Flash

HEAD TO TOE by Molly Montgomery

August 13, 2018

One day, Penny woke up with her consciousness in her feet. She could still feel her head, blink her eyes, watch the procession of sunlight from her shutters ripple onto her bed, but it all felt very far away. Closer to her, the flannel blankets cushioned her arches and as she flexed— her feet that is, but it felt like she was stretching a larger muscle, like her back— her toes popped out of the warmth of the blanket, giddy like bright-eyed children, singing at last, at last it’s our turn now. They waved, creating a breeze in the rumpled blankets. She sighed with her feet, her heels arching and releasing, breathing, in a way. It didn’t occur to her that it would be strange to go through the day with her soul stuck to the floor. After all, she was a yoga teacher— maybe she had jumbled around her energy a bit too much the night before while performing a handstand. She rolled out of bed and let her feet sink into the carpet. She hadn’t vacuumed in a while, she realized as she felt the sharp edges of leaves and other unpleasant textures prickling the pad of her feet. The dead skin on her heels caught on the carpet, tugging painfully. How could she not have noticed before? It was like waking up to realize you hadn’t combed your hair in a week. She had to do something about it, immediately.

The cool bathroom tiles sent a shiver of pleasure up her legs. In the shower, she commanded her arms, which felt like phantom limbs, tingling and barely present, to twist the knobs and release a stream of hot, hot water onto her thirsting feet. The rest of her body winced, but her feet, tougher than the other parts and tired of taking beatings for the rest of her body’s sake, incited her to turn the temperature higher and higher until, at last, they eased. She flailed her feet before her, the rest of her body sinking into the bathtub. Finally, the pressure released, the terrible pressure, which she hadn’t realized was there until it was gone. It was like a migraine lifting, as she let go of the pounds and pounds of useless flesh pressing, pressing, pressing on her feet all day long. She scrubbed the hard calluses that roughened her feet like stubble, stripping off layers until they were raw and throbbing. The throbbing filled her. Her hands turned the water off, and she crawled out and wrapped a towel just around her feet, writhing with pain and pleasure.

Her toenails, slicing menaces, cut into the neighboring toes. Stop stabbing, stop stabbing, please, she pleaded and grabbed a nail file from her box. These toenails had not risen up in protest this much since her pointe days when they would rip her already demonically twisted feet to shreds and bleed on her satin shoes, the resin mixing with the blood to make a crusty callus of its own.

How much damage had she done her poor feet, she now wondered as she struggled to calm their fiery furor. Massaging them with a soft towel, she reached for some eucalyptus lotion she had in her medicine cabinet and began to knead the ointment deep into the crevices of her feet. She felt the blood vessels in them opening and a calming feeling spread from her feet, up her legs, and to her core.

Now that she was down in her feet, things seemed so different than they did above. She didn’t recognize herself. Who was this woman who could have exploited parts of herself, treated her own foundation like it didn’t matter? She would have never banged her head around like she had her feet, or let it get cut and scraped and swollen with infection like she had when, as an impetuous college student, she launched herself foolishly into a bacteria-laden river from a rope swing, the heel of her foot catching on sharp jagged rocks on her graceless tumble downward. She would have never choked her mouth the way she had choked her feet in sweaty, unbreathing sneakers in PE until a fungus invaded her toenails. She would have never constricted her fingers like she did her toes when she shoved them into wedges that narrowed to an inhuman point. Even her moment of triumph, the highlight of her career— stepping onto that stage with steady powerful strides that she had taken for granted and accepting the award for her choreography— it twisted horribly in her memory as she let herself feel the pain she had held back that night, her feet strapped like hostages into those teetering, torturous stilettos. How she resented her selfishness now, so bent on recognition, her head taking credit for the work of her feet.

After her injury, the one that ended her career on the dance floor, she had hated her feet, her weak left ankle in particular, which cracked under the stress of night after night of pirouettes. Her feet had failed her, so she stopped paying attention to them, like a mother who stops reaching out to her son after he breaks her trust one too many times. Then came the endless months of physical therapy, which she performed diligently, though she knew her body would never be the same. She built strength back into her muscles until they contained not as much as before, but enough for her to feel dignified. But how could it be even after she had recalibrated her relationship with her body, finally finding a sort of equilibrium in yoga, she still wasn’t at peace with her feet? Then again, she wasn’t at peace with her mind either, and that’s where she spent most of her efforts these days. Rewiring her circuits, talking through her loss with her therapist, trying to figure out how to her meld her mind into a body that no longer obeyed like it used to. Fuck that, she thought. It was a relief to be in her feet; the darkness in her head hovered like a thundercloud, but it couldn’t reach her down here. Still, she couldn’t hang out on the floor forever.

Vaguely, she reached for thoughts in her cerebrum, like rummaging in a dark cabinet. She had appointments, a class to teach; her daughter, still asleep, needed a ride to school and back. But her feet, objecting to her wavering attention, sprang with cramps that undid the tenuous connection to her task-oriented brain. Pedicure first, cancel everything else, spa day, spa day, they cried, and soon a chorus of rebellion resounded throughout her bounded body.

Massage me, her knee croaked as her consciousness jumped to it, then to her strained back tight with resentment. I’m next, cried her neglected neck. And her feet continued to pound, pulling her down, down, down.

Yes, let’s, she thought, let’s spend today together just for us. Her feet sought her soft slippers, kicking off whatever attachment she still felt to the rest of the world.

KILL YOUR DARLING COUNTRY by Gregg Williard

August 10, 2018

You live two blocks from a city park that hosts the Fourth of July parade, carnival and fireworks. Once a year your sleepy neighborhood will be taken over. Hoards emboldened strange by the holiday license to drink in public and be stupid with explosives will arrive bearing lawn chairs, blankets, coolers, flags, transistor radios and cherry bombs. They blithely make your yards their parking lots, trespass and trample and choke sidewalks and streets in lit processions of flash lights and aluminum sparklers. Their orange cigarette tips will bob ahead like lures.

Soon their blankets will cover the fields all the way to the woods. Progress in the dark is a mine field of hands and feet, plates of potato salad, dry humping teenagers, dead soldiers of Blatz, Schlitz, Strohs, Rolling Rock, Fanta or Seven-Up bottles, a land where any unthinking remark or misplaced look or bump or nudge or gesture can set off the explosive potential waiting whenever so many people come together in the dark. Do not be afraid. It is your first taste of civic anarchy, to be forever flavored with the tang and bitters of gunpowder sulfur and beer. Everywhere the adults are eating, drinking, smoking, tonguing, grasping, gasping, laughing, cursing.

They who run the world will all be here: in straight sharp lines of brow and jaw like tail-fins; in car interior colors of cream with red, blue or black; in men’s crew cut, ivy league, d.a. or rockabilly pompadours; in women’s bouffant, beehive, pixie or artichoke cuts; in pants of cuff-rolled denim or white Capri; in shirts Hawaiian or Cabana or T’s, (the latter tight and bicep-rolled to hold non-filter cigarette packs). Many of the men will brandish “back from ‘Nam” (or Baghdad or Afghanistan) stares, cadences, shrugs, slang, stiletto-macho X-15-age werewolf sideburns and teeth and eyes that will have you, the different kids, in a seizure of terror, and release. Now will be the time to act.

You will talk and scheme and worry out minute plans without regard for what the Big Night will actually be. Someone will say it is like “striking a giant match across the skull of the world” and you settled for that. You are “the brains,” “the mad scientists,” the 11-year old nobody “nerds” (at a time when the term has the obscene punch of “kike”, “cunt” or “nigger.”) You say, Come Kill Your Darling Country.

On the early morning of the third your plan is to break into the fireworks truck parked in the corner of the field and tamper with the charges. You have talked about living lives risked in extreme experiment, and here is the big one: mixing combustibles for a new world of shapes and colors, out-doing their show with fun that will hurt and laughs that give all of them the same stranger’s face; incantations in sparkler across hot night air, striking a giant match across the skull of the world. Come, kill your darling country.

The first skyrockets will tear into the sky and the ahhhs and ohhhs rise from the quaking blankets all dark around you in a sea. You run and dive as into an oncoming wave at the beach. You will be heedless, fearless, senseless. You will kick at faces and ran faster, climbing people like stair steps, flying over grasping hands, battling through screams of pain and rage lost in booms, and groans of awe for the hot chemical show overhead. You keep on, straight into the woods. Angry voices are close behind. You will enter the woods in an exalted state of fearlessness and inexhaustible energy, skipping down a narrow switch-back path we know by heart, to the right of the shale cliff you call “H,” (without knowing why).

A sharp zigzag down the back-way crashes into a narrow, noisy stream. You take positions off the path and a little downstream, at the edge of a gully behind big mossy rocks. Above you a willow tree catches a new, cool breeze, fluttering leafy vines over the ebony water. Your panting breaths finally slow and you listen but hear no sounds of pursuers. Above you silver mag stars, fat on titanium and bromides, flash revelations of smoke, solid and sheer as cliffs. They are quickly riven apart by detonations of other hot metals, fuel and casing types: copper halide blues, strontium reds, cesium indigos, potassium violets, barium greens, calcium oranges, lamp-black golds playing The Palm, The Ring, The Diadem, The Crosette, The Spider.

The show reaches its finale: multi-break Whistlers and Hummers that “strobe” multiple explosions falling closer and closer to the crowd. You count the explosions. After many bursts you count one, two, three too many, too loud. The rockets will reach the ground while still burning, hissing and twitching, like cicadas locked to mate and die, igniting grass and blankets and flesh. Shrieks will cut through the booms, echoing into strange cacophonies between pain and pleasure, the human and the animal. There are alarms and sirens and cries to God. Then echoes, the crowd dispersing, cars starting up and driving off. Stars poke through the colored smoke. It thins, they brighten, and the air goes cold.

You will wait. Then one of you, then another and another will whisper of your getaway, your next move. The way ahead, someone says, is lit by a giant match raked across the skull of the world! Your voices join and rise into chant, hot and luminous, words lit from inside your throats as if you’ve swallowed sparklers whole, and do not and will not feel one damn thing in the great parade ahead. Come, let’s kill their darling country.

SOMETIMES HEROES CAN’T WEAR BROWN SKIN by Delvon Mattingly

August 9, 2018

In times of life-and-death, nobody quite grasped the concept of “be quiet.” But for us, it didn’t matter. My peers panicked, whimpered, some nearly hyperventilated—but nothing outclassed the tormenting screams coming from an adjacent room. Nothing could abolish the cackling gunfire, bullets penetrating walls and possibly bodies. Nothing stopped the killer from heading to our room next, glaring at us with a face of apathy, drawing our attention to boast about his body count, and how we were going to add to it. Nobody could do a thing, except for me.

I wouldn’t consider my actions gallant. I charged the moment the boy appeared distracted. An amalgam of fortunate events led me to overpower the shooter, using his weapon against him, my following actions fueled by pure trepidation. I realized I’d rather the boy fall than to witness a firearm pointed at my face again or hear the anguish of my friends. The worst part: the shooter was a student too. We acknowledged his bleeding corpse more than we ever did him. His name was Ethan, and only a few of us knew that.

An absolute silence plagued the air, and I began to pace the classroom, “no” continually slurring from my mouth. Nobody mentioned a word about the murder, not our teacher or my friends. No one.

* * *

There wasn’t much blood on my hands, although the few smears on my shirt reminded me of the monster I had become. I expected my classmates to see me in the same light. That wouldn't explain their reluctance to speak, or even to move. They were afraid of me, their fear cemented in a truth that not only had one of their peers became a killer, but also another.

My best friend began to speak, my name slowly rolling off her tongue.

“I can’t, Marissa,” I interrupted.

“Jerome, you saved us,” she whispered.

“I still killed Ethan! I’m done for. My future, everything. I could go to jail.”

“No, you’re a hero,” she said. She searched for validation from our other classmates. “Right?”

Everyone remained quiet. Then, some of my classmates began to cry while others seemed to struggle to preserve their sanity. And I felt for all of them. I understood, but I knew I had to withdraw from my emotions to prepare for the arrival of the authorities. Picture this: an emotional, erratic, brown teenager with the blood of another student on his clothes. Yeah, that’s a minimum of 25 years.

“Jerome…” Marissa murmured.

“Stop. Please, just stop.”

* * *

Ten minutes passed, and the authorities arrived. Everyone was escorted from the building to the fields outside, like we were in a prison line, distress printed on their faces, or even scarier: the expressions of those who were still processing—blank, unworldly.

I couldn’t stop picturing Ethan, another student, his glare, a rifle dangling from his hand, blood stains on his clothes—imagining my face stamped above his. A monster. If I wasn't a monster, then why did the authorities scrutinize me with disdain?

Police officers pulled aside students from my class for questioning. Paranoia struck me like a chisel shaping a stone statue—one final tap and I’d crack. Some of my classmates clearly talked about me, peering back and leading the cops to notice me more than they had. Before I knew it, I stood alone. Then, it was my turn to be probed.

A stocky pale officer approached. “How are you, son? What is your name?”

“I’m okay. It’s Jerome.”

“My name is Officer Anderson. You don’t seem too shaken up by things, Jerome,” he said, examining at the small blotches of blood on my shirt before returning eye contact. “You’re quivering. You seem more terrified of me than anything.”

“That--that’s not true.”

The officer huffed. “Can you tell me what happened? If you’re uncomfortable talking about it, we--”

“No,” I said. “It’s okay.” I gave him a detailed chronology of events, up until Ethan’s death.

“So, the student massacres the entire classroom next to yours and then comes into your room to provoke everyone before killing himself?”

It sounded more artless after the officer repeated it. When I nodded, he suddenly grew reticent, looking down on me with eyes of censure. “That’s not what your classmates are saying. In fact, they’ve claimed you convinced Ethan to cease fire, and when he realized his wrongdoings and felt contrite, he impulsively took his own life. Correct?”

What?

“You and your entire class could’ve died if it weren’t for you.” Officer Anderson patted my shoulder with his right hand before meandering back to his colleagues. “Son, you’re a hero.”

“Hey!” Marissa called and trotted over to me. “Why are you all the way over here, Jerome?”

Attempting a smile, I replied, “I don’t really know.”

“We need you.”

“Why?”

Her eyebrows furrowed. “Because you saved us. Word is spreading fast, and people from other classrooms aren’t taking this well. The media is already here.”

In spite of what she did for me, she still didn’t quite understand. “Marissa, thank you.” I looked down at my palms, slowly twirling them while opening and closing my fists. “But sometimes heroes can’t wear brown skin.”

She nodded before tightly gripping one of my arms, that and the familiar way her nose twitched before speaking gave away her frustration. “People also don’t get to choose what color skin they’re born into. For what it’s worth, I think for you to be able to do these things, while fighting so many other battles, is something that deserves recognition.”

I smiled, shaking my head. “That’s incredibly sweet. But, there are consequences to my actions, all of them. Risks I’m usually not willing to take.”

She turned to see how our peers held up. “Well I’m glad you took one today.”

“May I ask you something?”

“Sure.”

“Why are you so calm? Everyone’s freaking out.”

Marissa finally looked back at me. “I could ask you the same.”

“Well, where I’m from … let’s just say this isn’t the first time a gun has been pointed at me, or has been fired in my vicinity.”

She looked away again. I guessed she couldn’t grasp the idea of such horror. “I think it’ll hit us sooner or later. This all feels too surreal, but being around you helps.”

“As long as I’m me, I can never be considered a hero.”

Exhaling, Marissa placed her two hands on my shoulders. I could tell she wanted me to own the title, or maybe she was hinting that I needed to do that for everyone else, at least for now.

“Jerome, we’re friends. We’ve got each other’s back. That’s all that really matters.”

Perhaps Marissa’s right, but probably not. Because of her and a few others, despite the color of my skin, I didn’t go to jail. I thanked Marissa once more. And with her, I joined my class.

THE NAMES OF THINGS, by rob mclennan

August 8, 2018

I gave my attention to the pause.Angela Carr, Here in There

I am downsizing, for practical reasons. I gift my belongings before the choice is no longer mine. Ending six months of aggressive treatment, some small strength returns. Moving through boxes and bins and shelves, I name items as I release them into the world. I name you, glass figurines I salvaged from my grandmother’s possessions, as her quiet death ended the decades they sat in her sitting room. I name you, pilfered coffee mugs, each adorned with a different company logo.

That summer we drove through the prairies and out to Vancouver, as yet another mug slipped into my bag at a rest stop. You were not amused.

I name you, dresser: the scratched and scarred second-hand chassis with lime green coat over almond brown over deep red over powdered blue, salvaged from Neighbourhood Services when I was eighteen.

Downsizing, sized. My body erodes. The clothes on my back.

I name you, silver pocketwatch: handed down from my great-grandfather, from his time in Montreal. Now set in the palm of my sister.

Family lore holds that during his first decade away from home, he worked as a conductor for one of the newly-established lines of the Grand Trunk Railway. A decade saved, and spent, before relocating again with the emergence of a wife and three children, back to his eastern Ontario nesting grounds, where he gathered a further fifty-five winters. They say he moved non-stop until he finally did.

I name you, small wooden box, discovered in my mother’s closet. The musty nest of crumbling paper scraps: correspondence, postcards, a pendant. A locket, held in an envelope. Dust. Her maiden aunt’s engagement ring. This is all that remains. She, who died when my mother was young. I name you, Marjorie, aunt of my mother.

Heirlooms: objects for which we are but temporary caretakers, a loom that weaves in and out of the hands of ancestors down, and from mine to my sisters, nieces, nephews. Brother.

I name you, long dark curls, like my mother, back in the day; as her sisters, too, and their mother as well. Curls that hadn’t the seasons to autumn, to silver.

In my youth, I collected; perhaps more than I should have. I saved, and kept everything. Girl Guide badges, nuts and bolts from the driveway, miniature carvings of frogs. I constructed scrapbooks of fauna and flora, a field’s-worth of clover. I gathered my late grandfather’s wartime diaries, secured in a steamer trunk. I collected a single smooth stone from each childhood beach, carefully placed on my bedroom bookshelf as tokens. As tangible memories. From our suburban backfill, a daily memory of a particular Nova Scotian beach at sunset.

A vial of red sand from Prince Edward Island shores, St. Margaret’s Parish, where my mother’s family historically cottaged. A vial of water from the Athabasca Glacier. What had once been what it no longer can.

In our first shared apartment, there was the alchemy of a half-hidden compartment of books in a cupboard, unlocked. Paperbacks, mostly. Mass-market stuff from an earlier decade. I immediately decided they were there precisely for me, and read everything. Susan Dey’s For Girls Only. The Hawkline Monster. A Brief History of Time. I absorbed each one, until there was nothing unread. Upon our eventual move, more than a couple of titles managed to slip in among our possessions.

I name you, library. I name you, history.

I name you, rage. I name you, anger. A cracked wooden bowl. Stage four. The one where nothing left can be done. Meeting with doctors and lawyers and further doctors. I name you, comfort; I name you, recollection. I name you, heartbreak.

In a fever-dream, the moon asks: Why do we melt?

They say to name a thing is to suspend it, freeze it into a singularity. To name is to reduce, some say. To name is to provide weight to something otherwise nebulous, unformed. To name is part of being. Biblical Adam, who spoke, and the animals became what he named; as the Word of God, also. He speaks, and what has spoken is solid.

I name instead to remind myself of each object’s purpose, and to give them air.

To make concrete, self-contained, and release.

I have been contemplating both religion and spirituality lately, but am undecided, as yet.

Soap bubbles, carried away.

I name you, signed first edition of Margaret Atwood’s Cat’s Eye, from a lover whose name I’ve long forgotten. I name you, soft and dear and nameless. I name you, address book that belonged to my mother. I name you, Red Maple leaf, set between the pages of a hardbound, wax paper saved from summer camp. I name you, first kiss by the strawberry bushes. I name you, lakewater silt that spawned from our overturned canoe.

I name you, squeamishness. Layers of blood, burned brown on white linen.

I name you, intimacy. I name you, pigmentation. I name you, jade elephant.

Lorelei believes that people are a construction of memories and experience, and can be pieced together though what they have abandoned. Nigel remains unconvinced. He claims: we are made up of stories. Without stories to accompany, items are stripped of their substance. And yet, once beyond us, they become clean, able to collect anew. Are our possessions allowed lives beyond ours? If no-one knows why I owned a jade elephant or where it originated, will that even matter?

I have a jade elephant, attached to a string. Purchased at an outside market, I think. London? Paris? I suspect I might be losing my rigorous attention to the integrity of each object.

I consider writing your name on a paper scrap, something I can ingest. Something I might keep.

Terminal illness can’t be fixed, it can only be carried. I am putting it down. I release it. From here on, everything lightens. Even my step. Living well, as they say, the finest revenge.

I name you, school portrait of my first love, squirreled deep in the pockets of my leather jacket, circa 1995. I name you, 1980s Polaroid of my father in the kitchen window.

I name you, shadows; cast in the doorframe, the hospital blinds.

I name you, tears of my mother. I name you, legs and arms. I name you, mouth.

I name you, morphine. I name you, breath.

SHAVER by Nikolas Slackman

August 7, 2018

“All of my hair is leaving me.”

But I was the one who’d shaved it all away. To say it left me was a compulsion to attract that rich melancholy self-lovers look for. I knew within mundane choices was the opportunity to feel abandoned.

I’d electric razored the whole thing top-down and looked like a flesh pear. I ran it against the arms, down the back, around the tits. A little cut up shaving the neck, but the cuts from nerve damage jitters don’t count, I’d said. Tweeze the brow, but you always tweeze the brow. I could feel George’s smirk inside the razors hum. What makes you think it grows just for you to shave it?

I waited in the lobby for my haircut. Doctor Gupta said coffee would do my nerve’s no favors, but I took up the receptionist’s offer. I could save the complementary Milano cookie for after the haircut. I drank the coffee in maybe four gulps, despite the heat. You could hear my curls screaming “Don’t cut us off, you motherfucker!” under the sips, if you listened closely.

My hair had been shoulder length since middle school. Before George started cutting my hair and turned me onto garage punk, before my late body hair had sprouted. Before high school, where I’d made some real friends then lost them, made some new friends then lost them, and Mia, who I’d dated and broken up with and dated, broken up with, and was in some inbetween thing with, maybe, when I suddenly heard the sound of my own thoughts. They sounded like buh dee duh dee duh dee duh and my hair sounded like horrible screaming. I remembered when George told me he’d watched his friend OD back in the 80’s. I thought that he was the only punk I’d ever met. I downed another coffee and asked for more, trembling.

George looked ridiculous when he came out from the back. The tight leather pants with chains draped around the thighs were notable. His stupid Noel Gallagher haircut even more so. His former muscle bro haircut was gross but understandable. This was not understandable. Not nearly enough of his shirt buttons were buttoned, and his chest was comically bare. He came up to me and said something like how’s it going man and I was like what’s up man so both questions were left rhetorical.

He sat me in front of his mirror when I noticed my scalp’s violent trembling. It only showed in my eyebrows, but I could feel it where the curls would root and bisect. He offered me the usual trim but I interrupted him with this story about how my friend Jordan told me I have Dad hair. George gave me this “you totally do have Dad hair” look. He started listing all the options I had but his voice drowned under the intensifying screams. I smiled and nodded, pretending they’d stopped until they did. He slapped me on the back and said “I’m glad you’ve come to this realization” while his assistant led me to the sink. I asked for another coffee.

Waiting in front of his mirror, I took some final gulps. George fixed his apron around me.

“So what have you been up to dude?”

I responded buh dee duh dee duh dee duh.

“Your brother, how’s he been doing?”

Same answer. I wished I had eaten that Milano earlier, the coffee made my stomach growl.

“You still with that one girl?”

I smiled and blinked insanely ha ha ha ha ha kind of I’m not sure, where’d you get those pants?

George went off about his budding fashion career. He knew the guy who assisted the woman who would custom tailor pants for Slash, through a mutual friend, apparently. They’d been chatting the last couple months and he was hoping to take her style, but apparently that’s a big no in the fashion world, even though she’s been an off the grid junkie for, like, six years. George said Lars Ulrich and Nikki Sixx miss that old style. Apparently George planned on calling her to ‘borrow’ that style to sell his own brand. George said he’d love to see those designs on Slash again. George said he’d apparently rather be home right now working on his designs than here cutting my hair. I looked up and my head wasn’t my head anymore. It was George’s old head.

I smiled and glanced towards him. I heard his assistant sweeping the death away. There was no more screaming. No more nerves. He put a shitload of product in my hair and that was that.

He shook my hand and looked at me with eyes that said you have no idea what real death looks like.

I stared at him with his head and drank the cheap melancholy fumes in the air. We were abandoned from each other, it tasted like the Milano I ate walking home.

Apparently George’s old head snubbed dreams about girls, about Mia, or whatever. That night, it had a wave of swarming red light sink through its eyes. It penetrated the cornea, it’s sharp breath wrestling my half-baked nerves. I couldn’t tell if my body was rejecting the head or the head my body. It smiled in sleep, savoring the conflict. My body lay still, I’d always shirked confrontation.

Soon, the wave saturated into a reflection of the sclera, all white. The old head opened its eyes. The light had drilled deep, and lingered unaffected. Triangular shadows patterned into a spiral formation, collapsing the tense whiteness into a new dimension. They inverted and warped. Nothing budged. The lost dreams rang through the act. Another few minutes passed before the light had emptied out into a leathery darkness. He’d hijacked everything.

“It isn’t the nerve damage then?” the head asked.

“Not entirely, just somewhat” Doctor Gupta replied.

The tarp beneath the body would crinkle whenever I squirmed, which was often, still adjusting to shaven skin. The pediatrician I’ve been seeing since middle school offered a list of ophthalmologists to consider.

“How long’d it last, do you suppose?”

“Only a few minutes, maybe.”

There was a sticker poster of Spongebob in front of me. His right leg was torn off, and the top of his head stripped away. His gigantic cartoon eyes spilled crudely into the pale wall. He’d been on the walls for the decade I’d known Doctor Gupta, but it seemed unfamiliar now. White noise filled the room, maybe the low hum of air conditioning, the sigh of growth droning above.

Gupta changed the subject. “Eating too many hamburgers, eh?” he joked, squeezing a roll of my torso. I would have done my typical ha ha ha, but George didn’t flinch.

I worried that Mia would be upset about the weight, then George reminded me she was gone. An effect of change, he said. The body dreamed about the end of change. My dying nerves reached for the end of change. George said she’s made you sick and ignored me from then on.

Gupta tussled my hair.

“Handsome boy.”

SPD TOOK MY BLIND DATE AWAY by Braxton Younts

August 3, 2018

Once she told me she was an Iraqi war vet, I was hesitant to meet up with her, but I was lonely and horny, so I invited her to join me at my neighborhood bar after work.

Back then I was more attracted to militant feminists. I liked my women brooding over gender politics, listening to Bikini Kill, tattooing their arms, and dressing in combat boots. You know the one: mohawk haircut, bone through her nose, and an anarchy patch on her black leather jacket. Studs intricately arranged as if bedazzled by a seamstress on meth. Let me see if she can hang. See if she can verbally spar with me and my boys. If she can drink with the best of us.

Directly after clocking out of the kitchen at work, I booked it up hill on Pike Street, but before arriving the watering hole where we were to rendezvous, I stopped off at The Comet for party favors, including but not limited to one gram of shitty-stepped-on coke. Dad may have been a functional alcoholic. Dad may have enjoyed the competition of NASCAR racing and ACC basketball. He may have wondered why I preferred painting and science. But over years of self-realization, I gained a competing edge, winning the battle of egos, when I one upped his substance prowess and graduated to the hard stuff. And the hard stuff wasn't straight whiskey, rather my hard stuff was mainlining heroin and snorting eight-balls of cocaine on the back of toilets in Seattle's dive bars. In dank holes in the wall, I found camaraderie. Guys who didn't care about sports, stocks, jobs, life, or limits. Unlike my role model, Dad, we broached subjects like shortcomings, tattoos, and latent homosexuality. Fears and weaknesses. The unfairness of capitalism and racism. We even allowed each other to cry, sometimes.

When my date finally joined William and I at the bar, we had been there for a couple hours prior. You know, warming up. The more I drank the more loquacious and affectionate–the more human–I became, so theoretically it behooved me when trying to impress a potential lover to get a jump on the liquid buffet. A few bumps of shitty coke with William. A few beers, and I was worth being around.

"Don't talk to that guy. He's not friendly until he's had at least three beers," said Brad. "He's a sensitive writer." Brad said with a suggestive, presumptuous, indicative lisp.

"Fuck off,” I said. “Had at least seven since work."

My date and I had only seen pictures of each other via email. When she walked in, I didn’t readily recognize her. A cotton candy-colored, asymmetrical bob with Chelsea fringe and a fatigue jacket was what I noticed. Warning signs in my flight manual. Yet she took to me like a duck to water, running her fingers through my greasy locks without invitation. I introduced her to William, and she said she could tell by our boyish giggling he and I had been sitting a spell and to pay her no never mind. By her calculations, she simply needed to slam a few tequilas, and we’d all be on the same level. Over her shoulder, I spied bulging set of blue eyes and plum-colored mug observing the entire mess. With Bukowski breath, Tim was not only a playwright, but also an actor and director. A literary movement was in the making. More than one of us artists would make it. I was positive.

After a few more rounds and very little equalization, a naked man waltzed into the room, past the row of bar stools, past the jukebox, past the big gay Indian who always became more affection toward me with each beer. At first no one batted an eye, for it was Friday evening in Capitol Hill, Seattle’s most odd neighborhood. Mr. Birthday Suit began pestering the bartender for drinks and said-bartender refused him service. All the while, beers were imbibed, and people made merry.

"How do I know I'm not gay?" said Turpin. Shaking my head, unsure I wanted his answer, I waited in kinetic anticipation.

"When I was locked up in NOLA, I let a guy fuck me in the ass. And didn't like it," Turpin said, laughing. William and I laughed, nearly spewing beer out our nostrils.

William was a barstool philosopher, an addict and an artist. Turpin was a cook, a junkie, and a tattooist. I was a writer, a cook, and a drunk. Were drunks attracted to the arts? Or did the arts attract drunks? Or did crushing self-doubt attract us to substance abuse? Who knew? Who cared? Not us.

True alcoholics we were. Nights when booze and coke absconded all our money Turpin and I, on occasion, popped in at The Man Ray or Sea Wolf to wrangle drinks from men. We cozied up to flamboyant, intoxicated patrons, gave a sly smile, and made small talk. Attention starved, these guys bought us beer after beer. If it worked for women, then shouldn't it for us. And, brimmed of what we craved, Turpin and I parted ways and staggered to our respective beds.

How we arrived at this level of chaos was vague. The bar atmosphere here was jovial and thus conducive to heavy-handed pours and over-consumption. Feeding the jukebox quarters, the bartender, Bayonne Bob, was playing quintessential AC/DC: "Highway to Hell," "She Shook Me," and "Have a Drink on Me."

At some point, not long after aforementioned Mr. Birthday Suit’s entrance, Bayonne Bob, nonchalantly locked the front door, trapping Birthday Suit. When someone phoned the authorities, my date decided to become a liberator. She took up the cause of freeing the imprisoned naked man. Like so many innocent Iraqi civilians, Mr. Birthday Suit needed liberation from a dictatorial bar staff.

About then two Seattle Police Department pigs rolled up, and my date was in a full-on donnybrook with bartenders and customers who were attempting to corral Mr. Birthday Suit. As the police entered the establishment, they inadvertently released the naked man while scraping with my date. She thrashed around and cussed at the cops. To no avail, implored them to release her war-torn ass. After a quick word with the bartender to ensure all was good in the business of intoxication, the pigs cuffed and stuffed my date into the back of a police cruiser.

A time later, after the we stopped giggling and gasping for air, William and I slammed one last beer, paid our tabs, and staggered out into the dank air to say our goodbyes. And as I was walking away, I heard my name, disembodied, from the interior of a parked cop car, “Braxton, can I call you?”

TRIAL by Zarah Butcher-McGunnigle

July 31, 2018

The mystery shopper is ambitious, athletic, with a big dick. It looks good on you. I’ve been here for a while. I ask him what his Myers-Briggs type is and he says he is an INFP. What, INFP, but I’m an INFP. You don’t seem like an INFP, I don’t know if you are actually one. I am, he says, that’s what I got when I did the test. Ok, I say, I’m going to the test right now and pretend I’m you while I’m doing it.

I walk the perimeter of the mall. I really want to buy something but I can’t find anything to buy. Then I can’t find my way out of the mall. I get lost three times. As I am getting lost someone I know messages me to say they just matched with my ex-boyfriend on an online dating site. I am late to my job trial. The job trial is in a suburban but industrial part of town. I have to put pasta sauce into 50 plastic bags with a very large ladle and I’m not supposed to get any sauce on the sides of the bags. I am very slow and I keep checking the weight of the bag and trying to scoop up excess sauce back out of the bag with the large ladle which keeps touching the sides of the bag. I’m not a practical person. Two people are watching me and the warehouse we are in has high ceilings and no windows. One of the women watching me says, Are you just out of school? I say, No, I’m 26. She asks me what I studied at university and I say creative writing and she says Oh, well, that’s not going to lead to a job is it. She criticizes the way I am placing spinach on rice. She pulls me aside. We’re not really sure what you’re looking for, she says.

I take a taxi to the mystery shopper’s house. Did you get paid for the trial, he says, and I say no. We lie on the bed. I say my hand is too sore to give him a handjob right now sorry because of the arthritis in my hand. He says, You don’t look sick, you seem too young to be sick. I want him to be my boyfriend but he doesn’t want to commit. The mystery shopper says, Maybe you should be a teacher I think you’d be good as a teacher and additionally, you already dress like a teacher. I say I already thought about that. I applied for teacher college and a few weeks after my interview, the interviewer called me to her office and asked me what my plans were for the upcoming year. I said, Well, the teaching course?? I hope? She told me I was academically strong. But that I seemed too fragile and submissive to be a teacher. Are you sure you want to a be a teacher, she said, Why don’t we brainstorm some other possible options for you for this year?

BANGKOK by Isabella Esser-Munera

July 26, 2018

He begins to paint.

Frescos. No. But layers. Layers.

There are faces. Clouds. He paints feverishly. Time is obsolete. His hand is limitless; it isn’t his. His body; not his. He makes love to himself in paint.

It is July 4th and he takes the four pieces that are left from the box in his drawer. He eats them quickly and quickly lays down on his bed.

It is a mat, long and thin.

The room is bare and feels like it is opening. Like a box, as though the walls were slowly falling away by a pulled string. The color white, but something softer than that.

The man is not old. His arms are thin and at his sides. They fold over his chest. He is waiting for something.

Then he gets up, rapidly, like he knows. This is when he begins to paint.

It happens like this:

He left the room, saw two people. More accurately: two people saw him. Face bent, angled, Asian. Sharp hair, sharp features, light cutting across his shoulder. A staircase shadow, sinking down the steps. Cloaked, eclipsed. Harrowed. Gone. He was quick, he did not see them.

It is difficult not to pause, outside the door.

He pauses outside the door.

He is breathing.

What he is breathing: smoke, gasoline, food, other things. More importantly: the building, and their inhabitants. There is color. Flesh.

He walks.

Swiftly, anonymous. Like everyone else. It is fascinating. He thinks this to himself: fascinating. Escape: into, onto—others. There is color, there is flesh.

He hears it: gently, twinkling like a lullaby. Not the cart, the infinite piles of avocados. Not the man, woman, child. A pruned face giving way to a smooth one. Not the multitude of flashing eyes: lecherous, tired, pleading, bored. The twinkling, silver drums.

He sees them: ten thousand silver, pure, thin-sheet-silver metal drums. Tiny porcelain dolls, robots, playing on the drums. A long line like dominos. They are drumming their nails.

There. A window like a fish tank. It is glowing. He feels it, there, in his chest. His ribs are plastic. They are bowing out. He feels bigger. His heart overflowing. He walks into the store.

Things are slow and up close.

Or maybe no.

In the store there is color.

No flesh.

Color. Brilliant, saturated, blossoming.

He feels it in waves of texture. He breathes, dizzy. So much. The paint lined against the walls like dominos.

A small windmill outside the door spins, is singing.

It sounds like an angel.

He wants the color. He swallows it, standing there. It is not enough. He wants more. His ribs are plastic. Burst into arms. Reach out. His heart is bigger. Overflowing. Dribbling to the floor. Drooling.

He wants the color like a lover. Like water. It is not enough, standing there.

He steals the paint.

All of it.

There are no cameras. He fills his pockets, his pants, his hoodie. Mechanical. He is a robot.

He leaves the store.

He does not stop outside the door.

The flesh surrounds him. A wall.

Get through.

He moves. The flesh surrounds him, parts.

He is swelling. He is peeing. He is fine.

Back in his room.

His room is a box. He never noticed before.

Sweating, sweating. Sweaty. He peels off the navy hoodie with his thin, pale arms; the white, wet shirt. So much white. Sticky. Sweat on his forehead, clinging black hair. He lets out a moan. Unintentional. Glass is falling to the floor. Nothing breaks. There are no cameras. He breaks.

There is color.

White.

He is in a city that does not celebrate July 4th.

He begins to paint.

He does not have a brush. He does not find it until later.

He uses his ribs. His thin arms. His tongue. His penis. He lets out a groan. Unintentional. He is masturbating, he is naked.

Writhing.

There is color, there is flesh, he moans.

He holds up his hands.

They shake. Some asshole called them feminine once. Against the light they are snowflakes. His face is wet. So is his body, so. He looks at them, slender, plastic bones. He wants to bite them. He doesn’t. He looks. Snowflakes.

His cheeks are high and spread across his face like dove’s wings. Dovetailing down: his sharp chin. Like his mother. The blinking eyes which close, curtain. The hair, flattened back in odd angles.

His mother with her face over the bowl of soup.

As if it were a round pocket mirror, propped up, the reflections doubled, split down the spine like a horizon line, one face on the table, one face floating above it. A stillness in the morning, with the feeble light filtering through.

It caught her eyes, set them glowing. The house filled with stillness, cold light.

Her skin was pale and as thin as moth’s wings. Raising her eyes, over the bowl, over breakfast, she was all light, he said nothing. And at the seam where her faces met, the clasp, her chin an arrow pointing in—a necklace dangled, the one his father gave her.

His father is in the United States of America, Long Beach Island now. He could be his younger brother instead of his son, if. His elder sister, glamorously sprawled on the couch with a magazine, smirking, “When you get there, what’re you going to do? Make art? Fuck men? Huh? Fuck men and get high? Go, faggot. Go like your fucking dad.” Her legs scissoring over the couch, cupping a cushion like two fingers the plush meat of a cigarrete. I can’t, fuck, those. Kinds of hips, white as the sky.

The downturned navy hoodie, she would remember, flattened down in the middle like his nose, his sister thought, as he left. As he left he lifted it over his head with pale, thin fingers. Like a cloak, a curtain, closing, edging down, and with a hiss, sweeping the cloth over the floor.

His eyes are closed.

Making love to himself in the paint.

There are cameras. They are like mirrors. They are like eyes. His room is a box, he is sure. He is sure there are cameras. He is on a stage, there are floodlights, the opening magician’s act, he will saw himself apart, his bones will oblige.

He paints with his body, the white white room.

Finds a toothbrush.

He is going to paint a fresco.

No. But there are faces. Clouds.

He is determined, so he paints. He paints frantically. He is in a city that does not celebrate Independence. Independence Day. There is color. He makes, bleeds, cries color. There is no flesh. He paints. He will find a lover. He will come home. He will not come home. He will not find a lover. He might be crying. There is color.

CRAWL ON ME by Shane Kowalski

July 25, 2018

A lot of times, after having disgusting sex at her slow nephew’s cabin, we’d just get very sick of each other and begin volleying hurt back and forth.

Don’t call my nephew slow, she’d say.

I have a cousin who’s slow, I’d say. It’s okay.

My nephew’s not slow though, she’d say.

Have you met him? I’d say.

She’d put her silver hair up, spit in my shoe. I’d tell her not to do that. Oh what are you going to do, she’d say. And I wouldn’t do anything.

Why am I thinking of this now?

…I think it’s because I was feeling very bored yesterday: a deep, gnawing kind of boredom that begins to change the community of blood inside me. So bored I was, in fact, that I had raced in my car away from my big house to the nearest grocery store. I thought it was going to be like the old days. I’d pick up an older lady in the bakery section, whisk her away, pack of donuts hitting the floor, and let her do disgusting things to me, and vice versa. She’d have a slow nephew, too, and we’d go to her slow nephew’s cabin and not have children that looked like us.

Nothing happened though. The grocery store was practically empty. A couple construction workers waited for meat at the deli. A little boy in tiny crutches, with his average-looking mom, was walking down an aisle. Not one older vixen! Outside, an ugly as hell employee on his smoke break asked me if I wanted to get high. I hated his stupid fucking dumb as shit red hair. I told him that, too. I was looking for something to happen. He punched me in the face—he was strong!

I stayed down on the ground for a little bit: desperately hoping somebody—anybody—might crawl on me and do sexual things to me while I lay there. Soon though the manager of the grocery store came out and said get. Just kick me a little, I said. Go, he said. Just spit on me and give me one kick! I pleaded. Get, freak, he said, or I’m calling the cops. I got up, unsatisfied, and left.

On my way home—after wondering if I might be the exotic topic of dinner conversation later in the grocery store manager’s home; his wife and children all going to bed with steamy, misty thoughts of me in their boring heads—I ended up with only my memories of when getting hurt was fun. I was older now, too. I was naïve to think there’d always be a person willing to hurt and be hurt as much I myself. Then I started to laugh! Ha ha ha! I was in a BMW, unlucky as fuck, lights all turning on around me in the evening, not caring at all that I had somehow let myself—finally, after so many years—become myself.

BEACHY COVE BEACH by Sofia Banzhaf

July 22, 2018

My father looks up the wet steps illuminated by the beaming headlights at the top of our driveway. He opens the door for me.Thanks, I say.But what I’m really saying is: thanks for not asking about who is picking me up.Thanks, in fact, for never asking me anything.Thanks.The car door is heavy because it’s a truck. I imagine myself as a tiny monkey, swinging the door open and hanging on the handle, feet off the ground. I close the door with a slam.Hi, I say.How was your evening, he says, deviating from his usual mumble, he enunciates every word. I feel flattered.He pulls out of the driveway.It is raining and it is night.I don’t know where to put my bag because the floor is caked with dirt and the bag was expensive.Do you want to go buy some coffees, he says. I’m sorry, he says.There is never anything to do here.Newfoundland.We buy coffees.I linger in the Starbucks parking lot and he gets back in his truck. I look at the sky.Are you coming, he calls.I’m coming, I say quietly, but I’m saying it to the stars.We drive around.We drive to where he works. It is a warehouse of some kind. I don’t ask what he does at the warehouse. I’ve known him for too long, it would feel strange to ask him. On our way to the warehouse, we pass by a car parked in the middle of the street. It seems reckless to park a car in the middle of the street. A girl is sitting in the back. The inside car light is shining on her like a spotlight. She is wearing leggings that have a picture of a purple galaxy printed on them, and she is hugging her knees.When we round the bend we see a boy zipping up his pants. He is walking back to the car with the girl in it.We park and he rolls a joint in silence. The silence is okay.He starts the engine again.Did we just come here to roll, I say.I don’t want to smoke here, he says.I feel confused and also thrilled.As we leave the parking lot we pass by the couple in the car. The light is still on. The girl who was hugging her knees now seems aggravated. They are both wildly searching for something in the car. I can hear her yelling, but I can’t make out the words.Trying to find their last crack rock, he says.It seems like a fact. We were just driving to his warehouse to roll a joint in the suburbs of St. John’s, and now there is a teen couple in the middle of the street, in the middle of the night, looking for their last crack rock.

We drive around smoking. I make an effort not to get too high.I drink the milky coffee with vanilla syrup and ice cubes melting.We drive to a beach. We park so we can see the ocean from the car. I feel incredible. I feel that this is a perfect night. I feel high.Man, I feel like I’ve been a shell these past 6 years, he says.Yeah, I say. Why.I don’t know man, he says.Were you isolated, I say.Yeah, he says.It’s a good thing you broke up, then, I say.Yeah, he says.He removes the arm rest between us.I didn’t know you could do that, I say.Have you never been in a pick-up truck, he says.There is a lot of space between us.Do you want to go down to the water, I say.We walk to the rocky beach. It’s drizzling. We can see a ship on the water. It has little lights on it. I wish I was on the ship.I wish I was on the ship, I say.He is looking at the ship.I don’t, he says.I touch his wrist even though it’s far away from me. I made an effort to reach his wrist. I touch it gently and let go again.But he keeps looking at the ship.This is harder than I thought it would be.What do you think they’re doing in there right now, I say. Playing cards.Probably, he says.Playing cards and eating mashed potatoes and drinking whiskey, I suggest.Probably not drinking, he says, unsmiling.Oh, yeah, they can’t, I say. They’re working. That’s good.We walk back to the car. I’m touching his wrist.It is so quiet. Just the ocean.Your hair smells like pineapple, he says.There is a lot of space between us.I look at him, making eye contact for what feels like the first time.I’m trying to dissect my attraction. We have nothing in common. He is good looking, but none of my girlfriends agree. He has a shaved head and dark eyebrows. Since high school, he’s become slightly overweight, which I like.Can you drive me home, I say.He drives me home. He doesn’t protest or suggest anything else, even though it was a test.We park at the top of my parents’ driveway.The headlights are shining down to the house.The stairs are wet.Can you at least kiss me, he says.You kiss me, I say.He leans over and kisses me. He tastes like coffee.Fuck, he says.We keep kissing.I don’t mind it.Can we go somewhere, he says.I didn’t think you wanted to, I say.Suddenly, I’m annoyed.You are sexy, he says.I am fantasizing about never seeing him again.Come on, he says. We can do it quickly.I laugh. I try to communicate everything in the laugh.I slam the car door shut. It’s a heavy door, you need to slam it.I walk down the wet steps. I walk around the kitchen quietly so I don’t wake my parents.I microwave some noodles.