THE LAST MONKEY by Sarah Carriger

THE LAST MONKEY by Sarah Carriger

The cruise ships circle the island like sharks. Full of wealthy refugees. We watch from the rooftop of the five-star resort where we’ve chosen to spend the end of our money and the end of the world. Loquats from the branch that overhangs our balcony and the limited room service menu provide sustenance but little pleasure. I choke down the yuca, the bitter greens, the thin soups that taste of dirt or chemicals. The kitchen staff pretend not to speak English when I ask about ingredients. 

I dream of meat—sweet breads, foie gras, suckling pig, rack of lamb, steaks so rare they’re blue. My husband says it’s because I’m iron deficient. 

“I’m a carnivore,” I say, baring my teeth.

He snorts. “You couldn’t say boo to a goose.”

 

My husband doesn’t like me to walk in the garden—says it’s not safe for a woman alone—but I’ve begun to sneak out when he’s asleep. 

The guard, Enrique, patrols the perimeter with a machine gun. Children beg for food by the fence. I often catch him dropping loquats from the pocket of his fatigues into the small hands that protrude. 

Sometimes we share a black-market Marlboro under the star-studded sky. The cruise ships drift past. Floating palaces. “Let them eat Twinkies,” I say to Enrique, who gives me a quizzical smile. 

There used to be monkeys, he tells me. Small, brown monkeys who lived in the loquat trees. But they started falling. He mimes something plummeting from a great height.

It upset the guests, he says, so they had to move the rest. 

“Move where?” I say. 

“Move,” he says, slicing his hand across his jugular. 

He was able to save one. He will show me if I come back the next night with more money. 

I agree, and he disappears into the blue-black shadows as a cruise ship blocks out the moon.

 

The next night my husband stays up reading The Wealth of Nations, and apparently it’s a knee-slapper. He keeps chuckling every few pages, which grates on my nerves. I sulk on the balcony and scan for the glow of Enrique’s cigarette. Finally, a soft thunk as the book slides to the carpet and my husband’s purring snore. 

I find Enrique playing patience at one of the garden tables meant for moonlit drinks. He makes me wait while he finishes his hand. He’s become somewhat fickle since we’ve grown closer. Finally, he looks up. Into his open palm I drop three Franklin Mint silver dollars from my husband’s Discovery of America set. I know I’ll be in trouble when he finds them gone, but I find I no longer care. Enrique bites down on a coin and grins.

 

I clutch his waist as we jounce through the night on his gleaming Schwinn. After a lifetime, a cluster of shacks. Enrique stops without warning, and I spill onto the gravel. “Shh!” he says. But helps me up. My blood shines like black beads in the moonlight. 

We slink around corners and past candle-lit windows. No dogs to give us away. A child shrieks like it’s being skinned alive.

He guides me to his hovel and pushes me inside. I’m afraid I’ve made a terrible mistake. 

But he only lights a candle and points to a dark corner, fenced off to form a cage. He rubs his fingers together. Mine for the right price.

At first I don’t see anything, but then in the depths something stirs. I creep closer. “There, There,” I say, holding out my hand. The monkey moves into the light. Its face open like a pansy. “There, there,” I say, as I reach in to wring its neck.


Sarah Carriger is the director of the International Writers’ Collective, a Netherlands-based creative writing school. Originally from Chattanooga, Tennessee, she currently lives in Amsterdam. Her work is published or forthcoming in Post Road and Gulf Coast. Website: sarahcarriger.com

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