Audrey Lee’s Utter Goodness (Farthest Heaven, 2026) is a collection of ambitious range. The stories traverse American landscapes from Malibu to small-town Idaho, ventriloquizing fearlessly across gender, class, and generation. Lee, who has previously published two poetry collections, has made a decisive turn toward fiction, trading the mirror of confessional poetry for what she calls the “larger container” of the short story. The result is a book concerned with judgment and redemption, with “spiritual holes” and the dubious ways Americans try to fill them. What follows is our conversation about genre, place, absurdity, faith, and inspiration.   Stephanie Yue Duhem:…