Fiction

A FINAL AND PERSONAL PRINCIPLE by Sean Cavanaugh

Connor’s room had big windows and blinds with strings that touched the floor, and which were always drifting unevenly, a little to the left or to the right, halfway up or basically closed, but always open slightly because of an interceding object or a crease in the PVC, so the sunlight was partial and unfulfilled. There were a few old trophies on his dresser and a fishbowl, forever bubbling, with two statuettes and a little red beta. In front of the bed was a large TV, and to the side was a small leather couch where he’d sit with his

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BODY AS CURSED OBJECT: An Interview with Christopher Zeischegg

How do you know when you’ve arrived? Christopher Zeischegg’s Creation: On Art and Becoming (Apocalypse Party, 2024) presents the many violences we can inflict and invite, breathing breakneck life into fathomless yearning. In a series of essays and auto-fictional psycho-sexual fevers, Zeischegg delivers an examination of hunger. Appetite for sex and death, sure, but the book’s title points the way. One day will be the day of our death, and on that day we will have arrived at—something. If the fates back down and give us more time, it will be a day of becoming, like all days, like today.

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GODSPEED by Reid Sharpless

Antioch looked good, good, good. Red crosses on white banners blazed over the citadel, framed by the smoke of smoldering pyres and the grapevines grown fat with dusty fruit on the hills outside the city—and all this on a cool summer afternoon. Sir Godfrey of Handover resolved to make note of this fine moment in his journal of gratitude as soon as the Lord’s work was accomplished. “It all looks so good, doesn’t it, Clive?” The skull Sir Godfrey held nodded half-heartedly, then turned southward toward Jerusalem.  “I know, I know,” said the knight. “Patience, dear friend.”  Clive, of course,

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3 MICROS by [sarah] Cavar

Elephants think they are the size of dogs Who can fault them, outwitting their great heft? And I am the size of Grammy’s voice at the burnt crack beneath her knife. Her grandmother, mème, would eat two toasts per day, no grease, between her prayers alone. Face against the floor. Grammy takes hers with coffee and a camel. An earlier version of this piece contained incriminating information on           but I got rid of her. An earlier draft of this piece contained incriminating information on            1 2 3 4      

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CREMATING A SNAKE by Dylan Cloud

It happened fast—a small wound opened in his side one day and soon his eyes were sunken, his mouth black. The doctors seemed to know even less than I did. He’d been so lively when they’d seen him, writhing as they placed him on the scale, lapping up the stale smells of the exam room. He tasted the air like a child in snow, curious, eager to devour the world. How could I make them understand? I had seen the sickness enter through his cut, the flicker of his being suffocated by pain. The pink infection crawling up his belly:

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CLARIBEL by Karen Laws

The woman I had become accustomed to thinking of as my future daughter-in-law has taken off her white satin shoes but still wears her wedding gown. My son left her at the altar. I don’t know why she’s surprised, why she even went to the church—she keeps saying everything was arranged. I suppose that’s part of it. I’m grateful she has chosen to come directly from the church to the apartment, to me. She paces and cries out in her rage, the dress billowing. The wedding’s off. It’s clear that the rest of the family, the couple’s many friends, the

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