Hard Rock Hare clamped headphones over his ears and hopped around in front of the stereo. He liked The Clash and Black Flag, but today he listened to Johnny Cash. He thought Cash was good too, if not a little somber.
Stoner Hare reclined on the couch and smoked a joint, first watching his roommate’s pogo, then becoming distracted by the involuntary twitching of his own nose. He focused on it, his eyes crossing a bit, and tried to still it with his mind.
The Tortoise barged in, as much as a tortoise can barge. He said, What’s going on in here? I can’t concentrate with all the banging.
The hares rushed him, laughing, and bounced back and forth over his shell.
Cut the crap, the Tortoise said. I was trying to meditate. Now I’m going to chomp some lettuce. Maybe you’d like some, too?
Stoner Hare would have eaten a couch leg had he been offered one. Hard Rock Hare never turned down food. He’d toured extensively in a multi-species grindcore band and learned to eat whenever the eating was good. They joined the Tortoise around the lettuce bowl until they grew sluggish and full, eventually tilting onto the floor.
Do you think there’s life on other planets? Stoner Hare said gazing at the popcorn ceiling above them, its moon-like divots and bumps.
Most definitely, said Hard Rock Hare. They’re here already, running biological experiments. How else do you explain ferrets?
(His drummer had been a ferret.)
The Tortoise thought to defend ferrets but instead said, Let’s focus on our breath.
The hares breathed themselves into a soundless slumber, the headphones bellowed I'm stuck in Folsom prison, and the Tortoise, his mind now alight with thoughts of alien life, tapped a foot to the beat
I live with my best friend in a mansion. My room is a small box. Sometimes we go swimming in the mornings, other times only I do, in white underwear that's small and classic and only gets caught up sometimes on the insides of my thighs. It's purple outside when we finish swimming, and I use my grey towel to dry up so I can have wheat thins inside. We close all the windows and watch tv on my best friend's tv set while we sit on hard wood benches. Then we go to sleep before the Sun comes, in a big bed, and I'm always on the outside, looking at the wall. My best friend gets close with her whole body and no sheets. She wraps her arms around me and whispers I'm her little spoon as I go to sleep. I pretend the walls are glass, and I can see the people outside with strollers pass our mansion's grass while they go for walks, jogs, in sweats or jogging pants and with their hair tied up in pony tails. When I fall asleep I dream of my best friend's hands wrapped around me, tight because she wants to show me that she's there. She is always holding so tight that I am almost red from it.
We have to keep close in this big, empty house where we live alone. It's so easy to forget everything and wander into a dark corner. I wake up almost every day to knocking above us, like there are people walking on another floor. “There are 89 rooms and 5 stories in this house,” my best friend says, “And there is never any knocking.”
I told him not to call anymore so he started sending me postcards. I had my lawyer tell his lawyer onay on the postcards or any mail. Then the texts started. This time we went to court and the judge gave him a restraining order and we left figuring that was that and no more and good riddance to bad rubbish but the planes started flying low and slow pulling messages—I Love U— I Miss U, etc.
So it was back to court and the judge threatened him good and added planes to the list and threw in drones for good measure. Hot air balloons. We can’t think of everything so I hear what would have been our song blasting. At Last by Etta James over and over and over and I stood on my deck holding my cell phone up so he waved goodbye only to show up in the balloon the next day when I was sunbathing in the yard and no music but he started dropping leaflets until my yard was covered and yes they all said the same thing—Marry Me—I love you.
So the next day back in court and the judge takes a shotgun out from under his desk and hands it to me. He tells me I can shoot the balloon down. So the balloon is out of the picture and he’s gone to ground and I ask around if anyone has seen my Maid of Honor and the looks and coughs and subject changes come out and one day I get a wedding invitation to their wedding and no I’m not going and no I’m not pissed at Sally but I’m not going because I’m afraid these two have cooked up a surprise wedding for me and I don’t want to have to use that shotgun.
"Sit down and take a load off," said Jack.
"We've been working like the queen's bees."
"Yeah," said Tommy.
He was tired.
"Which one did you go out on today, Tommy? I thought I saw that #4 sagging a little."
Jack wasn't joking.
Tommy was real fat.
He was tired, too.
"No," said Tommy. "I stayed on shore and flirted with that cute little Amy. The one with only one eye. Besides that, she's real cute."
"Are you shitting me?"
"Nope," said Tommy.
They drank warm beer out of brown bottles.
Jack couldn't believe this Tommy.
"Hitting on the ladies, huh?" said Jack.
"You know, I'd watch out for that one-eyed . . . "
But that was as far as Tommy would let Jack go.
He let Jack have it with some real dialogue.
"Now, hold on there, Jack," said Tommy.
"Just watch your mouth about the one-eyed women.
Amy seems okay."
"Okay?" said Jack.
"Have you lost your marbles? Or did this one-eyed Amy eat ‘em already?"
Jack was a mean-spirited man.
He had watched Amy switch around in the office at the building beside the water many times himself.
He had wondered what it would be like to be with a one-eyed woman.
Tommy said, "Yeah. She ate them."
"What?"
"She ate them."
"What?"
"She ate them."
Jack emptied his brown bottle of beer.
He looked at Tommy.
He squinted at Tommy with one eye closed.
And he knew that they weren't there anymore.
Poor guy, he thought.
No marbles.
Jack stood up to get another warm bottle of beer.
Tommy said,
“We both got something missing now."
My sister ran away when she was fifteen. She disagreed with my parents about something – she’d been a bad girl most likely, I don’t know, I was too young to be included. We’d never really got along. I was happy, it was quiet without her. No bitching or barking in the middle of the night. Always taking the best bits and leaving me with the scraps.
We didn’t hear from her for weeks. She’d been sleeping in friend’s rooms, once in a neighbour’s garage. She was fed and cared for from place to place, until her friend’s parents found they didn’t want a stray around.
We found her one night out the back of the liquor store, standing in the floodlights. We’d been searching for a long time, catching glimpses of a mirage of her brunette ponytail walking with some friends.
Then suddenly, there she was. Her hair was tangled and droopy and her oversized hoody made her frame look small as it hung over her jeans. She’d been sleeping among the pallets behind the skip in the carpark.
She emerged, hackles raised, poised for attack or escape. We moved slowly and calmly, finding a blanket to herd her towards the car. When you got up close you could see the swollen belly beneath the thick fabric.
She came, tail between her legs, sighing with her head submissively leaning against the car seat. It was that or impoundment. For months, we could hear her whimpering into the night.
I make up symptoms to get unnecessary hospital treatment.
Because I'm a writer.
I don't bathe for years and scratch smiley faces in the dirt on my body. I photograph the faces and send them to random strangers through the post.
Because I'm a writer.
I drink booze until my soul intrudes on the secret meetings between God and Satan.
Because I'm a writer.
When my dog died I had sex with it.
Because I'm a writer.
I hang out with tramps who I only speak mock Chinese to.
Because I'm a writer.
I traveled forty miles west and tried to kill a man with a pencil.
Because I'm a writer.
I dress up as a woman and offer sex to men. When we get into an alley I take a dump in front of them and run off screaming "RAPE!"
Because I'm a writer.
I once babysat two kids and I injected heroin in front of them and just laughed.
Because I'm a writer.
I didn't touch those kids though.
Because I'm not a very good writer.
You be my Christmas, Snowy. Keep me company this holiday season, that’s all.
No Forevers for me, now.
Forever lasted only four years and 17 days and left me with this I-am-sorry-note on a neon post-it stuck under the coffee machine, this black-and-white check scarf hung between my coats, and a weight pulling me down like dumbbells attached to my body parts.I’d seen that little minx and the sorcery in her mascaraed caramel eyes ─ the liquid ones made to steal ─ as they bore into his. She’d smiled at me wicked as she sized up my full body.
But, she was not the first to have caught his gaze.Soon, my dinners ran cold and I slept, head on the table, waiting. Foreign smells danced in the closet. The succulents on the kitchen windowsill started to wilt.I worried, but not much. Forever had enough sinew and tendon to survive her. But, I was wrong: she was a force and Forever was still a child with brittle bones.
Now, I keep the sorry-note in my size-40D bra, a weighty lesson: never again.
You, Snowy, just be outside my window till New Year’s. That’s all. Watch me undress and dress and brush my long hair and paint my lips. I’ll gouge your eyes out if they stray.
I’ll wrap the check scarf around your neck, and let me take a picture of us to send to the happy folks who keep flooding my mailbox with their arms-around-each-other holiday cards.
One by one they sat for their portraits. Littlest ones first. They stopped at the door and undid their braids. They rubbed their hair with vinegar and pinched their cheeks. The oldest ones were fearsome, they didn’t know how to listen anymore. One pricked her finger and spread the blood on her lips. They rolled up their ribbons and stuck them in their shoes. They spat and brushed their eyebrows. One by one. Littlest ones first, these ones still had hope.
The photographer had one grey eye and one black. He would close an eye to look at them, and then the other. The grey eye was polite and dim. The black one was the one they liked best, because it seemed to tell the truth. Then he hid underneath the cape of the machine. The headmistress thought it looked too much like he was putting his head under a skirt.
The stool was perilously high and had a cushion embroidered in Latin. The littlest ones sat squarely. The oldest ones parted their knees a finger’s width. The headmistress slapped those shut.
“We’re looking for parents, not husbands.”
The photographer took his time. Every now and then he emerged and observed them for a while with both his mismatched eyes. The littlest ones laughed at that. The oldest ones sometimes teared up, sometimes clutched at their chests as if recalling something urgent.
flash
“What are you making?”
“A catalogue of temporary objects.”
flash
“What is an object?”
“What my black eye can see.”
flash
“What is temporary?”
“What my grey eye can’t see.”
flash
“Am I an object?”
flash
“Am I temporary?”
One by one they sat. One by one they stepped off the stool, blinded by the light.
Spainhammer's gone, of course. Flattop blond muscleman Viking male stripper and street hustler who wrote for Curtains' ReSurface, grumbling about not getting paid, and mad at Crazy House Press publisher Enoch Poorboy (whom he threatened with a syringe of his own AIDS blood ) - that was the event of Floyd Lice's "ironic" Hitlerian performance rant at the Bijou, where my Japanese friend Tony Amida ran into the famous Satanist's daughter "who was surprised they let Asians in.") I liked Mick Spainhammer and sat on Tony's back porch 1988, both of us smoking cigarettes, as he discussed the "art nazis" framed within the kitchen door at the party which included Floyd Lice in usual arrogance, holding the hand of a razor-thin Aryan punkette in a dress with a lowcut back that showed her asscrack, that "new cleavage" that still hasn't quite caught on. Mick was still ready for his close-up, Mr. DeMille, with no sign of the ravages to come, not just to him but to our city, our day jobs, our planet.The most amazing story about Mick Spainhammer was told to me by Tony 25 years later, reminiscing about this old San Francisco that was evaporating before our eyes. Spainhammer was fisting a trick and Spainhammer was on acid. The trick farted and a spray of blood went all over Mick's chest. On acid. It definitely took our hustler to another realm - staring into the Abyss, so to speak. Still, he didn't freak out or go on a bummer. That was something you had to respect.