ORCAS, or LIFE & ART & MAGIC & BEAUTY by Aaron Burch

ORCAS, or LIFE & ART & MAGIC & BEAUTY by Aaron Burch

My buddy Pilot comes to visit. Says it’ll do him good to get out of town for a couple days—new scenery, change of pace, leave the normal life problems and complications and stresses behind. But also we’ve been wanting and meaning to hang out for a while. The new scenery and change of pace and leaving behind of life’s problems and complications and stresses are all bonus. Icing on the cake, cherry on top. All that. 

It’s sunny out, blue skies, warm. It is beautiful, in that way that can feel unique and special to the Pacific Northwest.  

We make pizzas. I got Lili a pizza oven a couple Christmases ago, which means I got us a pizza oven a couple Christmases ago; we’ve made pizza once, sometimes twice a week, every week since. Mostly for ourselves, but also when entertaining. When friends come to town and we replace life’s problems and complications and stresses with food and ease and friendship.

Pilot raves about the pizza, and we say we know, because we’ve gotten good at making pizza and we know it. Still. When he raves about it, it makes us proud. We eat and drink and share stories and volley compliments back and forth and round and round.

Making food for your friends. Sharing time with loved ones. Beautiful, warm, sunny, Pacific Northwest blue sky days. Getting good at something. Sharing that thing with others. Friends giving you honest, proud compliments. Friends, in general. Gifts, all. 

Life can be gifts, all the way down, when you let it be.

Lili asks Pilot how his summer has been so far, and he says he’s been writing a lot. Lili knows that, because Pilot’s been sending me new stories as he’s been writing them, and I keep telling her about them, but she nods and tells him that’s great.

I can’t publish any of them cause they’re all about my divorce, Pilot says. But it’s all that’s coming out right now, he says.

I remember that, I say. Meaning, getting divorced. Meaning, it being all I could think or talk about. 

They’re really great, I say. Each is more fun and stupid and inventive than the last, I say. As a compliment to Pilot and also to Lili, though she knows. I’ve said that to her before, too. 

We have a few more beers, and tell some more stories, about writing and divorce, about friendship and food, about life and art. 

***

The next day, we have a lazy morning. In the afternoon, we walk down to the waterfront for happy hour. Oysters and tuna tartar and beef skewers and pineapple shrimp and cocktails. It’s happy hour, so everything is discounted, but we’re on the waterfront and so everything is expensive. We complain about the prices, while ordering more than we can eat and second and third rounds of drinks. We each agree when someone else says how beautiful the day is; we each, when it is our turn, say how wonderful life can be. 

Full and a little tipsy, we walk along the waterfront and Pilot says he really wants to see an orca. 

Do you think we’ll see an orca? he says. How magical would it be if we see an orca? he says. I guess it isn’t really orca season, is it? he says. I kinda feel like it would solve all my problems and complications and stresses and be magical if we get to see an orca, he says. 

I can’t remember if I’ve ever seen an orca here along this waterfront. It feels both like I have and haven’t. It feels both impossible and likely. 

I tell Pilot we’ve seen a few seals swimming around in the water and that always feels special. He asks if there’s sea lions here too, and I say I think there are but I can’t remember for sure. 

We don’t see an orca.

We don’t see any seals or sea lions either. It’s ok. 

We go out for tiki drinks, and we share more stories and we re-share the same stories we’ve already shared and we recap everything from earlier in the day, and the night before. Lili is giggling her drunk giggle and Pilot is glowing like he doesn’t have a care in the world and my face is warm like I probably got a little too much sun.

At our table inside the tiki bar, we’re on an island, or in a boat, or under water. Maybe all three. We’re pirates and sailors and explorers and mermaids and mermen and sea captains. We order another round. We cheers orcas.

The walk and the day and our lives and the the view of the water and the sun on our faces and the tiki bar and sharing stories and sharing meals and getting drinks together and escaping our lives for a couple of days and friendship—ours, specifically, but also just friendship, in general— and getting to tourguide a friend around somewhere you love? Gifts. Magic! 

There can be magic anywhere—everywhere—if you know where to look. 

That isn’t really what this story is about though.

***

Revisiting this story months after first writing it, I’m unsure what it really is about. 

I’m unsure if I knew at the time, when I first wrote it, and have since forgotten; or maybe I was always unsure and I wrote that sentence as something of a reminder to figure it out at some point during revisions; or maybe I was unsure, but I was ok with that, and I wrote the sentence just because I liked the sound and feel and idea of it.

I’m leaving it now.

I like the sound and feel and idea of it.

And what it’s really about isn’t really up to me, anyway. That’s for you. To decide, or to decide that it isn’t up to you either and that it doesn’t really matter.

That’s ok, too.

***

The next day Pilot returns home, and Lili and I take the ferry to one of the nearby islands. She’s never been on a ferry before, and I’m reminded how special it can be to experience something with someone for their first time. 

The ferry ride is fun and cool, and the views are beautiful, and it all feels a little like make-believe. And then watching all of that through Lili’s eyes, reflected on her face and in her smile and radiating out from her whole body, makes everything even many-fold times true. 

On the island, we drive along the coast and comment on the tide being so low. We walk through a farmers market; we eat lunch and have a drink; we walk through the downtown like tourists to whom everything is new and discoverable and anything is possible. We drive across the island to a park and we go on a hike through the woods and then we walk along the beach. We see a sign about local sea animals. The sign tells us about the seals and sea lions and porpoises and orcas in these waters. The sign places them on a scale of how frequent they can be seen, from common to occasional to seldom. We drive back across the island and get another drink and another meal. We drive along the coast going the other way and comment on the tide now being so high. Magic! we say. Magic! we both believe, in this moment, even if not in others. 

***

In that previous draft of this story, Pilot was Kevin. Because the stuff in this story that actually happened, happened with my buddy Kevin, when he came to visit.

I’m unsure why the change.

When I first wrote this story, I was in the middle of a burst of writing. Every few days, and sometimes every day, I’d write a new short story, inspired by something Kevin, or our other friend D.T., texted to our groupchat. I’d copy and paste it into a Google doc and use it as a springboard into another 600-1800 word piece of autofiction about us, and writing, and friendship, and telling stories and life and seeing art and magic and beauty everywhere you look. 

D.T. texted that he needed a break from life, and so I wrote a story about a guy quitting his job and driving around the country, visiting friends and meeting strangers, buying a boat and learning how to sail, becoming a follower of different religions and denouncing others, all looking for meaning and for purpose. 

Kevin texted that divorce was like God sawing off parts of your body, and so I wrote a story about God telling a woman to saw off her partner’s limbs, adding in narrative references to the story of God telling Abraham to sacrifice his son, Isaac. God didn’t tell the woman in my story to sacrifice her partner, only to saw off his limbs, and also He didn’t stop her at the last minute like He did with Abraham. 

When I told my girlfriend about that one, I expected her to make fun of me for writing story after story after story after story where Kevin and D.T. keep popping up, but instead she glommed onto the surreal body horror part. Which surprised me, because normally she looked at me like what the fuck are you talking about? when I described one of my more surreal or speculative stories, but also because I’d forgotten that was even what the story was about. I’d gotten so distracted by how Kevin and D.T. keep popping up in them. 

She told me she used to have this idea for a story about someone cutting off their skin so it would grow back healthier and blemish free.

I could write that story! I said, and went and got my laptop and opened up a blank Google doc and started typing. In the story, the narrator cuts off his skin so it will grow back healthier and blemish free. He works from home and orders delivery and never leaves the house, waiting to reenter the world as a whole new version of himself. But his skin never grows back. He doesn’t know what to do. He doesn’t know what to make of this miscalculation. Doesn’t have any idea how to make sense of this world at all, now that he thinks about it. He has an idea. He sits down and writes a story and when he gets stuck, these two characters, his friends, Kevin and D.T., appear out of nowhere in the story and tell him what to do next, or they do something funny, or they say some non sequitur that doesn’t literally tell him what to do next and isn’t technically funny, but it makes him laugh and gives him an idea for how to proceed.

He finishes the story and sends it to the Kevin and D.T. in his story.

I sent the story to the Kevin and D.T. in my actual life.

Is this your whole thing now? D.T. texted.

I like it, Kevin texted. 

I didn’t say I didn’t like it, D.T. texted.

I like it, too, I texted. They’re fun. 

I keep trying to write something fun and stupid and inventive, I texted. But every story just keeps ending up being earnest and nostalgic and open-hearted.

But that’s fun and stupid and inventive, too, Kevin texted. That’s just your version. I wrote the bonkers version and yours is just a little happier and like you had a good day, he texted.

Are they just dumb and repetitive though? I texted.

They feel like iterations, but not really repetitive, Kevin texted.

And so what if they are repetitive, D.T. texted.

The so what and also the word iterations gave me another idea and I wrote a story about a guy writing a story about a guy writing a story about a guy writing a story. I lost track of how many levels or layers of story-within-a-story it was. 

I told my girlfriend about the story, describing the story itself and also my writing it, and how I sent it to Kevin and D.T. and they said it was earnest and nostalgic and open-hearted, and how that surprised me. I told her about how writing is weird, how you’ll have one idea and start writing it, but then it will become something else without you meaning it to, sometimes without you even realizing it, and she looked at me like I was stupid.

She knew all that.

I’d told her some version of that a million times.

I kept writing stories like this. I didn’t know what to do with them; they telt too meta for anyone else to care, but they were so fun and Kevin and D.T. said they were fun and when I told my girlfriend I finished another and described it to her she’d roll her eyes and look at me like you’re so dumb or like what the fuck are you talking about? but also she’d say it sounded fun, and she’d laugh, and it would light up her face and the room and our lives and the world and God would smile down on us and say, Aaron, that one was even more fun and stupid and inventive than your last, and also even more earnest and open-hearted.

And then, time passed, and I revisited these stories. This story. I again feared it was dumb and repetitive, but I also liked the idea of it being in conversation with some others I’d written. So I changed Kevin to Pilot.

Pilot is the name I sometimes use for a best friend character in my stories. The Pilot character is usually a fictionalized version of one of my friends, though not any one of them specifically. It rotates. Sometimes it’s  an amalgamation. It’s never my friend who is a pilot, though. That would feel too on the nose. In the last story I wrote about a character inspired by my friend who is a pilot, his name was Matt. That isn’t his name, though it is the name of another of my friends. My friend Matt has appeared in a couple essays I’ve written, but I don’t think ever a fiction, so I’ve never changed his name to anything. He made an appearance in a piece of fiction by my ex that was kind of about me, and she changed his name to Luke. He jokes about that sometimes. 

But then, I couldn’t help myself, so now there’s all these sections that are still and again about Kevin and D.T.

It is kind of dumb, and repetitive. Or iterative. And I don’t know what it’s “about.” But it feels fun. And just might be the bonkers story I’d been chasing. 

Though maybe even just thinking that means it’s actually the most earnest and nostalgic and open-hearted. It’s the most everything. 

Which is maybe what the story is about. Fun and stupid and inventive, or earnest and nostalgic and open-hearted, every story seemed to be about how, every now and then, if you’re paying attention, if you’re open to it, the whole world can be about anything and everything. 

***

On the ferry ride home from the island, Lili and I go to the top deck and watch the island recede behind us. The sun is starting to set and it’s bouncing off the water and everything is lit up in gold. 

There’s a whale off the right of the ferry, a voice alerts us over a loudspeaker. 

Everyone on the ferry runs to the right side of the boat, hoping to see the orca. 

My girlfriend gets there first. I saw it! she says. I saw the whale!

We’re all staring at the water, staring into the sun bouncing off the water, looking around, looking for a quick glimpse of something to prove that magic is real.

I see something in the water. It submerges, surfaces a little further away, then submerges again. A seal or sea lion, probably; a fin of a porpoise, possibly; an orca, maybe even. 

I keep watching and watching and watching and watching and watching but don’t see anything else. 

I wonder if Lili saw the same thing I did, or something else. I wonder if she saw the orca and I missed it, or if she saw a seal or sea lion but wanted it to be a whale and so believed it was, or if I saw a whale but am too doubtful and so believed it wasn’t. 

The same voice over the loudspeaker now tells us that we are almost to shore and to return to our vehicles. Our trip and our journey and our day is almost over.

But first I close my eyes. I feel the sun on my face and the crisp air on my skin. I’m silent and still and unthinking.

I open my eyes and see an orca, and then another, and another, and another, and another. They’re everywhere. Cresting, submerging, spraying water up through their blowholes, swimming all around us. I watch and I smile and I laugh.

I close my eyes again, and when I open them, the whales are gone. Just like that. We return below deck and get in our car and wait to be told when it is our turn to exit the ferry, back to the mainland, back to our normal lives. 


Aaron Burch is the author of A Kind of In-Between and Year of the Buffalo, among others, and the editor of How to Write a Novel: An Anthology of 20 Craft Essays About Writing, None of Which Ever Mention Writing, and the journals Short Story, Long and HAD. His next book, TACOMA, is forthcoming from Autofocus Books. He's online lots of places, including here: www.aaronburch.net

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