Flash

claire hopple

GRIP by Claire Hopple

Let us tell you about Louise. At the moment we started to really pay attention, she was stuck behind a vehicle that read “Criminal Transport Unit – Dept. of Corrections” on the highway. When traffic cleared and she finally made it to the park, she was handed a universal key to all the glass showcases by her father. “Add more furnishings to the blue-tongue skink cage,” he said, gesturing toward an open box on a picnic table. Louise pulled what looked to be a mini tiki hut and micro lounge chairs out of the box and headed toward the showcases.

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BIO by Nick Perilli

Ernest Scheetz is a writer and carpenter living in Hudson, North Carolina. He smells like sawdust. Other work of his can be found in The Coyotee Review, New Langdon Quarterly, Triage Journal, New Coke Magazine, Holden Press, Instrumental Annual, Endeavors Review, Found Horizon, Form Letter Journal, Synecdoche Zoo York, String Lights Theory Magazine, Dwayne J. Quarterly, The Exorcism of Emily Prose, the garbage, Muted Xylophone Literary, The Flea Market, the Scheetz family plot, the eyes of his first son, the eyes of his dead father, Dreamboat Lit, Tourniquet Journal, Tall Tales & Ice Cream Horror Review, his friend’s copy of

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LAND SPEED by Alex Evans

On October 24th, 2011, Oscar Valentine broke the land speed record riding his Schwinn through a suburb outside of Madison, Wisconsin. People said that this was impossible, that Oscar Valentine, being neither a professional high-speed driver nor a legal adult at the time of the achievement, could not have exceeded 760 miles per hour. Others cite the vehicle as their source of skepticism. Not only does a bicycle seem an unideal method by which to compete for speed, but a close friend of Valentine has publicly stated that the tires on the Schwinn were nearly flat that morning, and he

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LILY IN THE LIGHT by Megan Pillow

Lily isn’t sleeping, but I still try to get up from the bed without making a sound. The curtains are closed, and I open them a peep so that a thin shaft of light comes in, not enough so that anyone from the outside can see us. The shaft travels to the bed, to the body lying there, like someone has traced a line across her belly with a golden brush, and beneath that lick of gold, her skin, oh, Lily’s skin lights up like one of those paper lanterns that you set on fire and send into the sky.

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MAPLE & GOO by Anith Mukherjee

The Orb glowed, the room shook, pink slime dripped from the ceiling. The Orb shuddered. The Orb split open. Gestating ultraviolet flesh. Flesh appendages reached out and grabbed Maple by the neck, they pulled her into The Orb’s living centre. She felt blood circulating around her, absorbing her. She faded and dissolved. She did not scream. It felt like a kiss. * Town Nouvelle Vague is a paranoid city. Steeped in irony and sarcasm. Sincerity was outlawed. No one knew what anyone was really thinking. There was a constant underlying analysis of meaning. The paranoia fed into the general theme

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GLASSMAKING by Jason Kane

In their twenties love was ineptitude—being there to fail together. Separately they delved the snowy miles between Erie and Rochester. A quest for meaning, those birthplaces their only landmarks, logical lapses in the dense contract language of northern hardwood. Their paths converged in a college poetry workshop, a group exercise where they fixed their willful corrections onto a hapless third’s verse. She had green hair and wore face jewels. He wore steel toes and a red bandanna, ebony plugs in stretched earlobes. She worked at the campus library circulation desk. He worked on cars and bused at a diner built

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LIKE NEEDLE TO RECORD by Tomas Moniz

Terrance tells me choose a record and I struggle. He’s a new friend. A very sexy friend. I need friends. We have one in common, Metal Matt, who’s orchestrated this meetup, aka blind brunch date, slash hook-up. But with friends with records like these, you know. Plus I don’t want to offend. There’s Rihanna, understandable. Peaches, okay. But the predominance of ‘80s music stupefies. The closest thing to metal: Alice in Chains. I figure sure why not. I pull the album from the shelf.   I say, How’s this, and hold the record high. He’s in the kitchen constructing our

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BLUE BLOODED by Thomas Barnes

On the second date she brought up the lights in the water. “What do you mean you haven’t seen them,” she said. “You’re from here. It’s all up and down the shore, real late. The witching hour or past it.” “Just summers when I was a kid,” I said. “Now I don’t stay out late. Early shift.” The diner faced a parking lot, the parking lot of the black ocean. End of season loomed. Emptiness inherited the town. Waves lashed the thin shore and wind ripped at dune grass. Gulls hung in the air, motionless and screaming. “What about tonight,”

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THE COAT by Robert John Miller

You don’t wear coats. You wear layers. You’re outside, what, five minutes, ten minutes at a time? Apartment to bus. Bus to work. Next door for lunch. Coats are such a bougie luxury. What are these people preparing for? Ice fishing? Everest? You’re never more than ten seconds from a clean well-heated place. But you tire of the questions. And there’s an online flash sale. Maybe a coat would be nice. Remember: You know nothing about buying coats. But that one on sale looks like the ones everyone has. Red patch. White thread. Maybe a goose is involved. Two days

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MORE by Tyler Dempsey

Servants scatter. The psychoanalyst enters the room. He regards his surroundings: Apollo’s wife, Aphrodite, scrolls Facebook. Her Admirers lounge. Various articles—bedside tables, a rocking horse, bowling pins, Fruit Roll-Ups—lay adrift across the floor. Aphrodite refurbishes goods, like Fruit Roll-Ups, from thrift stores. Apollo enters, his humor betrays immense slaying. He approaches an Admirer, slays him. Tosses a bloody scimitar to the recliner. The Admirers scoot over. He sits. —How do you feel? —Tired. He cracks a Pabst Blue Ribbon, gallantly. Loosens his golden codpiece. Apollo props his heels on the dead Admirer. —I was whipping adversaries. The sun was angling,

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