BELLYBUTTON BABY by Dilys Wyndham Thomas
I have this recurring nightmare in which I swim through amniotic fluid. Poppies litter the fluid, and a baby is lost somewhere amongst all the falling flowers, out of reach, beyond my thrashing hands. To keep the nightmare at bay, I lay awake in yet another hotel room, avoiding sleep. The man in bed with me has his back turned, constellations of freckles scattered on sunburnt skin. It’s obvious from the way his body teeters on the edge of the mattress that he has decided I am a one-night stand. I run my fingers along the map that is this new back, find a replica of Cassiopeia on his shoulder. I will remember his skin long after I have forgotten everything else about him. Slowly, I reach for the discarded condom on the floor, cup it in my palm. It is satisfyingly heavy. I tie another knot into the latex and slip out of bed. I find the next man in the Gare du Nord. The French have a lovely term for train station waiting halls: salles des pas perdus, rooms of lost footsteps. I am sitting at a crowded cafe, smoking a kretek — you know, one of those honey-tipped clove cigarettes — pretending to read the novel that last week’s man told me would be life-changing. It is not. I spot the next man through the throngs of passengers scurrying for their trains, and watch him slip off a wedding ring as he approaches to ask for a light. I can picture it, the conventionality of his life: the flat in some sleeper suburb, the overweight Labrador, the sad potted plants, the mortgage he can barely afford. He asks if he can sit down. There are no other free tables, and he has been stood up, he says with a little too much of a smirk in his voice. It is an obvious fib, which makes him more likeable. I don’t trust utterly honest people. They don’t see through my lies. The man asks about the book I am reading, and proceeds to tell me he found one of the author’s earlier novels had really opened his eyes to life’s possibilities. I apparently have specific tastes when it comes to lovers. So I tell him what he wants to hear, repeating what last week’s man thought of the book, opinions lifted from some newspaper review, no doubt. I tell him how seminal the book was during the Velvet Revolution in Czechia, how the writing burns with twentieth-century urgency. I’m not entirely sure what the Velvet Revolution is, but that hardly matters. It sounds violent and sensual, a metaphor for sex. The man orders an espresso. I blow clove smoke out of the corner of my lips and decide he looks like he has good genes. He will do. But this man wants to play pretend, makes us talk for hours to the lullaby of announcements, our heads and elbows creeping closer. By the time he finally offers to walk me home, I have watched two trains leave without me. I would tell him, but he might think it romantic. We fuck to the sound of traffic crawling along the Boulevard de Magenta. He runs his fingers over every inch of my skin, hesitating when he reaches the bump above my belly button, a healed piercing scar. “What’s this?” he asks, not looking up.“I don’t know,” I reply, making sure he knows this is not true. “It’s always just been there.” “A second bellybutton,” the man whispers, “A baby bellybutton.”He flicks the tip of his tongue over the hardened skin again and again. I have to restrain myself from curling up into a foetal ball, from nestling into his chest. I bury my face into the pillows instead, calming myself with the intermingled smells of sweat, dry-cleaning chemicals and dust. He works his way all around my body: right buttock, pubic hair, outer labia, inner thigh. When he reaches my kneecaps, I close my eyes and almost manage to imagine myself in love with him, caught in the cobweb of untruths we have spun. We fall asleep in each other’s arms. It takes all of my strength not to cry. I dream of poppies again, swimming, desperately trying to locate my unborn daughter. I dare not open my mouth for fear I might swallow her. Then, there is a sudden pull, a tug, a collapsing inwards. The red poppies scrunch into confetti and spiral down. Time slows to a slurry. Somewhere in the blood-flecked celebration, my baby is drowning. I know she is probably dead, but still, I search for her, that little bundle of me. The possibility that she could be alive, floating and calling out, is more terrifying than death. I scare myself awake, my nightmare baby screaming inside my head. The building groans deep within its foundations: the first underground freight train rattling below, or an empty metro. This means it is around four, four-thirty at the latest. Soon enough, rubbish trucks will clank down the boulevard, followed by an army of green-clad cleaners hosing down the pavements, drenching the city clean. I notice that this man has no moles, no blemishes. His skin is an anonymous wasteland. I lay perfectly still, trying to decide how long is too long to get up, gather my things and leave. Through the gaps in the curtains, aerials and pigeons fight for space. The sky has lost its pink glow—perhaps it is nearer five. I am already lonely. In the cramped bathroom, I bend down, still naked, to retrieve the full condom from the wastepaper basket. Under the flicker of fluorescent light, my piercing scar looks like a fish gill, breathing in and out and in again. My mother once told me fetuses have gills, some remnant of our reptilian past. I imagine my baby hungrily sucking oxygen from amniotic fluid, its umbilical cord linking us with love.