Flash

NAMING CONTESTS by Will Musgrove

October 8, 2024

The cashier, whose name tag reads Barbara, scans my items, a two-liter of Coke and a Milky Way, my usual. It became my usual once I discovered the total, $6.66. Barbara, wearing a faded Looney Tunes T-shirt, won’t say the amount out loud like she does with every other customer. Instead, she stares at me as if I’m summoning a sugar-powered demon. The number never fails to get a reaction, unlike the fact I’m dressed as a cell phone.I pay and grab my stuff off the counter, which is made difficult by the big white gloves velcroed to my hands. The bells tied to the gas station’s main door jingle as I exit. Outside, the sun hangs in the sky like a giant Fuck You. Sweating, I eat the Milky Way on my walk back to the store, arriving just before my boss, Hank. I’m able to get the contest sign from my rusted-out Buick and lug it to my corner before he flips on Cellular Dude’s lights.The sign advertises Cellular Dude’s mascot-naming contest. Motorists driving down Highway 71 are supposed to shout names for the store’s mascot, me, from their cars. At the end of the month, Hank, the Cellular Dude, will pick his favorite. There’s no prize, so most people don’t shout anything. A couple of days ago, a lady in a convertible called me a jackass, but most of the time I’m just an invisible dancing cell phone.It’s okay. I come from a lineage of unnamed people. I only know my dad by the numbers on his slaughterhouse work badge: 5156252. I only know my mom by the smell of the hot dogs she used to leave defrosting in the sink before leaving for her second-shift cleaning job. The light turns red. A row of cars starts to pile up. I wave the sign, do a little jig. People inside the cars avoid looking at me, but I look at them. I like to imagine I’m a part of their lives, of their commute, that I’m going where they’re going. My favorite is pretending I’m a planet the cars are orbiting, that they all know my name, but I don’t know theirs. The light turns green. The cars inch away. A Honda slows down next to me. The car behind it honks. The Honda’s driver’s-side window rolls down to reveal a middle-aged man sporting aviator sunglasses, which reflect my painted face, the blown-up pictures of apps taped to my chest.“You look like a Chip, maybe a Charles,” he shouts through cupped hands.Once he says it, he’s gone, down the highway and around the block. Chip? Charles? I wonder which one Hank will like better. A couple of hours pass, and I walk back to the gas station on my lunch break, craving another Milky Way and Coke. During the walk, I imagine what life would be like as a Chip or a Charles. I imagine “Chip Was Here” carved into a park picnic table, imagine parkgoers being able to perfectly picture me in their heads. I imagine a skyscraper office where Charles is drilled into my door like a landmark.Sitting in the gas station’s parking lot is the exact same model of Honda as before. I run a white glove across its hood, hoping it’ll uncover my new name. The entrance of the gas station opens, and out steps the middle-aged man.“Holy shit, it’s the cell phone,” he says, slapping me on the back. “Man, I bet that job sucks. I’m Jerry, by the way. You?”“Pete.”“Why not Pete then?” he says as if it’s obvious.I watch as Jerry gets into his car and backs out of the parking lot before I go inside. I gather my Milky Way and Coke. Barbara frowns as she sees me approaching the counter. She goes to scan my usual, but I throw in a pack of gum at the last second. She cocks her head, flashes me a look of confusion mixed with relief. She says my total out loud, but all I hear is, “Why not Pete then?”Kkkkriiissshhh. I yank off a glove. “Name’s Pete,” I say, extending Barbara a fleshy hand.

CREEP by Julia Meinwald

October 7, 2024

Arriving home from work, Mina noticed a man crawling along her building’s perimeter. He was close to the wall, his bare shoulders almost touching the dirty brick exterior, and wore only a pair of plain white underwear. He had a grim, determined look on his face, which was clean but partially covered by a coarse, unruly beard. He was very thin. The man looked down at the ground as he crawled. Mina watched him, shifting her weight from one foot to the other, for a number of minutes. Only after he’d crept out of sight did she dash in the front door. Generally, Mina tried not to look at the shabby bus stop on the corner of her apartment complex, the uneven patch of sidewalk, the building’s faded blue awning announcing its name: The Warwick Arms. It was a grand name for a run-down place. The lock on her apartment’s door frequently broke in one of two contradictory ways, either sticking such that she couldn’t get in, or refusing to lock on her way out. The paint on her walls flaked and chipped, and one of the three elevators was always broken. If she arrived home at the same time as a neighbor, she had to converse for too many minutes about the weather, the time of day, being tired, before the heavy doors finally opened to ferry her up to the fourteenth floor. (Everyone knows that it’s really the thirteenth floor in disguise.) Mina didn’t know the names of her neighbors, and would likely not recognize any of them outside the context of her building. When she left for work the next morning, the man was still at it. His knees were now dirty and scabbed. His pace had not slowed or quickened. Could this be performance art? Or some eccentric fundraiser, with donors pledging dollars for each lap around the building? His expression was so serious, though. Mina had read a study once, about cats with injured brains. The injuries were located in a spot that affected the animals’ sense of navigation: they could only turn in one direction. Left unattended, they would walk in endless circles.

***

Every Saturday, Mina babysat her niece Anna, a chaotic blonde spring of sticky energy. She told her sister Lydia to meet her at the park for the dropoff, not wanting the young girl to see the crawling man. Anna held Mina’s hand as they walked towards the playground, though she argued that four is old enough that she didn’t need to. The girl would stop along the way to pick up discarded fast food boxes, seltzer cans, once a (thankfully empty) blood collection tube like the kind you’d see in a hospital. Mina was disturbed by the trash in the park, wondered whose job it was to collect it. She didn’t see any real harm in it though, and Anna regarded each treasure with respectful attention before Mina gingerly pried it from her hands. At the playground, a dead rat was lying at the foot of the swingset. Anna jetted towards it, picked it up, and cradled it in her arms. “Honey, put that down, please,” Mina said, trying not to sound afraid.“She let me pet her.” “Actually, I think it might be dead,” Mina said, hoping she wasn’t introducing the concept of mortality for the first time.“No she’s not,” said Anna. Looking closer, Mina realized her niece was right. The rat’s abdomen was rising and falling in a ragged arrhythmia. Its eyes gazed blankly upward, as if asking for mercy. “We don’t know if it’s sick though,” said Mina. The image of the rat rousing itself in a final death-twitch to bite Anna flashed through her mind, and she grabbed the creature by its tail and flung it out of Anna’s hands. It landed with a soft thump a few feet away. “We’re going to wash our hands,” she said, dragging Anna towards the grimy public park bathroom. “Now.”Shaken, Mina walked a jittery lap around the park once Lydia had picked up Anna. With each step she said to herself, I’m fine, I’m fine, but she couldn’t quite dismiss the expression she remembered on the crawling man’s face, the sound of the rat’s wheezing breath. She had the unsettled feeling of being infected by some undefined threat. The sun set, and Mina walked home. She would make rice and melted cheese for dinner. She would watch last night’s episode of The Bachelor. It was just another day.

***

To her relief, there was no sign of the crawling man outside her apartment. Perhaps he was just on the far side of the building. Perhaps he had crawled away. She was alone in the elevator, which trundled her up to her floor without fanfare. Pushing into her apartment, Mina felt suddenly tired. She let her bag drop to the floor, and turned the corner to find the crawling man circumnavigating her kitchen. She froze in the doorway. He continued his slow circle, knees dragging against the off-white tile floor, eyes down. When he reached her feet, he lifted his head slowly. His watery blue eyes met hers.“I mean you no harm,” he said in a soft, choked voice. An ant crawled out of his beard and across his face. He did not brush it away, but instead resumed his own slithering around the edge of the room. Mina backed out of the doorway. She sat gingerly on her living room couch, unsure what to do. She could hear the shuffling sound of the man in the next room. Eventually, she tiptoed to the hallway and retrieved her phone from her purse. She brought it back to the couch and dialed 9-1-1. “There’s someone in my house,” she whispered to the operator. After she hung up, she sat quietly, waiting for the police to arrive. She breathed a stuttering breath. The man crawled. She breathed. The man crawled. She breathed. The man crawled.

FIVE OF THE WAYS I WISH I WAS MORE LIKE MOISSANITE by Patrick Eades

October 2, 2024

People often ask me what my spirit animal is. I'm not sure why I am asked so frequently. Maybe they are unsure if I am still human. Or maybe it is the clear spirits mixed with bile I have used to decorate their terrazzo floors that confuses them, and they are not sure whether to use lion strength metho or if bumblebee spray-and-wipe will be enough. In any case, I tell them I don't have a spirit animal, but if I could choose a spirit mineral, it would be Moissanite. Moissanite is somewhat of an unknown in the spirit world, but it’s one hell of a mineral. Moissanite is the second hardest mineral on earth, behind only diamonds. So hard it is almost impossible to chip anything off an old block of Moissanite. More the pity for me, who has been carved straight from my guilt-ridden Catholic of a mother. Guilt strips me slowly, or sometimes in great chunks. Nothing eats away at Moissanite. Not even alcohol. Eight gin and squashes on a Tuesday night doesn’t even leave a blemish.Moissanite—unlike my former self—does not contain any soul, or at least none yet discovered by the technology we have available to us as amateur mineral enthusiasts. This is a good thing. Souls are weak. They break at the drop of a baby. Moissanite—unlike diamonds—is conflict free. Like a dim-witted alien without a spaceship licence, it hitched a ride on a meteor and crashed to the earth’s surface. It can also be grown in a lab, where synthetics can be manipulated for greater strength and resilience.Perhaps Moissanite is conflict-free because it is incapable of blame. Even if it was able to remember which set of hands strapped —could you really call it strapped?—that baby bicycle seat, or who it was that panicked when a magpie beak perforated their eardrum and haywired their vestibular system—completely understandable—it would not be able to allocate blame in a fair and balanced manner. It wouldn’t even try. Credit to Moissanite where credit is due, I do believe it would be able to sit through grief counselling sessions without chain-smoking three joints in the alley outside prior. Conversely, it would not have the thumb dexterity to secretly record the most salient points made by Sally the grief therapist to later use as ammunition in a war in which both combatants are already buried in trenches.And perhaps most importantly—unlike any animal I have met or seen in David Attenborough documentaries, and unlike any of the spirits hiding in my pantry, or in the shaving cabinet, or underneath my bed—Moissanite is not transformational. It is what it is.It does not have the ability to harden at the sight of a familiar face—now seen only once a year—as it trudges towards a crooked slab of marble lodged in grass. It cannot soften, as it watches this face leak upon withered yellow daisies. And it cannot re-harden, as it sees the face turn, swallow the apology on the tip of its tongue, stand, and walk away once more. Moissanite originates from the stars, a twinkle in the sky. On cloudless nights, I stand outside and gaze up at all my unmet wishes. If I wait here long enough, perhaps one day she will fall again. This time I will catch her.

FLATLAND by Lana Frankle

September 27, 2024

A female patient of 29 years came to my care for what she described as “a strange break, an awful break” in her leg. After examining by palpitation I was able to verify that the lower portion of her left leg had indeed been severed, just below the knee joint. However, the contour of the juncture of this tear was quite unusual, namely, it was unusually smooth. Even breaks due to puncture by a sharp corner or line tend to leave some level of raggedness and unevenness. Upon noticing this, I asked her permission to make a proper documentation of her case for our most eminent medical journal, which she kindly acquiesced. The second thing that I noticed about her case was that, while her mobility was expectedly limited, and she did complain of pain, her vital signs were all within normal range, and physically she did not seem any the worse for having sustained this injury. As I continued to interview her, things became stranger still. When I asked her how she had sustained this injury, whether she had struck her leg on the sharp corner of a building or fixture, etc., she denied anything like this having happened, saying that she had been merely walking home when she started to feel a “strange throbbing” in her leg, as well as “icy chills” and “spasming.” She began shaking her leg back and forth to rid herself of this bothersome cramping sensation, when, according to her “it just broke” – and, most curious of all, it did not break into two pieces – the remainder of her leg “just disappeared.” While such an account is hardly credible, I duly noted her description, so that at least I would have documented what she herself had made of the situation, to aid me in determining what had actually taken place. I asked her if this had been the first time that she had experienced any of the described symptoms or cramping, and after a pause, she acknowledged that she had, on several prior occasions, experienced much the same thing, and had sought care from this the same medical office in the past, to no avail. “However,” she continued, “I did not think the symptom, as it was, was serious enough to require further assistance.” While broken legs have been known to occur, not infrequently, from accidental, unsteady movement or flailing, these breaks never involve severance of the limb, but rather contortion to the left or right, clearly absent in the patient before me. When I asked her to describe the nature of her injury and pain, she insisted that she experienced “a dreadful phantom” of the leg. Phantom limb syndrome was known to her and myself, and the persistence of pain in a limb that has been so severed is itself not unusual. However, she did contradict herself, at times insisting that it “[was] no phantom, doctor, it’s still there, and it pains me so!” Being ever obliging of my suffering charges, I indulged her by asking what sort of pain she experienced. “It’s like nothing I can describe, doctor!” she exclaimed, a kind of unearthly thinness in her voice that gave even me some pause. “Do try,” I insisted. “It’s hot at the same time as it is cold, it shivers and sways back and forth as though caught in some terrible wind, even when there is no such wind. It bends back and forth even as I know it stays in place.” I calmly assured her that her leg was neither bending back and forth nor in place, it had been, by some means or other, removed, and she had naught to worry about anymore. But, ever the curious academic, I did press her on what she meant by “hot and cold at the same time.” She then paused for so long I was not sure she had heard me or would answer. “It’s as though half of it is hot and half of it is cold.” she finally said, haltingly. In relation to everything else she had described thus far, this did not seem so strange an answer as to warrant such hesitation and drama, so I wondered if I were not still missing some crucial component of her experience, due to her inability to describe it or mine to understand it. Ever cautiously, I asked her, “Which half do you mean? Is the top half cold and the bottom half hot? Or is the right side cold and the left side hot? Or vice versa.”“It isn’t like that, doctor,” she said, and I could read easily the consternation in her voice. Even more cautiously than I had asked, she answered slowly, “The top side is hot, and the bottom side is cold.” “Yes,” I said, growing impatient. So, just below the knee-” “No, doctor,” she cut me off abruptly and then sighed in frustration. “It is the top, where the knee ends, yes, but just one side.” “Yes,” I replied evenly. “So, is it the right? The left?” but, rather than answer, she chose to avoid the question, and continued by adding that it was as though the missing, phantom leg, were “swaying back and forth in some breeze – only it isn’t back and forth. It’s more like – up and down.” This description made no more sense than anything else, but I duly added it to my written notes. Before sending her on her way, I offered her a prescription for pain killers, as was my duty as a physician. She accepted them, and then, pausing one final time, urged me to palpate the wound again, paying particular attention to “the sides of it, the corner, the…bend.” I reminded her that there was no such bend, as her leg had not been broken sideways in a way that could be realigned, but had been severed, and furthermore that the missing piece had been lost and could thus never hope to be reattached. “But, it’s right there doctor!” she exclaimed. “It is bent…just up.” No longer paying her words much mind, I moved towards her to palpate the damaged limb a final time, feeling my fingers round the perfect line of the break, where instead of a ravaged, jagged tear, there was only that same smoothness that had first so caught my interest.

IF I CAN DREAM by Mike Wilson

September 25, 2024

Did I ever tell you I saw Elvis Presley, years after they said he was dead? Saw him right after I first moved to town, walking through the parking lot of that run down, barely hanging on truck stop over off of Highway 45, a place called The Hungry Hauler. They said he lived in the nearby woods and would come in on occasion to eat and wash up. They were used to him and wouldn’t make a big deal about it, and didn’t like people who did. He was an old man by then, and moved slow any time he emerged from the wilderness to limp into the dining room. A beard the color of dirty snow hung loose off his face, like it was trying to escape the sour smell of his rotted teeth. The hair on his head was well past his shoulders and he’d wear it in braids like a Comanche. His clothes were rags on rags, a patchwork quilt that he’d wash in their bathroom sink. If you went in at the right time you could see him naked as a newborn, jiggling around and humming his own songs to himself as he worked on cleaning the layers of dirt off his skin. I snuck in there once when he was washing, crept in out of pure curiosity, like a real perv. He was all dangles and stink — there were no sequins. He’d always eat the same thing after his sink bath, waffles and sausage, but would never finish the food on his plate. More than once I was tempted to walk by and sneak a bite just to say I’d shared a meal with the King of Rock n’ Roll, but I never did. And he always paid with cash that was dated before 1977. They even let me see it once, crisp and fresh as the day it was printed. When he left he’d do it without saying goodbye. You could watch him walk back into the woods, not to be seen again for weeks or even months. Sometimes folks new to town would mistake him for Bigfoot when they saw him near a tree clearing or out wandering a deer path.Over the years I hiked every inch of those woods in every direction, looking for him. But I never could find where he was living, never came across evidence of a cook fire, never saw a lean-to built against a small cliff face, or a tarp folded over a branch as a makeshift tent. I followed for miles every creek I could find that he might have used as a water source. I would cup my hands over my ears to try to catch the faintest gasp of him humming to himself out there, maybe even singing.At night I’d sit in the garage with my guitar, playing the same three chords with my two working fingers, strumming them in every order and pattern I could think of, trying to lure him out the way fishermen down at the lake cast their fly baits over the different lilly pads to get the bass to jump out of the water. My wife would come out and sit with me when she’d hear me playing. We’d share one can of beer and talk about our son, laugh with each other about the good old days. Sometimes we’d stay out there so long we’d fall asleep in our lawn chairs, holding hands like a couple of teenagers at the drive-in movies, and we’d wake up in the wee hours and itch the welts swelling over us from the mosquito bites — what a fine feast we made for them — and we’d pat each other’s forearms as if to say it’s time to go up to bed darlin’, and she’d go in first and I’d fold up our chairs, and half the time I’d forget to close the garage, and she’d tell me the next morning that we needed to watch for snakes or rats or bats out there for a few days. I’d say at least the bats will eat all the mosquitos.I thought I saw him once, on one of those nights, as the garage was going down, not Elvis, but our son, our boy, grown into middle age, limping up the drive in rags of his own, probably with a bad back like mine, his own beard hardly sprinkled with gray the way mine was at his age, finally outgrowing the boyish looks he still had when he left, when we told him he wasn’t welcome anymore, because the preacher said we had to cut him out of our lives, to stop enabling him — it’s always the preachers who give you the worst advice — and I ran out, ducked under the closing overhead door, the thing chomping down like a mouth behind me, and I hustled out to meet our son, to tell him I was sorry, that I didn’t know what I was doing back then, that no one ever knows what to do in this life, no matter how much you try to learn, we are all too stupid for how smart we are, and I was ready to jump into his arms, let him cradle me, his old man father who had just moved faster than he’d moved in years, let us fall to the ground in one another’s arms, dizzy and concussed from the blow of this return. But when I got there all I saw were footprints. Or maybe they weren’t even footprints. Just the gravel blown into little divots by the shifting wind of an incoming storm. I had to knock on our door and ring the bell to get Fran to let me in. She came down and asked what had happened, was I getting so old that only one beer and a little nap could get me so out of sorts. I laughed and said maybe I have finally gone senile.This morning Frannie was working in the flower bed in front of our home, planting tulip bulbs, doing her favorite thing, making our dot on the world beautiful. She has said recently she hopes she’s doing exactly this the moment she dies. We are old enough that we have both realized we could die any second of any day, without warning at all. She says she loves the thought of going out like that. I tell her I hate the thought of her being dead. I tell her she can never die, that she must break all the rules and conditions of our existence here and become immortal. Then I tell her I’m going for a hike. She says bring your compass and don’t go too far.I still look for signs of him. Even though I am well aware that no elderly man could survive in these woods for very long, that Elvis has probably been dead for years by now and his bones are likely out here weathering into flaky ashes, his soul gone into flight through the universe, I still look for signs he was here. Maybe I’ll come across a carving he made into a tree. Maybe I’ll stumble over an old stone monument he made, inspired to do so by the stars the same way our ancient cave dwelling ancestors were. Or perhaps I’ll be lucky enough to uncover some notebooks hidden in a tin box under a shelf of rocks, words he never spoke to anyone but himself with pen and page. I wouldn’t read them. It’s not my place. But it would be nice to know they’re there, to find the signs of an old moment when he was here, nearby, living and breathing our shared air. Maybe in that notebook would be an old memory of his, maybe an observation, maybe how he’d walked past a strange old couple’s house one day, that they sat in a cluttered garage together and played notes and sang songs, howling out to someone they’d never find.

TOM CLANCY DID NOT WRITE DOMESTIC THRILLERS AND DEFINITELY DIED ON OCTOBER 1ST, 2013 by Evan Hannon

September 19, 2024

The sun rises late in the morning, creeping above the treeline like the encroaching fingers of some lethargic yet sinister god of anti-democratic thought. It’s hard not to feel like the entire world is turning against me. I lean against the kitchen’s marble countertop and remind myself the sunlight isn’t the enemy. The natural world knows right and wrong. If only the same could be said for man.Above my head, I hear my wife Barbra rise, the soft creak of wood, the exhale of bed springs. Even the good guys have to get their hands dirty. My battlefield is one of disinformation, a smoke screen behind which the truth can safely nestle like a slightly moist bird. My job, my marriage, even my name, all of it is a lie. This is what service requires. The work is thankless. And my legacy? Only the satisfaction of a job well done. That, and a media empire of best-selling novels, Hollywood blockbusters, video games, and a permanent place in America’s heart. But at what cost? Here comes my wife, padding down the stairs, wrapped in her bathrobe, our dog Alvin behind her. “Is the coffee ready?” Barbra asks.Strong men do what is necessary. “Sorry, I forgot.”The lie bites at my throat like a KGB Black Russian Terrier, specialty guard dog of the Soviet state, famous for their ferocity and loyalty. I never forget the coffee – but Sam Meadows does. Sam is an insurance agent. He owns a boat and fly fishes and supports the Rams. I know everything about Sam: how he eats, how he sleeps, how he shits, how he calls for more toilet paper from the can while he’s shitting. But I’m not Sam Meadows.My secret is that I am Tom Clancy, award winning author and, more importantly, Patriot.I knew things were headed downhill when Obama won a second term, and was soon proven right when that turncoat Snowden was allowed to pilfer the womb of America’s intelligence and deliver the child straight into Russia’s supple embrace. That was the final straw. The country was falling apart. No hero would save us, and so my hand was forced – I faked my death and went undercover. I am the beachhead for America’s heart and mind. The mission is simple: live a clean and godly life. Like a red, white, or blue blood cell, I treat the infection from inside. Tom Clancy was too well-known, too highly regarded, asked to go onto too many talk shows, hailed as being too prophetic and successful and smart and popular and moral and just too powerful of a person for this kind of assignment. And so I gave it all up and became Sam Meadows. All for this country that I love.I pull into the office at 7:48. It takes me exactly four minutes to park and walk into the office. Another seven to get coffee from the cramped box of a kitchen. When I’d first started at Meadows Insurance, I’d thought for certain that the building had been built intentionally small, some Chinese architect awash in socialist propaganda, convinced that folk just love to trip over one another, cheek to cheek. Turns out it was built by some fella from Maryland, and the smallness of the kitchen is a cost-saving measure, less piping, less expense. A reasonable decision, but Tom Clancy’s used to big kitchens, kitchens the size of states with their own economy and carbon footprint. The boss shows up at 8:12. Were Eddie Marrow not such a stupid man, I’d assume him to be an agent of a foreign government. He trundles through the door, tie askance, glasses smudged. However cramped the kitchen feels, it’s nothing to the suffocating aura of incompetence that he brings with him, part of that wider breed of man that’s weakened this country. Working under him is its own special form of hell. But what better place to stage my war than in the enemy’s camp?“Oh, Mark,” Eddie says as he passes my desk. “Did you have a chance to look over the Burgeons’ account?”“Not yet,” I say and bite my tongue. I want to tell him that I’ve got better things to do than look at his little insurance problems. But my cover demands I keep silent. “It’s been more than a week since it came in. Did you have questions?”“No questions.”“So you’ll do it today?”Eddie Marrow looks like a worm stuffed into human clothes and taught some crude approximation of our god-given tongue. Slimy, tiny eyes behind frames too big for his face. “I’ll take a look at it,” I say, suppressing my distaste. Eddie stands there blinking. “Do you need help with some other cases?”No amount of training can keep my face from flushing. The impudence to suggest that I need his help. Perhaps it’s time to reassess whether he’s an agent after all. Who else would goad me into breaking cover so brazenly?“I’ll look at the Burgeons’ account today,” I say and look down at my screen, hands shaking with the desire to choke the life out of him. I could, too. Older, I may be, but none of the fighting spirit’s left me – I’m as strong as I was at twenty-five. Eddie stands there, looking at me. Perhaps he’s calculating whether it’s safe to push me further. Finally, he turns without another word and goes into his office. One day we’ll have it out, me and him. But not today.

***

I watch as my husband leaves for work. He pulls out of the driveway, hits the mailbox with the side view mirror, and drives away oblivious. Perhaps the hardest part of my mission is smiling through all my husband’s faults. Even our dog, Alvin, seems to feel it. He lets out a whine of embarrassment and I scratch his head to reassure him. Self-important Sam; so confident when he knows so little, even about his own wife. But he’s a good man. And if there’s one thing I’m qualified to determine, it’s the quality of a man – after all, I was one of the best. I may answer to Barbra Meadows, but the truth is that I am Tom Clancy, writer of military fiction so real it may as well be history. And often it is history, future history that has yet to be written, except it was written by me.Make no mistake - there are forces that seek to warp our world, and it is only my constant vigil that keeps them at bay. When some vagabond begs for a dollar outside the supermarket, when the weedy clerk at the check-out counter only offers a paper bag instead of plastic, when a supposed American company allows the enemy to hang their rainbow flag in store windows like conquering huns - these are assaults upon the national soul. It is my duty to drag these sinners into the Colosseum of verbal combat and metaphorically wring the life from their godless necks. They can call me all the names they like (psycho, Karen, that loud and bitchy bitch) but none of it will dissuade me from my mission. When Sam gets home, we eat dinner, watch the news and then head to bed. But Sam has other ideas – he wants his favorite thing. At the foot of our bed, he pulls his shirt off slowly, trying to titillate me with his flabby body and pasty skin. When he mounts me, I can smell our dinner on his breath. Were I not committed to my mission, I’d show Sam exactly how a man’s supposed to use his penis, but I lay there and pretend to enjoy it. When he finally rolls off, breathing heavily, I tell him it was good and he nods without replying. I don’t mind his incompetence. Bad sex has its own righteousness, especially between a husband and wife. And, really, his delusion keeps my identity all the safer. He’d never suspect it’s Tom Clancy he’s making clumsy love to.

***

The old man and woman wake up a few hours apart and go about their day. I watch from the floor, scratching my ear, waiting for one of them to serve me my kibble. Some would be surprised that Tom Clancy eats dog food three meals a day, but in truth I’ve developed a taste for it. It was a delicate operation, breaking into the Louisville Pet Orphanage, stuffing myself into an admittedly uncomfortable kennel, and waiting for the man and woman to arrive. I’d orchestrated the whole thing, of course, their actions as predictable as amateur insurgents. When I stood on my hind legs and barked, I already knew who the good boy was, just as I’d known I’d be heading home an adopted pup. And now, with the perfect cover, I can save this country, one fire hydrant at a time.

WOMAN OF STEEL by Valerie Hegarty

September 18, 2024

Yesterday in ceramics class Prof Woodstock did a demo of red glazes while telling us an old Chinese legend. Once there was an emperor who demanded a red glazed pot. The royal potter fired pot after pot, but could not get any of them to fire red. So the emperor sentenced him to death. The potter’s daughter was so upset she jumped in the fired kiln, and when they opened it all the pots were glazed red with her blood. Prof Woodstock said as a feminist she wasn’t thrilled with the story, but it showed the difficulty of producing a red glaze wasn’t just specific to dumb Americans. I was sipping vodka from my water bottle and swooned a bit over the open kiln, my face flushed red from my buzz and the heat. Prof Woodstock sent me home to sleep it off; she was cool like that, which was fine because my main focus in school was to make metal art. Prof Steelhead told me making metal art was not recommended as it appeared I did not have the disposition to withstand working close to the fire for extended periods of time and lifting welded metal sculpture was challenging for even the most vigorous athletic builds. Prof Steelhead made work similar in style to Richard Serra, and since Richard Serra was famous, no one cared about Steelhead’s art. It wasn’t shown in blue chip galleries in Chelsea, or at International Art Fairs like the Venice Biennale. Instead Steelhead’s rusted walls of steel littered meadows in Vermont, where cows were forced to walk the long way around these industrial barriers when looking for a lost calf.Of course I didn’t listen to Steelhead. He should have gone West and bought a depressed town to reconstruct if he wanted to be a dictator like Heizer or Judd, but since he was slowly creaking out his tenure at a liberal Arts College in New England, no one listened to Steelhead. Plus the college had the metal workshop outfitted with cranes and there were techs and other students to assist, so I don’t know why he was picking on me, aside from my slight build and nervous disposition. Truthfully I was terrified of fire, but that was exactly why I wanted to make metal art to begin with—not to face my fears—but for the surges of Norepinephrine that coursed through my body when I thought I was on the precipice of death. I finished a twelve-pack of Bud cans before class, crushing the tin cans in my fist each time I polished one off just to psych myself up. Although it calmed my anxiety, I was now staggering when I walked. I told myself not to walk in front of Steelhead and to stay on the other side of the fire from him when the techs did the demo of the molten steel pour. Ten of us arrived at class and Steelhead gave us shovels to dig out trenches as molds that would be filled with the molten steel during the demo. I dug a hole the shape of my body, like the artist Ana Mendieta who performed in the landscape—lying naked on sand, against trees, in gardens, then covering herself with earth—but mine was a hole. No body. It was a hollow, like the voids in the lava post-Vesuvius. Maybe it could be a memorial to Ana Mendieta, who was now without a body as her body broke and died when she was pushed out the window by her drunk lover, the artist Carl Andre. Without witnesses, he claimed it wasn’t him, and I know from drunken blackouts that maybe he did it and didn’t remember. Maybe it was psychic survival to keep that night dark. Now I was feeling sad about Ana Mendieta. What a fucking way to die, drunk and fighting with your drunken lover, soon to be your murderer, whose work would still be going to Venice and Paris and every MOMA retrospective in every country around the world, while your body decayed and disappeared, leaving a void deep in the ground where you were buried. It’s all very poetic except for the part where she was pushed.When I finished digging my body-shaped hole, I was dizzy from the exertion in the sun. I leaned on my shovel to prop me up. Steelhead took my shovel out from under me and gave me an “I told you so” look and I glared at him, batting my eyelashes to confuse him. My sweat smelled like barley and hops as it poured out under my armpits. I didn’t care if he smelled it, he was a drinker too; I could see it in his watery eyes in the morning class. He was blurred and hung over and pissed about Richard Serra.Steelhead told us all to stand back from our holes. Multiple techs in heavy Kevlar suits with helmets like they were headed to Mars picked up a trough that glowed fiery red with molten steel. They carried the trough to the holes and one by one filled the horse shoe shaped hole, the hole shaped like a pitchfork, the hole shaped like Carl Andre’s steel floor tiles. They carried the red molten metal to me, its liquid silver sloshing, and started to fill the hole shaped like my body. The heat from the molten steel overtook me. I was drunk and hot. If only I could sit down for a minute. I’ll just sit on my heels, I thought, and staggered backward. As I pitched forward, I tried to catch my balance. I could hear screaming as I fell into the molten metal.I was at a party and it was late. Someone was shooting up in the corner and nodding out with the needle still in his arm. A couple was fighting about art and finances, and being a bad lover, and being a drunk, and you are a drunk, and the woman said she was leaving and leaving for good, and she was looking out the window shouting to her friend to wait, and the man ran to her. He was enraged. He almost had his hands on her, and I was right there, right in between them. I stuck out my foot.The man fell and hit his head on the iron baseboard heater. He was knocked unconscious. Maybe he was dead. The woman screamed. She checked his pulse. “He’s dead!” she yelled, “Call an ambulance! He’s dead!” You’re welcome, I thought. I saw there was a fire in the kitchen sink, so I ran to put it out. I turned on the water, but whiskey flowed out, accelerating the flames. I grabbed a bottle of water and threw it on the growing fire, but it was vodka. Now the flames were consuming the cabinets and the stove. The utensil drawer dripped silver, the toaster melted, the refrigerator buckled in on itself. I ran from the room, but I was drunk and lurching. The man wasn’t dead. He was back on his feet and his face was so red it looked like he was going to pop. He was coming for me. “No! No! Get away from me!” I yelled as I ran out of the apartment, down the stairwell, into the street. He was chasing me, he had one of his steel floor tiles in his hands raised over his head. He was going to pummel me with his metal art. He was gaining on me, and I was tired of running. I stopped and turned to him. “Go ahead, kill me fast, I have a weak stomach for this type of thing,” and he raised the steel plate and crashed it down on my head. There was the clanging boing of a gong. Two men were dragging me by my elbows up to a Chinese emperor sitting on his throne. The emperor was drinking from a jug and I could smell the alcohol on his breath. At his feet was a pile of ceramic shards from broken jugs. My hands were tied behind my back and I was dragging my legs. Next to the emperor was the biggest kiln I’d ever seen in my life, with a bonfire of stacked wood burning underneath. Under the lid I could see rows of jugs waiting to be glazed and fired. “Get in if you want to save your father,” said the emperor, pointing behind me. I turned around and my father was nodding his head. “They will kill me if you don’t get in,” said my father, his eyes locking on mine. “My blood will be on your hands,” he said.I nodded my head as if I understood, and the two men released my arms. I stepped forward toward the kiln. “Save your motherfucking self!” I screamed as I ran out the door to the right of the kiln. I was running back and forth. I was in some inner courtyard and couldn’t find my way out. The two men cornered me and one of them raised his double-edged sword, the edges glinting, and I stuck out my neck, “Fine, do it, it’s better than burning to death,” I said as I heard the swish of the sword cut the air in half.I was outside my childhood home and I heard my mother’s voice. I thought my mother died two years ago of cancer, but she was in the kitchen calling my name. I ran to the kitchen. I couldn’t believe she was there, washing dessert spoons in the sink. “Sweetie, you need to stop drinking. It’s killing you. I love you and I don’t want you to die. I should have protected you more as kid.” She handed me a spoon and a bowl of ice cream. I fell into her skirt. It was my mother and I started to cry. I was crying and the bowl of ice cream was melting and I was crying and melting and crying and melting and they were pulling me out of the body shaped hole. I was still alive but all my clothes had burned off. My skin shone silver. I had a coating of steel. I looked like the tin man’s wife. Steelhead fell in love with me on the spot. He tried to hand me a can of beer to cool me off, but I deflected it with my wrist like Wonder Woman, and when the can touched my skin it instantly turned to liquid metal and poured into a puddle by my feet. Steelhead said we could make beautiful art together but I told him he was too old for me and I had a whole life to lead. He wouldn’t be able to keep up and I couldn’t be with a drinker. It would be a risk to my newly sober self. As I walked away the noon sun was so bright it glared off every side of my metal body. I heated up to the temperature of the sun itself. I was walking radiance. I could feel Steelhead’s watery eyes on me as I poured into the light.

KNIVES by Sean Hayes

September 16, 2024

I was gonna be a salesman. I took an elevator up to the third floor and followed signs taped to the walls with directional arrows and Trajectory Marketing Demo printed on them. They led to an office with an open door. There were guys with hair gelled, cut, buzzed, or combed into all different shapes wearing oversized suits and ties, the kind that’d only been worn to funerals. My hair was shaggy again and I was wearing my beat-up Christmas slippers, Nike sweatpants, and my Arc’teryx fleece riddled with cigarette burns like I was some weird spotted animal. I just wanted to make Dad and my stepmom Paula proud since I got put on academic suspension from college for the semester and was back living at home. That was why I found and circled an ad in the paper for a demonstration with Trajectory Marketing at 7PM Wednesday. It said I could make a grand a week. If I made a grand a week I wouldn’t have to steal or borrow money from Dad ever again.So I was at the office building in SoNo. I didn’t get high before because I wanted to do right. Be good. Get a job. Turn my life around. I walked to a table. There were two dozen boxes of donuts from Dunk’s. I chose a double chocolate frosted donut, took a seat, and ate the donut. The windows of the office looked out onto The Sound. The sunset was Pepto Bismal pink and DayQuil orange. A beautiful omen. I swear to God the Gladiator soundtrack was playing softly from somewhere. Donuts, over-the-counter omen sunsets, the prospect of fortune. Sometimes life spoils us.The guy in charge had a chinstrap that looked like it was holding his hair on his head. Chinstrap Man told everyone to take a seat. We sat down and got quiet. He pushed a button on the stereo on his desk. The Gladiator soundtrack stopped playing softly in the background, confirming that it really was playing. Chinstrap Man smiled. He shook a set of keys in front of us once we all sat down and he smiled some more.“Do you know what these are?” Chinstrap Man asked us.“Keys?” someone said.“Not just any keys.” Chinstrap Man jingled them around like we were a bunch of babies fascinated by them. “Keys, to an M3.”I couldn’t tell what kind of keys they were. They were definitely keys though.“They could be yours,” he told to us. “If you hustle the way I hustle, you can have keys to an M3 too.”Some of the guys sitting around smiled and whispered to each other, excited about the possibility of M3s.“What do you fellas know about knives?” Chinstrap Man asked us.“They cut stuff,” someone said.“Not all knives cut stuff with surgical precision though.” Chinstrap Man clasped his hands together.The kid next to me was picking his nose. He picked it and smiled when he was supposed to smile while Chinstrap Man said things we were supposed to smile at. I smiled at the things we were supposed to smile at too, but also watched the guy picking his nose until Chinstrap Man took a cutting board out from under a tableclothed table. He dumped a bunch of quarters, dimes, nickels, and pennies on the table. He took out a knife block full of knives and a Stop & Shop bag full of fruits and vegetables.“What do you know about SliceWorks knives?” he asked us.“They’re the best around,” someone said.“Ding, ding, ding. What’s your name, young man?” Chinstrap Man asked him.“Michael,” the guy said.“Michael, you’re a smart man.” Chinstrap Man threw Michael a quarter. Then he threw Michael a penny and motioned for him to go up there.“Take these scissors and cut that penny in half. Put the quarter in your pocket. Consider it a down payment on that M3 you’re gonna be driving.” Chinstrap Man handed Michael a pair of scissors from the knife block.Michael smiled a nervous smile while he was trying to do it, but the scissors cut the penny right in half. Did that shit for him. Michael even said it. “They did that shit for me.”Chinstrap Man high-fived Michael. Some people clapped. I clapped a little too. I watched the dude picking his nose again until he finally got what he was digging for. He tasted it and it must’ve not tasted the way it was supposed to taste because he made a frown and pushed the booger onto the back of the seat in front of him. At that point, I figured it might be okay to be high in the Trajectory Marketing demo. I walked to the bathroom, took the green time-release coating off the OC 80 so all the time was mine, crushed the bone white pill and a little piece of a Xanax bar up on the toilet paper dispenser, snorted it, and walked back into the demo. It was the last 80 I was gonna do. It was always the last 80. All of them. The first. Second. Hundredth. However many. They were all the last. In the twelve step meetings I quit going to, they say one is too many and a thousand is never enough and they say addiction is a progressive disease. It eats me up inside to know they might know me better than I know myself.I sat back down in the demo and I smiled. Everything was gonna be alright. Chinstrap Man was telling us how we’d be selling knives to family and friends on commission. No hourly rate. I pictured myself in Aunt Deb’s apartment in Cornwall, sitting at her dining room table with the knife block on display and a pile of change I’d cut to smithereens while she chain-smoked Marlboro Lights and ashed into a carnival glass ashtray filled with hundreds of butts and she’d tell me in her cigarette-carved voice I didn’t need to do any of that sales pitch bullshit and she’d buy whatever her dear nephew was selling.I thought about all the Oxys I’d be doing in my M3. The last Oxys. I picked at this scab that had once been a pimple long ago, but had scabbed over a few times. I picked at it and smiled and chuckled when everyone smiled and chuckled at Chinstrap Man even though I wasn’t listening to a word he was saying anymore. Chinstrap Man hit play on a stereo. The song by “Bodies” by Drowning Pool started. The lead singer screamed and heavy metal guitars screeched. Chinstrap Man sliced tomatoes, celery stalks, and heads of lettuce with incredible speed. Debris flew everywhere. The chain from his chain wallet swung back and forth against his dress slacks as he chopped. People cheered. I smiled and laughed, enjoying it like everyone else. I must’ve nodded because when I came to, Chinstrap Man was standing in front of me with a meat cleaver in his hand. Drowning Pool had been turned down so it was only playing lightly. Everyone was turned around staring at me.“Are we boring you?” Chinstrap Man said to me. “Buddy, your face is bleeding.”He held the shiny meat cleaver up to my face so I could see myself. I was bleeding a long thin streak of blood from my forehead down to my chin from the opened scab. I also had chocolate frosting on the corners of my mouth.“Why don’t you go get cleaned up and catch us at the next demo in April?” He gave me a little pat on the shoulder and left his hand there with a tightening grip like he was ready to escort me out if needed.Everyone stared at me. The guy who had been picking his nose was back to picking his nose while staring at me too. I got up and walked to the door. Chinstrap Man restarted the Drowning Pool song as I walked out.On the drive home, I pretended I was Chinstrap Man. I morphed into him like it was The Matrix. His chinstrap became mine. Dad’s Subaru Forrester became a BMW M3 with a forest of New Car Scent Little Trees dangling from the rearview. Standard turned to stick. I suddenly knew how to drive stick. The chain from my chain wallet rested on the driver’s seat. I hit a hundred on a straightaway on I-95 until the steering wheel shook and I remembered I was in the Forrester. I took my hands off the wheel, outstretching my arms like I was Jesus on the cross. In April, I would rise from the dead. In April, I’d turn my life around. In April, I’d call Mom and my stepdad Pat who kicked me out of their house senior year of high school and I’d tell them I had a business proposition for them and crunch across their shell driveway with the knife block cradled in my arms. In April, I’d show them my M3, my chinstrap, my chain wallet full of cash. In April, I’d show them the surgical precision of the blades. The ease at which I could cut up a big old pile of change.

FLORIDA MAN by Bridget Adams

September 13, 2024

THE MAN SITTING ON MY COUCH HAS OBTAINED HIS ALLIGATOR HARVEST PERMITYes, it’s true! We haven’t fucked yet but soon you’ll be crouched in the greased dark of a velvet panhandle midnight, your rifle pointed squarely in the center of an alligator’s long flat head, between the ridges of its eyes. The animal’s body looks like a topographic map, bone-hard hills and valleys laid over with skin too tough for bullets at anything but close range. “Alligators are really hard to kill,” you say, and I want to give the curve of your ear one long lick as you turn your face from mine. We might need this to stay metaphorical. Someone could get hurt. But look at your baby face. There’s something else there, soft, like a creamy reptilian underbelly, sweetly speckled. It’s alligators all the way down, isn’t it? So, it’s too easy but I’ll say it anyway—this is an old story, the oldest, and maybe I’ve run out of ways to describe it with something lighter than brute force: Pull out my insides, stuff me, hang me up on your wall. I’ll be your prize carcass. MY FIRST PAINTING!I seduced you the first time with an erotic cartoon of Fred Flintstone and I’m not ready to stop. An Epstein documentary played soft and low on the TV, and I used red crayon on an envelope from the hospital. Fred’s penis was deformed because I’m not a very good artist. You didn’t mind. Here, now, acrylics have been splashed, washed out with water, the blue of the sky and the sea erratic and changing as I ran out of paint on my brush. I say this is you and me and you look hard and say, “I see it! I see us!” And you do. Two tiny flecks of paint, dark spots in the vast, uneven ocean. What you can’t see is us touching each other under the water in the painting, like we did in real life. A storm was coming in from the east that day, fat slate clouds on a mission, steady and sure. CHANCEL LAMPWe are on Floor Bed, which is all of the pillows on the couch dragged to the floor so we can really stretch out, roll around, get lazy for hours. On Floor Bed, we do everything—we make each other laugh there, we fuck there, we wipe taco innards from each other’s lips there. “Thank you for letting me be myself,” you say. No one has ever said a sentence like that to me in my life–trimeter, lilting—is it dactylic, even, in gratitude? I think about the light at church that couldn’t go out and how I am in love with you and I don’t need to tell you. I’m lit up whether anyone can see it or not. OKAY, BUT—BUT,I do tell you I love you. You say it back. Nothing like this has ever happened to me. I’m way too old for this! It’s always been: what else do you call having a lot of sex and struggling with the ugly little tumor your personalities make together and going out to dinner most nights? But I didn’t know the tenderness I could feel like a toothache when I watch you do ordinary things, like imperfectly wrap the perfect, longed-for gift or run your fingers through your hair as you introduce your mother or crouch down in the weeds and spray something illegal to fry the roaches, thick as thumbs, that pool at the stone base of my apartment—and how long are we happy? By which I mean: how long are we walking through the pines with sunlight on our shoulders, how long are we frying potatoes in olive oil and rosemary and putting on mud masks from the same tub before bed, how long are we knotted together at the knees and reading books in that little apartment, Spanish Moss blowing greenly and slick against the window? NOT LONG ENOUGHWe sit crying on a park bench. A woman stops in front of us. She has short white hair and complex lines of embroidery run around the collar of her electric blue tunic. A cross, starkly bodiless, hangs heavy and wooden between her breasts. She tells us to open our hands. Dumb and obedient in our suffering, we do, and she throws her fist back, then pitches it forward, over and over. “I’m throwing blessings,” she says. My heart is yelping like a kicked dog! HOW IS THE PIECE OF MY HEART?Is she in your pocket, is she in your wallet, do you leave her on a shelf when you go out? Do you forget about her? Do you bury her out back under the magnolia tree? When you open the fridge and she’s back again, drinking your Topo Chico, are you mad? Do you throw her in the trash with the matching mugs you bought us? When you can’t get rid of her, do you take her out to breakfast? Do you put little black sunglasses and a little black beanie on her because it’s sunny but cold? Do you hold her hand and watch the wood storks crowd at the lakeshore? Do you blow raspberries above her belly button? Do you nap together? When she has bad dreams do you put her head in your lap? Do you cry for the first time in years, curled against her, while she rubs your back? Do you pick her up and put her on the counter and kiss her? Do you tell her you’re afraid and you don’t know what you’re doing? Does she know that the future is a black hole and it will swallow you? When you reach for your gun in the night, do you point it at her? Do you tell her you’re leaving—to New York, to West Africa, to Ukraine? When you fuck other women do you crush her beneath your bodies because she won’t shut the fuck up? And do you think you’ll ever give her back? MEAT/HEADA hemiplegic migraine lays me down in the early hours of the afternoon, insistent and urgent as you once were. Close the blinds. I want to see you naked. You always spoke like the desire almost hurt and there is hurt in me now and numbness spreads through the fingers of my left hand making them useless, one by one. At the very end of us you slept on the bed against the window and bullets of rain grayed the palms through the glass. You breathed steady and I made tea and read. If I try to read now the oil slick of pain above my eye will become a house fire. When it was time to go to the party, I woke you and you started, your body coiled and dewy with hangover sweat. And now the numbness reaches my wrist, and no frantic shaking brings the feeling back. I understood you then and I understand you now—the way that history acted on us, the shock of a fist to the gut—and anyway you are elsewhere and transformed, all meat. But there were days when the sun came in through the blinds and made us golden, when we made love after the protest, when we thought we might change the world because we were changing each other. So what if now I’m alone and half of me can’t feel a thing and the other half is delirious, effulgent, with pain? I can blind myself with a pillow, raise my hands, throw the sheet off and expose a breast. I can say the price is fair. AND LIKE GOD, I’LL FORGIVE YOU TOOI go for walks. A man with a red beard makes me laugh and takes me on bike rides through the forest. We weave down the trail, now in shadow, now in light. The sun sets on the long drive to the airport and I marvel at the stretch of wildflowers—yellow, blue, purple—carpeting the median strip. I say little prayers at night and two gifts you’ve never seen—a hanging wooden heron and a voluptuous philodendron—watch over me in my bed, the bed that you’re not in. Red snapper blackens in a pan and the sound of a distant saxophone, played poorly, haltingly, drifts into my kitchen. I read. I write. I work. I make plans. I get things I’ve always wanted. And maybe I’ve seen you for the very last time, your back in a black cotton t-shirt moving farther and farther away into the haze of a wet north Florida winter until you could have been anyone. Or maybe one day when the azaleas again blaze hot pink outside my front door, you’ll knock. And like God I’ll say: Come on in, prodigal, lover boy, mercenary, imp. Sit down. What a long road you took. Let me take off your boots. You talk. I’ll listen.

YOU WORK IN THE WORST DINER IN EXISTENCE THAT’S ALWAYS OPEN FOR BUSINESS by Avitus B. Carle

September 9, 2024

Where the brown leather stools and chairs suction to the patrons’ skin until they bruise. Where the tables wobble and the menus are always sticky and the food listed changes every day. The bar is slanted and the floor dips and your uniform remains the same except for the endless supply of toothpicks you carry in the pockets of your apron. Where you are the only employee. Where food cooks itself. Where you can gaze at a new apocalypse just outside the window every time the bell that hangs over the door sings a brand-new carol and a new customer arrives.

***

A man asks for an eyeball in his large glass of gasoline served with a bendy straw. A foot with clipped toenails dipped in ketchup to go. He’s a zombie and you’re a zombie well versed in the language of snarl. Your hand falls off while pouring a bag of teeth into the coffee grinder and you watch it spin and change into liquid. You return to the man with your steaming liquid hand mixed with the teeth of strangers and snarl that all you have left are shoes. But your jaw falls off and lands in his lap and he takes it, replacing his own.

***

A mother and her two children grab a booth by the window while the ocean consumes the world. Their lips are purple, their skin withered, and they drool mini-puddles when they talk. One child, a girl, tries to detach the menu from her cheek. The other, a boy, rocks the table until the salt spills and dissolves in the water around them. Their eyes turn red, your eyes turn red, and both you and the girl clench your hands into fists. You rub your eyes and she rubs her eyes and you both suck your teeth. You think clutz. The girl says clutz and you laugh because she sounds like you.

***

The man asks for green Jello — no whipped cream — and a single french fry with ketchup. But you’re a mannequin. You are both mannequins and cannot move, which doesn’t matter, since all you have are peaches. You ask the man if he likes mushrooms because that’s what the cloud blooming behind him reminds you of. You don’t hear his answer. He’s suckling two ketchup packets. The cloud, you say, again and again, and watch his jaw melt into his lap. You feel the heat of all his words as they hit you and throw you like the depleted packets flicked from his thumb.

***

The mother asks if you will watch her children. Her daughter has bat wings, feathers instead of hair, and teeth like a shark. Her son’s eyes blink sideways. He has green scales and a tail that curls around your waist. He picks you up and brings you to their table. You’re needed as a guest, a witness for the wedding, at the special request of a toothpick pulled from your pocket. She wears a ketchup packet for a veil and is marrying a butter knife. The girl plucks blue feathers from her scalp and showers them over the bride as she hops down the aisle. You remove a few toothpicks from your pocket and place them on both sides in the audience. After the couple kisses, the children devour them all. They screech and howl, shatter the window between you and the apocalypse, and invite you to go hunting with them.

***

The man is a teenager covered in boils who asks for the cure but you only have a bowl filled with Imodium. You push the bowl closer to him and notice your hand, soft, but your fingernails are chipped. Your reflection displays your teenage self, listening to a young man talk about football. How he loves the sport, but math is his passion, and you reach and touch his hand. The boils that burst beneath your fingers remind you of the poppers you threw with...who? You weren’t alone then, you aren’t alone now, and recognize the surprised look on the young man’s face. He pulls away, knocks the bowl of Imodium over, and you watch them spill into his lap.

***

The boy is a robot who detaches his jaw and places it on the table. The girl, who is a floating orb made up of the sequence for Pi levitates a toothpick between her brother’s metal teeth. She clicks about humans; how helpless they would be without them. But instead of “humans” you hear “mothers” and “if she ever wonders about me.”

***

The man is back to being a man and asks if you at least have pancakes that look like Darth Vader and ketchup he can use as a lightsaber? And you tell him no, you don’t, because the microwave and oven and stove and dishwasher all quit to rule the world but you provide him two packets of ketchup.

***

The girl picks her nose and pulls a clone of herself out and she tells you, on her planet, children rule. She keeps picking and pulling clones of herself until the diner is filled with clones. You search for her brother. Didn’t you promise their mother you would keep an eye on them? You search for him amongst the girls but all you find is a toothpick sinking into a perfectly swirled pit of ketchup.

***

Are you ready to go? The man asks, holding the door open. All the humans have left, except the two of you, boarding a ship to the moon. You tell him not yet, that you’re waiting for someone. She’s not coming, and you know you’ve heard this before. You look for the children, reach into your pocket, feel your palm fill with pinprick kisses of toothpicks. Are you ready to go? And you still aren’t sure until he removes the ketchup packets from his pockets.She never comes back, you hear him say, and you can’t remember ever seeing her leave.