STILL, BIRDS by Nick Gregorio

Joe’s head bursts and fills the office with blue birds. Singing, chirping, flying figure eights around the ceiling fans. The red-faced, foamy-mouthed ranting Bill just popped Joe’s head with should’ve produced something more vicious. Snakes exploding in every direction like those gag cans sold at junk shops in malls. Or badgers, gnashing their teeth, snarling, sinking their teeth into people’s calf muscles. But blue birds flying, tweeting Jackson 5 tunes, swooping, diving, gliding, barrel rolling over the network of cubicles is…I guess that sort of thing just doesn’t add up for me. Standing in a mess of bird nest that acts more or less like a bed for Joe’s body, so he can regrow his head in comfort, I clench my teeth to keep my own head from popping. Last Wednesday, rhesus monkeys leapt from my shattered skull, threw clumps of dung at everyone in the office—but mostly at Bill. By the time my brain was finished stitching itself back together, the suit he’d worn that day was in a ball on my desk. The note on top of the heap told me to dry clean the thing. Immediately.

The Monday before that, late getting back from lunch, I kept tapping my toe on the gritty linoleum in the fast food restaurant down the road a bit. Couldn’t stop looking the kid behind the counter up, down, up, down, while he built order after order on tray after tray. Struggled to not stare at the number on my receipt. Not a single tray of food was mine, and not a number that came whimpering from that kid’s mouth was on the crushed piece of paper in my fist. I filled the place with bees. When I came to, I had to apologize to a bunch of blotchy, swollen people with my new hair matted with honey.

And the day before that I was home on the couch. Doing nothing in particular. Had to clean wads of earthworms and dirt off the walls, the hardwoods, the couch, the coffee table. Brinkley, my golden retriever. Once the worms had begun to dry up and stick to my driveway, I googled names of therapists, made a list. But once the ink had dried on the last letter of the last name, the worm thing was another funny story I could tell my buddies at the bar. They’d laugh, we’d drink, and the worms would’ve been ground into the driveway enough by then that it’d be like they were never there at all.

Six months or so ago, my general practitioner told me that exploding my head could be a stress reliever, even a cathartic event. “But considering the frequency at which you’re blowing your custard,” she said, “And the often morbid and violent creatures that fly out, I can’t say it’s exactly healthy.”

Even on the pills, I was still spraying my desk down with maggots. Showering the lunch room with piranhas. And because of the hatchling crocodile incident a month or so back, a portion of my paycheck will be relegated to Dana-from-accounting’s hospital bills for the foreseeable future—finger reattachments are neither cheap, nor guaranteed.   

Ever since, though, people manage to smile when we happen to lock eyes. They ask me to happy hour. Or make sure I get a piece of cake during office birthdays—especially Joe.

Still, “How about that game last night,” and “Doing anything fun this weekend,” and “Think we’re going to skip over fall and go directly to winter again,” can become tedious. At best.

I’ve named all the birds by the time Joe’s head grows back. Melody is the plump one who perches on computer monitors whenever she gets tired of the fan circuit. Chorus is the quick one who darts between people’s legs, around their heads. Song likes the acoustics in the bathrooms the best. Tempo flutters from shoulder to shoulder to shoulder. Note stands, chirps, chirps, chirps under the nozzle of the water cooler, enjoys a little bath anytime someone needs a paper cone of water.

And Mark opens the fucking window and lets them all fly the fuck away.

That’s when Joe stops by my cubicle, calls me bud.

“I’m fine,” I say. “Thanks for asking.”

“You don’t look fine.”

I unclench my fists, my jaw.

Relax my eyebrows, my shoulders.

Catch my breath.

“I’m good,” I say.

Joe says good, knocks on the top of my cubicle wall—like, knock-knockknockknock—to mark his exit.

“Joe?”

He turns, raises his eyebrows.

“Why did birds fly out when your head blew up?”

A smirk, a shrug. “I don’t know. I like birds.”

“Me too.”

Joe says but like it’s a question.

“But birds never fly out of me.”

Joe nods, says, “I just like to remind myself that most everything doesn’t matter, and I’m the only one who gets to decide what does.”

“Aren’t you afraid?”

“Sure.”

“And still, birds?”

“Still, birds.”

Joe’s knuckles on the cubicle again.

Knock-knockknockknock.

Out the window, Melody and Chorus and Tempo and all the rest of them, they fly new patterns. They zig-zag, barrel-roll, zip to, fro. They sing that Jackson 5 tune again. And I can hear them even though they get farther and farther away.

My head out the window, I’m listening, watching their blue little bodies turn into black specs on a blue sky. They’re singing tweedily deedily dee, tweedily deedily dee.

People call my name.

Joe first.

Bill next.

Then Mark.

Dana.

They start yelling my name.

Louder.

Even louder.

But I keep watching, singing along, watching.

And then I feel it.

The pressure.

It’s going to happen again. Again.

And just before my head breaks open, I cross my fingers for birds.

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TO ANYONE WHO DOES NOT BELIEVE IN TIME MACHINES, I INVITE YOU TO MY PARENTS’ HOUSE by Georgia Bellas

I wash dishes. I am 12, 27, 14, 19, 31. I am two in a yellow shirt and checked shorts and a bowl cut standing on a chair at the sink, hands clasped above the soapy water, grinning open-mouthed at the camera while my mother is in the hospital recovering from another Cesarean section. I am nearly 43. The age my grandmother died. There are bubbles. Lots of bubbles only my mother can make, her knuckles raw and red.

We use a dishcloth here, not a sponge. There are systems. Taxonomies unfathomable to the uninitiated. Flour is in the second cabinet on the bottom with pots. Cornmeal bought to make cornbread once is up with boxes of pasta and cake mixes and cans of tuna. Chocolate chips are underneath the silverware drawer with miscellaneous items like a hot water bottle, the cover to an electric skillet that no longer exists, and instruction manuals for decades’ worth of appliances. But when we were children their hiding place was higher, above the sink in a yellow ceramic mixing bowl with J.R. engraved in cursive on the bottom. My grandmother’s initials.

The bowl is still there. The dishes are the same. Same plates. Same flowers. Same chips. Same cracks glued back together.

Chia seeds are in with the paper plates and liquor bottles, Styrofoam coffee cups and cracked leather thermos for Scotch, in the bottom cabinet by the back hall door, where mom goes to smoke her cigarettes and take calls on the cordless phone. The Seagram's purple felt bag protecting the Crown Royal is plusher, more regal, in my memory. But the paper stamp still seals the bottle with a cross, 1962. The chianti in a straw basket is empty but for dust. Ouzo is plentiful. When you are Greek, people give you ouzo. Bottles for anniversaries, Christmases, baptisms, celebrations. Or Metaxa, five star. Too good to drink. That goes in the back hall, up high, out of reach.

Turn on the radio when washing the dishes. Set the dial and travel to the ’80s or ’90s. Dishcloth. Bubbles. Light. Wash. Rinse. Dishcloth. Bubbles. Wipe. Dream.

Warm weather, Garfield Aries nightgown. Cold weather, blue Saint Joseph’s sweatshirt from oldest sister, first to go to college. Black and rainbow shell afghan crocheted by great-grandmother who died when I was two. She used to hold me, would take two buses across the city to come see us when I was a baby. I don’t remember being in her arms but my middle name is hers.

Unopened Clapper — As Seen On TV! — wrapped in plastic. Mr. Coffee, unused. My parents drink Maxwell House.

Chests and boxes and rooms and drawers and wallpaper and photographs. Cedar chest holding secrets. Family histories squirreled away where no one can find them. Family histories hiding in plain sight. Pencil lines on the kitchen doorway marking heights over the years. I haven’t grown since junior high.

There is always dessert when you are here, a brownie or ice cream, some sweet treat. It used to be Little Debbie’s snack cakes or chocolate pudding, sometimes a toaster strudel.

It is 2018, yet there’s a new X-Files on in my parents’ bedroom. Same room, same Mulder and Scully. The images flicker, dark and blurry on the screen, as pixel-poor and crappy as the first time around in the nineties. I sit on the edge of the bed and my mom brings me a toaster strudel on a napkin. The time warp runs deep.

I wash the dishes. Same plates. Same flowers. Same chips. Same cracks reglued. Still holding together.

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CVS by Sean Thor Conroe

April 2018—

It’s been two months since I’ve purchased anything besides tobacco and rolling papers since I’m two months behind on rent and it’s been two months since I got my SNAP card approved and my check from my construction gig has yet to arrive and every bike delivery payout I get goes straight to keeping my almost maxed out credit card almost maxed out, but tonight I’m making a concession since my next credit card payment isn’t till the end of the week and I can’t, haven’t for the life of me been able, to find any of my goddamn uni-ball pens—need me my uni-ball pens—despite all the room cleaning and organizing and item-culling I’ve been doing for when, once my check arrives, I will leave this godforsaken city I don’t even know why I returned to, well I do actually, I came back to mend things with X, then still O, so I could be near her, fake woke-ly “be there for her,” since her recurring gripe was always “her being there for me” while I ran all over the country in my van or on foot, only now I’m near her, much too near, and need to get out, away, long gone, especially so since the book about running all over the country in my van or on foot I wrote for her is complete, has been submitted, is out of my hands until further notice, if ever, after much self-destructive, responsibility-shirking, job-dodging, mostly nocturnal and consistently manic dedication, meaning it’s now time to write again, only I can’t find any of my goddamn uni-balls, all I have is this U-Haul ballpoint that keeps dying on me every third word, so I’ve decided, have been left with no choice but, to break my abstention from purchasing anything besides the entirely essential, to bite the bullet and trek out to CVS late-night to cop a uni-ball two-pack, only if I’m to do that, figure I might also grant myself the concession of purchasing one sucrose item, something chewy or chocolate-y or nutty, since during these past two months with zero or negative money, of doing without all amenities beyond the entirely essential, I’ve also been deprived of cannabis and stimulants and psychedelics, one of which, at separate points since I’d stopped running all over the country in my van or on foot, I’d self-prescribed in micro- or perhaps-not-so-micro-doses so that I’d be optimally equipped to write the very best book about running all over the country in my van or on foot, which was, of course, at root, an apology to X for running all over the country all those years when I could have been There, with Her, working on Us—all of which strategic self-medication of course had nothing to do with her deeming me unfit to remain her O—all to say, I’ve been such a good boy of late, the least I could to was grant myself one dose of sucrose, yes, that’s what I’ll do, only by the time I gear up, decide on which podcast I’ll walk to, walk, and get to the CVS candy aisle, the kind I’m eyeing, turns out, are 3 for $3, 2 for $3, or 1 for $1.50, so I mean, sure I could just get one like I said I would, only Reese's Pieces or Milk Duds, whose to say which is better, neither is since both are best is what I’d say, except both is $3 and both plus another is also $3—damn right I’m looking at you, Charleston Chew—so fuck it might as well cop all three, and stat, the way this graveyard security guard keeps eyeing me, pacing up and down this aisle like I am at this hour, making jerky, juke-like movements each time I change my mind, forcing him to look up from the YouTube video he was pleasantly enjoying before I had to pull up and kill his vibe, so now I’m at self checkout, clutching my movie-sized candy boxes like I’m prudently preparing to save a few bucks at the concession stand at, say, the Black Panther premiere I’ve bought tickets in advance for, like I’m a regular ole twenty-something doing regular ole twenty-something things, off to a movie with a couple pals, coworkers or classmates, all set to surprise them by providing them with their choice or Pieces, Duds or Chews so they can save a couple bucks of their hard-earned paycheck or stipend or grant money on this weekend outing they’ve been looking forward to all week, only it’s not the weekend, it’s Tuesday night, technically Wednesday morning, and there are no pals, is no paycheck, nor a movie, there’s only this 3 for $3 deal and my sadness I will try to sugar coma my way out of once I get home, if I even get home before finishing all three, I’m not even at Walnut and my Pieces are dust, and come Market I’m combo-ing my Dud dregs with my all-but-chewed Chews, chomping like a cow or mouth-breather how moist my mouth is, jeez I’m damn near home already, pump the breaks a sec would ya, the whole point was to deliberately ingest the sucrose in conjunction with caffeine in order to optimally spearhead the new writing Jesus fuck the goddamn uni-balls—

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DIRTY SHIRLEY by Sophie Ruth

I have a rash on my neck and it must be because I wear my short necklace to bed every night and it tries to choke me in my sleep.

I look over to my left at the wine bottle left over from my time with A. I think I wear the necklace to bed because I miss him. His hands did what I wanted them to and he wore the same sneakers as my dead grandpa. For the first time, I wonder what shoes my grandpa was buried in. I strongly consider asking my grandma and then decide against it. His memorial service was held last month even though he passed away over a year ago. It’s all because my grandma doesn’t like pity. On the way to the memorial I ate chocolate covered raisins, and when I read the ingredients I was disgusted to discover they contained milk fat. When we got to the funeral home, I made myself throw up in the bathroom. When I walked out of the stall to fix my mascara in the mirror, the Rabbi walked in. I thought at least this is the best place to be seen with wet eyes.

I want to have a baby. I want to have a baby and I think about what it’d be like to have a baby with everyone I’ve been with this year. Except the one from vacation, he doesn’t count. And if I am forgetting anyone, that means they don’t count either. There are already two guys I call my baby daddy in my head and they have no clue. It’s all their fault for being all the same and reminding me of my father. What is familiar to us is a curse because that will be what we attract. So you better pray you get born into some good shit.

Sophomore year I had about 6 hickies around my collarbone and neck. The rest of my skin was snow white and I wore a shirt that showed it all. I went to listen to a hot drummer play music and a different hot drummer gave me the hickies. I told Ariana I wanted to hit on the hot drummer. She said you already have hickies from the other hot drummer. You don’t even care do you, you like it. I smiled in the way that I knew I was made of cherries only then.

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MORE MORE MORE by Neil Clark

First thing on your first day, you were instructed to go down the basement and have a picture taken for your security pass.

Down there, they told you a joke and said, “Now hold that smile and look at the camera.”

‘Click’

They printed the photo and handed it to you. You were pleased with how it turned out. Your smile was genuine. The joke they’d told you was a good one.

Then they passed you a piece of sticky tape and said, “Stick the photo to your forehead, please. And smile a little more.”

‘Click’

They printed the second photo - of you smiling a little more with the first photo stuck to your forehead. Handed it to you. Told you to stick it to your forehead.

“Please smile more and look at the camera.”

‘Click’

They handed you that photo. “Stick it to your forehead. And can you smile a little more than that, please.”

‘Click’

This process continued through your lunch break and into late afternoon.

“More.” ‘Click’ “Even More.” ‘Click’ “More still.” ‘Click’

‘Click’

‘Click’

‘Click’

By 5pm, the floor was scattered with discarded photographs and pieces of used sticky tape mottled with dead forehead skin. Lactic acid paralyzed your jaws and cheeks. The corners of your mouth trembled, not daring to drop south.

They asked if you’d stay a few more hours. They just wanted your security pass to be perfect.

“Of course,” you said.

Finally, they clipped clothes pegs to your cheeks and hoisted them towards the ceiling.

‘Click’

You showed your security pass to your new boss and got asked why 745 unanswered emails had built up in your inbox since the morning. This, you were told, was not in keeping with #1 and #177 of the Sacred Company Values: ALWAYS HAVE A CLEAR INBOX.

At your retirement party sixty years later, you preach all 177 Sacred Company Values in a stirring speech that you cap off by raising your glass and saying, “More more more!”

Your employees applaud. Raise their glasses high. Hoist the clothes pegs on their cheeks higher still as they repeat, “More more more!”

Afterwards, in private, you make sure your inbox is clear before unhooking your own sixty-year clothes pegs. Your cheeks droop to the floor and dangle by your feet like tired rubber bands.

You place your security pass on your desk. Before leaving the office for the last time, you stare at the old photo: your innocent face; its plush hoisted cheeks; your trembling mouth; the photo taped to your young forehead.

You look at the photo within the photo, then into the photo within the photo, the photo within that photo, the photo within that. You keep going. Deeper. More deep. Deeper still, until your eyes pinpoint the first photo taken on the morning of your first day. The one with the genuine smile.

It was a good joke, you remember.

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THIS IS WHAT I WANT by Tina Wayland

This is what I want.

I want to change the locks on our front door. My front door. I want to pry the deadbolts from the wall, break them with a hammer. Feel the echo of every strike travel up my arms and through my skin, settle in my bones.

I want to throw away the key that hangs from your belt buckle, forget the way you’d bend your hips to the lock like a dance, swaying to catch the keyhole, then tumbling into the room as the door swung open, catching your balance on the picture of us that always hung crooked.

I want to sweep out whatever’s left of you under the bed—the t-shirt you bought at some concert and wore until it grew armpit holes. The corners of old condom wrappers and clumps of dust made from your dead skin, like some snake that took years and years to shed its old life.

I want to scrub your fingerprints off all the dishes, remove the grease stains your lips left on the glasses, the smudges on the silverware. I want to erase the way you hold a cup in your palm, fingers splayed, balancing its weight against your skin. That delicate touch I thought you took with everything.

I want to pull down all the pictures of you off the wall, leaving nothing but dirty outlines and patches of clean nothingness underneath. The parts you couldn’t get to. I want to tear them to pieces, destroy every evidence of you, of us—

—at the beach that first summer, when I burned my mouth on marshmallows and cut the pain with the last of your whisky

—with our used blue Cavalier, when you made the salesman take a picture of us—me in the backseat, and you upfront, my chauffeur in a tweed cap

—at your graduation, wearing the long black gown I spent hours ironing, trying to take out every crease so everything would be perfect

—in the mountains on our last trip—late spring? early summer?—when you wore a new shirt I didn’t recognize and I asked you about it but you didn’t answer…

I want to de-ink this tattoo of our names on my arm, turn the intertwined letters into serpents that eat one another whole until we disappear. You folded your fingers into mine when I said it hurt, promised to run the pain into your own skin so we’d be forever imprinted on each other. So we’d be carved into layers too deep to cut out.

I want to wash your smell out of everything. Bleach the towels and sheets, scour the white leather couch where you’d sit texting, laughing, telling me never mind, babe, doesn’t matter. I want to whitewash the blue screen that reflected off your face in our room, in the middle of the night, filling our space up with the light of words that left me in the dark.

I want to rip up every road that drove us to your parents’ farm, where you’d toss hay bales into the attic and bless me when I sneezed. When the cows came in for winter we’d warm up in a stall—the thick, animal smell of us filling the barn, the cattle echoing our lowing. Once you called me city girl and I bought a checked fleece to prove you wrong. I wore it the day you wanted to leave early, and when I stood up my shirt was covered in hay. A hairshirt. My hair tangled in straw.  

I want to forget all the names you ever called me, all the things you whispered up close or not quite far enough away—

—darling

—babe

—listen

—I can’t…

I want to break the hands of the clock that ticked away at our final days, filled every room with a beating heart that hadn’t yet broken. I want to tear the spines from the books you’d bring back, pages warped and lined in yellow marker like beacons. Like warnings. I want to take back all the times I said OK, stay late, study. Then you’d stack your books in piles by the bed, the bookmarks bent but barely moving.

I want to burn the stairs where you stood when you told me. The long, spiral staircase that we’ve walked a hundred hundred times to our apartment. My apartment. I want to set the top step alight and watch it burn away the memory, turn the wood to ash that will fall to a pile and scatter in the wind, your chain of painful words floating down some dirty alley to bury themselves amongst the other garbage there.

I want to forget the way you held my arm like we were at a funeral. The way you said her name, a life preserver, a rescue raft come to whisk you away. I want to erase the feel of your cheek off my fingers, where they slapped you hard enough that you lost your balance. When you grabbed the railing I wished it would melt in your hands, let you slip through the molten metal, trap you forever at the top of the staircase.

I want to retrieve all those years. To be 18 again. To tell myself not to listen. Cover my ears when you asked me to come for a walk. Push you away when you pulled me behind the tree. Plucked a leaf and held it up to my face. Told me I was a reflection of nature, with the green of the earth and the blue of the sky in my eyes. I want to warn myself that your kiss was not worth it. That your hand cupped my cheek in a clasp, not a caress. I want to stop my back from falling against the tree trunk and letting go.

I want to go back and delete it all.

I want it to never have been.

I want us to have never existed.

I want you to have never been here at all.

This is what I want.

This is what I want.

This is what I want.

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A STROLL THROUGH THE ENGINE ROOM by Gregg Williard

It had been arranged that she would take a stroll through the engine room before supper. Captain Venkman had assured her that they would hold a place at the captain’s table for her if she were detained. Not for his command were the martinet’s peevish demands. He prided himself on, not only an “untight” ship, but a downright anarchic one. “I have found over the years of our voyage, Randi,” the captain had confided on their first interview, “that a rudderless, aimless, and frankly lost ship is no place for unnecessary rules.”

“Some might differ,” Randi protested gently. She sensed a game of some kind that she wished to negotiate in a properly playful spirit. “In the absence of external order, internal discipline is said to be the only refuge of the survivor, don’t you think?”

Captain Venkman laughed long and heartily at Randi’s words. “That might apply to the usual kind of lost, where there is still hope of finding one’s way, but you see, the Sundstrum is not merely lost to land or destination. Within we are truly lost to the world.”

"I don’t understand,” Randi said. “There are plentiful provisions, and the crew and passengers all seem filled with hope and expectation.” She found her breath caught in her throat. “I myself have someone waiting. To be told there is no hope…” She regained her composure and rebuffed his warm eyes with a sharper tone. “You said that anarchy reigns here, Captain. I see no evidence of this. Everyone seems perfectly well behaved, and the ship and crew are smartly appointed. There is lights out at nine bells, and stewards fluff our pillows with alacrity and cheer.” Her voice faltered and tears clouded her eyes. She was furious and distraught.

Captain Venkman gave Randi a monogrammed handkerchief stitched with HMSS in the queen’s blue and gold. “I’m sorry, Randi. Of course there is order and regulation. Up here there is hope and steady compass, sextant and GPS and the stars. There will always be steady progress marked, and made. I only meant to suggest that if you are a little late for dinner we will understand, and accommodate.”

“But Captain, why invoke this vision of chaos?”

“Randi,” and here Captain Venkman’s eyes darkened and his voice grew low and rough, “it’s the engine room. Down there, we are lost. There is no governor. There is no way.”

“Do you forbid me to go, then? Why not declare it off limits?”

Captain Venkman stood then, the cabin suddenly shrinking with his girth. “No, Randi. I don’t forbid your stroll through the engine room.” He pushed open the cabin door roughly and stabbed a shaking finger into the passageway. “I command it. Go.”

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A SELECTION OF ESSENTIAL K(NOT)S by Anita Goveas

How to tie a Slip Knot

A simple loop in a piece of rope, this functions well by itself on the surface. It’s easy to undo, remake. The void it creates is reaching out for something, wanting purpose, to be entwined. Some may tell you it cannot be defined, but these are the people who tell tales of elusive mermaids and fiercely protective sea-serpents.

How to tie the Fisherman's Knot

Tie a loose knot with the working end of a rope around another rope. Best used to tie two separate but equal pieces together quickly, but not so quickly that they don’t know what they’re getting into. Can be pulled in two different directions to test it, such as thinking of long nights at sea with the world rocking under your feet versus searching for the salty taste of zephyrs.

How to tie the Backup Knot

If you have established the Fisherman’s Knot will probably hold, but it is inexplicably filled with yearning for something it cannot touch and can hardly describe, wrap the free end of a rope around an extra piece. Work the end back to the primary knot, for extra security against slippage such as dreams filled by the memory of water droplets against scales.

How to tie the Water Knot or Ring Bend

This is the best knot for webbing, for straps or harness, not for unexpected connective tissue developing between fingers or toes, or other throwbacks. Tie an overhand knot in one end leaving a measured length free, for a given definition of freedom that changes every day. Retrace the knot in the opposite direction and pull tight. Be sure to inspect for signs of slippage such as falling into stagnant water and not coming up for air.

How to tie the Constrictor Knot

If tied carefully, it grips to itself and cannot be undone. One mistake and many years of hard work can be released like an oyster expelling its pearl. Starting in front of the desired object, wrap from right to left, bind and cross over. Remember to make enough eye-contact for dominance but not so much that it makes you consider the impact of these actions.

Repeat until there is no searching, no dreaming, no falling. Revel in the rawness as the rope burns your hands. Ignore the voices chanting that the more you try and hold onto something that doesn’t belong to you, the more likely it is to find a way to slither out of your grasp.

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ARBORIST by Lanny Durbin

Guy was just standing there in my backyard. He was hacking at the Sweet Gumball Tree that reached up through powerlines and my touched my neighbor’s roof with its old, outstretched arms. Chopping at it with an axe. I’d been watching him for fifteen minutes from my kitchen window. He’d barely gotten through the stiff bark. The spiky little gumballs that grew from the tree’s veins were raining down on him. He just kept chopping, chopping, chopping.

This was bullshit. I’d called off work again, spent the morning willing myself from the bed. I’d driven across town to the used video game store and bought a Sega Genesis. I was depressed and I was going to try to numb it by sinking into some old soft memory for the day, because that’s what you do sometimes when you’re depressed, you line up every futile gesture you can think of. I was going to play Zombies Ate My Neighbors until things cleared up or until my boyfriend came home and shamed me, whichever came first.

I watched him chop away. He looked so angry yet so determined. I decided I should find out why he was trying and so far failing to kill my tree.

“Why are you chopping at this tree?” I asked as I approached.

“S’posed to do it,” he said.

“Yeah, okay, but I mean...you know.”

It seemed that the man couldn’t be reasoned with.

“Who sent you?” I asked. I didn’t see a work truck around or any orange flags or a company logo on his grey T-shirt. He didn’t have the build of a city worker, that burly, greasy look. He was skinny and soft like me. “Do you have some ID or something?”

“No ID,” he said. “Listen, buddy, I work for the city. Tree removal.”

“But this tree doesn’t need removed.”

“Says who.”

“Me. It’s my tree.”

The man stopped hacking then. He considered me and considered the tree again. “Is it really anyone’s tree?”

“Mine. My house, my yard, my tree.”

“But think about it. You didn’t plant this tree. Way too old, look at it. Can you own something that’s already there? It’s just there?”

 “What is happening right now?”

He wiped the sweat from his forehead and swung the axe at the tree again. I went back inside. I poured a glass of water and drank it over the sink. I stared at the brown tile behind the sink, wondered what the hell just happened out there. He had me stumped, no pun intended. I wondered if I was getting pranked. I sat down on the couch and tried to focus on the video game again. Still, the chopping continued over the digital bleeps. I poured another glass of water and went back into the yard.

“What about this,” I said to the guy’s back. “If the tree’s not mine then it’s not yours either. By your own logic this tree belongs to no man, so what gives you the right?”

He stopped and leaned against the axe while he reflected on my inquest. Finally he said, “Well, got me there.”

“I suppose,” I said. I handed him the glass of water. “Hot as hell out here.”

He smiled and drank up.

“Can I assume that you’ll stop chopping my tree down now?”

“I’ve already gotten through the bark though,” he said. “Would seem cruel to stop now. Listen, I don’t know what I’m doing here.”

“You’re telling me.”

“I thought this would do the trick,” he said, almost as he if he was just thinking out loud. “See, I don’t work for the city. It’s just, well, things aren’t going so good for me. I don’t know anymore. I wanted to be an arborist when I was a boy but now I’m too old to follow that dream, huh?”

“I don’t think arborists just chop trees for no reason,” I said. “They study them?”

“Study, chop down, what’s the difference.”

He looked like he could cry. I walked away and went into my garage. It was packed full of shit my boyfriend James and I had bought and never used. We’d come to the realization that there wasn’t anything left that we liked in one another, so we started buying shit. To fill the space, I don’t know, but now I understood this man in my back yard chopping my tree. In my garage there was a brand new axe we’d bought for some reason. I had to peel the plastic sticker off the handle.

“Know what,” I said to the guy when I returned. “I hate this tree.”

We started hacking at it together, one on either side. Maybe if we’d been better prepared we would have gotten one of those long, two-manned saws. We chopped together, the spiky gumballs raining down hard. Bugs crawl away, squirrels took the hint and hopped to another tree, birds wondered what the hell. The guts of the tree really started to show, pale and splintered. My arms were killing me already.

Still, it felt good. Something was loose inside again.

James came home from work and flipped. The guy and I shook hands and he walk on, axe over his shoulder. I think of him now when I see an arborist on the landscaping TV show and wonder if he’s okay. I think of him when I don’t want to see James anymore. I think of him when I wonder what’s wrong with me. I think of him, and I wait for him to come back so we can finish chopping down this fucking gumball tree.

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TIME-EATERS by Kaiter Enless

“I don't have no problem.”

“Sure seem like you do.”

He shook his head, a fractional gesture, noticeable only due the couple's proximity.

“Well, I don't. Was you what started yappin.”

She folded her arms below her breasts, turning slightly away, staring at nothing, muttering, “Fine.”

“Yeah. It is. Why you being this way, Lyla? Ain't never was like this between us before. Now, all a sudden, you're constantly screwing up your face, hmph-ing all over the place, snapping at me for no good reason, constantly try'n ta start something...”

“Ain't try'n ta start nothing.”

“Good, cuz there ain't nothing to start.”

She made an expression that was midway betwixt the spitting-upon-of-disgust and the-self-indulgent-sigh-of-petty transgression. Harmon Kessel finished his frozen yogurt, threw it in the parking-lot trash can and turned to his girl with a expression she could not place and then fished out a cigarette and stuck it between his blood-red lips and stood smoking and watching the gulls turn circles in the thermals above the pavement.

It was one big cliché. A stupid and boring one, Harmon thought to himself with mild irritation. This venomous exchange and the countless ones that had gone before it. He was not a intemperate man but his reserve – like as every others – had its limits and in Lyla's constant scrapping he was finding his. He blew a circle of smoke up and out over the parking lot before the ramshackle plaza, proud he'd remembered how.

“We've had this conversation before, Bluebird, and before we had it, we heard it.”

She turned to look at him from the corners of her eyes. He didn't like that. The way she side-eyed him as if he weren't worth the fullness of attention, as if he were merely a speck of colorful paint, floating at the terminus of all perception.

“What are you on about?”

“It's the same argument I always hear from couples – that everyone hears – whether its from memories of my parents or from the parents of my friends or from my friends, newly-wed, or from some book or movie. I've heard it and so have you. I reckon people have been hearing it since they was able to do so. People arguing bout nothing. Eating up time. We're time eaters. Time eaters what pay no mind to whats on their plate. That's our problem as a species.”

She cracked an awkward smile, frailer and less broad than it used to be. He dearly missed the way she used to smile, a little slice of moon with the twin suns of her dark coffee eyes shining above it.

“Anyone ever tell you that you're strange?”

Harmon took a drag, considering. Nodded and spoke flatly.

“Bout once a week nowadays.”

“Can't say I'm surprised.” She was flipping through her phone now, less than half-listening. Harmon took another drag, his expression falling into a drab blankness. He'd meant the statement as a joke. She used to laugh at that sort of thing, at his dry, off-kilter humor drive by flat overstatements of the commonplace. Just two years ago she'd have been cackling like a hyena. Now she couldn't seem to tell when he was being serious or not. Harmon thought maybe in him some fault lay for that; maybe he was too serious, too tense on the thread of life, like as his father had said. He never smiled anymore. It was just his way. One of the gulls swooped down to the parking lot and pecked a greasy hamburger wrapper that some litterbug had left behind. Prodding with its baldish beak til it found a fry. As Harmon watch it abscond with its prize and flutter up into the shine he wondered why he couldn't feel sadness. Given the situation, it seemed appropriate; like as it would be the normal response. For all Lyla's accusations of peculiarity, Harmon had always considered himself a relatively normal person. Average in most ways. Average height, average looks, or maybe, a little above average looks, average job ghostwriting with under average pay, average build, maybe leaner than most. Lean but muscular. It was only when it came to his mind that any peculiarities began to manifest themselves, odd turns of phrase and archaic words which pleased his ear and so oft poured from his lips; ruminations on the state of things that seemed beyond all ken, save his own. His grandfather had once said that Harmon spoke like a man that were unweaving a secret loom that only he could see. The random girls at the bar thought it was “sophisticated,” their boyfriends “pretentious,” Harmon's amiable acquaintances just said he “talked funny.” He took a long drag of the fervid Fortuna and thought on the phrase “amiable acquaintances.” Most of what he had that were social were such. He reckoned he didn't have any friends. Not anymore. None save Lyla. Only she was different. Friend and lover. Sweetheart since high school. A bond worked for nearly 12 years. Most of the others he'd withdrawn from. He liked his solitude and hated hypocrites, whiners and backstabbers of every stripe and in his estimation the great writing mass were usually some combination of the aforementioned. His snail-like ways had never caused him any trouble, like some he'd knew who'd moan about being misunderstood. Most people weren't hard to understand and if one found oneself alone it was only for two reasons: because one were worse than all or because one were better and didn't seek to lead. Harmon knew he weren't the latter as the socially ostracized were merely the plaything of the moment for him, no different than changing a tire or scaling a blue gill. Just another thing to do. But he wasn't too sure about the former.

He looked away from the gull. Back to his girl.

She was still on her phone, drifting towards the passenger-side door.

“I've gotta meet, Serena.”

“Right, right. Art show.”

Harmon finished off his cigarette, dropped it to the blacktop and crushed it out beneath his heel with a faded serpentine hissing and then got in after the girl and drove out of the frozen yogurt shop where they'd shared their second kiss, the gravel sputtering beneath the ceaseless, half-deflated wheels of the battered 1990 Ford Escort Hatchback.

He looked over at her and smiled.

“I had a good time with you. Been too long, Bluebird.”

“Yeah.” She replied without excitement, gaze still fixed to her phone, as if afraid to look up. He guessed she was still talking to Serena or one of her other art school friends he'd never met.

His smile faded and he drove the rest of the journey in silence, smoking and tapping the ash out the crack of the window and watching it sputter in butterfly whorls into the oblivion-warp beyond the ambit of the roiling machine.

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