Flash

james mcadams

WHERE WE MARCHED, HIS FINAL YEARS by James McAdams

Here’s a pic of Dad and me marching at the Inauguration Protest, January 20th, 2017, he’s holding the IMPEACH TRUMP sign I duct-taped to his hand. He voted for Trump but that didn’t matter—what mattered, according to his neurologist, was that he get fresh air, sunlight, and exercise, away from the confinements of Lush Horizons. This one, yes, that’s him marching with the pink Breast Cancer Awareness cap at the Women’s March, January 21st. His gait palsied, hands slapping the air, mind still in the 60’s, the decade he said changed everything, the decade I was born.

At the airport, on January 28th, we marched against the Trump Travel Ban.

In the county park, on April 29th, we marched for People’s Climate Change.

During the marches, he had lucid moments when he’d look around at the spectacle of half-clothed college students taking Instas and Snaps, middle-aged women screaming into megaphones like rock stars, the squeal of the vuvuzelas. He’d croak my name questioningly but I’d just push him on, saying “Everything’s okay, Pop,” as he glanced skeptically at his T-shirt captioned “LIAR” in Republican colors.

Was it wrong of me to do this? Maybe it was because every time I watched the news I thought of him, a sort of “double consciousness,” always arguing against him in my head.

“You love him too much,” my therapist said.

“I can’t stop thinking of him,” I said.

She smiled, folding her hands. “Love can be a very frustrating emotion.”

Is my account of Alzheimer's just literary, a figuration, a synecdoche for media saturation? When Obama was elected, Dad, still lucid, entered a different world. FOX News. Drudge Report. Breitbart. Limbaugh. Our weekly dinners devolved into polite discussions about the weather and traffic, tending to Mom’s grave, was I dating any special women. I was 52, he was 75. We’d drink two Yuenglings then shake hands. He spent his days reviewing the HOA budget for his condo association, walking the streets to ensure nobody had modified their external structure.

We joined the National Pride March, June 11th.

We joined March for Black Women, September 20th.

We joined March for Our Lives, March 24, 2018, three weeks before I removed him from the ventilation machine.

After March for Our Lives, I put him to bed in Lush Horizons, changing his diaper and applying lotion to his lower joints. He was exhausted, but made a clicking sign that meant turn on the TV. FOX was running a story about Hillary’s servers. Dad sighed. I remembered that sigh from childhood, when I’d appear at the dinner table with black nails, claim Reagan was a war criminal at family parties, refuse to attend church.

I got into bed with him and secured the bed rails. “I love you too much, is the problem,” I whispered.

He motioned me closer, his face grimacing, and pointed at the TV. “Lock her up.”

“Yeah,” I said, placing another pillow under his withered head. Then I rested my cheek against his heart, back like when I had nightmares. “Lock her up, Pop.”

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THE BROKEN TEETH DIARIES by Joe Bielecki

We used to be in a mouth but were evicted by a fist in the winter outside of a bar by a bouncer. We weren’t unhappy in our home, but we didn’t mind being free from being drowned in alcohol and choked by smoke every day. The snow was cool. We hibernated like little white bears.

We mingled with razor sharp salt that was used to tear through the ice that the snow was packed down to create. Our enamel was scraped away slowly. Small cracks formed and were filled with melted snow that froze in the night and expanded and widened the cracks so that more water could fill them so that they could widen more so that more water could fill them.

We were not shaped like teeth when spring came. More just little white pebbles mixed in with the gravel. Listening to the sounds of downtown. Spreading far and wide under the feet of passersby.

We were joined or joined other teeth. Fallen from homeless or babies. There was no difference here on the ground. We formed a network. All the pieces forgot the mouth that they came from. The old home means nothing to the mindful. We formed a hivemind. Mapping the city. The downtown, the outskirts, the metro area, every nook and cranny and dark alley and sewer drain.

The summer was a young woman screaming FUCK YOU into her phone over and over. Whoever she is talking to only getting milliseconds to respond or make their case. We would like to comfort her. To smother her insides with chocolate or potato chips. To filter vodka down her throat.

We are the ones who devour the food dropped by spoiled children and full bachelors. We still do our best to perform our function. We have one job.

In the fall we watched as the city destroyed people. Businesses crippled working men with exhaustion and bitterness. Hospitals turned sick kids into drug addicted teens. Crippled and bitter men turned wives into mistresses and children into bartering chips. We are the gravel under bare feet cutting into toes overhanging flip flops and sandals. Scuffing shiny shoes.

We have just become rocks in a tumbler. Doing our small part to do whatever it is that we actually have to do. We have seen the grand scope but not the big picture. But we have no desire to. Too much figuring makes us dizzy. Grinding us into dust and blowing us into the eye of a small child staring at the buildings towering above her.

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harris lahti

BONDO by Harris Lahti

That summer I started working at Lexington Home for minimum wage. I spent shifts convincing residents to swallow pills brimming from paper cups. It was a powerful position. Or at least that’s what I told friends. I told them I could’ve swallowed every pill if I wanted. But the only question anyone ever asked was: “What happened to you?” I was permanently limping. My hips, shins, elbow were riddled with lumps and eggs. The city of Albany was full of cracks that stopped skateboard wheels dead and, it seemed, I’d found every one. I discovered the pink goo of car Bondo worked best for patching. In minutes it formed a hard, smooth layer. At night I dreamt of a seamless world where one could roll forever. Back then, friends were everywhere, too plentiful. It got so the nerves inside my face ached from laughing. I decided skateboarding was a legend factory. One night, we branded our legs with a hot iron then went dancing until the blood filled our socks. On the way home, we stole things from the park. Our best find was a billboard-sized Christmas sign depicting a happy Santa tossing presents that we stole from an unlocked shed. We plugged it in and blew the fuse of the apartment before he could toss any presents though. A week later someone went to the hospital with a staph infection while my own self-inflicted wounds healed nicely. The small miracle made me feel powerful. Other times I thought I might die I was so fragile. I called out of work constantly. But they refused to fire me. I hit another crack and separated my shoulder. It healed all wrong and began hanging awkwardly from my bones, straining the muscle over my heart. For a short time afterward I became convinced I was having a heart attack and admitted myself to the hospital. When the ER nurse asked me if I’d had any drugs, I lied and said, “No, never.” She brought me pills brimming a paper cup and told me I was okay to go. I tossed them back, showed her my tongue but she wasn’t looking. On my way home, I kicked over garbage cans, thinking I’d run into someone. I didn’t know where anyone was anymore, it seemed. I tried remembering if I’d called out of work already, if I should go in. Behind one can, I discovered a painting of Black Jesus rimmed in heavenly light. I carried it home and scrubbed the glass with Windex to give my new savior a brighter domain. Why had I started working at Lexington Home in the first place? I wondered. Black Jesus didn’t know either. Was it an ad in the paper? Sometimes I thought I just showed up at Lexington Home without invitation and slipped in among the residents, all seamless. Other times it was even less deliberate. Regardless, as I limped the halls that day, a happy Santa tossing out pills, electricity surged through my cracked bones as the residents shivered and rolled out their tongues.

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teddy duncan

THEME PARK SUICIDE by Teddy Duncan

I'd been to six flags before and I knew that there was a ride called goliath that you could manually unbuckle the seat belt even after the ride had begun. I don't fully understand what I was thinking at the time but I don't think anyone does when you get away from a sickness like that, like when you have a stomach ache and forget what it feels like for your stomach to be normal and you wish and hope and pray for it to be normal and for the stomach ache to end, so that normal becomes a glorious thing. But when you're normal again you remember there's nothing great about normal, it's just the absence of bad but not necessarily good and when you're normal you don’t even understand why you made such a big deal out of a stomach ache. That's the position I'm in now. I did something drastic over something I now see as ordinary. I went to six flags by myself so I had to get in the single riders line with families and couples who intended to get through the line quicker but really didn’t want to ride by themselves and didn’t actually expect someone to come to a theme park by themselves and to actually ride a ride by themselves. I wanted someone to know, and I didn’t care who was on the ride with me. I knew I wouldn’t have to deal with the result and that everyone would just know I was dead or momentarily think I was just really hurt. The one’s that do it alone in their rooms are the brave ones, the one’s that can just pull a thoughtless trigger or put their heads through a loop in a rope, I just didn’t buckle my seatbelt. Well I did at first when the bored 16 year old employee came and tugged at everyone’s crotch to make sure that their seatbelts were secure. After he checked my row and went onto the next I just pressed the button and put my arm over the belt to make it look like it was still clicked into place. I could have waited until the ride started to unbuckle my seatbelt so I wouldn’t have to risk an employee seeing that my seatbelt was off and maybe seeing my bloodshot suicide eyes and making me leave. I was too pussy to do it so close to my actual death. I was just going to ride the ride like normal and try to forget that I wasn’t fastened by anything and when the first sideways loop came instead of being pushed up against the seatbelt I didn’t push against anything and went sprawling through the air for maybe 2 total seconds of fear before impact. I just really didn’t want to feel alone when I died, no matter how fucked up it is if I was going to do it I needed an audience.

This micro-story is part of an unpublished fiction chapbook that no one's fucking with, so if you like this and publish small books/chapbooks hmuuuuu here.

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clare tascio

OPENING WEEKEND by Clare Nazarena Tascio

OPENING WEEKEND

THE HARD PART IS THAT IT ISN’T HARD.TO GO ON LIVING. AFTER. THE LIVING JUST…GOES. JUST GOES ON AND ON! WITHOUT ME. AND I HAVE TO WATCH IT GO. AND I CAN’T CATCH UP TO IT. AND I CAN’T REALLY WANT TO. SO IT GOES. ON AND ON.  SOMETIMES I SIT IN THE FRONT ROW, BECAUSE NO ONE WANTS TO SIT IN THE FRONT ROW, AND BECAUSE IT’S LIKE SITTING REALLY CLOSE TO A BONFIRE. I WANT YOU CLOSER AND BIGGER. BUT SOMETIMES I SIT ALL THE WAY IN THE BACK. WHEN I’M THAT FAR AWAY FROM YOU I FEEL THIS HARD FISHING LINE PULLED TAUT BETWEEN US. LIKE I’M TESTING HOW FAR I CAN GO, BEFORE YOU SNAP ME BACK TO YOU. I LIKE THAT. IT FEELS LIKE I’M TOUCHING MYSELF EVEN THOUGH MY HANDS ARE ON THE ARM RESTS. I ALMOST COME. I DON’T LIKE SITTING IN THE MIDDLE OF THE THEATRE. IT FEELS LIKE A TRAP. OTHER PEOPLE END UP SITTING NEAR ME, AND I CAN’T PRETEND IT’S JUST THE TWO OF US IN THE WORLD.  I DON’T WANT ANY FRIENDS, AND I DON’T NEED ANY FRIENDS, AND NOW I’M GLAD I DON’T HAVE ANY FRIENDS, BECAUSE IF I HAD FRIENDS, THEN THEY WOULD HAVE THEIR OWN OPINIONS ABOUT YOU, AND THEN THEY WOULD RUIN YOU RIGHT TO MY FACE.  I STARTED GOING TO THE MOVIES A LOT, SO I COULD BE IN A DARK PLACE THAT WASN’T MY BED. SO I COULD BE AWAKE, BUT ALSO ASLEEP. THAT’S WHEN I SAW YOU. I ONLY BOUGHT A TICKET TO SEE YOU BECAUSE YOU WERE TWO HOURS AND FORTY MINUTES LONG, AND I WANTED LONGER AND LONGER MOVIES, TO MAKE THE DAY SHORTER AND SHORTER. I LIKED EVERYTHING ABOUT YOU. YOUR FRAMES. YOUR COLORS. YOUR SOUNDS. YOUR PACING AND YOUR SILENCES. I FELT A FLICKER OF SOMETHING, LIKE WHEN YOU START TO FALL IN LOVE WITH SOMEONE, AND YOU CAN ALREADY SEE HOW FAR THAT DROP IS, AND YOU KNOW YOU’RE GOING TO GO FOR IT ALL THE WAY. I’M SAYING I FELL IN LOVE WITH YOU THE FIRST TIME I SAW YOU, AND I CRIED WHEN YOUR CREDITS ROLLED THAT FIRST TIME.  MY THERAPIST TOLD ME TO FIND THE “LITTLE THINGS.” SIMPLE THINGS I COULD ENJOY. SHE TOLD ME TO GRAB HOLD OF THEM WITH BOTH HANDS, NO MATTER HOW STUPID OR CHILDISH THEY MIGHT SEEM! I COULD SPEND ALL DAY BLOWING UP BALLOONS JUST TO LIKE HOW THEY LOOKED CROWDING MY BEDROOM! I COULD VISIT TEN PET STORES IN A DAY JUST TO PET THE PUPPIES AND KITTENS!WHATEVER. I DIDN’T WANT TO FIND “LITTLE THINGS” TO ENJOY. WHAT A WASTE OF TIME. WHAT AN INSULT TO MY ESSENTIAL HUMANITY, WHICH I THINK, FOR EVERYONE, IS A STRETCHING TOWARD “BIG-NESS.” AND THEN I FOUND YOU. AND YOU WERE BIG. YOU WERE LONG, AND RAMBLING, AND BEAUTIFUL, AND FULL OF SO MUCH, AND NOTHING HAPPENING, AND EVERYTHING HAPPENING TOO. YOU MADE ME FEEL LIKE I WAS FALLING IN LOVE. WITH WORLD. WITH NOT BEING DEAD YET.  I DECIDED THAT SINCE I COULDN’T KEEP UP WITH THE PACE OF MY OWN LIVING, I WOULD KEEP PACE WITH YOU. I DROPPED OUT OF SCHOOL. GAVE UP MY APARTMENT. CHANGED MY PHONE NUMBER. FILLED A GARBAGE BAG WITH CLOTHES. BOUGHT A NOTEBOOK AT THE GAS STATION, AND DROVE. TO EVERY CITY AND EVERY THEATRE THAT WOULD PLAY YOU FOR ME. YOU, FLUNG UP SO BIG ON THE SCREEN, THROWING LIGHT ALL OVER MY CRUMPLED BODY IN MY DIRTY HOODIE AND JEANS IN THE FRONT ROW.  I DON’T NEED  SLEEP. I BARELY NEED TO EAT. COFFEE IN THE MORNING, AND LEFTOVER CANDY, WHILE THE SUN RISES OVER THE HIGHWAY. SOMETIMES WHEN THERE’S A RAMP GOING UP ON A BRIDGE OR SOMETHING, I FEEL LIKE I’M GONNA DRIVE RIGHT INTO THE FUCKING SKY. AT NIGHT, IT’S RED BULL AND STALE POPCORN FROM THE DAY BEFORE WHILE I FIND THE NEXT THEATRE. ONCE I FIND IT, I BUY TICKETS FOR EVERY SHOWTIME I CAN THAT DAY. IF TWO SCREENS ARE PLAYING YOU AT ONCE I SOMETIMES WATCH YOU ALMOST ALL THE WAY TO THE END, THEN SLIP INTO THE OTHER SCREENING, TO WATCH YOU ALL THE WAY TO THE END AGAIN. IT FEELS INCREDIBLE THAT WAY. IT IS CLEAR TO ME YOU ARE A MUCH MORE LOVED THING IN THE WORLD THAN I CAN EVER BE. NO MATTER WHAT THEY SAY IN THE REVIEWS. THE REVIEWS ARE BULLSHIT. I THINK ABOUT HOW MANY PEOPLE CAME TOGETHER TO MAKE YOU, AND HOW MUCH MONEY AND TIME WAS PUT IN TO BRING YOU TO THE SIZE YOU SHOULD BE, AT THE SCALE YOU DESERVE. NO HUMAN HAS HAD SO MUCH TIME AND MONEY AND PEOPLE PUT INTO THEM.  SOMETIMES I THINK THAT A PERSON’S LIFE IS A LOT LIKE THE LIFE OF A MOVIE IN A THEATRE. OPENING WEEKEND IS A PERSON’S LIFE AGE 1-18. YOUR FIRST FORAYS INTO FINDING YOUR PLACE IN THE HIERARCHY OF PEOPLE. YOUR FIRST EXPERIENCES WITH BEING PUT DOWN, CRITICIZED, OR PRAISED. PEOPLE WILL CONTINUE GIVING THEIR OPINIONS ABOUT YOU FOR THE REST OF YOUR LIFE, BUT THAT FIRST WEEKEND OF LIFE SHAPES THE REST THAT WILL COME LATER.  NO APPRECIATION LATER ON DOWN THE ROAD WILL CHANGE THE WAY YOU WERE TREATED THAT FIRST WEEKEND. THOSE FIRST INSULTS. THOSE FIRST COMPLIMENTS. YOU NEVER FORGET IT. THIS OPENING WEEKEND DETERMINES HOW LONG YOU WILL BE AS BIG AS YOU WANT TO BE. HOW LONG YOU CAN HOLD YOUR OWN ON A BIG SCREEN. BEFORE YOU ARE DEMOTED TO TV SCREENS, LAPTOPS, TABLETS AND PHONES. YOUR FORM COMPRESSED TO SMALLER AND SMALLER VESSELS.  SO WE COMPRESS OURSELVES.  AND TELL EACH OTHER TO TAKE PLEASURE IN THE “LITTLE THINGS.” AFTER WE ARE RAPED BY THREE BOYS IN OUR COLLEGE DORM. TAKE PLEASURE IN LITTLE THINGS, BECAUSE BIG THINGS ARE NOT FOR YOU ANYMORE. YOUR LIFE. YOUR SELF. GETS A BAD RAP. PEOPLE SAY SHIT ABOUT YOU. THEY SAW THE VIDEO AND THEY STILL SAY SHIT ABOUT YOU.  I DON’T WANT TO LIVE MY LIFE ON SMALLER AND SMALLER SCREENS. YOU ARE THE THING THAT MAKES ME FEEL ALIVE, EVEN THOUGH I’M NOT TALKING. NOT MOVING IN MY SEAT. BARELY BREATHING. YOU ARE MY LIFE NOW, TWO HOURS AND FORTY MINUTES. THEN ANOTHER TWO HOURS AND FORTY MINUTES. MY DAYS AND NIGHTS EXIST ONLY IN THIS INTERVAL: TWO HOURS AND FORTY MINUTES.  THERE WILL COME A DAY, AND VERY SOON, THAT I WON’T BE ABLE TO FIND YOU ON A BIG SCREEN ANYMORE. THIS IS A LITTLE LIKE RELIEF, THAT THERE IS AN END IN SIGHT, AND A LOT LIKE GRIEF.  I WONDER IF THOSE BOYS FELT EVEN A MICRO-BIT OF THE FEELING THAT I FEEL WHEN I’M WATCHING YOU. WHEN THEY WATCHED ME. THEN LATER WHEN THEY RE-WATCHED ME ON THEIR PHONES, ON THAT VIDEO. HOW DID THAT FEEL TO THEM? COULD THEY HAVE FELT ANYTHING AT ALL? THE DAY I SAW THAT VIDEO WAS THE DAY I STOPPED LIVING AT THE SAME PACE OF MY LIFE. THERE I WAS. SO SMALL. SO MANY PIXELS OR BITS OR WHATEVER THE FUCK. SUCH A SMALL SCREEN. IF THAT MOVING PICTURE OF ME WERE TO CLIMB OUT OF THAT LITTLE SCREEN I COULD CRUSH HER WITH TWO HANDS LIKE A MOUSE. MAYBE I WAS SIMPLY ONE OF THOSE “LITTLE THINGS” THOSE BOYS ENJOYED IN LIFE.  BUT IF YOU WERE TO CLIMB OUT OF THE SCREEN YOU ARE ON, AND ACHIEVE A PHYSICAL FORM, YOU WOULD BE BIG. I WOULD BE THE MOUSE. AND YOU COULD CARRY ME IN YOUR POCKET, UNTIL I BLOOMED INTO A GUN.
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louis dickins

DROP SHOT by Louis Dickins

Sonia is ashamed of her husband.

She’s sitting with a crowd of people at the local tennis courts in horror, as her husband Paul prepares to serve. He hasn’t won a game, and he and his opponent are deep into the third and final set.

It’s a hot, windy day at the South Morang Tennis Club. There’s a barbeque sizzling in the corner and cups of cordial set up for the kids. It’s the quarterfinals of the local tournament, and Paul’s lifelong dream of winning the cup is being violently dismantled.

At 48 years old, Paul is seriously overweight and has onset emphysema from years of chain smoking. Paul’s heritage is Albanian, immigrating to Australia as a ten-year-old, he loved the place immediately and connected to the nation’s love of sport.

Unfortunately, he’s being torn apart today by a much younger opponent.

His wooden McEnroe racquet has seen better days - it’s tired and wants to die. His Dunlop volley runners are undone and overcome by depression. Paul is out of breath, his sweat-drenched polo shirt clings against his skin.

He lifts the tennis ball into the air and connects with a powerful serve - off spin, curling into the court. A perfect serve, he thinks, until his opponent hammers it down the line. ‘Christ,’ Paul calls out as he throws his racquet against the artificial grass, ‘I can’t do anything right!’

Paul is a butcher by profession, he’s owned a shop in Richmond since the mid-eighties. His lamb chops are acclaimed by the locals, and he’s well-liked because of his social, happy disposition. His aspiration, though, has always leaned toward tennis and becoming a champion. As a boy, posters of his idols like Rod Laver and Fred Perry hung on his bedroom walls. At night he dreamt of aces and topspin backhands.

What was the defining moment of your life in tennis?

PAUL- Pat Cash’s 1987 victory over Ivan Lendl at Wimbledon. Boy, he played a magnificent match. Wonderful, graceful groundstrokes, ripper serve, and a killer drop shot. And he had presence. Something indefinable… he was magic. I sat transfixed as he played Lendl in ’87, I couldn’t look away. When he won, I started crying, real, physical tears. It changed my life. See, Pat Cash and I are around the same age, and we both grew up in Melbourne, so in a way, it was like I won Wimbledon, truly.

What is it about tennis you love?

PAUL- I’m into the unpredictable nature of the game. I thrive on its sense of competitiveness, and I like the community aspect of it. But, really I love the way the ball moves through the air, the sensation of movement. To me, there’s nothing better than hitting the ball with the sweet spot of the racquet, right in the middle. It’s wonderful.

Paul’s down three match points. It’s over. Even Paul’s resilient sense of determination has conceded defeat. He lifts the ball into the air and hits it with his dejected racquet. It lands in but is crushed back cross-court, Paul watching helplessly as the ball bounces away. Done, disappointed, his head sunken, he walks toward the net and shakes his opponent's hand.

‘Good game, mate,’ Paul says.

‘Yeah, Thanks.’

Defeat never changes. It hurts Paul in the same way it did when he was six. His whole life he’s dreamt of winning, the praise and adulation of being the best. Not just trophies and confetti, Paul wants admiration.

On quiet days at his butcher shop, Paul would rest his arms purposefully on the counter, close his eyes and daydream. He could see the shots, the pattern of the rallies, drop shots and smashes. He could see them. Seizing each moment, he could hear the roar of the crowd. He was the man, and this was his game.

In the months he spent preparing for the South Morang Tennis Tournament, he never considered not winning. It didn’t dawn on him that he could lose, it just wasn’t his destiny.

But now, as he shuffles off the court, his racquet packed up across his shoulder, sipping at an orange Gatorade, defeat hits Paul like a pile of bricks. He wasn’t good enough, not even close. Reality hasn’t lived up to his expectations, losing hurts like nothing else.

Inside the clubhouse, Paul walks straight toward the men’s bathroom. He turns on a tap and splashes cold water onto his tired face. He lights up a low-tar cigarette and looks at his reflection in the mirror.

Obscured by his heavy eye bags and grey hair he can still see the ambitious, dream-induced kid he used to be.

As a teenager, Paul had a wonderful tennis coach. They trained together every Thursday night for close to eight years. His name was Frank Price. Unbelievably overweight, he insisted on wearing track suits two or three sizes too small. He had dark black hair, slicked back. Frank was a part-time drug dealer, he supplemented his income as a tennis coach by selling crack cocaine from his car. His dedication to tennis was tremendous. He was not a preacher of push-ups, of weights and treadmills; instead, he was a believer in the beauty and spirit of the game.

Can you describe the influence Frank Price had on you as a young man?

PAUL- Frank believed in me, he understood me. He sat me down one day and told me the most important thing about competitive tennis was eye contact. You could size up and intimidate your opponent by looking at them directly in the eyes, their weaknesses, their insecurities, it was all in the eyes. In terms of style of play, he told me to be creative, to be original in your shot selection. Whatever shot, a lob or a drop shot, you had to hit it with conviction. Don’t doubt yourself, he’d say, don’t second guess your instincts, have belief… I was shattered when he was convicted of drug trafficking, I lost someone very special.

Paul reaches for some paper towel from the dispenser to dry his face, but it’s empty. He sighs and heads outside toward the carpark. Sitting in the passenger seat of their Holden hatchback is his wife Sonia. As he approaches the car, she gives him a smile.

Paul sits down and closes the door.

‘I’m sorry Paul, bad luck.’

Paul doesn’t respond, he sits in silence looking at the steering wheel.

‘It’s ok, Paul.’

Outside Paul can hear kids laughing and locals chatting. The summer wind whistles through the trees as cars go by on the highway. All Sonia can see is a sad, disappointed man.

‘I’m so ashamed,’ Paul says quietly.

‘… Why?’ Sonia asks.

‘Weren’t you watching, Sonia, he smashed me. All those people watched me lose. They saw a delusional old man embarrass himself. Nothing worked for me out there. From the start it was a total train wreck’ Paul removes his tearful headband, ‘All that work and all that preparation and all I did was disappoint myself. I was going to put the trophy up in the window of the butcher shop, I told everyone about this tournament, and I let them down. I let you down.’

‘Paul, no. You didn’t let me down. I’m so proud of you.'

‘What are you talking about,’ Paul says sharply.

‘You gave that match everything you had. You had it all on the line, and you had a crack. Listen to me Paul, the only losers in life are the people who don’t try. Who aren’t willing to have a go, who give up on their dreams. I don’t care about the score, you’re a ripper for trying, you’re a real champion.'

Paul turns to Sonia. Her blue eyes and tied back blonde hair.

‘Ok,’ he says.

He turns the key in the ignition, puts the car in gear and heads back home. It’s a quiet ride as Paul thinks over the match and his opponent. He can’t get over what Sonia just said to him; those beautiful words have slowly lifted his soul. As he puts the indicator on and pulls up at the driveway to their house, his resolution and commitment to tennis have come back. He’s no longer bitter or upset about how the match turned out, he’s starting to move on.

What motivates you?

Paul- You know, for a long time it was emulating the champs like Lendl or Pat Rafter. As a kid, my old coach Frank Price really pushed my buttons. But right now, really it’s Sonia, she just lights me up. She makes me want to be a better tennis player, a better butcher. The best me I can be. I can’t help but be excited about next year’s tournament, I’m already signed up. I can’t wait. And, you know with some hard work, a favourable draw, maybe a new racquet and with Sonia on my side, I think I’m in with a chance of clinching the trophy. Bit of luck here or there and who knows? I’m in love with the possibility of it all.

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r.e. hengsterman

GRANDMOTHER by R.E. Hengsterman

A low metal growl rises, and I leap from the bed.

Ten... nine.

By seven, she's reached the cornered hill of Fletcher and Fields. Her brakes protest with a tinny squeal. By five, I'm half dressed. At three, the throaty rumble of the eight-cylinder engine grows. 

By the time I reach zero, Grandmother has arrived. She slides from the bench seat of her station wagon and navigates the piles of dog shit left by our beagle. 

Her pink, black-strapped handbag drapes her forearm. Her coifed hair is motionless. She has pressed her clothing into fine lines of order. 

Mother, Father, and Grandmother have a silent, transitory meeting on the lawn amongst the dog shit.  

***

In the kitchen, Grandmother unpacks her handbag; Kleenex, three pieces of bread, Pop Tarts®, a small change purse, cheese and crackers, a sleeve of thin mints, and a handful of peppermint candies. She is squat heavy and gray but determined to ignore the angry pop of gas trapped within her arthritic joints as she prepares my breakfast. On school days, Grandmother feeds me Pop Tarts® or Thomas’ English Muffins® slathered in butter. On the weekends, when without Grandmother, I resort to sneaking dry oatmeal from the kitchen cabinet. 

While I am at school Grandmother tackles the laundry and cleans the house with meticulous detail. In the afternoon, with her chores complete, she appoints herself to the living room couch to watch General Hospital. After school, Grandmother chatters nonstop. She's upset that Mikkos Cassadine has a plan to freeze the world using a weather machine.

***

The following Monday Grandmother was ill. There was no rumble. No tinny squeal. No announcement. Just Mother heavy-footing her way around the kitchen, slamming cabinets and cursing. 

“What’s wrong?” I ask.

“Grandmother is unreliable. I’m going to be late for work.”

Mother goes on to tell me Grandmother had visited Grandfather in the Army when they were dating and never left. 

“Hung around,” Mother says. “Like a stray dog.”

Your Father says Grandmother is the reason he gets angry. But I believe Father enjoys being angry. 

Mother tosses some crackers in my lunch box and says that years back Grandmother drove a red convertible, smoked cigarettes and killed her unborn baby in a car crash. The Grandmother I know is wrinkled and kind. Not a baby killer.

Mother talks all the way to school.  

The next day, when Grandmother is feeling better, I tell her what Mother told me. Grandmother says Father is an asshole and Mother is clueless. I’ve never heard Grandmother be foul-mouthed.  

Grandmother never missed another day for the entire school year. 

***

In the summer Grandmother and I take the old, ugly wagon everywhere. I sit in the rear facing, third-row way-back seat and watch the faces of terrified drivers who follow to close behind Grandmother, and her sudden, unplanned stops. I lip-read as their blood drains. Sometimes a smile jostled by fear escapes my lips. Most don’t smile back. Instead, they honk, shake their fists and flip me the bird. Grandmother flashes a wolfish grin in the rearview before tapping the brakes again. 

“Keep them off my rear,” Grandmother says.

***

Today we have lunch at the Apple Knockers on Pawling. Grandmother and I are regulars. They have the best battered, deep-fried fish in town with large pieces of naked Cod poking from the tiny bun. Apple Knockers should buy bigger buns.  

Grandmother likes the house-made tartar sauce with her fish. I order the semi-sweet tangy chili sauce, a milkshake, side of homemade cinnamon-flavored applesauce and unsalted fries (you have to salt your own). 

We sit in our favorite corner both varnished with a permanent layer of vegetable grease. As Grandmother wipes tartar sauce from her lips, I realize how ordinary we are. 

After lunch, we shop at the Price Chopper. For Grandmother, it has the better coupons. For me, the better toy aisle; filled with jacks and paddle balls and weird gum that you stick to the end of a straw and blow into lopsided, ugly bubbles.

On the way home, Grandmother and I pass the Pentecostal Church. Grandmother says I attended daycare there when I was younger, and she still worked at the department store. There’s sadness in her voice. I search my memory but have no recollection of daycare or God or Grandmother working. 

“I don’t remember,” I say, and her face brightens.  

***

We arrive home in time for Grandmother to settle into her soap. As General Hospital demands her attention, I sneak into the basement and unlock the metal door housing the water well pump. The pump sits in a small stone room cut into the earth. The air inside is dank and reeks of musty dishwater. Using my father’s wrench, I loosen a valve and let water spill onto the dirt floor.

When my parents return home from work that evening, and Grandmother has darted from the house, I ask why they are so mean to Grandmother. Mother brushes me aside, and Father swats at the air above my head.

They prattle. Work this. Work that. There’s no mention of the spotless house, the folded laundry or waxed linoleum floors. I wait several minutes and then interrupt. 

“I think I hear water in the basement. Come quick.” I say. 

Father rushes into the basement while Mother grabs a handful of laundered towels. It’s the most excitement our house has seen in weeks. Standing at the top of the stairs, I hear wet cotton socks slapping the concrete floor.

“Where’s my wrench,” Father yells. 

I say nothing.  

Mother and Father submarine into the low-slung pump room. The stone tomb muffles their cursing.

“Come here,” Father screams. 

I slip to the threshold of the pump room door, and Father tosses me a flashlight. 

“Shine the light here,” he says. 

I position the light. “Not there, here!” 

As Mother and Father scramble to stop the water, my hand hovers over the brass lock.  

***

Days later, Grandmother and I are on the couch. Mikkos Cassadine and his brothers Victor and Tony are held up at Wyndemere Castle on Spoon Island. Luke, Laura, and Robert Scorpio are desperate to stop the weather machine.

Grandmother pinches her eyebrow into a curious arc, smiles, and turns up the volume as Mikkos is seconds away from flipping the switch and destroying the world.  

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michael prihoda

THE HYPOCHONDRIAC SOCIETY by Michael Prihoda

The Hypochondriac Society met every Thursday night in the basement of Knox Presbyterian Church.

The church was like a Russian nesting doll: the Presbyterians on Sunday morning, some Mennonites on Sunday night; a children’s Montessori school met in part of the basement during the week or whenever the hell kids attended school nowadays and for a while I think Paul, this one guy I knew from somewhere (maybe he served me food at Shish, that Mediterranean deli on Grand near the university that I generally avoided because, well, undergrads) said Monday nights were AA meetings but I didn’t buy that. For some reason. Maybe it was the shape of Paul’s face. Who am I kidding, I can’t remember his face.

But so the hypochondriacs got it on Thursday nights from 6:30 to 8:00, officially, though some of us lingered after that, as if every Thursday were a wretched party we couldn’t help prolong, knowing the hors d'oeuvres, so to speak, wouldn’t be as good back home.

There were ten of us for the most part. But if you count the people I talked to, it was four: Trey, Tull, Diogenes. Shit, that’s three. Whatever.

We brought our maladies like the shitty nephew brings a ring down an aisle toward a semi-entranced couple, the male counterpart of which probably harbors resentment and not a bit too little of put-offishness at having to tolerate this dweeb carrying potentially the most expensive piece of anything he’s ever purchased for anyone, excepting that Camaro he may or may not have purchased back in LA but whose payments he quickly defaulted before prestidigitating a new life with a family containing one of these trite extras: i.e. said punk nephew of bride.

Each week was the same but different. I’d had rumors of testicular cancer brewing for seven months now and every time I whispered this fear Diogenes would puff her cheeks, the same as certain fishes; her eyes would go all blurry and crosshatched and outsiders would think she wasn’t paying attention but really she was like an anti-muse, absorbing all our shit through her nostrils to pack away somewhere deep until her time as oracle might be called upon.

She always looked that way except for this time when a new guy came, threading some story about constant jaundice, MS, atherosclerosis, arthritis, tonsillitis, two bum knees, chronic shoulder pain, halitosis (a dead give away for a faker, since no such malady exists, I mean, c’mon, do your homework, as Trey would say), but so the list goes on and finally, after his lungs fully unwound his sails, Diogenes gets this feral look on her face, so bad I thought Vesuvius had reincarnated itself in the form of a 5’5’’, Greek-yogurt-eating self-proclaimed virgin who had dreams of being the first celibate porn star in history (don’t ask…). By the time she had picked up a chair (roughly shoving some guy, whose name may or may not have been Marvin, from said chair; the one operative detail I knew about him was the shape and expenditure of his glasses, overheard amidst the meandering exchanges of post-meeting time: oracular, the frames alone running him a morbid $340, “and that’s not counted in yen…”) the new guy skedaddled, dropping three paper clips, two rubber bands, a plastic clip like for a bag of chips, four number two wooden pencils (not the cheapo kind you see on sale at K-Mart in early August), and a grape sucker. I felt bad because that was classic hypo repertoire, the junkies’ toolkit.

The next time somebody new showed up, everyone kept shooting wry side glances at Diogenes for the first ten minutes as someone named Chris(?) said the usual.

Then it got to the new girl. We tensed.

So far she’d been calm as a nonexistent ocean breaker so when she up and Mt. St. Helens-ed us by whipping off her cardigan, t-shirt, and bra, exposing her breasts, and then pointing at a point near-ish her right aureole, only to scream, “SEE THIS!?” you could say we more or less had not seen it coming.

Well, sure, we saw. We saw a decently attractive woman whip off her top(s) and jab an index into the flesh of her right/left breast. But we didn’t see.

“BREAST CANCER.”

Then she sat down.

It made us uncomfortable. This was not at all procedure.

I looked at Trey. Trey looked at Tull. Tull looked at the floor, ceiling, Chris(?), then me. Then we all looked at her.

The older woman who walked with a cane some days to play up her failing hips happened to be sitting next to the new, breast-exposed woman. She patted her gently on the leg, which up ended up awkwardly landing somewhere around her thigh/butt cheek/hamstring since the woman was sitting and the half-naked girl was standing. “What’s your name dear?”

“Did you hear me?” her voice had rumbled into a lower register, less scream, more molasses to it. Considerably more mortality.

Something was wrong.

I wanted Diogenes to pick up a chair and make to hurl it. I wanted Tull to squeak so I could start talking about how I swear those mosquitoes from that weekend I spent camping with my cousins three weeks ago were carrying Zika virus. It wasn’t even my turn. There was procedure. But this was no good. I felt people shifting in their chairs.

The girl broke the spell by snapping her bra back into place, then putting her t-shirt on, then her cardigan. Very diligent, almost business-like. As if she had tried something on at Gap and found it not entirely agreeable.

She sat down. Her demonstration having birthed enough ghosts to fill Iceland.

Next Thursday four people showed up: me, Tull, Trey, and some other rando. Diogenes had come down with the flu, or so her text to Tull had said, which she’d half-related to us in malformed sentences lacking adhesion to the English language. I saw breast-cancer girl outside Knox on my way in, just standing near the steps to the door, in a pool of approaching darkness. I couldn’t/didn’t meet her eyes.

The meeting didn’t last until 8 that night. She wasn’t there when we left.

The week after, Trey and I were the only ones who showed up. Diogenes’ flu had progressed into full-blown malaria and Tull’s text also indicated house-arrest Ebola might be in her system.

Trey and I tried to have a normal session but the point was sharing, not talking tete-a-tete, mono-a-mono. That was too personal. Hell, if we wanted that, we wouldn’t meet in a church. The person we really spoke to at these things was the space between the circle of chairs. The god in the room. Breast-cancer girl showed us what we worshiped and it got embarrassing.

I helped Trey stack the chairs and we barely raised a hand to say goodbye.

At home, I took my shirt off and stared at myself in the mirror, squeezing my pectorals to make the aureole bulge, wondering what lay beneath.

I had nothing.

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jenny fried

EYE BITES by Jenny Fried

What You Need to Know

I cut off a rat’s head with a guillotine, and it told me I looked like someone who ate cereal for every meal, which was one I hadn’t heard before. I do not in fact eat cereal for every meal, but there’s no use fighting with a rat head. I learned not to argue when I tried to kiss someone and was so nervous I missed her mouth. At first she told me it was cute, but later she said she didn’t know why she bothered with me. I got lost in the forest once. I remembered reading about mazes, so I took only left turns for as long as I could. I found a hill made all out of sand and a man with long straight hair. I knew I knew him from somewhere but I couldn’t figure out where the information I wanted was, trapped inside my head. It was like a seal I saw on the beach once. All its flippers were fine, and its tail was touching the water, but it couldn’t figure out how to get back in.

#

Things I Know

The animals commonly known as seals are referred to as pinnipeds in the scientific community. Kingdom: Animalia. Phylum: Chordata. Class: Mammalia. Order: Carnivora. Suborder: Caniformia. Raskovnik is the Bulgarian name for Marslilea quadrifolia, a small plant that looks like a four leaf clover. It is not particularly rare, nor does it grow in remote areas, but is completely unidentifiable to the untrained eye. A legendary herb of the same name was said to be able to open any lock. The distance from the earth to the sun is 4.85 million parsecs, 149.60 million kilometers, 92.96 million miles, 327.22 billion cubits. Thousands of people have childhood memories of a series of kid’s books called the Berenstein Bears, pronounced like steen. They never existed. It’s the Berenstain Bears, pronounced like stain. The erroneous memory is embedded so strongly in some people’s heads that it has been cited as proof that we are now living in a parallel universe, that it was -stein when we were kids, but that timeline was erased somewhere along the way.

#

What I Say to You

I think if I were an animal I would be a seal.

#

That Night

I make out with a chair and then it rips off its face, but it isn’t you its someone else I know. We go to a protest at my old high school and I am so so late for Spanish but this is important. A short kid with a beard sneaks away with my backpack while I’m chanting. I run after him I think but my legs are still at the protest and he gives my bag back because I ask him nicely. I go to an Italian restaurant with my parents and my mom kisses our waitress on the cheek. When she turns into a frog I wonder how I’m going to pay my college tuition. My frog mom swims around the glass of water the waitress keeps refilling and I keep drinking it because I don’t know how to tell her to stop. I don’t know how to tell you to stop looking at me because its not that I don’t like your eyes I do I just know that your pupils will start taking little bites of me when they dilate because that’s just how these things go.

#

Out Your Car Window

Even when it isn’t that hot yet if you look closely you can always see asphalt shake and shimmer a little. I think it’s jealous. Everything always moves over it and it has to stay still. Its just like how when you see deer next to the highway they’re always looking at you and their eyes are always full of that look you give bridges when you’re wading through the water. But there aren’t any deer this time because I asked you to go the slow way, only boys on bicycles and a dirty Laundromat every couple of blocks. Somewhere inside there’s probably a chute where they throw all the lost socks and a place where their ashes stay and the sock ghosts crawl out and go haunt feet and doorknobs. It’s kind of weird to look at someone who can’t look back but what else are you supposed to do if you aren’t the one who’s driving?

#

What I Say to You

Do you know what paper tastes like?

Sort of. I ate straw wrappers when I was a kid.

I ate old newspapers. I didn’t realize they didn’t taste good until I was done eating.

Like aftertaste?

Kind of.

Not quite?

It’s more like you forget what it tastes like while it’s happening.

Like you have to think about it later?

Yeah.

What are we talking about?

Eating paper.

We’re talking about eating paper?

Sure.

That’s it?

I guess.

#

Last Year

The bites started small, with just the eyes. Little love bites. Then there were words I could see on my skin. Then the big ones. Bite one pushed the air out of my belly. Bite two left a mark on my face. Bite three put a chip in my tooth. Sometimes I still cut myself on it when I’m trying to speak.

#

Things I Know About You

You walk with your heels turned in.

You always have cough drops in your pockets.

You don’t turn the radio on in your car, even when we aren’t talking.

You know more kinds of bears than I do.

You do your laundry in the sink.

You always forget to staple your papers together.

You wear shoelaces that are too long, and they drag on the ground even when you     remember to double knot them.

You don’t have any pets

You answer my questions, even stupid ones.

You go the slow way if I ask you to.

#

Your Place

I know that walking through doors makes you forget things because I read it somewhere. When I walk into rooms sometimes I forget what I am doing there and then I lie down on the floor and look up at the ceiling and wonder how many doors I have to walk through before I forget everything.

I know that you are looking at me because your eyes take three bites.

I like your eyes. I like your eyes. I know I like your eyes, I do, and my tail is in the water. You put your hand on my arm, you put your hand on my face, and look, look it’s you. But what if it isn’t, what if you rip off your face and it isn’t you it’s someone else I know, and your hand is on my face. Again. Her hand is on my face again.

Shut up don’t argue with a girl who wants to eat you.

#

Under the Table

You find me under the table and you put my head in your lap. We stay right there, and you don’t say anything, and I think you are good for me, I want to say you are good to me, I want to say stop looking at me, I’m under the table for a reason, and your eyes are just little bites now but what if they get bigger. I want to say what if I want to say stop but instead I just think it, but instead I just think it.

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kai ming mckenzie

BUS PORTRAITS by Kai Ming McKenzie

A man on a bus is writing in his day plannerThere is a slender man who spends every morning bus ride one winter scratching out notes to himself in a little day planner. He looks so busy that we who are seated near him are tempted to try to read over his shoulder to see what he is writing about. He has tiny and meticulous handwriting, and he writes straight through the delineated intervals of his days with a fine-tipped pen.Everything is done with quick and efficient motions, which paradoxically give the impression that there is something wrong, a neurological syndrome of some kind at work. Perhaps it's just that he never seems to have to pause to wait for the next word to come — if those tiny marks even are words. Maybe they are symbols forming some other kind of record.When he gets close to his stop his busy hands loudly rip apart the velco straps of his insulated, soft-sided lunch container and put the pen and the planner back into the front pocket. Then he pulls his knit hat down over his ears and carefully rewraps his scarf around his neck, three times. It is eight o'clock in the morning, but the page of his day is completely inked over.We want to know where he will record the rest of his hours, since his day is already filled in.A kind of fastidious graphomania or sheer nervous energy channeled out through the fingertips — that's how I described it when I wrote about it in my own little book, while I was sitting in the seat behind him, looking on. One bus rider draws portraits of anotherA woman is sitting near the front of the bus. She can't stop waving her arms. Her crooked fingers brush her black nylon kerchief and catch in it; her head bobs left and right with the ruts in the road. She is making gestures that seem devotional or beseeching, but may be meaningless. There is a white crust around her lips. Her face is gaunt, her muscles taut and ropy under her warm, dark brown skin. Naturally we do not look directly at her, but around her, carefully.Seated further back is a white man in his fifties who got on earlier. He is balding, but retains a ponytail; he is dressed casually; he is not on his way to work. He has a large newsprint sketchpad propped on the seatback in front of him and he is drawing this woman with soft vine charcoal which he pulls from a ziplock bag in the pocket of his leather vest. He spends about a minute on a portrait, then turns the sheet over with a quick flourish and starts again. They are pretty good gestural sketches. She is shown in profile, since she is in the handicapped seats and he is facing forward. He pays attention to the face.This is what this guy does — we see him on the bus all the time. He pays his fare and rides around for a couple of circuits, drawing the passengers, then when he gets bored of us he puts his pad under his arm and gets off at the coffee shop near the university.After the fourth or fifth portrait she seems to notice he’s drawing her and she grows agitated, but can't seem to turn to him to communicate, can only glare at him out of the corner of her eye. His sketches begin to show her evolving rictus of distress. If she wanted to get him to stop, she would have to rely on help from someone who could read that this was a new and different kind of distress than her default state. Actually, we do understand — but we are trying to look away. None of us tells the artist to stop.Eventually, and with some trouble, she produces a ballpoint pen and grasps it in the air before her, making parodic, palsied sketch-strokes in the air, still not looking at him directly. Now her expressions are genuinely ugly. Then she finds a piece of paper and slashes at it with great effort, producing some marks — a portrait of the artist — which she clumsily rips up and tosses to the floor.We do our best to ignore this exchange. We have ridden with the artist before. Those who have sat in front of him have been annoyed; those who have sat behind him have mostly just watched him draw. A woman writes a note in the stairwell of a busThe bus lurches down a dark street, behind schedule by a few minutes. Although it is night, there are still plenty of us riding, headed towards downtown. At the stop at the corner, a woman is waiting in a dull yellow pool of light with a two- or three-year old girl in a stroller. The bus stops in front of them and the doors open, but instead of getting on, the woman tries to ask the driver something. She doesn't seem to be able to move her lips and tongue in order to form words; she can only gesture and make loud, inarticulate noises.While she does this the bus driver is half-yelling, what? where? to her while keeping both hands on the steering wheel. She can only respond with more blocked sounds.We passengers sit listening to her moaning and the bus driver yelling back for a while, seemingly in a stalemate. The engine has an irregular idle, and it rocks us gently. Finally someone from the back of the bus says in frustration, for fuck sake, give her something to write with, and everyone comes back to life, fumbling for pen and paper to take to her. We are glad to have something we can do.She gratefully takes the pen and the scrap of paper from a passenger and writes something down and passes it up to the driver, who says, with an emphatic head nod, yes, I stop there, get on. So she stands her daughter up on the sidewalk for a moment, then collapses the spindly stroller and tucks the U-shaped handles over one arm while gathering her daughter in the other. She mounts the steps and takes a seat at the front, quickly unfolding the stroller, setting the brake, and getting the child buckled back into it.As the bus pulls back into the street she starts to take off her coat and, while doing so, finds that she is still holding the pen and the scrap of paper that she wrote her destination on. She folds the paper up and pockets it — she might need to show it again when she gets off at the other end. Then she looks up at us, holding out the pen to return it, scanning our faces to find the owner, showing no emotion that we can see. Keep it, keep it, we say, shaking our heads.From the stroller on the floor the child is turning her head to catch her mother's every movement, looking mutely up at her with love in her bright eyes. She fidgets against her seat belt, looking like she's got something to say, as if she is getting ready to speak for the first time, to say I know what it’s like.
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