THE MAN SITTING ON MY COUCH HAS OBTAINED HIS ALLIGATOR HARVEST PERMIT
Yes, it’s true! We haven’t fucked yet but soon you’ll be crouched in the greased dark of a velvet panhandle midnight, your rifle pointed squarely in the center of an alligator’s long flat head, between the ridges of its eyes. The animal’s body looks like a topographic map, bone-hard hills and valleys laid over with skin too tough for bullets at anything but close range. “Alligators are really hard to kill,” you say, and I want to give the curve of your ear one long lick as you turn your face from mine. We might need this to stay metaphorical. Someone could get hurt. But look at your baby face. There’s something else there, soft, like a creamy reptilian underbelly, sweetly speckled. It’s alligators all the way down, isn’t it? So, it’s too easy but I’ll say it anyway—this is an old story, the oldest, and maybe I’ve run out of ways to describe it with something lighter than brute force: Pull out my insides, stuff me, hang me up on your wall. I’ll be your prize carcass.
MY FIRST PAINTING!
I seduced you the first time with an erotic cartoon of Fred Flintstone and I’m not ready to stop. An Epstein documentary played soft and low on the TV, and I used red crayon on an envelope from the hospital. Fred’s penis was deformed because I’m not a very good artist. You didn’t mind. Here, now, acrylics have been splashed, washed out with water, the blue of the sky and the sea erratic and changing as I ran out of paint on my brush. I say this is you and me and you look hard and say, “I see it! I see us!” And you do. Two tiny flecks of paint, dark spots in the vast, uneven ocean. What you can’t see is us touching each other under the water in the painting, like we did in real life. A storm was coming in from the east that day, fat slate clouds on a mission, steady and sure.
CHANCEL LAMP
We are on Floor Bed, which is all of the pillows on the couch dragged to the floor so we can really stretch out, roll around, get lazy for hours. On Floor Bed, we do everything—we make each other laugh there, we fuck there, we wipe taco innards from each other’s lips there. “Thank you for letting me be myself,” you say. No one has ever said a sentence like that to me in my life–trimeter, lilting—is it dactylic, even, in gratitude? I think about the light at church that couldn’t go out and how I am in love with you and I don’t need to tell you. I’m lit up whether anyone can see it or not.
OKAY, BUT—BUT,
I do tell you I love you. You say it back. Nothing like this has ever happened to me. I’m way too old for this! It’s always been: what else do you call having a lot of sex and struggling with the ugly little tumor your personalities make together and going out to dinner most nights? But I didn’t know the tenderness I could feel like a toothache when I watch you do ordinary things, like imperfectly wrap the perfect, longed-for gift or run your fingers through your hair as you introduce your mother or crouch down in the weeds and spray something illegal to fry the roaches, thick as thumbs, that pool at the stone base of my apartment—and how long are we happy? By which I mean: how long are we walking through the pines with sunlight on our shoulders, how long are we frying potatoes in olive oil and rosemary and putting on mud masks from the same tub before bed, how long are we knotted together at the knees and reading books in that little apartment, Spanish Moss blowing greenly and slick against the window?
NOT LONG ENOUGH
We sit crying on a park bench. A woman stops in front of us. She has short white hair and complex lines of embroidery run around the collar of her electric blue tunic. A cross, starkly bodiless, hangs heavy and wooden between her breasts. She tells us to open our hands. Dumb and obedient in our suffering, we do, and she throws her fist back, then pitches it forward, over and over. “I’m throwing blessings,” she says. My heart is yelping like a kicked dog!
HOW IS THE PIECE OF MY HEART?
Is she in your pocket, is she in your wallet, do you leave her on a shelf when you go out? Do you forget about her? Do you bury her out back under the magnolia tree? When you open the fridge and she’s back again, drinking your Topo Chico, are you mad? Do you throw her in the trash with the matching mugs you bought us? When you can’t get rid of her, do you take her out to breakfast? Do you put little black sunglasses and a little black beanie on her because it’s sunny but cold? Do you hold her hand and watch the wood storks crowd at the lakeshore? Do you blow raspberries above her belly button? Do you nap together? When she has bad dreams do you put her head in your lap? Do you cry for the first time in years, curled against her, while she rubs your back? Do you pick her up and put her on the counter and kiss her? Do you tell her you’re afraid and you don’t know what you’re doing? Does she know that the future is a black hole and it will swallow you? When you reach for your gun in the night, do you point it at her? Do you tell her you’re leaving—to New York, to West Africa, to Ukraine? When you fuck other women do you crush her beneath your bodies because she won’t shut the fuck up? And do you think you’ll ever give her back?
MEAT/HEAD
A hemiplegic migraine lays me down in the early hours of the afternoon, insistent and urgent as you once were. Close the blinds. I want to see you naked. You always spoke like the desire almost hurt and there is hurt in me now and numbness spreads through the fingers of my left hand making them useless, one by one. At the very end of us you slept on the bed against the window and bullets of rain grayed the palms through the glass. You breathed steady and I made tea and read. If I try to read now the oil slick of pain above my eye will become a house fire. When it was time to go to the party, I woke you and you started, your body coiled and dewy with hangover sweat. And now the numbness reaches my wrist, and no frantic shaking brings the feeling back. I understood you then and I understand you now—the way that history acted on us, the shock of a fist to the gut—and anyway you are elsewhere and transformed, all meat. But there were days when the sun came in through the blinds and made us golden, when we made love after the protest, when we thought we might change the world because we were changing each other. So what if now I’m alone and half of me can’t feel a thing and the other half is delirious, effulgent, with pain? I can blind myself with a pillow, raise my hands, throw the sheet off and expose a breast. I can say the price is fair.
AND LIKE GOD, I’LL FORGIVE YOU TOO
I go for walks. A man with a red beard makes me laugh and takes me on bike rides through the forest. We weave down the trail, now in shadow, now in light. The sun sets on the long drive to the airport and I marvel at the stretch of wildflowers—yellow, blue, purple—carpeting the median strip. I say little prayers at night and two gifts you’ve never seen—a hanging wooden heron and a voluptuous philodendron—watch over me in my bed, the bed that you’re not in. Red snapper blackens in a pan and the sound of a distant saxophone, played poorly, haltingly, drifts into my kitchen. I read. I write. I work. I make plans. I get things I’ve always wanted. And maybe I’ve seen you for the very last time, your back in a black cotton t-shirt moving farther and farther away into the haze of a wet north Florida winter until you could have been anyone. Or maybe one day when the azaleas again blaze hot pink outside my front door, you’ll knock. And like God I’ll say: Come on in, prodigal, lover boy, mercenary, imp. Sit down. What a long road you took. Let me take off your boots. You talk. I’ll listen.