Fiction

ANOTHER WORD FOR IT by David Hering

June 13, 2025

The woman who wrote Beowulf considered it juvenilia. She composed it during the years she roamed close to the old hall, hearing the revelry, watching the fighting and fucking from the slippery dark outside. Over the long seasons she recognised, in her observations of the hall, a will that sprung from its inhabitants; a mode of life that ran in tight, obsolete cycles. Drink spilled, offence taken, necks opened, blood added to mud, children made, killed. These dances played out, accumulated nothing. Over time, she moved away from the hall and disavowed the tales she wrote about it. In their place, she composed stories that were not about human things. Wine and swords melted into the grey candlelight of the old world. She took what the land told her and made its rough clay into her letters. The humans and their fires were things she had stepped upon to light the way; this new language was in the stones, in the correspondence between root and soil, between a bird’s foot and the branch on which it balanced. The years turned. She roamed further into the land’s interior. Caves contained dialogues of water and stone. Animals in mating bred glyphs and signs. Trees bent horselike to meet her, brushing flowers into her neck as she went. There was no longer a distinction between herself and where she placed her body. Blood from a wound was shared with whatever thorn had cut it. As water ran over her hand it carried some unseen fraction downstream. These were inscriptions the world would not preserve; a language inscrutable by the evening of the day on which it was composed. She would scratch on bark or carve into rock, then find it gone. The idea of lines on a scroll became laughable to her, pulp, dirt. The description of a blade, a creature, a warrior, a mother––this was child’s work. She found within this new expression a tapering line, a promise that vanished like ice. Foot became tree became fur became blood became water. Eventually, she was no longer visible. The hall raged on out of sight, a red pinprick, prevailing.

***

It's a mistake for one to assume that writing is the end of anything. Anyone can knock stones together, that’s writing. Anyone can stick a sword through an eye, that’s writing. As words get older, they become solid. Eventually they’re just something to trip over, look back on, and curse at. The world does not have need of anything so final. A place is found in its accumulation and then its dispersal. What else is there to say, other than I am something that briefly came true. Aeons pass. A body sits at a table. It is hard to make out what it’s doing through the haze––perhaps the old perpetual scratching of lines. Some monster shambles to the door, knocks, enters.

PERSONAL LIFE #35 by Ulyses Razo

June 12, 2025

In 1983, when I was 32, I invited my Sorbonne classmate Renée Hartevelt to dinner at my apartment at 10 Rue Erlanger, under the pretext of translating poetry for a school assignment. I planned to kill and eat her, having selected her for her health and beauty, characteristics I felt I lacked.I have had a lifelong suspicion that people find me mentally and physically repulsive. However, many of those who meet me find me to possess obvious intelligence and a sense of humor. They also find me handsome, although of austere appearance. I am often regarded as “very self-analytic."I considered myself weak, ugly, and small (I’m 4 ft 9) and wanted to absorb Hartevelt’s energy. She was 25 years old and 5 ft 10. After Hartevelt arrived, she began reading poetry at a desk with her back to me when I shot her in the neck with a rifle. My colleague Brod has compared me to Heinrich von Kleist, noting that both of us have the ability to describe a situation realistically with precise details. He thinks I am one of the most entertaining people he has met. I enjoy sharing my humor with my friends, but also help them in difficult situations with good advice. According to Brod, I am a passionate reciter, able to phrase my speech as though it were music. I fainted after the shock of shooting Renée but awoke with the realization that I had to carry out my plan. I could not bite into her skin because my teeth were not sharp enough, so I left the apartment and purchased a butcher knife. Brod feels that two of my most distinguishing traits are "absolute truthfulness" and "precise conscientiousness." I explore inconspicuous details in depth and with such precision and love that unforeseen things surface that seem strange but absolutely true.I consumed various parts of Hartevelt's body, eating most of her breasts, face, buttocks, feet, thighs, and neck, either raw or cooked. I swallowed her clitoris whole, due to her being on her period at the time, and me not liking the smell of menstrual blood, while saving other parts in my refrigerator. I understand the pathos of things. I possess an empathy towards things, a sensitivity to ephemera, an awareness of impermanence, of the transience of things, both a transient gentle sadness at their passing, as well as a longer, deeper, gentle sadness about this state being the reality of life.I also took photographs of Hartevelt's body at each eating stage. Once the remains of her body that I did not consume started decomposing, I attempted to dump the remains of Hartevelt's corpse in a lake in the Bois de Boulogne park, carrying her dismembered body parts in two suitcases, but I was caught in the act and arrested by French police. In my debut novel, I coined the term Saudade, an emotional state of melancholic or profoundly nostalgic longing for something that one loves despite it not necessarily being real. My wealthy father provided a lawyer for my defense. After being held for two years awaiting trial, I was found legally insane and unfit to stand trial by the French judge, who ordered me held indefinitely in a mental institution. After a visit by the author Inuhiko Yomota, my account of the murder and its aftermath was published in Japan under the title In the Fog. In my second novel, I coined the term Weltschmerz (literally "world-pain"), a literary concept describing the feeling experienced by an individual who believes that reality can never satisfy the expectations of the mind.My subsequent publicity and macabre celebrity likely contributed to the French authorities' decision to deport me to Japan, where I was immediately committed to Matsuzawa Hospital in Tokyo. In my third novel, I coined the end-of-history illusion, a psychological illusion in which individuals of all ages believe that they have experienced significant personal growth and changes in tastes up to the present moment, but will not substantially grow or mature in the future.My examining psychologists all declared me sane and found sexual perversion was my sole motivation for murder. As the charges against me in France had been dropped, the French court documents were sealed and were not released to Japanese authorities; consequently, I could not legally be detained in Japan. I checked myself out of the hospital on the 12th of August, 1986, and subsequently remained free. On July 2nd, 1982, I attached 43 balloons to my lawn chair, filled them with helium, put on a parachute, and strapped myself into the chair in the backyard of my home at 1633 West 7th Street in San Pedro, California. I took my pellet gun, a CB radio, sandwiches, beer, and a camera.While being lifted in the air by the balloons, I considered inventing the wind phone, an unconnected telephone booth where visitors can hold one-way conversations with deceased loved ones, but decided against it.

ONE GIRL – ONE GIRL by Sacha Francis

June 11, 2025

She thumbs the tumor where it rubbed on the boning of her bra. Her work shirt is half undone, her chest exposed to the mirror. The hooks unclasp, and it’s there in full view: pill-sized, pill-hard and intradermal. She squeezes, this is no pimple - the skin that hides it turns a deeper pink and that’s the end of it. An intruder to the bathroom fails to enter, the door ruts the lock. She buttons her blouse and smooths out her hair to return to her work. The tumor snugged in its place over her breastbone, against the bra, beneath the blouse.At home, the blouse is torn open for inspection. The woman lives alone, where no-one will stop her picking and probing. Her thumb angles it left, right. The node is anchored and completely numb. How long has it been growing there? It’s been a long winter. When dressing and undressing in the dark, certain sacrifices are made. It’s entirely possible for a woman to miss the point, no matter what she thinks she’s agreed to lose when signing the contract. Every job has its roadblocks. This was little more than the latest in a string of unanticipated set-backs.The tumor is clothed in soft skin, reddened from inspection. It slides downward when her thumb slips sideways, aghast and curious, she slides the pill further down and finds no resistance, no pain in the slightest. The effort translates it a few centimeters lower. The woman’s skin is split open. She opens a thin, oval window through yellow fat to the wet, pink muscle underneath. A clean wound, she braces for burning that she expects but doesn’t feel. For minutes, she is thrown back on her ass in shock before the mirror. Her features are catlike. She crawls forward again to inspect her opening. The tumor lies waiting, the skin above shows no sign of releasing it and when she tries to push it back up where it came from, it refuses. A dilemma presents itself. Reason dictates an open wound should endeavour to remain small - though reason has not encountered a wound as willing as this. Why didn’t it hurt? She thinks she might have gotten lucky. Logic dictates that harm creates pain. She will have to keep pushing to feel some. Then - and only then - will her condition make sense.As she tests, the pill slides further until it rests at the beginning of her stomach, a trail skating behind it like the fly of a dress. There is still no pain, but there’s something like it. Slowly now, the body peels tenderly, the split inches as the cells divide. Electricity from their parting comes in small dispersals, easy warmth. The sensation deepens with the cut, she realizes when the tumor passes over the naval that she is out of splittable skin. How unfair. Feline face flushed, mouth agape, torso yawning with muscle sparkling under the drooping cuts. Pill-like tumor pressed and ready over the mound of her cunt.She forces it down, measuring her limits. Her skin gives way. Pleasure courses thicker and hotter than blood though unready veins. The passage is savoured. Movement of the tumor over the slick flesh of her vagina arches and blossoms to unimaginable heights at every millimetre. It shoots through her legs and cools the palms of her feet. She feels holes torn where none have appeared. But alas! Her openings meet at last and somehow the tumor becomes lost inside her. It is gone. What remains is the woman, legs spread to reveal the opening wide enough to dissect her body to the breasts. Underneath the wrapping, the muscle is healthy and vibrant. It trembles involuntarily when inspected. Breath clouds her face in the glass, but she is not currently interested in breath.. Gently, she pulls the sides of the wound wider, it gives way easily. Pain refuses to find her, friction between skin and muscle is like slipping an old burn through velvet. Fingers find their way under. She is confronted with the image of herself, a woman she knows well, naked, panting and dipping her hands beneath her skin as though she were hungrily caressing a lover under their clothes. Whole hand under, whole hand up. The rift splits more where her arm has gone, it passes the breastbone to her neck. Wrapped in ecstasy, she has torn the skin all the way to her face in want of further release. Her fingertips run over her teeth and she recoils, at last, in face of what she has done. Is continuing to do. Terror grips wide eyes for a moment and the shock has sent her limbs moving spasmodically. She catches her loosened skin on the carpet. It pulls to the side, replacing fear with ecstatic friction once again and her thoughts of repercussion are replaced by greed. Her hand runs under the opposing arm and removes it like a glove. Just as simply, the other is removed, then she works on loosening her leg. She slips out of herself like stockings. Leveraging her hands over her top row of teeth, she reaches up, pulling her face off like a hood. She drops the whole thing on the floor, a deflated heap of blood and flesh.Free from her binding, the body feels lighter, less agitated. The pleasure has died down to an insignificant hum. But has not yet made a full exit, as the open air against her muscle brings a slight tingling sensation. Blood billows out around her feet like a shadow where she walks on her plush cream carpet, the fibres putting welcome shocks through her naked soles. Facing her in the mirror is a glistening wide-eyed creature of meat. Hairless, lipless, quivering red ape of tendons and sinew. Although it moves at her command, strangely, there is no compulsion to covet or mourn for it. Nor are there thoughts of returning to the chrysalis. She kneels in a widening pool of blood, raw palms smearing the mirror where her teeth grind the glass.

WHAT I DID FOR LOVE by Catherine Spino

June 9, 2025

I can’t remember his name so I will give him one. Devin. He was 32, blonde, sun kissed, and standing on a dock in the middle of nowhere. I couldn’t tell what color his eyes were but if I had to guess, they were blue. I hit “heart” and a few hours later, I felt his “heart” back vibrate against my jeans. It was December 2014 and I was 21. Back then, the OKCupid app was clunky and I always gave out my cell because texting was easier. I gave Devin my number and his texts came in green on my iPhone 5. He tried calling me immediately after and I rejected the call. “Can’t talk now, what’s up?” “Oh, sorry. Just wanted to say hi.”I ignored this and went about my day, already forgetting him.The next time he calls, he calls three times in a row at 9:45pm while I’m cramming for a Bio Anth final in the Philosophy building with two other girls. I pick up on the third, frustrated and already bored. I tell him I’m studying for a final in a flat tone and don’t run with any of the small talk he’s making. Eventually he says, “You know, I was excited to get to know you but I didn’t think you’d be such a bitch.” His words are like a dental drill buzzing too close to my pink gums.I immediately stop breathing, faced with a challenge. I liked challenges, holding my hand over fire to see how long I could last until the burned flesh was too much. I liked stretching my endurance. I was young then, what an excuse.I forgot what I said next, but my voice changed. I remember thinking of a kitten before its first time getting its claws trimmed, unwieldy and meaningless. I petted him with my voice, pressed my hand to its nose for familiarity. Devin told me he worked in entertainment, lived in Jersey but went often to New York for events and premieres. I told him I was an actor and director finishing up college. I told him where I went to school and thought about joining him for premieres. He asked me what I was into sexually, a conversation I was privy to having. Nothing scared me about sex anymore after I lost my virginity in London the year before. Out of all the questions he asked me, the only one I remember is did I like having things stuck up my ass. I forget what I answered but it probably wasn’t the truth. “I wish I could meet you tonight”, his voice like gravel. “I’d love to pick you up and see you in person.” I told him I had to study for my final and he proposed to see me after I was done the next day for coffee before I went home for break. But we kept talking, and at one point, he called me from a different number. A work phone. Devin demanded nudes a couple hours later. I sent him a couple I took weeks ago in the daylight, light pouring into my room as I faced my Macbook, my bottom half covered with my Marimekko duvet but my top exposed, an indie sleeze Rokeby Venus. My nipple piercing on my right breast twinkled as my pupils focused on the spot to the bottom right of my laptop’s digital eye. I remember feeling beautiful, classy, powerful when I took those, thinking they were a gift. Devin responded immediately that these were old photos and that he was insulted that I didn't send him something new. “I want you to go back to your dorm and send me 30 photos of yourself in 15 minutes.”So I did. I sucked myself in, contorted my body and began clicking my iPhone camera. I sent him 30 and he asked to Facetime me. I said yes. I never thought I could say no or ask for photos in return. I don’t know whether I say this to prove I wasn’t asking for this or because I can’t objectively look back at this anymore.He Facetimed me and I answered on my computer. His screen was black, I could not see his face. He told me he turned off all the lights and was too lazy to turn them on. I vaguely remember he said he had a cat or two. Did I see them? I can’t remember. I can’t remember how it happened but I was laid back on my twin sized dorm mattress, pressing my cheap red marbled bullet vibrator from Spencer’s Gifts to my clit, fake moaning but trying to make it real. My eyes were fixed on the high cracked ceiling, avoiding the square of darkness on my laptop but more importantly ignoring my body reflected back to me, a form that felt so foreign and weak to me. I had a pit in my stomach that could’ve been sexual shame but felt coarser than that. I tried to ignore it. Devin’s voice was in my ear as I faked the build of an orgasm. Right before the false peak, he said, “now shove it up your ass.” I didn’t do it. By that point it was 3am and my exam was in five hours. He agreed he’d see me after for coffee and I went to bed with a sour stomach.I woke up and took my exam, running on acidic coffee and adrenaline. I remember passing my friend Carina in the dorms, pink and giddy because I found someone cool. We both always talked about our boy troubles at our small liberal arts school. I remember I imagined I was glowing telling her the news, like a drop of dew on a leaf. Once I realized I had nothing packed, I called Devin and asked if we could reschedule coffee for when I returned in the spring semester. He hung up immediately and five minutes later, I received five texts from an unknown number—his other number I forgot to save. All five texts were photos of a man I didn’t know—a brunette with a dark goatee who looked about 250 pounds. Photos of him standing with friends outside, his arm wrapped around a woman’s waist in a bar, him wearing those wrap around glasses dads wore. Another text came in. “I knew you wouldn’t like me because of how I looked.”I can’t remember how my body felt when I got all of these texts. I called one of his numbers back, I can’t remember which. I could tell I was on speaker phone and asked him what this all meant. “I have a medical condition where I look the way I do but I’m going to have surgery in a couple months. I wanted to find a person who could see beyond what I look like now so that when I look different, I know they will be with me because of who I am.” I pictured a fucked up version of Beauty and the Beast, my childhood VHS tape warped in the sun, all the cartoons twisted. I couldn’t understand why I felt conflicted. He kept talking.“Well, I’m already on my way to your college.” “What?”I only then recognized the fact that his voice sounded slightly farther away, in a tunnel. He was on speaker phone. I imagined his chubby hands on his steering wheel, every minute a couple feet closer to me.“I’m getting off at your exit now, it’s too late for me to turn around.”That’s when I remember how my body felt. It felt like glass.I thought it would be easier to handle all of this on my own. I didn’t think to get campus police involved or anyone else. Devin had my nudes. It felt like I had already signed over my rights and my body and there was nothing I could do. I told him where to go after he passed through the entrance, campus police probably waved him in without looking up from their phones. His black minivan circling the campus like a vulture over a bunny with a broken leg, too stunned to move. He pulled into the small parking lot of my dorm building. It was one of the older buildings on campus and the 4th floor was supposedly haunted by a girl who jumped out the window because some boy broke her heart. He got out of his van as I stood on the gravel. He had the same wrap around sunglasses, red adidas shorts that hit right at his knee, and adidas slides. I didn’t look at his toes for too long. My plan was to say hello and send him on his way. But once his soft, sweaty flesh enveloped me, he said, “I thought I’d get to see your dorm.”I remember walking him up to the second floor of the dorm, my shoes pressing into the grey carpeting, thinking “I have a loud scream, I have a loud scream.” Because even though I knew this wouldn’t end well, I thought I could handle it. Devin sat on my bed, his flesh resting on the same Marimekko bedding in the photo I sent that he hated.I buzzed around the room packing. He wouldn’t stop talking. About New York, about events, about how he worked on Lord of the Rings—a fact I checked on IMDB later and his name wasn’t listed on any of the projects. As he kept going on, I kept checking the clock, seeing time constrict as my Dad drove closer and closer to me. At one point, I remember telling him he needed to leave, that I didn’t want my father to meet him like this. He asked me to sit on the bed with him, my worn stuffed elephant as the only witness as he said, “I’m not leaving until you kiss me.”I wish I had taken the time to think, to slow down, to pause time. To rewind, to enter this dorm room as I am now, to grab my hand and run screaming down my hall. Knocking on doors until someone came out. I picture this now and my screams are silent. She lets go of my hand because no one comes out, no one hears me, and she returns to her dorm room, sits down, and kisses him.I have never felt my body shake as violently as it did then. Every muscle in me was alive, knocking against my skin like bees in a hive of flesh. I pulled away and remember seeing this booger, this gleaming moist pea green lump of rejected bacteria hanging from his right nostril and being disgusted. “I could tell you wanted more.” He said with a grin.He left shortly after because I said my dad was nearby. I forget if I kissed him again, and my dad arrived 30 minutes later with my sister in tow. We packed the car and drove back to Rhode Island. Right before my dad came, Devin called me again on speaker phone. “I know your dad wasn’t almost there. Don’t you ever lie to me again.”That night, I went to the 99 with my high school friends. After three five dollar margaritas, I told them numbly that I was catfished. I told the story like it was a joke, looking for laughs along the way. Three of my guy friends looked stunned, one of them saying, “Christ, are you alright?”The only thing that comes back clearly is what my only girlfriend said, “Are you sure you didn’t do anything enticing?”I called my therapist the next day and told her what happened. “I need you to block both of his numbers. This man has done this before, he has a story and a system to manipulate women.” she said. “Once you return to school, you need to report this to campus police.”But I didn’t heed this advice. I thought I could fix this. I texted him a couple days later and explained to him that I really couldn’t get into anything serious with my senior thesis coming up in the spring. It really wasn’t him or his looks (or his lie), it was all me.What came next was a large paragraph, jumbled and clearly voice to text, but the one thing that stands like a monument in my mind was that “he didn’t want to be my friend he would find a way to fuck me he would.” I blocked both of his numbers. I deleted my OKCupid account and never redownload it.I told some of my good friends what happened to me when I returned in the spring semester, always when I was drunk or stoned. I figured it was a good party trick, like my nipple piercing—something initially painful that turns into a cheap novelty. There was something about seeing people react to the story. How they laughed at the term “catfish” and then their faces shifted and landed in a place of concern. I watched this happen time and time again, hoping that concern would rub off on me. It never did. I graduated in May 2015, age 22. I packed up my parents' car and stayed in a hotel with my best friend for our last night in Jersey. “The Graduate” was on TV, Katherine Ross in her wedding gown and Dustin Hoffman staring straight ahead into a world we never see. It is now February 2017. I have forgotten about Devin. I live in Brooklyn and work as an executive receptionist for a luxury real estate company. I get a text from an unknown number around 3pm, nothing atypical as a girl who goes on a lot of first and only dates. “Hey beautiful.” “Who is this?” “Devin.”“Sorry I don’t know of a Devin.” “From December 2014.”Just as my brain made the connection, I received a photo of myself. Nude from the tip of my breasts up, a small smile painted on my face. My eyes locked with the digital eye of my phone.Another text. “I just wanted to see if this girl was still single.”I can’t remember how I thought of it but I texted back, “So sorry! I think you have the wrong number! Best of luck finding her.” And blocked the number. All I can remember was sitting in a packed L train during rush hour, feeling like I was being hunted, that he saw me hiding in Brooklyn. He knew where I was at every moment. I called both my Providence based therapist and my new New York based therapist as I walked home in the park. One said she was impressed by my text to him and the other said this had nothing to do with me, that this was some indication that he was flailing and reaching out to older situations. I pictured him in some basement in his same red adidas shorts and adidas slides, a single booger hanging from his nostril, the only light coming from a laptop as he shot off messages like bullets from a sniper rifle into the void. “You could be in Africa for all he knows.” I tried to believe that as I struggled to find sleep that night.Devin never tried to contact me again. I grew up thinking that love could be served up on a spoon or a knife, but it was love just the same. I had no concept of what negging was, what manipulation could look like, the idea of revenge porn was just whispers and nothing legitimate. For years I looked back and thought what an incredible idiot I was. How I got out by the skin of my teeth. How it really wasn’t that bad, all he did was kiss me in a small dorm I invited him into. How I should’ve known better. I retold this story countless times and I guess I was waiting for someone to ask why I did what I did so I could finally say that I did it for love.

MY NAME IS JIM PARCHEESI OWNER OF JIM PARCHEESI’S AND I’VE WORN THE SAME PAIR OF SOCKS FOR 45 YEARS SO SUE ME by Dan Weaver

June 2, 2025

You're gonna come in here into my place and tell me to change my socks you're gonna tell me that? Get out of here with that horseshit. This is my place and these are my socks and I'm not changing them just because you don't like that I've worn them these same ones for 45 years.I'm not here to do what anybody says to do I've earned it you see the fucking pictures on the walls of this place? There's pictures of me with like several different celebrities ok? They came to my place here and they gave me money to give them drinks and that money didn't get spent on new socks I'll tell you that much right now and those celebrities didn't say like hey your socks you should change them it's been too many years. They didn't say shit. So yeah I've fucking earned it.And you think you're some hot shot because you put those socks on fresh this morning? Like you're walking on air or water inside those shoes? And you think you're the first chump to suggest I change these socks? You think you're special? You must think you're something real special walking into my place telling me that horseshit. I get a guy in here at least once a week telling me some horseshit about changing my socks. They say Jim you gotta change those socks. Well Jim Parcheesi ain't changing his socks for nobody you hear me? You hear me talking right now?You hear that? You're not even a celebrity you see those pictures those photos? That's me and you can't see it because my feet aren't in any of the pictures but my socks these socks are on my feet right then when we took the pictures me and the celebrities. God rest most of their souls. These socks have been in the presence of greatness. Several different times.These socks do the fucking trick ok. For 45 god damn years. I wore these socks in the war. I wore these socks when I married the love of my life my beautiful Maria Parcheesi. At my kids' events when they were kids I wore these socks. I wore these socks when the great sports moments of this city happened and people were here at Jim Parcheesi's drinking drinks and getting rowdy because of the sports. And I wore these socks at my dear Maria Parcheesi's funeral God rest her soul that treasure of a woman. So you don't get to come in here and tell me about no socks.So sue me ok? These socks were also not cheap mind you. Back in the day these were expensive fucking socks tough guy. So you think you're better than me? Nah you aint special. I used to have a best friend who I aint gonna name because I don't name names ok but he and I we were good buddies best of buddies he was at my wedding my best man when I wed the love of my life my beautiful Maria Parcheesi.Well one day my buddy my buddy he goes Jim what's the deal with those socks people are talking they know they're the same socks as for years. Well I looked at him and I said this coming from you from you of all people and this was right there right where you're sitting he was there and I was here right behind the bar right where I'm standing now and he goes Jim people are talking and you know what I said I wiped my hands and put down my towel because I was you know wiping a glass or whatever and so I put down my towel and you know what I said I looked him dead in the eye and I said out. That was 15 years ago and we ain't talked since. This guy he and I were practically brothers he was with me when I bought the damn socks! You believe that?So if you think you're gonna come in here and tell me to change my god damn socks Mr. nobody from out there on the street if you think that then you've got another thing coming my friend. I'm going to live for another 45 years and I ain't changing them then or ever and then when the lord God above decides it is my time I will be laid to rest beside my dear Maria and I will be wearing these socks in my casket and you can bet your ass that when I step into the eternal light and ascend to the celestial halls of heaven I will be standing naked before the original breath of creation itself except I will be wearing these god damn socks.

WHALE WATCHING by Kelly Dasta

May 30, 2025

My dead friend isn’t supposed to be on the whale watching tour. It’s a pale summer morning, the harbor glazed with fog. I’m standing on the boat’s upper deck directing tourists aboard, gesturing to empty seats, passing out pamphlets. And there she is, lined up behind a family of five. She’s wearing a navy windbreaker, jean shorts, and muddy white sneakers. Why are you here? I ask. You’re scared of the ocean. Only the Pacific, she says. The Atlantic is fine. I say, Okay, but don’t freak out the children. We jet off, gliding over the glass panes of the sea surface. It’s an hour journey to the watch spot, the boat picking up speed once we reach deeper waters. Roughly fifty passengers sit sardined on narrow benches, stuffing their arms into jackets as the cold cuts into the air. My friend follows me to the mic station. The concessions guy walks by and glares at her, since the area is roped off from pedestrians. I tell him she’s a wealthy socialite, so it’s fine.My voice vibrates through the shitty speakers: As you can see in your pamphlets, there are many types of whales. Blue Whales, Orcas, Sperm Whales…Forget about those. We’re here for the Humpbacks. A little girl, whose wispy hair is whipping in all directions, asks something. Her voice is drowned out by the engine, so I tell her to speak up.How long are Humpbacks!? They can be 48-62 feet, slightly larger than a school bus. My friend cups her hand to my ear. Are you on birth control? I mute the mic. Not everyone’s birth control kills them, I say. I know yours gave you a pulmonary embolism, but something like that simply wouldn’t happen to me. You were on some weird high-hormone brand anyway. So don’t worry. Now the little girl’s father is seasick. He puts his head in his hands, moaning and rocking. This kind of thing happens often. Through the intercom, I command him to stare at the horizon. Something about it resets your balance. But there is no horizon. Due to the fog, the gray blue sky melds to the ocean. Guess he’s out of luck. You weren’t my favorite, my friend says. But you were the fun one.You mean the slutty one, I say. I remember our first fight. In college I helped her make a Tinder, taught her how to scam men for money. But she got upset, called it amoral. She actually wanted to go on dates, to be touched. I called her unrealistic. That was a nice fight, she says. By the end, we saw each other’s perspectives, and I got a boyfriend. The dad is trying not to throw up, his forehead all sweaty. A stranger gives him a swig of Pepto Bismol. His daughter keeps poking him and shouting, Look at that! Look, Dad, look! She points to nothing. He stands up. Don’t go to the bathroom, I holler. It will only feel worse in there, and we need it available for the others. He sits down. I turn to my friend and say, I suppose you’re here to blame me for your terrible taste in men. That was the algorithm’s fault, she replies. You don’t have to make everything about yourself. I do make everything about myself. I wish my friend hadn’t died. It’s never fun to discuss at parties. I shelled out all this money for a therapist. For a whole six weeks, I stopped having sex. Then for a whole six months, I had too much sex. Her death makes me hate the ocean, which she always lied about being afraid of. The fog thins, tinting the water blue, deep blue, endless blue. I continue my spiel: Before a whale surfaces, there are clues. Look for circles of bubbles. If you smell something rotten, it’s their bad breath. The little girl gets a kick out of that. Her dad finally throws up in a paper bag, and the couple beside him flees. You know, I was in love with you, I tell my friend. There you go, making everything about yourself again. Isn’t that why you came, for a confession? No, I came for the whales. The boat slows, then stills, the engine clicking off. Bubbles form. We watch, wait. A Humpback breaches in the distance, a sliver of gray slicing through the waves. People rush to the railing to take zoomed-in pixelated photos for Facebook. Water spouts from the blowhole. Its tail tips up before submerging. The onlookers ooo and ahh. You should stop taking birth control, she says. Not any good. Do you want me to get pregnant? Kind of weird. Maybe if you got pregnant, you’d finally get over me. Now here she is, making everything about herself. When I take my pill, I think of her. When I meet someone with anxious-avoidant attachment, I think of her. When I imagine kissing a woman, I think of her. If she would have kissed me back. If she would have said I was doing it for attention. But isn’t it human to want attention? She’ll never understand that.The boat idles. The little girl is jumping up and down, struggling to see around the adults, and her dad has thrown away his bag of vomit. The sun spurts through the clouds. I point out more whales. To the right! To the left! Go, get your fill, your eighty bucks worth. The crowd clusters from one side of the deck to the other. You know, you weren’t in love with me, she says. Grief makes you uncomfortable, and pretending you loved me makes it easier to process. This is really homophobic of you.No, it’s homophobic of you. You’re fetishizing a dead woman. So what am I supposed to do? Just get over it?Yes! Just get over it! People die all the time. Go get knocked up by some man and move on with your life. You’ve been bumming me out. I announce that it’s time to get going. The engine starts, and everyone sits. I hand the dad another bag to barf in. I let the little girl keep her pamphlet, even though I’m supposed to re-collect them for other tours. I tell my friend she’s right. When I step off this boat, I’ll quit birth control, find a nice man to knock me up, and stop having gay fantasies about my dead friend. I saw the whales today, after all, and that’s what’s important.

POWERPOINT JESUS by Izzi Sneider

May 22, 2025

I found the file by accident.It was tucked between Q3BudgetProjections.pptx and TeamSalesSeminar_2021(final_FINAL2).pptx on the shared drive.Jesus.pptxJust like that.I clicked it out of curiosity. Or maybe boredom. It's hard to tell the difference between the two when you spend the day in an office staring at spreadsheets that mean nothing to you. The file was empty. One blank white slide. No title. No bullet points. No formatting. Just a white void.A warmth emanated from the screen. I stared at it for a while. I bathed in its glow. My body slackened. My thoughts dulled to a low hum. Like I was recharging. Like I had taken something I wasn’t prescribed. Somewhere below the static, I thought I could hear a choir humming. Maybe it was the computer’s fan speeding up. The electric sermon lulled me into a trance. I don’t know how long I sat there.A wave of anxiety snapped me out of it. Any of my coworkers could have walked by, caught me slacking off. I told myself to close the file, to get back to work. But I couldn’t. My hands moved without me. My fingers hovered over the keyboard. I started typing.I wrote:I was the one that stole Rachel's underwear at the 6th grade sleepover.I had never admitted that to anyone, though the memory haunted me awake with guilt many times in the 20 years since. It felt good.I typed another confession. Then another. And another. I kept going until—"Mary," the voice said. I looked up, heart racing. My coworker stood across from me, arms crossed. "You're in this meeting right?" he said. "You coming?"I clicked save and exited out of the file.It wasn't until later that night, stoned and half asleep in bed, that it occured to me. Other people had access to the shared drive. My stomach twisted. I sprung upright, grabbed my laptop, and logged in. Jesus.pptx was in my recent folder.I opened it up. Checked the file history:File owner: Mary SLast edit: Mary SI didn't remember creating it, but then again, I hardly remember anything I did at work. Assured that no one else had read through my confessional, I shut my laptop and drifted off.Weeks passed before I opened it again. Work got busy. Days blurred. But one slow morning, restless, I clicked the file. Just to vent. Just to kill time. I typed secret after secret. My muscles unclenched with every confession. I wrote down my hopes. My childhood fears. I described my first kiss. It was at that moment I decided I would speak to Jesus.pptx every morning when I got to work.The next morning, however, I discovered something strange.I opened the file, expecting relief before the first slide even loaded. But a new slide had been added:I miss the way my mother stroked my hair.I was hit with nausea. My vision tunneled. I hadn’t typed that.I deleted the text and replaced it with a secret of my own choosing:I google myself everyday. I saved the file. I closed it.I began checking the powerpoint every morning.Like clockwork, new slides appeared. And they knew things that I barely admitted to myself. Things I had buried. I wasn’t sure if the feeling it incited stemmed from feeling seen or feeling surveilled. Slide 16:It felt cold and sterile and free of guilt. No one noticed.Slide 21:I haven’t been touched in 46 days.Coworkers glanced at me differently. "You look great," one said in a tone that meant nothing. "You seem tired," another offered, like a question. I started bringing lunch from home, eating alone. I stopped taking breaks. I withdrew, unsure if I was becoming more real or if I was being erased.Eventually, the file ran out of confessions. It had mapped every failing, every fleeting shame. It started predicting my future.Slide 56:I won't be needed after Q1. I stopped checking the file after that. Not because I didn't believe it. Because I did.On March 31st HR called me into their office. I knew what was coming. Before packing up my few belongings and returning my laptop to IT, I deleted the file. Cleared the trash.On the way out, I passed the printer. A stack of fresh printouts sat waiting for someone. In big bold letters the title page read:JESUS (FINAL).I didn't stop to read it.

SEA MAIDENS by Ravi Mangla

May 20, 2025

Ever since her husband was hit by a municipal bus, Mrs. Atwal would spend her afternoons watching the hippos at the aquarium. Their fleetness of hoof belying their primordial size.At two o’clock, on the nose, the hippos were isolated in a separate part of the tank and the mermaid show would begin. Children crowded the double-paned glass. A drowsy piano tune was piped through the speakers. The mermaids emerged from some unknowable recess in the tank. Each time one of the mermaids waved at Mrs. Atwal, or otherwise made eye contact with her, she imagined a hippo breaking loose of its enclosure and flattening the mermaid against the glass.“Afternoon pick me up?” The question threw her, as the man was small—very small—and she couldn’t be sure whether he was asking to be physically picked up.“It’s the good stuff,” he added, and held out a large soda container with a crooked straw poking out from the lid. Then shook the drink so the ice rattled against the sides. “Seems like you could use an eye-opener.”She declined as politely as possible. They watched one of the mermaids purse her lips and blow a kiss to the children.“I hate these floating turds. I wish one of them would get crushed by the hippos already.”She decided she liked this man, and when he asked her if she wanted to visit the food cart—the one by the penguin exhibit—she accepted his invitation.Outside, an axolotl-shaped balloon escaped a child’s hand and floated skywards. The man pointed at the boy and bent over in laughter.“Idiot,” he said. “How hard is it to hold on to a balloon?”The man ordered a single tray of fries, which he proceeded to slather in ketchup from the condiment pump. Mrs. Atwal ordered a small pouch of chips, which she slipped into her bag for later. They sat down at a picnic bench overlooking the Gentoo penguins.“You know how much they pay you if you fall into one of the exhibits?”She shook her head.“I mean, with a good lawyer, we’re talking millions. Even with a bad lawyer, you’ll be set for life. Just for slugging it out for a few rounds with some puffin.”He continued: “A couple of months ago some kid got bit by an otter. Guess what? A quarter million dollars. Can you imagine? He was ugly as sin before the otter got him. A quarter million! What would you do with all that money?”She tried to think of an answer. It shouldn’t have been hard to imagine as her husband had taken out multiple life insurance policies before he died and she had that much—more—in the bank.A seagull flew over to pick at the greasy jetsam under their table.“Fuck off, you ocean rat,” he said, trying to kick at the gull, but his feet couldn’t reach the bird from his seated position.Mrs. Atwal rose to go to the bathroom.“Where are you going, lady? It’s just an ocean rat.”The bathroom was precisely empty. She sat down on a toilet seat in the stall and thought about whether seagulls could digest fries or if it caused them to get sick and throw up later.Under the stall, she saw a coral blue tail fin trawl across the floor tiling. She opened the stall to find a mermaid in a silver wig crying over the sink. She edged beside her.“Why doesn’t Jason look at me the way he used to?” the mermaid said.She wondered if Jason was the other mermaid in the show. Or a land dweller with the biologically appointed number of toes.“He’s always talking with Miranda. And she can barely go thirty seconds without reaching for the air hose.”Mrs. Atwal nodded conspiratorially.“Miranda doesn’t have the lung capacity for this work.”“Right?”“And Jason, I saw him laughing earlier when a child lost his balloon.”“How cruel.”“Cruel indeed.”The mermaid threw her mammalian arms around Mrs. Atwal.“Thank you.”The mermaid hopped and shimmied out of the bathroom. Mrs. Atwal returned to the picnic bench, where only the man’s partially eaten tray of fries remained. She took out her bag of chips and ate them leaning over the railing encircling the penguin colony.“Ma’am,” said the moon-faced attendant. “You have to stand behind the red line.”She looked at the red line, which was several inches behind the railing.Would standing behind this line shelter her from life’s assorted dangers? A tall order for a band of paint, she thought.But like the well-mannered woman she was, had been raised to be, she stepped behind the red line, and for a moment even she believed that nothing bad could befall her.

SEASON OF THE RAT: AN INTERVIEW WITH ELIZABETH HALL by Aiden Brown

May 19, 2025

Against the verdant landscape of boarded-up gay bars, bluffs that swell over cresting waves, and hot sand between toes, a haunting, frenetic, and razor-sharp narrative scurries to life in Season of The Rat (Cash 4 Gold Books, 2025). Like the rat, author Elizabeth Hall invites her readers to “taste it all- flowers and cigarettes.” The result is a work which resists definition—part novella, part confession, part dissertation, and part infestation. The reader plays the simultaneous role of voyeur and confidant, observer and observed, the rat in the ceiling and the girl who listens to its scurrying steps below. Season of the Rat is subtle and riotous, “a fat California orange in the palm of your hand.” Hall invites us to examine how we are changed by our tragedies and our inquiries—every shard of human experience piled at the sides of our roads. It is an exploration of our private ruins and all that finds a home there. I sat down with Elizabeth in West Adams to discuss Season of the Rat, anal breathing, sex, shapeshifting, California, and what’s on deck for this literary powerhouse in the making. Aiden Brown: I was so excited when Allie [Rowbottom] asked me to read this book. Without knowing what to expect, or knowing you, it just blew me away. One of my favorite things about it is the ambiguity of its genre identity, so I have to start by asking how you describe Season of the Rat. Elizabeth Hall: I think I’m officially calling it autofiction. It’s definitely based on my actual life. I’m usually not very interested in writing just a straight memoir because I get bored easily. And so the research is a huge help to stay motivated, and also provide a necessary counterbalance of joy and exhilaration—so any memoirs or essays I’ve written in this vein dovetail heavily into research, for better or for worse. AB: That was one of my favorite things about the book—the research kind of weaves into and around the more emotional and personal narrative, which creates such a strong portrait of intellectualization while still resonating emotionally. Your protagonist’s—or your—exigence for the rat research is self-evident within the narrative, but what drew you to researching abandoned gay bars?EH: The bars were actually before the rats—I found this book about Orange County by an LA Times writer Gustavo Arrellano, and there was this anecdote in the book about them. My friend Caitlin and I started going on adventures to these places in Laguna. It was an avenue of research that served as kind of a reprieve from my other research about my mom, or the cult she was part of that was founded in Orange County. A lot of my work focuses on sex trauma. Some heavy things were coming up within my own family in that regard. So I think it’s natural that I gravitated toward locuses of queer joy, especially in what I tend to think of as such a stiff place. And that research, too, helped me navigate my own queer journey. It was easier for me to go to an abandoned place to discover my queerness in a way than to go to a gay bar with people in it. I took the introverted path.AB: That’s so interesting because in the book, there’s almost always someone with you in those scenes. Actually, that brings me to one of the things I loved the most about this book—I mean, of course, I don’t love that it happened—but the way your relationships, for better or for worse, kind of lurk beneath your research and weave in and around it. In particular, I found the connection between the trauma you endured and the research on rats, garbage, and ruin so striking. How did those connections develop for you? Was it something you planned going into the project or something that emerged over the course of writing it?EH: So, the origin of the book was the sex assault. It started, honestly, because of an argument with my wife. The scene was cut from the book, actually, this tiff about the tent. But it was the first camping tent I’d bought for myself, and I’d taken it on so many solo camping trips, including a journey from here to Portland for my first book tour. And when I was about to go camping by myself in Joshua Tree with it, my wife was like well, you’re not going to bring that tent. And I was like obviously I’m bringing the tent. I don’t have another tent. She and I had just moved in (this was during the pandemic)—my wife also works a corporate job, and so she was living at a very different income level than I was. So, I took the debate over the tent as almost a symbol of that disparity. Like, of course you can just buy a new tent while I have to be okay with sleeping in my rape tent. I also didn’t want to give [Mark] or the assault power over my beloved tent. Eventually, it became a joke between my wife and I—we had a riff on “rape tent” for a very long time. And so the first scene of the book was originally going to be about this rape tent. I had intended it to be an exploration of [Mark’s] and my relationship through the lens of class. Actually, the assault came to be more in the background compared with the original exigence of the project. I really wanted to emphasize how much resources play into why people stay in abusive dynamics. AB: Period. Absolutely. EH: This was around that time when it was really popular in certain lit circles to listen to edge lord-y podcasts like Red Scare. They had an episode—actually, just the other day—where the hosts speculated that people stay in these dynamics for psychosocial reasons—they were attempting to do a psychoanalytic read on various dynamics like narcissism, or codependency. So, there was also a part of me that wanted to write this in opposition, not to Red Scare specifically, but to that whole idea that people are addicted to their lover, or that emotional reasoning is even a primary motivator. I wanted to shift the conversation—people, I feel, are almost taking pains not to talk about the resource aspect. It’s expensive to live in Los Angeles, and a person shouldn’t have to give up their life in a place because someone chooses to do something to them. When the assault happened, we had already been broken up for a while, but we were still living together. My primary motivator for staying wasn’t that I was just having such a good time hanging out with this person, it was for want of choices which didn’t implode my life.The choice to stay was one I made to try and control the situation. I’d just gotten a nonprofit job, which I was able to turn into a full time position largely because of the stability I had at that time, and because of the stability I’ve had with my wife Heidi since. At the time I was writing this book, I was working at one of the most beautiful libraries in Los Angeles. And I’ve worked hard to get these two idyllic situations. Had I gone to a shelter or stayed on a friend’s couch, that destabilization would have been observable to an employer. And I’d never had a full time position. I wasn’t able to even get a tooth fixed. I’m a big proponent of Maslow’s Hierarchy—like, how are you supposed to concentrate when you’re worried about having your basic needs met? Without the stability I have now, I probably wouldn’t have been able to write this book, at a minimum. AB: What is your relationship with [Mark] like now? How did it change or what changed about your perspective on it while you were writing Season of the Rat?EH: A part of me wanted him to bear witness to the pain he’d caused. Another part of me wanted to write about it quickly—I wrote it within months of leaving the situation—to preserve the sense of love I still had for him. Another myth that I’ve encountered is that you’re supposed to immediately hate someone after they’ve harmed you in that way. But we shared all kinds of deep intimacies with each other over the years. I understand why people do close their hearts, and my feelings toward [Mark] have hardened over time.I don’t think of [Mark] as a monster—I think doing that makes it harder to heal. While I understand why people would need to think of someone who did that to them that way, it created a dissonance for me between the reality of what happened and the ten years we spent together, the friendship we had. And even after it happened, we lived together; we were in a band together. Prior to his violations, I really did enjoy his company. After the assault, he was still my primary emotional support, which was that much more destabilizing. There’s a pattern in my life of being close to someone that then I had to extricate myself from—music I couldn’t listen to anymore. I always knew I was going to write about him, and I wanted to do it with a degree of diplomacy. I mean, I could write another book about sex assault two years later and write it totally differently. AB: You say this in the book—and really it was a gut punch for me as someone who’s had similar experiences—that he never denied the assault, it was just something that didn’t impact him on the day to day. EH: Yeah, he just went on living his life. The day after it happened, we dropped off the other person who was on the trip with us (who didn’t know what had happened) and I noticed that [Mark] was already on dating apps. He dropped me off in downtown LA to go on a date, and I spent the whole afternoon floating through the city. By the time I’d gotten in my Uber home to San Pedro, he was taking selfies in the desert with a new girl he was dating. I remember going home, crying and just thinking I can’t run away from this—I mean, literally—I didn’t have a car. And he got to just go on like everything was normal.AB: I was really struck by that portrayal of the banality of that kind of assault, and how human—or maybe diplomatic is the word—you were while still expressing that anger and that devastation that comes with sexual assault. I mean, we harden toward them over time, like you said, but making them monsters can also obfuscate a situation for us in so many ways. It is like floating, or like walking a tightrope. That brings me to this tension between fear, harm, and love. I felt that tension very strongly in Season of the Rat. What’s the relationship between those ideas for you personally?EH: I'm someone who grew up very much fearing showing emotion with the exception of, perhaps, within the church system. Definitely one of those people who went wild at a youth retreat—hands in the air, all that. I felt like it was like a safe form of love, I guess. I'm not religious now, but when I was younger, the idea of Jesus providing unconditional love was huge to me. Especially because that was not something I was getting necessarily in other aspects of my life. My mom is a wonderful person, but she has a lot of anxiety that tends to manifest as hypercriticality of herself and others. I think she moves through the world believing criticism is really helpful, and that it’s a loving thing to do. She grew up in a very dysfunctional home that created that lens of get it together, you know—“lock in.” That was translated to me and my sister through her, so I don’t think I was ever going to have that easygoing, free feeling love vibe. Part of [Mark] and my whole relationship was that we were both very much afraid of vulnerability and emotionality. The main thing we did together was smoke a lot of weed all the time and listen to music together—we really were not linked up in a soul-bonded, emotional way. In fact, I don't think we ever even said I love you until we’d been dating for four or five years—which is insane—and it only happened then because I was having an emotional affair with someone who was so free-flowing with love. That's why I was attracted to the affair, I'm sure. It woke me up to the range of love that I was missing out on. Even today, I'm married and I still get very embarrassed about showing affection. My wife worked on a really big live show, and I was making her a little card for when she came home, and then I was so emotional, and it low-key embarrassed me. I was like, I'm not going to put this out. And then I was like, wait, yeah, I am. This is so dumb! I am almost 40 and married. I don't still need to feel that way. So it still happens, that fear of being seen, to use a TikTok phrase…AB: The mortifying ordeal of being known.EH: Exactly. I mean, love is one of the most vulnerable things about us—the fear that it won’t be returned. I'm not like that now—compassion is free, love is free; it hurts me none to share these things with people. I think having access to love from Heidi—she's a very extroverted person, very giving, a very different person—and seeing her vulnerability with me and with her friends has been really helpful in navigating that vulnerability and fear, and letting love kind of effuse within our dynamic.AB: I haven’t had the pleasure of reading your first book, but I assume by the title I HAVE DEVOTED MY LIFE TO THE CLITORIS, that it explores similar ideas around vulnerability, love, and sex from a different standpoint, since you were in a very different place in your life when you wrote it compared to Season of the Rat. I’m curious how, if at all, your process differed between the two books?EH: Both were written during destabilizing times in my life. Going to CalArts for an MFA was a pretty good culture shock for me. I'm really more of an autodidact. I barely went to undergrad college, skipped a lot of classes; I thought it was like a hack to use a spreadsheet to track my class absences. It's not a hack, it was a waste, but I thought I was real slick. Going to CalArts was, in and of itself, a bit of a risky move for me. [Mark] had applied to grad school in California, and CalArts was the only place I got into near where he was accepted. At the same time, my mom was in the process of finding some things that had happened in the past with my sister which were pushing her to get divorced, and then she went bankrupt—her whole life kind of blew up. So, I don't think it was that surprising that I was drawn to an excessive research project. I think it was escapism. I'm a very escapist person, whether that be through marijuana or exercise. The idea for the clit book came from a poem that I had previously published, which was comprised of sex writing cutups, that people were responding really well to. I didn't feel like I had the writerly skillset for a novel, but what I could do—similar to the rats—was, and is, research. I can always do that because it makes me happy, and research is an escape in some ways. You get to live in another world. The clit research made me feel so alive. I’d wake up in the morning at like 5am (I’m an insomniac) and the sun would be shining—California sun, you know, every day.It was so beautiful, and I could travel to the sixth century or something and it felt crazy, and that made me really happy. I also was learning at the time how unhappy my sex life had been with [Mark]. Because I was raised really religious, he was the first person I’d ever had sex with. Even though I wasn’t religious anymore, there was still that internal backbeat of thinking it was cool that, although I was like 26 and in grad school, I had only had sex with one person. It was definitely misguided in retrospect. As I wrote, I was having a lot of compulsory sex with [Mark], because I just didn't know. I was having sex every day and giving blowjobs every day, and had no idea that wasn't a normal thing. And I never came, obviously, so—I'm only being this frank because it's a sex book—AB: No, I love it.EH: So, I was in the process of recognizing that cultural training, and of discovering that it wasn’t just me—it was actually everyone I talked to. I would talk to friends in the grad program and they all were like yeah we never come, even people who’d had upwards of twenty partners. I initially thought maybe it's just [Mark] and then it's like–, okay, no, this is systemic. Actually, until he read the book, I don’t think he had a desire to focus on my pleasure. I really think this comes from an internalized misogyny among many women and men, this idea that women's pleasure just doesn't matter. Like, no one comes from penetration. I mean, some people do.AB: Love that for them. Huge if true.EH: Right, it’s rare; the vast majority of people don't. And he was like Well, I've never had that problem with previous partners.AB: Okay, so those women were lying to you. EH: They're lying to you! Until he read the book, which probably hit home the ethical aspect of pleasuring a partner, did anything change in terms of us having better sex. But writing the book was eye opening for me and really changed a lot of how I thought about actual sex and agency around sex. It also exposed a lot of my own internalized misogyny, which I'm still working through.AB: Speaking of things you’re working through, I’m curious what your writing life has been like—how did you start?EH: I struggled with learning disabilities, and didn’t really read a book until high school, which was when I got into diaries—Sylvia Plath’s specifically. Then, I got into biographies of writers. Anaïs Nin was the first writer I was obsessed with. I was still very religious then, so I would go through and cross out the curse words and the sex words. I always knew I wanted access to a different life than the one I was living, and reading and writing were windows into other worlds. Reading shapeshifts time; you’re slowed down and almost living inside the book and alongside the book. I was interested in the lifestyle of a writer or what I thought that would be. A lot of my favorite writers were very craft-oriented like Nabokov, Miller. But Nin especially—she was self-taught and kind of a bad writer when she started, so revision was big for her. I knew with my academic sensibilities that it would be huge for me too, and that’s really informed the kind of writer I’ve become.AB: I really see the confessional style in this work. That’s so interesting you say that because my primary impression of this book (once I could catch my breath) was how well-crafted it was, both structurally and on the sentence level. Season of the Rat comes out in May—what else is on the horizon for you?EH: I’m not working on a big project right now, but I am working on some smaller essays. I write reviews, for Full Stop and other places. I really like doing critical work. I think I was scared to do any kind of review work because I didn't feel like I had the academic training to understand books systematically, but I found out I really love doing it and my editor at Full Stop, Fiona, is such an amazing reader and editor that I just want to keep working with her. I’m kind of loosely working a novel idea—the problem with novels is that I lose interest really quickly—but, it's about a health clinic that does anal breathing—AB: Oh, hell yeah.EH: —which doesn't exist, but it's inspired by trends in colonics. I've always written a lot about wellness and been interested in it, not as a practitioner necessarily, but as a cultural phenomenon. AB: I wouldn't be surprised if you don't see someone trying to harness anal breathing in a few years. EH: Oh, anal breathing is the final frontier. I feel like whenever my larger projects don't work out, they usually become a smaller piece. I have an essay coming out in Hobart that kind of dovetails with Season of the Rat’s storyline. I feel like there is an idea for something about my mom that’s percolating. I tend to be inspired by things in a moment and then go hog wild over them. If I were a really disciplined person, my life would probably look different, as would my writing, but I let my ADHD take the reins creatively. I'm definitely here for the girls and for the messiness.AB: There’s a lot of really beautiful vulnerability in that too. Girls forever. I can’t wait to see what you do next.Season of the Rat is forthcoming this June from Cash 4 Gold Books.

CITY DESK by Michael McSweeney

May 14, 2025

Last spring the county newspaper paid me $200 to write about local dreams. I interviewed a man whose job it was to cycle out the books from the little lending library in the center of town. We met at a diner nobody liked and was always empty but stayed in business as such diners often do. He told me he mostly dreamed about colors. Yellow in spring, green in winter, purple in autumn. Summer heat made the man's legs swell and he didn't want to talk about what he saw those nights. He seemed uneasy about the approaching season. As we spoke my smartphone gathered time beside undercooked bacon. Recording a voice I'd listen to speak these words once and never again. This is the nature of the news and the people who write it. We fill our notes with memories and chronicle a world that grew so fast it forgot how to stop and remember.I ask the man if he believes in dream analysis, and he tells me when he sleeps on his back he sees faces in the colors. People he met when he served jury duty in Greenfield three years before. I don't know their names or anything about them, he told me. The day aged through the pollen-painted window. Buzzards circled above the bridge across the river to the rust-lined highway to Boston. The man fingered the bacon on his plate. Oh, he said. We sent a boy to jail for murder. Outside the diner the man asked me if I'd put him in my story. I told him it's up to my editor. I didn't know if that was true but when I don't know something I appeal to some faceless power. We shook hands and he asked me what I dream about. I told him reporters should never become part of the story. He laughed and said, No, really. Tell me.I told him when I dream about the places I used to live, they look nothing like those places, but in the dream it's all real and true, that I know those places like I do the people I've loved. Every place in my dreams has a road leading north. I thank him for his time. You're from around here, he said. Not really, I said.The man got in his car and backed into a fire hydrant. Water gushed like blood from a torn-off thumb. Then he turned the car around and gunned it against the hydrant. His engine sobbed. I took pictures with my phone but they were all blurred, out of focus, smeared with light. Faces filled the windows around us, some I knew, faces angry and entertained, faces of why now, of not this again, of I get it, man, I really fucking do.

The paper assigned me to cover a recent wave of carjackings. Not the carburetor thefts. They told me that was a different beat, and that we'd talk about pay when I had something good.As I waited at the light on Avenue E one morning a woman opened my passenger door, flashed a ten-dollar utility knife, and told me to drive.Where? I asked.South, she said. I gassed it. A pollen-clouded patrol car was parked outside the gun store at the intersection. A cop, leaning against the door, didn't look up from his phone. We left town. Drove past restaurants, gas stations, farms. All for sale. The butterfly sanctuary was closed for repairs. Further south a line of cars waited to park at a brewery. Food trucks belched steam and a couple locked arms on the grass. I nearly collided with the car ahead of us.Watch it, said the woman.Sorry, I said.The woman told me to take the highway. We inched through Sunday construction. Men clustered by potholes and idle machines. I wondered if any of them looked inside my car and confused us for husband and wife. I told her this.Don't say that, she said. She checked her phone and was on the verge of tears.Her directions were more forceful now. The ramp past Deerfield, left, right, left. Take it slow down this street. Look for a truck with no bumper. Apple red.The same, the woman said. The same.She was out of the car before I parked. The woman sprinted, slipped and shouted up the angled drive and flung open the garage door. Two men fucked on a yoga mat, free weights and kettlebells and gym clothes abandoned around them. A radio spewed dad rock on a chair. The woman grabbed one of the men by the hair and tugged. The men broke apart, their passion fissioned to sweat and rage. I see you, the woman screamed at one of the men. He didn't seem angry or shocked. Calm, almost, as if this was expected, predicted, even welcome. No one said anything. Just frozen acknowledgement, where no words suffice to explain how the resolution of tension causes both pleasure and pain. Then the woman shoved me back to the car. Pushing tears back into her eyes as she moved. Drive, she whispered. South I drove again. Small mountains rose as if the world was teething. We approached the tallest, one I'd climbed before blind-drunk on a snowy, lonely night. I hooked an observation road and shot past hikers too weary for the steep rock path. My legs ached from the long sit. At the peak we got out and gazed across the valley and the towns and the curves of the green-brown Connecticut River.I dreamed about this, said the woman.What do you mean? I asked.I saw my husband. Driving there. I felt how happy he was. How that garage felt more like home than ours.How did the dream end? I asked. The woman rocked back and forth, hands in her pockets.Like this, she said. What do you mean? I asked.I forced you to drive at knifepoint. When we arrived I forgot my knife in the car. My husband chose someone else. Then we drove up this mountain. Then I woke up.We said nothing for a while. A prop plane flew above us in a circle and then turned north, against the wind.Then the woman said, The way my husband felt. That love inside him. That deep, physical love. I'll never forget.Then she said, I don't have any money.We drove back to town under a rose-gold sky. There are no sunsets anywhere like those in western Massachusetts. I wondered if I had the right to tell this story, or if everything was off the record, or whether these things even matter when you're a witness against your will. As we turned onto Avenue E the woman pressed her knife against my neck. Wallet, she said. Then, more softly, she said, Please.She took thirty bucks and a gas station gift card and the picture of my nephew, then tossed the wallet in my lap and stepped out into the street.

The paper laid me off on the fifth of July. In June we covered bridge repair delays, unaffordable homes, church fires, community musicals, childhood illiteracy. Covered births, deaths and arrests. Covered sickness, hope and happiness. We covered the war, and then they shut us down. Some private equity barons out in Boston coveted the land beneath our office. I had an hour to clear the city desk I shared with three other journalists. One week's severance. Benefits 'til the end of the month.I asked my editor what to do with my half-finished story about a man who'd drowned in the river. He was a local, an institution, a bellwether figure. Sought your change outside the sandwich shop. Bought milk and bread from the communist theater group on the corner of Avenue G. Once, he told me a story about being a judo champion in California and as he spoke he hand-chopped the air and winced and bore his teeth, but he seemed proud to remember those moves. Ben. Ben Armstrong. I'd written his name on a notepad and circled it in red ink.Forget it, my editor told me. We were close in the way you become when you deal with the constant mess of private lives, because that's what local news is, a constant mess bursting into public, ordered and shaped by writers and publishers. But I knew next to nothing about him, his family, what he wanted, how he saw himself, here, at the end. But it was too late to ask. I watched him slide a half-dozen reams of untouched paper into his backpack and step nervously out into the light on the sidewalk outside our office. On the bathroom wall I wrote in permanent marker The News Was Here. Then I pissed, didn't flush, and left with some notebooks and pens.At home, I caught up on my drinking. Shouted at hummingbirds. Built a castle of beer cans on the back porch and staggered through its walls before a midweek thunderstorm could blow it down. Mostly I slept. My blanket gathered cat hair as I moved from bed to floor to couch like some forgotten, guilt-soaked king. I wondered whether the stories I told really mattered. If they changed the world or changed someone's mind. If any sort of story matters when a story must make noise, provoke, and never repeat.My mother, a man's voice said from beside the couch one day. It was the man from the diner. He gripped his legs with thick, red hands. Like many men who lived in town, he seemed on the verge of explosion. His eyes darted between the brown houseplants on the windowsills.Then he said, That's who I see in the summer when I sleep. That's not a color, I said.She is, he said. Like this. The man pinched his arm and then held it close to me. His arm shook and a small spot bloomed red then purple-brown. The ease of his bruise scared me and I wanted to tell someone about it.I loved her but she, well, you know, said the man. The man's arm kept shaking.Then the man said, Someone can love you and still do terrible things. Like nobody taught them how to do it right.Yeah, I said.I rolled over and listened as the man watched me and breathed. Am I asleep? the man asked.I think I am, I said.No, said the man. I'm asleep. And I really don't want to be. I want to wake up.I turned back toward him and then said, Sometimes when I want to wake up I open my eyes as wide as they'll go. Sometimes if I do it enough I can break through the sleep and escape.The man tried it. The valleys beneath his eyes turned the color of plums. He used his fingers to stretch the skin like he was trying to release air from inside his head.It's not working, he said.I'm sorry. Am I dead? Did I die in my sleep? I don't know.Please wake me up. Please. Please!Alright, I said.I threw off the covers and gripped the man by the shoulders. We made eye contact. Blue ones. The sky in spring.Ready? I asked.Yeah.I shoved him. As he fell backwards the man grabbed my face. I lost my balance and we tumbled together in darkness. I don't know if I hit the ground. Don't remember. All of a sudden I was awake, alone, in my blanket, and that was all. I sat up. I had nowhere to be. No stories to sell. I closed my eyes.What remained was a burst of relief. Like a bath of liquid gold. But it wasn't my relief. In half-awake clarity I knew that the man had escaped from the dream. His dream or mine, I wasn't sure. But he was free, somewhere out there, even if it meant returning to whichever hell had inspired the dream to begin with. I wanted, desperately, for the man's happiness to be my own.