Marc Olmsted

Marc Olmsted has appeared in City Lights Journal, New Directions in Prose & Poetry, New York Quarterly, The Outlaw Bible of American Poetry and a variety of small presses. He is the author of four collections of poetry, including What Use Am I a Hungry Ghost?, which has an introduction by Allen Ginsberg with praise from Michael McClure and Diane di Prima. Olmsted’s 25 year relationship with Ginsberg is chronicled in his Beatdom Books memoir Don’t Hesitate: Knowing Allen Ginsberg 1972-1997 – Letters and RecollectionsFind more of his work here.

ART NAZIS by Marc Olmsted

Spainhammer's gone, of course.  Flattop blond muscleman Viking male stripper and street hustler who wrote for Curtains' ReSurface, grumbling about not getting paid, and mad at Crazy House Press publisher Enoch Poorboy (whom he threatened with a syringe of his own AIDS blood ) - that was the event of Floyd Lice's "ironic" Hitlerian performance rant at the Bijou, where my Japanese friend Tony Amida ran into the famous Satanist's daughter "who was surprised they let Asians in.")  I liked Mick Spainhammer and sat on Tony's back porch 1988, both of us smoking cigarettes, as he discussed the "art nazis" framed within the kitchen door at the party which included Floyd Lice in usual arrogance,  holding the hand of a razor-thin Aryan punkette in a dress with a lowcut back that showed her asscrack, that "new cleavage" that still hasn't quite caught on. Mick was still ready for his close-up, Mr. DeMille, with no sign of the ravages to come, not just to him but to our city, our day jobs, our planet.The most amazing story about Mick Spainhammer was told to me by Tony 25 years later, reminiscing about this old San Francisco that was evaporating before our eyes.  Spainhammer was fisting a trick and Spainhammer was on acid.  The trick farted and a spray of blood went all over Mick's chest.  On acid. It definitely took our hustler to another realm - staring into the Abyss, so to speak. Still, he didn't freak out or go on a bummer. That was something you had to respect.

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SCROTUM NEAT AND TIDY by Marc Olmsted

And so began, at least for me, the first real public event of the piercing phenomena - now performance art 1989 - video cameras providing close-ups of this guy driving nails into the skin of his balls, the pain lashing through him like a visible hot flash of kundalini.  Later I learned I was seeing the piercing hero Bo Flagellant.

I looked around me at the packed house, another venture of hipster Curtains who had a real touch for trendy pulse, publicizing his new coffee table dick-piercing book - Skin of the Living. At the entrance, a big b&w nude photo of the ubiquitous Revelation T. Orment w/ wife  - both had enough rings through them to carry them home.

Interesting to watch men who tried to look butch as the guy continued to fuck with his own flesh, knitting up his scrotum neat and tidy - a hot dog bun waiting for mustard - some of the guys looked like they were going to pass out or throw up, looking away from the TV screens but with Eastwood-like practiced indifference, though their eyes revealed the repressed nausea and fear, and catching my glance they tried to tough it out and bravely reassess the video monitors.  But I also noticed that some eyes - men's and women's - glistened with a lust as if their own endorphins were responding in empathetic pleasure-pain - and I wondered if these were the same eyes of the Roman Coliseum.

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