Micro

THREE MICROS by Sarp Sozdinler

BUTTHOLE PROBLEMSWhat’s it, what’s it, I can hear you saying, what’s even a butthole problem, or what’s a butthole other than being a problem in itself, of itself, that sounds to me like a butthole problem, butthole, a butthole that rashes like hell after a hot date, that itches like a motherfucker after a night well spent at Taco Bell’s, unlike some other buttholes that smell like proper buttholes, buttholes that smell like years of regret and day-old butter, buttholes that gossip about other buttholes in family functions, about Steve Bannon, about Santa Claus, buttholes that dream of traveling far away and broadening their buttholes, buttholes that wish they could trade their buttholes for other things—a roof, some money, fair sex—buttholes that burn with regret in the mornings, buttholes that should deal with external threats, like inflation, like novel viruses, like lubricants and penetration, buttholes that go on around other buttholes like can we make this happen, how can we make this happen, buttholes that bear smaller buttholes inside them like a Russian doll of buttholes, buttholes that could turn cancerous—if not malodorous—if left unattended, buttholes that could move from one butthole of a place to another, like from Texas to another part of Texas, or straight from Texas to hell, a hell that’s not particularly literal or metaphorical, not even allegorical, a hell where demons could famously roast your butthole on a spit, a hell that could make you feel at home and wish you didn’t even have a butthole in the first place, that you didn’t have a life after all, that you didn’t come into this world, into this body, most certainly not this body attached to this particular butthole you were born with, have to carry with, live with, laugh with, die with, halfwit.  A DROWNINGEach of us was supposed to either push the turtles over the pier or jump into the water ourselves.Jimmy said, “How many turtles?” and we had to explain to him that one would do. Though I could tell he wasn’t fully convinced, he took the news in good faith. He checked us out one by one, then gently grabbed a turtle from its shell in his last act of mercy. His arms quivered in hesitation before he tossed the turtle into the lake like a skipping stone.“How’s this exactly a punishment?” he turned to ask upon the unclimactic silence. It was a fair question. Though the gist of the game wasn’t about punishment, there was something about meeting up this late, far from our homes, that lent the whole ordeal an unmistakable element of sin. If my sister were still here, she would tell us all about her own wrongdoings, about how testy the waters could be when provoked at just the wrong time.But she could no longer talk, no longer breathe.“It’s where they come out from.” It was Cornball who finally broke the silence, who then picked up the remaining turtle and catapulted it into the water with a kind of intensity that made me assume he had some unfinished business with the turtle kind, or that he was resolving some unfinished business he had with someone else with turtles.We all stood in a delicate silence before someone said we should go back. The crickets filled the air with chirrups, another mark of the South. When we arrived at the car we found the main road deserted, which made me feel as if everyone was dead and we were stuck in some kind of limbo. I could almost hear my sister calling me a dickhead from beyond.  COVENANTFor Pim’s seventh birthday we pin her to the ground and shout “Eat shit, you human” by her side, Cane’s homemade Xenomorph costume torn from the thighs, revealing the sponges he filled his crotch with to make it bulge, all while clawing at Pim’s ketchup-stained chest with his needle-like tinfoil fingers, watching Pim’s head jerk to left and right as if slapped by a pair of phantom hands, shouting “Stop,” strictly in character from the start, Pim is our Ripley for the day though she looks nowhere near Sigourney Weaver, she’s half-German and standing at 4-foot-5 but she’s the birthday girl anyway so we keep our mouths shut and try to have fun, except for her brother Percy who stands all brickfaced on the porch like Michael-frikkin-Meyers when he was supposed to play Ripley’s crewmate, but it’s no surprise, he’s known to be a softie like his dad who’s now babysitting Pim’s newborn sister in the rocking chair, smiling and winking at us every few minutes like that one weird uncle in every family——and Pim suddenly elbow-strikes Cane’s jaw and somersaults to say, “Hope you like soup, motherfucker,” grinning at us all Ripley-Ripley, showering us with what remained of her piss in her nerf gun, we Xenomorphs glancing at each other as if we’re truly done, Cane starting to wail through his broken teeth, his head peeping out of his tinfoil Xenomorph costume like a chick in a hatching egg, and that’s when Percy shows a sign of life and starts to run toward us like a good crewmate, screaming out obscenities and cries of revenge, his habit of eating beef jerky for the past three months nonstop finally showing through his self-confidence, and Cane turns to me like a rabbit caught in the headlights and says, through his swollen gums, “Wow.”
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LITTLE CLOUD by Magda Phili

Wouldn’t it be good if I could for a moment close my eyes and find myself in a new scenery where nature plots towards a personal renaissance, a scenery in which I would be able to switch off this painful backlog of asymmetry in my life; lack of funds and lack of kindness, and lack of this and lack of that, lack of that mesmerizing color of the sky like in a Vermeer painting, or any sky of any painting or any sky on earth under which I can walk free from tormenting clouds of thought that make me a prisoner and a punisher pressing me to provide solutions that I don’t have. I can only be responsible for my own actions; but then again, that is the problem. Actions can have devastating, dramatic repercussions even with best intentions, even with love and because of love. Gallantry buried with bare hands, puzzle pieces that won’t fit anymore in a puzzle that was once immaculate.Wouldn’t it be good if for a moment I could be a seed buried into new soil where the grass is freshly cut, and the water masks the green with delight and lucidity or perhaps I could be given a new chance and become a little cloud over your tears or a birdhouse for the little warrior that is you who got its wings halved in its attempt to fly through ferocious winds.
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STUMP REMOVAL by Andrew Graham Martin

I saw a sign for stump removal and found myself wishing I had a stump that needed removing.Or, more exactly, I wished that should I ever have a stump that needed removing I’d see a sign like that one. Or, put yet another way, I wished that in my life I could see the things I need to see right when I need to see them. Not before, and not after.
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DAD FIGHTS by Matt Rowan

“Sometimes dads fight,” Dad says. “It’s just a thing we have to do sometimes.” That’s how Dad explained it to me the first time, and he hasn’t bothered explaining it in any greater depth since. Every spring my dad starts preparing to fight again. He spends long hours in the garage with his misshapen Everlast heavy bag he bought from DICK’S Sporting Goods many years ago. “It does the trick,” he says, bareknuckling it with even more gusto. He’s fighting the same fight he’s been fighting since I was born, something about some kind of disagreement that nobody really remembers the details of, but my dad has never forgotten, and is not willing to let go.  It’s not totally clear who he thinks he’s fighting, either. He only ever referred to them as his “adversaries,” adding that they “need to be taught a lesson,” and “soon we’ll all know who’s the better man.” Then beginning on June 21st at dusk, he sets off to go fight. He might not be home till morning, he tells us. He might be a little bruised when he gets back, but he insists I’m not to worry about him too much. This is all simply what he must do.Mom has said it’s best to let him have this. “Try not to make a big deal out of it,” she has said. “It’ll only fuel his will to fight all the more if you do.” But it’s not as though Dad can be stopped even if we all wanted to stop him. He becomes a living rampage. I just go about hugging him every night, the same as always, wishing him luck. I always remind him I’ll be there to dab his wounds in the morning. 
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2000s MOVIES ARE AS OLD NOW AS 80s MOVIES WERE IN THE 2000s by Tanner Armatis

Dallas Jones tweeted. The fear washed my wrinkles in goosebumps. I Know What You Did Last Summer now as predictable as rain. I am my brother maxing out his credit card. American Psycho is being remade. I am my father wondering about the vote. Idiocracy now a prophetic tale. I am my mother cleaning dishes for different reasons. Lord of the Rings lives on forever. I am the door to other lives. I scrolled. 
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WE DIDN’T EVEN NOTICE THE ASTRONAUT by daniel joseph

we didn’t even know we were in a rickshaw-type town, but it was a good thing we were, being out of time & money & the rickshaw seeming quicker than walking & like a pay-what-you-can type operation. we were already confused on so many levels – in a real uncertain bind, our heads bouncing along the ground behind us. we didn’t even notice the astronaut when we climbed aboard & about sat on him – as little as he was. but he said he didn’t mind the company, that he was just riding around for the ride of it & that is when he told us about being an astronaut & all. he looked more like a  tree-topper to us. he didn’t have a suit on or boots or a patch or one of those hats they tend to wear, but he went right into telling us about being the only composer to ever see the sunrise from the outside of a spaceship on the other side of the moon – about how he had been sent to space on a singular mission to write a symphony about what it feels like up there, an opera about what it looks like up there, a fugue about what it is up there & that in a roundabout way was why he was here on this rickshaw; or, at least, that is what we think he might have said, the rickshaw being a bumpy, noisy ride & us not really hearing well to begin with & worrying about when we should jump off on account of us forgetting just where our stop was or if these things even had stops or what it was we truly owed. 
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THE SEWING KIT by Chad Sullivan

Grandma spoke to ghosts and refused her dentures. She’d shit herself and call us thieves. She said her dying was taking forever and that Grandpa stopped loving her, and both those things were true, but only because Grandpa was dead. At sundown, she’d turn werewolfShe’d call me Donald and flash her gums. I’d go to the garage, disturb Grandpa’s tools, taste corrosion; thumb old magazines, and smell decay. I’d sit amongst rot (avoiding the rot in Grandma’s brain) and tie knots in Grandpa’s sewing kit just to feel closure.Grandma’s mouth puckered like an asshole. She’d eventually miss Mass, but never her coffee.
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TIGER NIGHTS by David Schuman

On tiger nights she wants sex as soon as she gets home. Even if you’re right in the middle of making dinner, no matter if the sauce is just setting up or the souffle must come out of the oven. “Who makes souffles anymore?” she asks. What can you say? This is a woman who’s been tending big cats all day, mucking out their habitat while they pace back and forth in their holding cells, running dry tongues over four-inch incisors as they ogle a pallet of deer-legs thawing in the sun. On the days when she’s on capybara duty, or wrangling the giant tortoises, it isn’t like this. Those nights, she pours the wine and does the dishes. Afterwards you watch bingeworthy television in matching flannel and then make a tidy sort of love before washing up and going to bed. Tiger nights are different. It’s not that you mind, so much. Who would? But there’s something about the brightness of her eyes as she tears off your clothes, the way she doesn’t care when a glass on the nightstand, knocked by a wild elbow, shatters across the hardwood, an event that the next frantic, sweaty, minutes will utterly erase from memory, so that when you rise to retrieve a washcloth you step deeply onto a curled shard from the glass’s rim, which enters your foot and breaks into several pieces inside the wound. It’s a week working with tweezers for an hour a day before you can draw it out. When you do what follows is a pulse of oozy pink. You carry the shard in your palm into the bedroom to show her, but she’s already asleep. You limp to the bedside on your infected foot and lean close to watch the twitching of her lips.  
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