SPORES by Łukasz Drobnik

The superhero needs to save the city, but there’s a drunk man in her kitchen. He’s eating a banana. The way he snaps off the stem and peels the whole thing in one brutal movement is all too familiar. She closes her eyes, just for a bit, and thinks of the cool forest air, her cheek against the damp moss, his coarse hands under her blouse. When she lifts her eyelids, the peel is already lying on the stained blue tablecloth, as lifeless as roadkill.

Outside, the supermarket is being attacked by red-furred flying monkeys. They grab trolleys from the car park and toss them at frightened customers, rows and rows of teeth inside their black hole mouths rotating as they do so.

She should be there, protecting the little girl from abduction, the middle-aged man from being torn apart, but she knows he wouldn’t let her. The monkeys can see her from afar with their laser eyes, their shark-like teeth glistening in the dark. When he tries to pull her closer, bits of banana flesh still on his fingers, she instinctively recoils.

Later they watch a medical drama, pretending nothing has happened. He sits in the centre, in front of his grimy laptop, drinking another beer straight from the can, while she peeks at the screen from behind the yucca plants — a mini-jungle in this otherwise barren room. She keeps track of his beers. One more and he’ll get sentimental. He’s just two or three away from waking the Beast inside him.

He drove her to the woods to take her mind off that boy. They walked over a floating mat covering a lake. Holding hands, they joked you’d think it would feel more like a waterbed, but that one was pretty solid. The layers of moss under their feet were the colour of surgical drapes.

They heard a sound as if of a bursting beach ball. Then another. And a few more. Through numerous punctures in the mat, with a horrendous, multiplied hiss, came fumes of red granular matter. She started running, as fast as she could, among the newly erupting jets. When she turned around, he was still in the same spot: waving at her, consumed by the clouds, completely oblivious to the hundreds of spores entering his mouth and nose and ears.

A rain of starving hearts from the sky. Clouds of capillaries forming into force fields. Cardiomyocyte bombs. None of her many superpowers could save him.

He chased after her, his eyes full of rage, each of his steps sending a ripple through the mossy mat. She reached the shore and ran into the trees, but now the whole forest was under the Beast’s spell: every root and stem and insect at its ruthless command. It must have summoned some brambles that trapped her legs like barbed wire. She only remembers falling through the cool air, her cheek smacking against the damp moss, his coarse hands lifting her from the ground.

The Beast’s lifecycle is a complicated one. First there are the spores. Once they find themselves inside a human host, they form a mycelium of sorts, which plants its roots deep in the brain and spinal cord, taking control of every neuron. It can last anywhere from days to years before it tells its host to hide in a cellar or dead tree trunk, crawl into a ball and disappear in an opalescent cocoon. From the cocoon sprout the deadly vines, which slither through the sewage system and underground car parks, feeding on rats and stray cats, leaving behind leather-like fruits packed with monkey embryos. The fruits pop after several months to release swarms of murderous winged primates. After they’ve had enough human flesh, the monkeys dive into lakes or ponds or rivers, where they turn into bloated, spore-producing, living furry bags.

The boy’s heart looked like a frightened animal. She’d done it dozens of times before. Her movements were slow, steady and precise. She never expected the bursting artery, the bloody deluge, the flatline.

He keeps the Beast’s spores in prescription vials, but she won’t be fooled. She has mastered the art of hiding them under her tongue. Before they have any chance to sprout, she walks to the kitchen, past the inebriated man, and hides them deep inside the banana peel, which she throws into the bin. On her way back, she glances at the gaping hole where the supermarket used to be. The monkeys feast on bones.

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CONNECTICUT VAMPIRE by Adrian Belmes

This is what we burn. The dead. Our ghosts. And illness, like a brand, held long above the fire. Our misunderstandings do become our monsters we admire, for fear is nothing if not love of sorts, obsession. The village men below this home implore upon my grief and seek solution, save their wives, forgetting mine, your sister, and my dying son. You are not a killer, my unrested child, but these men do not know you as I did: a daughter and a weeping lung upon a bed that lies an empty tomb. What sins do we exhume for peace of strangers. Buried deep into the snow, your ruddy face is like you never died. This is the myth, so the liver they must take and wound you. Your brother takes into his mouth your heart, the viscid flakes, the frozen liquid in half-rot, abrasive on his tongue, and summons in his gut a nausea, an ancient violation. Old kings ate their fathers to sustain their lion hearts, but God does not abide by these pursuits. Not years before, these fathers burned such sins upon a witch-like pyre where now these desecrations are communion, Christ-like healers, tonic-waters. Your consumption kills. The men of the village sleep calm inside their homes that night and in two months when little Eddie dies, I bury, and they hold their wives in satisfaction of a prophecy foretold, an obsession that they laid to rest. But science will not know this for another many years. In five, you’re born again and offer up to man a devil we don’t know that you had written. Long buried in the heartless mire, your cold blood does sail a thousand tales. Our misunderstandings do become our monsters we admire.

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WHITE GRAVY by Marcus Pactor

Mother said the old man had never been touched. I didn’t know what she meant by “touched,” but I had heard enough. That afternoon, I leaned over the fence and grated cheese into the old man’s backyard. His cat licked every cheddar shred from the weeds. Its intestines must have gotten clogged, but it lived.

The cat disappeared after city workers buried the old man. Months later, a storm buried the eastern seaboard in golden, blanket-sized leaves. Far south of there, we savored the peripheral breeze. Mother had taught me to savor, whenever possible, the small pleasures which occasionally attended the global decline.

Sarah and her parents replaced the old man’s junk with theirs. I remember none of her words. I remember not even the quality of her voice. I do remember that she stood even less than I for boredom.

She egged the children’s hospital. She set a controlled fire of neighborhood breakfast waste—egg cartons, milk jugs, and pancake mix boxes—in her backyard. She killed two pigeons with a slingshot. At her direction, I nailed them to the fire station door.

Soon after the school year commenced, her cobra died in its sleep, and a custodian touched her in a bathroom stall. The internet led us to his ranch house. We found his pick-up unlocked, and so, when night fell, we popped the hood and flooded the engine with his garden hose. She touched me against the truck’s cab till the streetlights burnt out, one after the next. We set the cobra’s body and a warning note on the driver’s seat. The custodian never returned to work.

Sarah touched me through many school days: while the last frogs watched from the aquarium; while the theatre curtain brushed our calves; while, on the other side of the closet door, the assistant principal drew spirals on his desk calendar. Elsewhere, too, she tied me to any post at hand. I felt neither aches nor blues.

Our fun must have gone on longer than a school year. Her parents must have died one day or another. Mother, too. Everyone must have died. The bodies had nothing to do with us, I thought, till the power grid collapsed for good, and she used a steak knife to draw people on the wall. I led her outside to survey the neighborhood. Paved roads, ranch houses, chimneys, even trees now belonged to us.

“We’ve inherited so much,” I said.

By then, we could set a fire as well as any Eagle Scout or caveman, so we only needed ingredients to survive. We found most of our neighbors’ houses barren, but three spinsters in a cul-de-sac had, in their living room, a hoard of thirty-pound bags of food powder. They had almost certainly stolen them from our school’s inventory. The bags read “Cheese Pizza,” “Beef Tips,” “Egg Noodles,” and “Mashed Potatoes.” According to the instructions, we could reconstitute the powder into lunch by stirring it into a pot of boiling water.

A large part of me wanted to eat a pound of beef tips right then. A small part was distracted by the sight, on the coffee table, of twenty-four Roach Motels opened up and eaten clean. The spinsters’ bodies lay twisted on the carpet.

I touched Sarah’s elbow.

“I’m here,” I said.

We buried the spinsters in the backyard.

Months later, the old man’s cat returned. Sarah and I were naked and weak as ice cream when it crawled from under the fence and nuzzled against my thigh. It smelled like chicken juice left for a week in the sun. We would never taste fried chicken or ice cream again. I strangled the cat. Sarah drew a mean line in the dirt.

That evening, winter came hard, full of snow, and taught us what our last teacher had meant by the word “homogenizing.” Roads, houses, cats, old men, frogs, fallen street signs, caved-in roofs, shanks of glass, planks of fence, parked cars, garbage cans, garden hoses, broken zippers, dead tree trunks, and shed pine needles all went white.

When the sky let up, I skinned and boiled the cat, buried it in salt, and served it by candlelight. She refused her share.

“I can’t eat alone,” I said.

She shrugged.

I began to eat.

Snowfall resumed.

I did not remember then what I remember now: Mother telling me that, at some point, a woman will expect you to lift her heart. She will dramatize her appeal by, perhaps, leaving the dinner table, lying in the spinsters’ backyard, and letting the snow pile upon her.

The day couldn’t end, though, till I finished choking down the cat, so I did. I’ve choked down plenty of cats since then. Every so often, I wonder why they’ve survived better than dogs.

I still do, on occasion, catch myself believing in reasons or presidents or calming, pink streaks on the late afternoon horizon. But if any of those things had ever been truly true, don’t you think that old man’s cat on that frozen day would have tasted memorably worse than any cat I’ve chewed on since?

You’d be somewhat right if you did. It certainly tasted worse than most roasted cats I’ve experienced. A roasted cat has a smoky flavor and charred surface that, when cooked best, can briefly fool you into thinking you’ve lucked into an oddly shaped hot dog.

You’d be entirely wrong, though, if we restricted the question to boiled cats. Every one of them I’ve sampled, from first to last, without exception, has tasted like rancid, rubberized white gravy. With the right mindset, though, you can grow used to any meat on hand.

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TROUT by Kaye Gilhooley

I took up fishing late in life. My husband says I fish too much. The smooth length of the rod in my hand is powerful. Did you know my Daiwa carbon 9ft rod is rated to 15 kg? 15kg! That’s the weight of a small child.

I fish in the fast stream that borders the south of our farm. It’s the closest boundary to the house. It flows under the bridge and soon feeds into the river, wide and deep.

I took up fishing when my daughter went missing. Trout. My brother called her that because when she was a baby ready for feeding her little mouth opened and closed like a fish searching for flies.

And she loved the water. That hot summer I took her down to the stream every afternoon and dangled her feet in the cool rushing water. She giggled so much. “Again! Again!”

Never again.

Sometimes I stay all day, pacing up and down the solid bank, dragging the heavy line through the rippling water, the hook set low near the sinker to trace the bed. I’ve seen the odd strong fish in here.

We searched for her all around the farm, split up.

“Over here!” shouted one of the village boys.

Tiny silver shoes, scuffed on the toes, and Cat-in-the-Hat socks.

Abandoned on the bank.

They all came. Police in waders. Divers. The new Filipino priest.

I drag the hook along the stream bed. There are no rocks down there. No bumps or hollows. A smooth surface they said. Nothing to snag on.

I haven’t got time for fly-fishing. All that wasted back and forward motion. I need weight in my hand. Power. To get to the bottom.

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IN COMMON by Chance Dibben

Our heads were a perfect match for each other. Inside mine, a wasp that wriggled in and built a nest. It leaves periodically to get pollen, do wasp things, and then returns to the cavern of my ears. Initially, I couldn’t handle the itchy sensation the wasp made when it corkscrewed back into my head—my shoulders rising as if pulled, my spine wound in terror. Enough of anything, though, and you’ll get used to it. How the wasp has lived this long, is a mystery. Maybe it’s not the same wasp.

Inside Amanda’s head is a thunderstorm. I thought she was being cute and flirty when she told me, but no, she shows me a photo taken by an endoscopic camera. Sure enough—a miniature anvil cloud rumbling with purple lightning. “Now that we know we have something in common—how about another drink?” she asks.

Seven PBRs later, we find ourselves enmeshed into each other’s bodies in her apartment. We make love as people living with foreign entities in our heads only can—furiously, passionately, with a pinch of anger. Laying in her plush bed, her hand on my breasts, she begins to sneeze violently. Flecks of light glow in the soft white of her perfect nose.

“Everything okay?” I ask. Amanda blushes and chuckles.

“It’s… know how people get butterflies in their stomachs?”

“For most, not literally.”

“Right. That feeling, that’s what I got now. Hence the rolling thunderstorm, extra rain.”

I smile. Come here I say and pull myself over her.

I am a late sleeper, so when I open my eyes the next morning, I find that she is already looking at me admiringly, with a fresh cup of coffee in hand. We do that disgusting “hey” thing that new lovers do and then I accept the mug. The coffee is enriching and tastes expensive.

“You’re beautiful,” she says to me, leaning in for a kiss. As we connect, a tiny bolt leaps from her nostril and hits me on my mouth. Initially, it smarts bad, then becomes a warm buzz on the nerves of my lips.

“Sorry.”

“No,” I say, grinning.

My wasp courses the ceiling and lands on the pillow, waiting to come back in. I lay down.

“Where does it go?” she asks.

“I never know. It always comes back.”

“What’s it like?”

“By now, it feels amazing. I actually get headaches when it leaves.”

The wasp begins to crawl toward my ear, then zags over to Amanda’s head.

“What’s it doing?”

“It’s trying to get in. Never gone inside another person before.”

“Huh. Should I just let it—“ The wasp burrows into her crisply carved ear. Amanda’s torso vaults up. She ahhs in pain, then moans deeply in pleasure. She pulls my hand over her crotch. Her thunderstorm billows out her open mouth and funnels through my eyes. The light I see and the heat I feel make my head infinite and ever-expanding. It is in this moment I realize I’m going to marry this woman, can almost sense it as clear as taste.

We make love again. After, I suggest breakfast.

“There’s a great place near here—"

“Wickman’s!” Amanda says, finishing my sentence.

On her stoop, as she closes the door, we hear a monstrous buzzing. To the left, a cloud of wasps, murmurating. Down the street, I see an old man step out on his lawn to investigate. I give Amanda a I don’t fucking know look.

To the right, we hear a slow rumble—a thunderhead popcorning high over the horizon.

We shrug. I hold her hand and we walk toward Wickman’s, the storm and swarm following us the whole way. The world is ours for now and the first step to figuring out what to do with it is a big ass breakfast.

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dear the eartH by JP Vallières

dear    the eartH

sendar saying maybe the earth help sendaR   sendar in quest of the earth habitatioN sendar from nodaN   nodians now gone inexplicably removed from galaxY

 

dear   the eartH

maybe help sendaR   sendar last one current in nodaN   big day of reckoninG only sendar livinG

  

dear   the eartH

sendar an artisT   before big day of reckoning fatherman saying sendar not be artisT

  

dear   the eartH

when existing fatherman saying sendar achieve license for galaxy rideR   sendar saying galaxy rider does not fit into artist incarnatioN

  

dear   the eartH

sendar now shameful not knowing how to fly galaxy rideR   could come in handy in pursuit of the earth habitatioN fatherman maybe precisE   sendar trying not to think about fathermaN fatherman departeD sendar truthfully wearisomE

  

dear   the eartH

artist forbids practicalitieS   comrade once saying sendar get no femalian without galaxy rideR   sendar write stunning poem of nodan for many femalians but poems transporting no appreciatioN   

  

dear   the eartH

femalians affectioning those with galaxy rider licensE   sendar stuck on regreT sendar trying to forget nodianS  maybe the earth help sendaR maybe the earth fly galaxy rider to nodan for pickuP   maybe the earth teach sendar the ways of meN

  

dear   the eartH

sendar wait long-sufferingly for the earth solutioN   

  

dear   the eartH

sendar noticing distances in galaxY   meaning sendar dreading lonesome infinitieS   meaning agony magnifies in light of daY

  

dear   the eartH

does the earth-artist bring femalian delighT   does the earth femalian agree to artist like-abilitieS   

  

dear   the eartH

when existing fatherman looking northway pointing to the eartH   blue light meaning the eartH fatherman saying it is where men abidE   

  

dear   the eartH

when existing fatherman saying achieve galaxy rider licensE   fatherman saying license engages practicalitieS sendar saying fatherman neglecting comprehension of artisT   sendar so youthful and rageful with fathermaN sendar then going off finding hole in rocK

  

dear  the eartH

in time sendar crawling out of hole in rocK   sendar finding nodan empty of habitatioN sendar waiting good-naturedly for emerging nodianS   waiting for merriment of big jest on sendaR no jibe no jest on sendaR sendar finding only silence under starS    

  

dear  the eartH

now sendar seeking the earth assistancE   now sendar waiting hopeful for successful deliverancE

  

dear  the eartH

sendar expecting increase in communicationS   eons pass sendaR maybe men of the earth grasping all sendar sayinG   maybe men of the earth reflecting on ways of nodaN

  

dear  the eartH

maybe men of the earth will save sendaR   maybe men of the earth will relate communications back to sendaR   

  

dear  the eartH

if only femalian in hole with sendar on big day of reckoninG   sendar thinking femalian would then transport appreciation of poeM   femalian with no other possibilities bringing affections to sendaR femalian would then have no objection to sendar artistrY   

  

dear the   eartH

if only licensed femalian in hole with sendar on big day of reckoninG   sendar thinking licensed femalian gliding sendar and poem to the earth like shooting staR

  

dear  the eartH

sendar giving in to ways of the losT   femalians no morE fatherman no morE galaxy rider possibilities no morE   sendar fading in to the sands of nodaN meaning sendar facing finalitieS

  

dear  the eartH

sendar keen-sighteD   sendar observing the earth blue light diminishinG

  

dear  the eartH  

sendar sending one last star corE   one final communicatioN does the earth retain inhabitantS   does the earth remain existinG

  

dear  the sands of nodaN  

nodan longstanding and graY   no more blue in the galaxY darkness occupying immensitieS   under three moons sendar dreaming of femalianS sendar remembering femaliaN   her body curving identical to ray of lighT

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