Matthew Kinlin

Matthew Kinlin lives and writes in Glasgow. His published works include Teenage Hallucination (Orbis Tertius Press, 2021); Curse Red, Curse Blue, Curse Green (Sweat Drenched Press, 2021); The Glass Abattoir (D.F.L. Lit, 2023); Songs of Xanthina (Broken Sleep Books, 2023); Psycho Viridian (Broken Sleep Books, 2024) and So Tender a Killer (Filthy Loot, 2025). Instagram: @obscene_mirror.

NIGHTMARES COME AT NIGHT: ELEVEN BOOKS FOR HALLOWEEN by Matthew Kinlin

Nightmares come at night. The poster for Halloween III: Season of the Witch shows the silhouettes of three children walking in Halloween costumes against a red night. A ghoulish apparition evaporates above them into electric blue. The tagline at the bottom of the poster reads: “The night no one comes home.” Here are some recommended books that approach horror and other areas of eeriness in new and unexpected ways. Eleven lost souls drifting into darkness. The night goes on forever.   Kier-La Janisse, House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (Fab Press,…

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EVIL, EVIL, EVIL: CHRIS KELSO’S ‘THE DREGS TRILOGY’ by Matthew Kinlin

“They say you can hide from Blackcap if you burn all your dreams.” – Alfie McPherson, Ritual America   Chris Kelso’s The Dregs Trilogy (Black Shuck Books, 2020) is a triptych of novellas: Shrapnel Apartments, Unger House Radicals, Ritual America; where each part deepens and troubles its sibling. The book moves backwards and forwards through time and space, from the Ituri Forest in the Democratic Republic of Congo to a backwoods area near Winnipeg, to Louisiana and a number of other locations; some terrestrial, others interdimensional. Kelso’s trilogy revolves around a series of ritualistic killings. These murders appear to contain…

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I SEE A FIRE AND I TRUST IT: An Interview with Charlene Elsby by Matthew Kinlin

Matthew Kinlin: In Ingmar Bergman’s The Seventh Seal, Death states to Max von Sydow as the medieval knight: “Most people think neither of death nor nothingness.” Your new collection of stories, Red Flags (House of Vlad, 2024), offers characters the opportunity to think about their own deaths as experienced, often occurring in gruesome and funny ways. What motivated you to write about this confrontation with death and non-existence? Charlene Elsby: Hello, Matthew! It’s funny I should hear from you just now, which I’ll explain in just a moment. But first the answer to your question. I was at home when…

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