen, which, with its doors open, smells up the room with dust and bullion. Though perhaps not Eadburg’s cuppa, she’s nothing to laugh at in an empire waist top, crocheted at the neckline, where her clavicle fades under fat. She’s semi-blond, too, and would be blonder if she bathed, as her hair is parted down the middle and combed into two slick flaps on the sides of her head, shining dark. Her forehead sparkles with grease. She holds reheated frittatas and blackberry scones.“This is all we had,” she says. “I hope it’s enough.”Behind her shoulder, another still life is hung. On a red, one-dimensional table lacking the proper parallelograms, two ugly fruits are painted—perhaps mangos—crooked and parted, and appear as a doublet of pelletal breasts. Kojak tried using coffee to stain the background, causing the paper to ripple and scrunch.“What’s in the eggs?” the second one asks.“Rabbit and leeks.”They stick up their chins.“You think that’s gross, sweetheart?” Robert asks. “Wait until you see the prophet’s ding-dong.”The first one spits her wine on the tablecloth, tries to stand, but is too frail, appears to have something wrong with her hip, and lands back in her seat with a yelp.“Can I get you something, Mr. Dunn?” the clerk asks.“Phazyme?”All three brides go sage with nausea.“Right away.”

***

Upstairs, Anne has found Robert’s Phazyme as well as the photos of his kids, and is standing by the bed, leaning on the frame, flicking through them. She isn’t mad, but wants to meet them, thinks they’re “adorable,” that they remind her of her nephews in Salt Lake whose mother was in the hospital all the time with valve disease. Robert says yes, okay, that she can meet them, but first, he needs to know she’s serious, that she’s starting to fall in love, and he lays her bare-ass on the Bargello quilt, has sex with her in an ill way that requires little motion or participation on the woman end, and doesn’t think about Susan or the boys, who are all over the state tonight at sleepovers and other forms of suffering. Gall-slow and knocking, it is the same act as usual—all the culture sucked out of it, all the pageantry—with just the noise of slapping testicles on perineum in a beating extraction.

LITTLE FLOWERS by Gillian O’Shaughnessy

October 25, 2024

In the dry years, my teeth begin to fall from my mouth. Not in a clatter, but softly. I collect them in the blue enamel pot we used to keep for tea leaves, bury them beneath the kitchen window, scrape furrows in the dirt with my fingernails. When the weather breaks, perhaps they’ll sprout. Perhaps they’ll grow. Mother doubts it. She says it might never rain again. Sometimes she tells me stories of when water fell freely from the sky, when pools and puddles collected in the street for anyone to see, when flowers bloomed in pinks and butter-yellow clouds, when parks were lined with sweeping trees, when lush green grass frilled the roadsides. I try to recall, but the pictures are faded and grey.We bathe in sand, eat beans from tins with rough oatmeal biscuits soaked in the sauce. The Government trucks in water to town for drinking, and milk to the school for the children. It comes in trays once a month. Row after row of small bottles with golden foil lids that glint like jewels in the sun. I love the feel of the glass, heavy and cool against the skin of my palm. I save my share of milk for Mother, who rightly demands it. She gave her teeth to the dry and her bones are brittle, she’s a tumble weed that whispers through the streets in the desert dusk. No matter what I do, the milk always spoils in the heat before I get home. Mother doesn’t mind. She waits for me in her chair on the veranda, blinking. Brown dust cakes her dress and settles deep in the folds of her face. She tilts her head like a hungry baby bird, and I spoon yellow curds into the puckered crevice of her mouth. She clutches my hand, flicks her dry tongue over her lips, seeking every last speck. When we’re done, she closes her eyes and coos.The University sends a doctor to our class to check our bones. A dentist to look at our teeth for his studies. We gather beforehand to watch the clouds of red dirt billow on the horizon as they approach. We grin gap-tooth when they alight in their fresh white coats. I line up with the others, allow the doctor to run probing hands up and down my spine. I reach to touch my toes. I squat. When the dentist asks, I open wide. He doesn’t like what he sees in my smile. The teeth I have left jut crooked, this way and that, wooden fence posts battered in a flinted wind. He says if I hope to save any, I need fillings and braces and both in a hurry. I laugh. It’s as likely I’ll sail a clipper ship down the cracked creek bed.When the last of my teeth come loose, I clamp my jaw together to try to hold them in a little longer, savour the click, click, click as they meet. My gums itch and ache, they feel the loss already. The skin of my lips and my cheeks is soft and sinking. Mother comforts me as I cry, catches my tears with her fingertip, sucks at each one like it’s spun sugar candy. She takes my face in her hands, kisses my mouth and counsels my surrender. She reaches in with her tiny clawing fingers, wobbles each tooth gently, ready to tug them all free. I ask her to wait until they fall on their own, but she refuses. She tells me it won’t hurt. Like pulling little flowers, from a bed of soft, damp soil.

THE THING by Nick Ekkizogloy

October 24, 2024

When we caught what I can only refer to as the “thing,” I was fishing the outflow of the Micalgi Dam with my soon-to-be-pregnant wife Tonya who was mainly hauling in fingerling catfish and red-eared sunfish but whose cheeks were blushed from all the Chablis we’d been drinking. We were fishing with cut up hot dogs, a trick I learned from my uncle, an ichthyologist, which is a fancy name for a fish scientist. Man, what I wouldn’t give for him to have been there when I pulled in the “thing.” He was dead by then, having been poisoned by something over the years, perhaps from overexposure to the mercury that pooled in the guts of the fish he worked on, it’s hard to say. So, this creature comes in and it looks like a caterpillar if the caterpillar was nine pounds and pink and gelatinous as a huge earthworm with flute holes along its side in the style of a woodwind instrument or an ocarina. I landed it on the rocks, and it started oozing and undulating, staring up at us in amazement with two oil-black eyes the size of half dollars. Tonya looked at me and I looked at Tonya, and we both looked down to the thing. It had a round suck hole framed with rows of small translucent teeth, and it was working it open and closed horribly, joking to itself in a sound I can only describe as a squishy bleat. The fishhook was stuck through the side of the grotesque mouth and red blood leaked out in spurts, like it would on a human, suggesting that, at the very least, inside the thing was a beating heart. When it first appeared out of the water, Tonya was all, “No fucking way Wayne, no fucking way! Cut the line,” but something about it was mesmerizing. I stood dumbfounded and Tonya’s calls trailed off as we both stood before it and watched. “Strange things live behind dams,” prophesized my uncle so long ago. He’d been the clean-up man, the scientist to come in after some idiot dumped a bunch of car batteries into the river or when a fertilizer plant was found to be dumping forever chemicals into a waterway. Fisheries restoration was always a growth market. So, we’re looking at this thing, this mutant, this monster, and Tonya turns her head. “Did you hear that?” she whispered. “It said something.” Tonya and I were drunk but not that drunk. Squish, squish. Bleat, bleat. Then I heard it. The bleating, the thrumming sound, the squishing, the bleating again, and then it spoke as blue-bird clear as the Montana sky. “MA-MA.” Ho-Lee-SHIT! “Kill it!” Tonya yelled, the blinking lights alongside the dam casting her face red. I picked up a boulder and held it over my head. I held it there for a minute. The thing spoke again and bleated and squished, and I got caught in its black-eyed gaze and felt my elbows wobble from the weight of the rock. “Do it!” she yelled. I slammed the rock down across the thing’s make-believe face, and we hauled ass out of there. The next day, after a fitful night’s rest and a lot more wine, I poured through my uncle’s books. I found something in a chapter called, Outflow Oddities, a freshwater lamprey. But it didn’t look the same. The lamprey looked more like a shark, but it had the flute holes on its side and the mouth with ringed teeth, a potential fish cousin. I wrote the whole thing off as a pollution-induced freak show and we went on with our lives.

***

Later, years later, after Tonya and I’d failed to bring six pregnancies to completion, we’d resigned ourselves to fishing together and loving one another. The doctors had a few theories on why we couldn’t have kids, a few newfangled options to try, but at our age we decided to let it be and to focus on ourselves.We fished a lot, and I never forgot the “thing.” Sometimes I hoped we could catch another one to talk to, perhaps to keep and study. Tonya never made mention of it again, but I knew it haunted her in the way she reacted each time she caught a big fish. We didn’t talk about the encounter with the “thing” like we’d probably should, and we grew older, into people who only fished, only drank beer and wine every night, only worried and fought in tiny drunk outbursts about our legacy as a family.

***

One day, when the water was roiling behind the dam, frothy with milky bubbles and mud, and when the red light stopped blinking and stayed lit, Tonya hooked into something. The reel unspooled in a frantic whine, emptying her line nearly to the bare arbor knot. The dam was opening. A siren sounded. She kept fighting the fish. The few others fishing the outflow packed it up.“Ya’ll should leave, now,” hollered a dam worker standing on a catwalk alongside the spillway. One guy waited to see what Tonya pulled in. We all held our breath.Then, in a great magnanimous leap, a rainbow trout broke the water and flashed its scintillating sides like a model before runway flashbulbs. A real hog. A moment later, Tonya had brought the fish to hand, held it close for a minute and cried softly. It was a beautiful thing, too unnecessarily beautiful. “What are we going to do?” I said, referring to keeping it or tossing it back. She released the fish slowly, holding onto its tail for a few seconds as the thing ran water back through its gills, wobbling back and forth, playfully. “Keep fishing,” she said, wiping her tears away. She finally let go, but just before its form totally disappeared, when all its colors smudged into the singular gray of river rock, the waters from the dam released in a thunderous display of the power of nature.