MOMENT by Chad Redden

A little raccoon, more sponsor than mascot, came with the moment, came down the tree. We waited below the tree, Ryan and me. Waited for the racoon that came with the moment, but it was a tall tree, it took some time. For the racoon. For the tree to grow that tall, how many years I cannot speculate. I cannot look at a tree and say how much time it took for a tree to grow. It took some time for the racoon to reach the ground. After a while Ryan had to leave, before the racoon could reach the ground. Ryan could not wait, he was due at work. The bakery department at the grocery store. “Those doughnuts aren’t going to pull themselves out of the freezer. Aren’t going to thaw themselves. Aren’t going to decorate themselves,” Ryan said. "It’s fine," I told him. "I’ll let the racoon know." I did. The racoon understood. I gave the racoon a little pink glass rock from an aquarium I had in my pocket. I stopped by an aquarium earlier in the day. It was on the sidewalk for free. All I took was a little pink glass rock. The racoon was thankful, spun the little pink glass rock around in their little racoon hands. Like a little cloud of cotton candy but shiny, glassy. I said, “I wish Ryan were here to see this, it’s joyful. Guys thawing out doughnuts don’t get a lot of joyful moments, they’re too busy decorating them.” Then I said to the racoon, “I don’t know if you know about doughnuts, but they tend to bring joy to the person eating them.” The racoon dropped the little pink glass rock, then picked it up, spun it around in their little racoon hands again. I said, “That’s alright, it’s fine, it’s yours, try again.”

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SCAFFOLDING by Zac Smith

I went golfing. I hit the ball. It landed in the hole (=hole in one). I walked 227 yards to the green place where the hole was that the ball went in. I looked in the... the golf hole, the hole where the ball goes, where mine went. But I didn't see my ball. It was dark in the ball hole. I lay down on the green stuff around the ball hole, on my stomach, and put my face up to the hole. I thought maybe it was just really deep or something and I could reach in up to my elbow and get it. I remembered that was a thing some places, ball holes that were like a foot and a half deep for some reason. Someone was telling me about that once, at like a party in college maybe. I remember he leaned back and arced his hand up and then down in front of him with his eyes wide in a look of concentration, like he was reaching into a deep ball hole for his ball. I was thinking about his eyes when I saw a pair of eyes looking up at me from the golf hole. They seemed like a man's eyes, like a human man, not a racoon or anything, so, like, there was a guy was under the green zone, looking up at me through the ball hole. I could hear him breathing. We were really close to each other. It felt good but I was confused. I thought it was all dirt and rocks underneath the green stuff but I guessed I didn’t really have any good reason to believe that. I imagined a series of intricate tunnels, like, what's that stuff...with the railings... like outside of buildings under construction, or in space ships, like in tv shows... like, rails and platforms and stuff.. made of metal... I don’t know, that stuff, lots of it, like a facility under the green stuff, with guys walking around. I thought about him walking on these like sci-fi pathway things under the golf course, and thought, like, maybe the ball holes were vents, or something. It seemed really complex and I felt tired. He said something but I couldn't really hear. It sounded like "front edges", or something, but that didn't make any sense. I said, "What," and he said it again at the same volume. I was confused. I thought, Runt cages? Brunt ledges? I said "what" again, but he just sighed and slid this, like, little shutter or something over the bottom of the ball hole. The hole looked normal then, like small and normal. I wasn't sure whether to worry about my ball or not, if it was ok to leave it there, with the guy or whatever. I thought it was probably ok because I had other balls with me in my briefcase. I stood up and I realized the green zone was really wet. My shirt was completely soaked through.

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TREES by Mordecai Martin

Sometimes the world falls away. Oh well! So long, World! I have a small house, though not so small that we would call it tiny. It's just a quiet little place where no one but the bank can throw us out, and where we can play host to some friends in need. I look outside my window at the tree shaking in the wind, and I think about it falling down, crashing through my door. I suppose this is what I am most afraid of in a world that has gone wild: that it will intrude upon the small, calm place I call home. The world's cruel sanity will come for my gentle madness. 

Madness rules the day here. We stack the dishes willy nilly, and the glasses don't match—my wife insists on washing all the jam and pickle jars. We could drink out of them, she says. So we drink out of them, Baruch Hashem, there's still plenty to drink. We had some trouble with the water bill, but it's all cleared up now, I think. The liquor store doesn't deliver, a sensible if inconvenient policy, so we wander down the street and pick up our bottles and put them down when they are empty. It keeps the pain down if we keep our liquor down.

The other day a friend dropped by and said he wanted to talk about Jewish writing. Very well then, I said, what is there to talk about Jewish writing? I was suspicious because I've known this friend some time, I know when he's hot under the collar about something, and that day, I could have put a kettle on his collarbone and gotten a nice cup of tea going. Well, you're a Jewish writer, he said. Well, I'm a Jew and a writer, I demurred. 

Cut the bullshit, Joe, he said, you're a Jewish writer and so am I and what are we going to do about all this?

All what, I asked, innocently enough, but with a sinking feeling that my tree had collapsed.

Cut the bullshit, Joe, all this! He pointed out the window, and I suppose, in a gesture he considered sweeping, to the wide world of horrors.

I shrugged. I can't deny that something needs to be done. But what should we do? I asked my friend. What can we do but write?

But we're JEWISH writers, he insisted. And how are we going to write about this?

I gave it some thought.

Eventually, I spoke up and said, there's a story Rebbe Nachman of Breslau wrote about the son of a sage who can't walk but can stand. That is, the son can't walk but can stand. The sage—

Joe, my friend said, with a less than patient air.

No, listen, I said. The sage is dying. He gathers the son who can't walk but can stand and his brothers and tells them, on his deathbed, that they must water all trees, all the days of their life, whatever else they do. So the brothers go out, they send money back home to their disabled brother. I mean, the story says "crippled" but I don't like that word. 

Joe, c'mon, I'm trying to ask for your thoughts.

I looked at my friend a while. He can be impatient with stories from my yeshiva days, like a lot of the friends I have. They'll say, Joe, you're preaching, talk to me, don't preach. And they have a point. 

Okay, I shrug. The point is, this son who can't walk, he goes on some adventures. These adventures are difficult to hold in my head, I always think of them as details, mystical details. But ultimately he finds a magical tree in a land of demons. The demons are an allegory for humanity, they squabble and fight. Eventually, the demons distract everyone from watering the magic tree. The world collapses, everyone's killed, and the tree gets watered. Do you see what I'm saying?

My friend was annoyed. Joe, I came over here to talk about the responsibilities of the Jewish writer in these times.

I said, I know, and that's why I told you that story. You know what the responsibility of the Jewish writer is? It is to remember the mystical details. It is to make strange prophecies from the deathbed of sages. It's to squabble and fight and fill time until the world collapses, at which point, it won't matter what we did. 

We argued late into the night, but eventually my friend got an answer he liked and left, out into the sour darkness. I looked at my reflection in the dark square of my window and thought about a tree crashing through it. One day the world’s cruel sanity will come for my gentle madness. And the tree gets watered all the same. 

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ADULT CONTENT by Jamie Kahn

My tenth grade biology teacher is the first person to ever tell me that I look like [One Specific Porn Star], though he doesn’t really tell me in his own words. Instead, I inquire about his stares to friends in my class to no avail until one boy claims to have seen porn on his laptop during school hours.

“What does that have to do with me?” I ask.

He shows me a video during study hall. The resemblance is undeniable.

That night, I fall into the never-ending black hole of videos featuring [One Specific Porn Star]. I see the resemblance from every angle. Periodically, I stop watching her videos to look at my own face in the mirror and go right back to watching again. I stay up all night like this. 

The next morning I am tired but even with the bags under my eyes I see nothing but [One Specific Porn Star] when I look in the mirror. I go to class and when my biology teacher hands back my test I avoid touching his hand. I consider for a moment what would happen if I asked him about the porn on his laptop. Would he break down and cry? Beg for forgiveness? Deny everything? Or try to bend me over his desk?

For the rest of the semester I don’t raise my hand and when he rearranges the seats I get the urge to spit on his shoes when he places me right beside his desk. I don’t study for his class. I get a D and am kicked out of the honors program, though I am sure to know just enough material not to get an F. Re-taking the class would mean seeing him again. 

I watch [One Specific Porn Star] so often that she is all I see when I see myself. I am both elated and despairing. What better thing for my teenage self esteem than the knowledge that thousands of people—maybe more—would get off on watching me have sex. But something about it feels imposing. Like a windstorm about to erupt into a tropical rain or a kitchen timer I know will scare me. I try to enjoy being beautiful.

The second time I am told that I look like [One Specific Porn Star] is a bit more direct. I’m nineteen and working at an organic restaurant and juice bar. I’m busy, sweaty, with strawberry and avocado stains drying into the fabric of my shirt. 

There is a girl who can’t be much younger than I am and when she gets to the counter to order she pauses in stunned silence for a moment. Her voice stalls like she is studying the menu but her eyes study my body and face instead. “Can I get the blueberry mango smoothie?” Her words sound nervous, like they’re floating on the surface of foaming saltwater.

“Apple or orange juice?”

When I am done blending and hand her the smoothie, she takes a sip and asks quietly, “Is it rude to ask you why you work here?”

“I work here because it’s my job. I need money to live and I like juice.” I try my best to express my confusion but in response I appear to have confused the girl even more.

She whispers a little lower, “Aren’t you [One Specific Porn Star]?” For a moment, I consider saying yes, just to see what it would be like. To see what she would say. “How did you start? Like, what did you do to get into it? Did you know someone?”

When I realize she wants advice I can’t give her, I shake my head and say “Sorry, that’s not me. Good luck, though.” And go back to slicing pineapple on the counter. The juice sticks on my palms, and the girl lingers for a moment. She looks at me like she’s trying to crack my skull open like a walnut. She thinks I am lying. I let her.

The third time I am told that I look like [One Specific Porn Star] it is more like a confessional. I still work at the juice bar, which is where I meet my boyfriend. He comes in all the time, and after we start dating he stops coming in and admits he likes me much more than the juice and the salad wraps. I don’t mind. If given the choice I, too would say I like him more than juice and salad wraps. 

He is kind to me. He has light brown hair and a scar on his shoulder from a dog bite. He likes cashews. He has a crystal and rock collection. He likes baseball shirts, though he doesn’t care for baseball. 

Together, we wake up early for lake day trips and do Pilates together. We plant hanging tomatoes on the balcony in his apartment because it gets more sunlight than my balcony. We try to make our own red wine blend and it fails miserably. He tells me he enjoys when I wear red lipstick but hates getting it on his face. He teaches me how to drive stick shift. We have sex roughly once a week, sometimes more if the mood calls. We date for seven months.

He is too nice to admit it outright, but I notice that he is bored with our sex life. Some days he is less bored than others, but when things become routine it is sometimes inevitable. This displeases me. I try a few things—blowing him in the middle of the living room, letting him lick whipped cream off my body even though I myself don’t like whipped cream—but they lose their  novelty. 

One night we are in my bed, swimming in my oatmeal-colored sheets. I kiss his cheek, his neck, his chest. Make my way down. But he grabs by shoulder gently and says, “Hey, can I tell you something?”

“Of course.” I lay back beside him, afraid he is about to break things off with me. 

“Honestly, when I first met you, the very first thing I noticed was than you look exactly like [One Specific Porn Star]. Do you know her? You probably don’t. She’s—”

“I know.” I haven’t heard her name out loud since that girl at the juice bar. I haven’t thought about her much since then. I never had to.

“Oh god, you think I’m a pervert. You probably think I’m such a dirtbag.” He gets a sour look on his face and buries his head into my shoulder.

“I don’t. I know what I look like,” I say.

“You’re prettier than her.”

I am not.

“Thanks,” I say.

“I just want you to know you’re prettier than her. You’re beautiful, okay? But I’ve always been into her videos. I used to watch her a ton before we got together.”

“Do you still?” I ask. “I don’t mind if you do.” I mean this. I can’t enforce constant power over his thoughts and desires.

“Recently. Yeah. I have. I’ve been getting back into her a lot.”

“And sleeping with me just isn’t the same?” I ask. 

His eyes widen and he shakes his head. “That’s not what I meant at all.” Even in his dopey kindness, I can hell he is lying to save my feelings.

“Then what did you mean?” I ask, and silence follows. “What were you thinking would happen when you brought this up to me?” 

He shakes his head and hides his face, and I touch a hand to his shoulder. Try to comfort him in the wake of something that I’m guessing should probably hurt me.

“I don’t know,” he says. And now I am the one who is silent. I rise from bed, and he does not try to argue. I rifle through my bag for my laptop, straining on too many tabs and blinking low battery. Slowly, I find her, for the first time in years. Her face shines sweaty as she bounces on top of some man who doesn’t matter. I turn the volume up and follow her lead. 

My boyfriend’s eyes are glued to her, and what’s more—my eyes are glued to her. In this moment, I feel like a little girl staring at the grown woman version of herself, and I wonder if it will always be this way. I tilt my head back and catch the mirror. He is still looking at the screen.

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THE CONSTELLATIONS OF YOUR BEDROOM by Chris Vanjonack

After stumbling drunk into your bedroom, crawling onto your twin-sized mattress, and wrapping yourself in dirty bedsheets, you find that you are staring into oblivion. You can see the stars, the moon, and an airplane, each obscured only somewhat due to the haze of neon lights surrounding your apartment. The air is cold and you are so overwhelmed by your hour-old breakup on the dancefloor of a crowded dive bar that it takes you longer than it should to process what would otherwise be obvious:

Your ceiling is gone. 

Still sad about your ex, you rack your brain for how this could have happened. Might this be some twisted act of vengeance by your former significant other—to literally take the roof off from over you? To expose you to the elements? To leave you cold? 

After a moment of fevered rage, you realize that your newest ex probably hasn’t even deleted you on Facebook yet, much less orchestrated the removal of your bedroom ceiling. 

You ask yourself: was your ceiling still here this afternoon, when you awoke at 1:35pm, already over a half-hour late to a lunch date with your ex’s family? Was it still here at 3:17pm, when you remembered that you had missed lunch entirely? What about 3:41pm, when you called to apologize, and—although you sensed a tone of resigned exasperation—managed to convince the lips you knew so well to surrender an, “I’ll be there, on the subject of joining you and your buddies for a wild night of bar hopping? And what about when you left at 10:15pm, late again for no real reason other than that you were really into an episode of Ghost Hunters

Of course it was. It was still here this evening, this afternoon, this morning, yesterday, the day before yesterday, the day before that, etc. etc. etc. 

It’s funny: for such an ever-present figure in your life, you can remember very few specifics about your missing ceiling. In the three years you have lived in that bedroom, you have spent almost no time at all considering it. If you were to call the cops to report a missing ceiling, what might you even say about it? Could you speak to its exact dimensions? To its shade of gray? To the consistency of its paint job? To its history? To its character? To its hopes? Dreams? Regrets? Fears? To its belief in the unknown? 

You could not; you never asked.

In the distance there is a strike of lightning, a crack of thunder, and a moment later, thick, powerful bursts of rain descend from above. The wet seeps through your blanket and to your bones. You shiver and try to curl up inside yourself. 

This shit never used to happen when the ceiling was here. 

Pathetic, drunk, missing your ceiling and longing for warmth, you cannot help but whimper, “I’m sorry I never appreciated you,” your voice so weak that you barely hear it. “Please come back,” you say. “I’ll start taking note of you. I’ll say hello when I wake up. Goodnight, when I go to bed. I’ll stick glow-in-the-dark stars against your surface. When the lights go off you’ll look like the solar system.”

Another crash of thunder shakes your bed frame, and, impossibly, the rain comes down even harder. Your carpet is ruined. Your things are ruined. The night is long. 

When you crawl out of your soaking bed the next morning, your ceiling is still absent. You take a hot shower and put on a damp t-shirt and go into town to purchase new bedsheets and a tarp. At the bus stop, you run into an old acquaintance. The exchange is pleasant but she looks distracted.

“My ceiling left last night,” she says, finally. “One minute it was there and then the next—poof—no more ceiling.”

“I thought I was the only one,” you say.

An old man sitting on the bench looks up from his paper. “Haven’t you heard?” he asks. “It’s happening everywhere.” His voice trails off as he scans his newspaper and coughs. “They’re calling it curious,” he says, “the scientists. They’re saying we didn’t love them enough.”

You resolve to start appreciating your floorboards. Once you get home you tell them what a great job they’re doing—how important they are to your sense of security. 

“Thanks for being here,” you say. “Thanks for holding me up.” 

The gesture of acknowledgment becomes a twice-daily ritual. You recite this gratitude every morning. Every night. Even when you’re exhausted. Even when you’re down, drunk and depressed. Even when the weather outside is so chaotic that the elements threaten to pummel and soak you until your skin is raw, until you are nothing but the sum of all your thank-yous. 

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JUNE by Rosella Birgy

I.

The lady who owns the condo keeps a bonsai tree that she regularly forgets to water. She wears an ankle bracelet and her best friend is a nineteen-year-old boy who “works” maintenance for the complex in the summer in exchange for a living space that’s not with his parents. His father is a no feelings kind of guy and his mother hasn’t stopped taking Valium in the three years since his older brother died in a car crash and he doesn’t know if college “is for him,” the lady writes us in her letter of instructions for general upkeep of the condo.

“There’s a six-pack of beer in the fridge for him,” she says, “if he stops by. His name is Jack and he has a key but he’ll probably knock anyway.”

Somehow, these small facts do little to reaffirm the sense of grandeur which we may have wrongly assigned this first family vacation. My parents have no intention of cracking open a cold one with an underage kid in the way that a lonely, forty-some, Floridian woman apparently would.

My mother doesn’t feel great about the aforementioned young man having a key to our home for the next week so my dad calls up maintenance on the dial-up landline because cell service is routinely patchy. They send Jack over and he gets comfortable on the floral couch. Sand from his open-toed shoes leaks onto the floor—he is unapologetic.

“You understand we can’t give you the alcohol,” my dad says as Jack nonchalantly hands over his copy of our key.

“Yeah,” Jack says. “I feel ya.”

“You drink often?” My dad asks out of curiosity.

“I dunno,” Jack replies. “It’s not much fun without someone. I’d come over once in a while and have a drink with June. She’s a cool lady. You don’t meet a whole lot of folks like her. They get in your heart.” He thumps a fist to his chest like he’s making a heartbeat but it’s on the wrong side.

“Like a second mom,” my mother offers as if mothers are qualified by their ability to supply their kids with alcohol.

“No,” Jack says and nobody makes any more observations about the nature of the relationship.

My mother’s lips purse like a skinny pufferfish.

Immediately after Jack leaves, my parents each open a can of the beer. To my dismay, June’s fridge is empty except for the remaining four beer cans, a stick of margarine, and some equally unappealing tins of tuna fish. These, I feel, are representative of June and the condo’s personality.

It’s a strange little place. The view of the ocean is spectacular. A fat, cartoonish, clay statue man sits on the kitchen counter that is bizarre enough to make people lose their appetite. A glass mermaid perches on the back of the toilet. All the furniture is mismatched and the plastic covering on the couch makes it seem like this home is only temporary, not actually lived in. The plants—including the bonsai tree—wilt in the heat.

I try to imagine June here—somehow coaxing a meal out of the tins of tuna or lovingly dusting the furniture. I try to picture her watering an assortment of dead things. I can’t, as much as I try.

 

II.

June pours her can of beer into a glass because she has done this since she was fourteen and it makes her feel more mature—like a real woman. She ogles the foam as it deflates in the way that all cheap beer does. She has turned all the water in the fridge to beer, like a convenience store Jesus. She sits on the couch and her skin sticks to the plastic covering. She traces the floral pattern with her finger. Her own sweat disgusts her.

June thinks about the nice man from Pittsburgh with a job and a cookie-cutter house in a city with all four seasons and how he asked her to marry him. He would’ve made her mother very happy. June knew that the sun would give her premature wrinkles. No one between the ages of twenty-five and sixty-five deserved to live on a beach. You had to earn it at some point, which June never had considered herself to. A summer away—or longer if she felt particularly ambitious—would be penance.

June thinks about her birthday (in June, of course) and tries to remember how old she is. She thinks about the young maintenance boy and how much he deserves the beach and the heat and the sun and everything good under it and she does not.

She knows that she must leave. She takes an inventory of everything that matters to her and begins to write instructions for summer renters with a lease on bronzed bodies and saltwater pools.

  1. Water the plants

Even she does not water the plants. She has never been nurturing towards anything that can’t hold up their side of a conversation. She starts again.

  1.  

 

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DUNHUANG, IN THE SUMMER by Jiaqi Kang

is beige and washed with soft, settled dust. It nests between sand dunes, two-tone hills that whistle and whisper at dusk, the breeze bringing mysterious dreams to those who sleep under its soupy night sky. My guests, pilgrims whose cotton shifts are streaked with the brown patterns of their journeys, spend the last of their silver on a bed and a meal in my inn. They are tired, worn, and bone-thin, but there is that momentary sense of relief in their eyes when they clap an ugly coin into my palm. I lead them to their cots and my husband ladles precious wine into their bowls; twice a year, he makes hard candies out of the sugar grains that have stuck to the bottoms of jars, and I hand them to the pilgrims’ children. “Ah—” I tease, holding the candy just out of reach. “Say, ‘Thank you, Mister Innkeeper!’” The parents smile as the toddlers’ fingers work to unwrap the treats. Inside the wrapping paper, my husband makes an inscription: a character from a sutra, painstakingly calligraphic and minuscule—just big enough to cast a spell. I don’t believe in these words anymore, but he does, and I adore him for his insistence on sewing whole sheets of sutras into our winter clothes so that they sometimes swish and crinkle when I do the morning chores. 

Not that we need winter clothes here in the desert, but even after twelve winters—a full zodiac cycle—we haven’t shaken that habit of renewing ourselves for the start of each year. In the weeks before the spring festival, we sew them for each other, then exchange them over a rare feast of pork buns. It would shock our younger selves, the effort we put into every stitch and our miserly use of the cloth, but now that we’re poor, we pay more attention. In recent years, I have become worried that our annual gift-giving lacks fairness, that he has ruined his eyes copying our sutras by candlelight. I have offered to write my own, but he says it wouldn’t work—heathen that I am. It has taken me some time, but this summer, I have prepared an extra gift for him: his own sword. 

When we’d left the world, he pretended not to mind leaving it behind—, he threw it nonchalantly into the Yangtze and didn’t look back. In that moment, I’d thought of that idiom, ke-zhou-qiu-jian, about the fool from the Warring States era who, instead of diving to retrieve his drowning sword, carved a mark onto the edge of the boat and said, This is where the sword fell. When we reach shore, I shall dive from here. They don’t say what happened to him afterwards. For what was a wuxia without his weapon? A martial artist without his art; a fool; a wastrel; an innkeeper, a cook—someone without a name hiding somewhere far off doing ordinary things that would never be told of over campfires across the jianghu. I’d thought of selling the sword, but my husband hadn’t wanted to draw attention with such a famous weapon. 

He’d been right, as always: when, some years ago, I began to discreetly ask about the sword, it was too easy to track it down to some middle-class collector in the capital city with the audacity to admit visitors in exchange for an entry fee. The hard part was stealing it. I debated whether to reveal myself to one of our old friends, an imperial general, perhaps, who might remember what I did for him in the war, or instead to venture out on my own with some plausible cover story. In the end, it was one of the rare merchants at the inn who helped me secure the services of a rogue wuxia who could travel to the capital and back, no questions asked. All it took was a tumble in the hay with the merchant, under the watery eyes of our one wizened donkey. And money, of course; money all the time, the entirety of my secret savings as well as one of the two gold bars we hid under the kitchen floorboards, which my husband does not often check and which I will blame on a thieving pilgrim when he does find out. 

Would a thief only steal half our gold? I must continue to work on the story, but it is hard to focus when all I can think of is the smile that will bloom on my husband’s face when I present him with the sword next week, the kind of pure and joyous smile that even he is unable to suppress, maybe even a smile with teeth! Or else I worry about the naked blade’s condition after having traveled such a distance—I could not afford the scabbard, which remains at the collector’s. I think we could go retrieve it together. We’ll shut the inn for a month or two, go on vacation for the first time; a kind of honeymoon. We could detour through Jiangnan, spy on those we left behind: our shifu, our sworn brothers and sisters who by now will have taken on disciples of their own, the teahouses where we eavesdropped on local gossip, and my husband’s grandfather, though perhaps he has died. Would it be too painful? I suppose that question is too far into the future, considering that we cannot afford to shut the inn. Business slows in the summer for reasons I still haven’t fully comprehended. Some days, there are so few guests that I am able to leave our hired girl in charge and accompany my husband to the market. 

In town, we are careful not to walk too closely together. Everyone on the Silk Road has a secret, and people in Dunhuang don’t mind these things, but it also means that any tanned, forgettable face could be masking violence. The assumption, I think, is that we are brothers, and technically we are—brothers-in-arms, fellow disciples under one shifu. I don’t mind: it reminds me of our youth, when there was always this invisible hurricane that raged in the space between our bodies and into which we would throw everything we weren’t allowed to say or feel. Sometimes I miss those days, not because we were wealthy, but because of the back-and-forth of our dance, how precarious it all was, how miraculous, how heartbreaking. Everything was so new that I’d sometimes forget we were fighting a civil war; even in the midst of a battle, when across the melee in the corner of my eye I could watch him slash and parry, I’d felt so attuned to him, as though we were the only ones there, as though my hands weren’t full of someone else’s blood. I miss that, too, but I don’t tell my husband that I do: he’d made me promise, that day on the Yangtze, that we’d leave it all behind. I think he prefers Dunhuang, our inn, the lazy fog of sunlight, the spices and curiosities brought in from the West, the foreign languages that he practices with the street sellers. The callouses on his hands have faded; instead, he has little cuts here and there from the cleaver brought down too fast or too hard. 

Today, a week before the wuxia arrives in Dunhuang with the gift, the sunset sends rays of glimmering pink clouds across the sky, and my husband stops by a Persian carpet-seller to feel the soft weave on the tapestries. I am admiring the way that his face, bathed in golden light, seems to be chiseled from the sand dunes that surround and cradle us when I am hit with a nauseating premonition and stumble a little. I steady myself against the merchant’s camel, which wavers its head, as if aware of my distress. It has suddenly occurred to me that my husband may not want his sword back at all, that I have made a terrible mistake; I have overreached, overstepped, overwhelmingly overstated—it is over. I imagine him trying and failing to hide his profound disappointment, turning his back to me as he rolls up his sleeves to knead more dough, the rise and fall of his silent shoulders. My husband is gripping my arm now, saying something with his low voice that I can’t make out—all I hear is the rush of blood in my ears and the fuzziness in my mouth. I am frozen, like that night on the battlefield so many years ago, an agony I’d forgotten. He leads me away from the crowd, into a quieter alley, and I start to calm down a little, I think. He leans against the wall next to me as my breathing slows. After some time, I shuffle closer, lean my head against his shoulder, touch his hand. He lets me. 

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JEOPARDY by Ruth Aitken

As my ex-husband the Jeopardy champion won thirteen games, I racked up quite a résumé myself. I followed advice to shampoo with raw eggs. I dropped a knife and drove myself to the emergency room. I fell in love with a man on the Metro, because he made eye contact when my hand bumped his on the pole. I successfully overheard someone in the break room say about me: Yeah, her voice makes me wanna die. I wondered for the first time whether I wanted to have sex with a woman. I went too far on party drugs that were too young for me, walked into a tattoo parlor and told the guy to surprise me. The whole world was spun on serendipity, and I thought whatever he tattooed on my body would teach me some lesson I needed to learn. 

Every light source in the parlor gave off swimming starbursts of color. I had helium in my veins instead of blood, so I was taller than the tattooist. I knew plain as toast that a connection was opening between me and the divine — because eight months earlier I’d had a vision of my [then soon-to-be] ex-husband on the Jeopardy stage. I couldn’t recall him ever watching the show, but in my head he looked so right against that blue background, smiling a stiff little nerd smile behind his podium, trying too hard to make Alex Trebek laugh. And then eight months later he was right where I’d put him. He must have picked up trivia because he needed a rebound hobby once he lost his old hobby of making me feel bad. 

The tattoo artist eyed me with caution. My dilated pupils and messy hair, my skirt shedding sequins on the floor. The hospital bandages on my foot. I cried a little, which didn’t increase his trust. 

Why don’t you go sleep on it, he said. 

I said I no longer let other people tell me when to stop being stupid. 

I was so reborn that even my ex-husband the Jeopardy champion and his $268,730 couldn’t bother me. That’s what those dragonflies of light said. 

What would you die for? The tattoo artist asked. 

These days, thank God, not much, I said. 

He gave me a paper airplane, right above the crook of my elbow. It restored my faith in people, to know that you could give your body as a blank canvas to a stranger and not emerge with something big and ugly and vengeful, asshole on your forehead or Garfield on your asscheek. 

I still liked my paper airplane when the drugs wore off, still liked it when the redness healed. I went to a bar I’d never been to before and I met someone. 

What does your tattoo mean? 

I leaned so close I could smell her shampoo and said, I don’t know yet.

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I WANTED TO SAY by Michael Harris Cohen

The body farm looked like any other chunk of rural Tennessee, black and white oaks, cherry trees and clearings. Only this chunk had a 12-foot fence circling it, razor wire on top, and rotting bodies within.

“Why the fence?” I asked. 

Landon, my brother’s best friend since kindergarten, shrugged. “It’s science. Can’t have people messing with science.”

We followed Landon through the woods. Last I’d heard, Landon worked night security at the mall. Now he was day security at the body farm and (supposedly) enrolled in night school. He’d abandoned his signature mullet for a crew cut.

We came upon the first body. It didn’t look like a corpse. It was more mummy or Halloween prop, skin motor oil black and bunched like a deflated air mattress. Its skull all eye sockets and teeth, the mouth gaped in a frozen moment of awe. 

“Blacker they are, longer they been dead,” Landon said. “Don’t worry. Your old man won’t look like this. He’s fresh.”

***

I’d skipped my father’s funeral and flown down two weeks later. My girlfriend said I needed “closure.” When my brother picked me up at the airport, I’d told him how I wanted to see dad and say some words. Maybe touch his hand. Kiss his forehead. Closure. 

My brother had shaken his head and stroked his tangled beard. “There’s no closure with the dead. It’s a one-way conversation, like talking to a busy signal.”

“Still,” I’d said. “Gotta try.”

But here I felt less certain. In life, my father was as predictable as taxes. In death, he surprised me. How was this what he’d wished and willed for his eternal remains?

***

There were more roped off skeletons and corpses. Some looked alive, just napping in the woods, face down and naked. One was half-covered with black plastic, legs stuck out, like an abandoned car in a yard. 

 “Hey,” my brother said, “remember how Pops used to take us to the cemetery at night? To light candles and summon spirits?”

Landon snapped his fingers. “That was fucking cool. Your old man was cool as shit.”

“That never happened,” I said.

Landon and my brother stopped and turned back to me. 

“What’re you talking about?” My brother said. “Of course it did.”

“He never did that.”

They locked eyes. 

“Mandela effect,” Landon whispered and my brother nodded.

“What are you talking about?” I said.

Landon raised his eyebrows. “I thought they taught everything in lawyer school.”

Landon spat in the direction of a stray ribcage. My brother stared at me with a look borrowed from our father. An open-mouthed, droopy face that said: Is your head screwed on backwards? 

“Maybe you just weren’t there,” my brother said. 

***

The path turned to gravel road. We followed it awhile, and then I saw her: the old man’s ‘71, 280SL. In the rush of his death, I’d forgotten Marilyn, his convertible. The vanity plates, TOPLWYR, still on it.

“Marilyn Mercedes?” I said.

“Pops stipulated it.” 

Landon whistled. “Hell of a car.”

“Mom thought you might try to contest the will. She said, and I quote, ‘I don’t want your brother digging his legal beak into my husband’s last wishes.’” 

“Why’s it called the Bar Exam, anyway?” Landon said. “Seems like a test I’d get cozy with. One I’d pass with flying colors.” 

Bar is short for barrister. It’s an old thing.”

“Like you.” My brother rabbit punched me, and I wrestled him into a headlock, like old times. He struggled, and I squeezed, but my heart wasn’t in it, especially with what lay ahead. I let my arm go slack, and my brother wriggled out and ran to the car, like we were kids again, homebound after a family picnic.

As a teenager, I’d told my father how much I hated Tennessee. He’d said, “No rust and nine months top down? Paradise.” 

Marilyn’s top was still down, even though it was December. Her leather seats were glazed with leaves and animal droppings. Landon rooted the keys out of his pocket. “You ready?”

I nodded, but I wasn’t sure at all. 

“First, I want you to know that your father has done a great thing. Donate your body to medicine, and they maybe use it six months. The research here, with some corpses, goes on forever.”

My brother nodded solemnly, tucking one hand under the elastic of his sweatpants. A candy bar appeared in the other.

“Second,” Landon continued, “prepare for the smell. Especially with a freshman like your father. This ain’t no dead mouse behind the fridge.” 

I nodded and he popped the trunk. 

The smell struck like a bushel of rotten fruit, a blinding, musty-sweet stench. I covered my nose and retched in my hands. The flies droned like a chorus of tiny saws.

Landon grinned wide. “That bouquet you don’t forget.” 

Inside the trunk, our father curled, chin tucking knees, fully dressed in his blue suit. It could have been anyone, but it was dad. There was the scar from his Navy years. His gold wedding band squeezed a swollen finger. 

I spoke through my hands. “Why’s he dressed?” 

“They like to study all the variables with PMI—post mortem interval,” Landon said, flicking his shoulder. “Some are naked, some are dressed, under tarps or underwater. Some in car trunks.”

I stared as  flies crawled in and out of his ears and nose. 

“The flies show up ‘bout a half hour after you die. They crawl inside and lay—”

My brother punched his shoulder. “Shut the fuck up, Lando.”

We all shut up. I stood there, gaping at a dead man in the trunk of a car. 

A crazy fantasy rushed my head. I’d swipe the keys from Landon and drive off in Marilyn, Dad still in the trunk. Top down, I’d get on I-40 and drive straight to Los Angeles, right up to the edge of the Pacific. 

My brother dropped a hand on my shoulder. “You want to speak your thing? Last words for Pops?”

I did. I didn’t. What was there to say? I’d been rehearsing my ‘done with the law’ speech for months. I’d wanted to say that the people in law school were the worst people I’d met in my life. I wanted to say that the worst of the worst, the gunners, reminded me of him. How I’d never retake the Bar. 

But I’d rehearsed the speech with a living man as an audience. Talking into this trunk felt useless. The finality of what lay there swallowed my words before I spoke them.

“It’s a weird thing,” my brother said. “Like all that’s left is an empty human suit. An empty cocoon. Like the part of us that is us goes on to something else.” 

Landon whistled “Dust in the Wind” and looked at me. 

I finally nodded, and he slammed the trunk shut.

Closure. 

***

Driving to the airport, my brother cleared his throat and spoke. “You’ve been back two days and haven’t once asked how I’m doing.” 

“You have chocolate in your beard,” I said. “Your life uniform is sweatpants and Crocs. What am I supposed to ask?”

He grinned, fingers drumming the steering wheel. “I’m in a transition phase.”

I took the bait. “You’re finding yourself.”

“I’m a caterpillar.”

 “Slow to leave its cocoon,” I said.

My brother giggled. I remembered all our father’s rationalizing riffs, the things he told himself and others on behalf of my brother, 30, and still living at home. 

My brother reminded me of the time he’d bit a bar of vanilla soap, figuring it would taste sweet. “Remember how hard Pops laughed?” 

“He was red as a stop sign. I thought he’d have a heart attack.”

My words rung like a vacuum, sucking out all sound. We rode two miles in quiet.

“He still talked about you all the time,” my brother finally said. “You know, his ‘Golden Boy,’ the New York lawyer. In Pop’s eyes, compared to you, I was one-inch tall. I started hating you.”

“More than before?”

“A lot more.” 

“Anyway, I’m not a lawyer.”

“I heard a lot of people don’t pass till the third time,” my brother said.

I wanted to say how it was better to be a one-inch caterpillar—who got to light candles in graveyards and go water skiing—than the butterfly, saddled with legacy expectations. But I just shrugged and watched the cornfields scroll past. 

At the airport, my brother pulled my suitcase out of the trunk and hugged me at the curb. He stepped on my toes, an old trick, and kissed my cheeks like a Frenchman. It was a thing he’d picked up from our father, who’d been to France exactly once during his Navy years. 

My brother winked, chocolate crumbs in his beard like mud flecks. 

“You’re in a transition phase,” he said. 

“Finding myself,” I said.

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NEVER REALLY OVER by Kate Shapiro

1.

My resort in Thailand is a beautiful picture ringed with spider eggs. I angle the phone so the fat cockroaches with long wandering antennae are not within the frame of my selfie, but the beach is. I know I look beautiful because beaches make you beautiful. They make you shimmer. I am shimmering now, like an iridescent fish.

Two weeks before Thailand, Charles put my face between his two palms and told me he met someone named Suzanne at a live sitar show and he could not deny their attraction any longer. He said that he loved me and believed we would get married someday but he had to see how it worked out with Suzanne first.

What if I love her? he said, as dumbass-tears leaked out of his right eye and a lizard crawled over his hand and joined the other lizards congregated by the door watching us break up. Charles threw a rock at the lizards.

2.

An Israeli soldier named Noy stays in the cabana next door and does mushrooms every morning at the mushroom-shaped club blooming out of the cliff over a guava-shaped resort. I find him one day inhaling nitrous out of a rainbow-shaped balloon. Give me some, I say, and sit next to him. 

Noy needs a haircut. His army uniform is rolled up over his shoulders, the green of it lightened from the sun, stains dotting the collar and sleeves; badges peeling off.

How does it feel to kill a Palestinian, I ask.

I build radar equipment, he says.

But how does it feel to kill a Palestinian, I ask.

They send us to Thailand to make us forget we do it, he says.

Noy and I watch a girl with a fiery baton do backflips on the sand. I put my arm around Noy and tell him to smile. We have a glow around us. It is like the world is a bright, shining thing and we are the deformed creatures that inhabit it. The contrast is stunning. I post it on social media.

3.

A text arrives from Charles. Hey, how you holding up? I hold my phone close to me and scream. I tell him, Great! Just Great!

I gleefully swat at bugs. I slice millipedes in half with my index finger. 

I slap a spider so hard its guts are splayed in a perfect circle on the inside of my elbow. Sugar ants swarm the dregs of a pink, plastic champagne flute. 

Noy watches the centipedes and drinks a Chang. A rocket once landed in an abandoned lot choked with weeds and beer cans next to my kindergarten, he tells me. It never exploded. My teacher told me to go underground and I remember my classmates hugging each other and crying. I thought, what for? Nothing will happen. This is how they want us. Scared and also bored. There is a word for it in Hebrew.

4.

The next day I sob while a Scandinavian family does yoga. 

What’s wrong, Noy says. 

I show him my phone. He shields it with his hand. It’s an Instagram post of Charles and Sitar Suzanne with their arms around each other on top of a dusty mountain. She is very thin; you can see every one of her bones, and her hair is straight and shiny.

Noy asks her: is this what is attractive to Americans?

The sitar girls are the most attractive, I tell him. They are a clean white sheet to throw over a dusty piece of furniture.

She is not prettier than you, Noy says.

You only think that because you are on mushrooms. I am actually fat, I say and point at my fat belly lined with bug bites and moles.

But fat is good, Noy replies, perplexed. 

Thank you, I say, but I know better. Charles is better. He is the bare-faced Birkenstocks-wearer and I am the cretaceous organism desperate to split in two.

5.

Noy and I drink one milkshake full of mushrooms each and watch a group of monkeys on a nearby cove. One monkey picks a leech off another monkey’s butthole and eats it. Kindness, I believe, is not a thing humans value. I have a theory that we are not the product of our parents, or their parents, or our stupid fucking genetics, but instead a product of the country we are born in and its stupid fucking ideas of how to live and die. I tell Noy this as the ocean fractures into a million black centipedes.

Can you please stop mentioning the Palestinians? he asks. 

He removes his uniform, then his pants, until he is naked, stretching his limbs out like he is an Israeli starfish. I also remove my clothes and spread myself out so I can touch his toes and fingers with my toes and fingers. 

6.

I tell Noy that we must ride a jet ski in order to kill our past. I tell him, in America, jet skis represent the apex of happiness. 

It is the first time I want to kill my past and not resurrect it into a slug that I fuck.

I let Noy drive it into the open ocean and clutch his waist as he hits the waves head-on. I let him scream for a long time when nobody can hear us. I scream too. A wave kicks us off and we tumble into the open ocean. I can hear the sting rays, giant squids, and whales swimming underneath us while Noy squeezes me.

We park the jet ski at a cay populated with feral cats. They fight with each other over crushed guavas swarming with fruit flies and maggots. The victor feasts on the spoils as the loser watches from behind a rubber tree. Noy tells me he killed someone once with a 160 mm gun from two miles away. I felt nothing, he says, then I felt I should feel something, which was much much worse.

The cats do not bother me and Noy because they detect us as comrades. I like the horizon because it does not contain Charles or Sitar Suzanne. I like it because it is just that: a horizon. It’s not even that good. Boring, really. No pretty islands. The water is ugly. The cats begin to wail. Noy produces a peach. I ask where he got it and he shrugs. We split the peach and watch the horizon. Maybe we hold hands. Who cares.

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