Sean Kilpatrick

Sean Kilpatrick, raised in Detroit, is published or forthcoming at Boston Review, NERVE, New York Tyrant, BOMB, Fence, Columbia Poetry Review, evergreen review, Sleepingfish, VICE, Obsidian: Literature & Arts in the African Diaspora, Black Sun Lit, Spork, The Quietus, Whiskey Island, The Malahat Review, Hobart, Diagram, Vol.1 Brooklyn, LIT. He wrote Anatomy Courses (with Blake Butler, Lazy Fascist Press) and Sir William Forsythe’s Freebase Nuptials (Sagging Meniscus Press).

SEAN KILPATRICK on film with Rebecca Gransden

What film, or films, made a deep impression on you as a youth? Which films felt transgressive back then? Were you secretive about watching them? Would you say any of these films defined your formative years? Can you talk about the influence film has had on your writing? By some superannuated lapse in parental bargaining, a ten-year-old-me was allowed to view Reservoir Dogs and Menace II Society. Using an online source, I’d already printed both scripts on half-pages with a nineties printer. One particularly sadistic week of basketball camp and I felt nowhere ingratiated with the world outside my VHS…

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WARMAR by Sean Kilpatrick

One day I could speak the language hidden beneath my scabs. There were alphabets above the vacuum overhead that revealed themselves to me, but it was like diving after a flea with safety scissors. Almost enough grown to fill a coffin, still using gunshots to count sheep at night, I discovered, quite by fluke, much to the chagrin of the anorexic model whose head I crayoned off, how repugnantly negotiable human beings found love. I needed a denomination of stray to be cast adrift with, someone also awake, bowed out of society, willing to mate, common sense of history notwithstanding,…

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