Micro

NEEDFUL by Scott Garson

December 15, 2024

Needful men, undisciplined men, look at me, and keep looking at me. My sense: it is out of compulsion. They like what they feel when they’re taking me in. They want to have more of that feeling. This boy, nineteen, thereabouts, is different. He camouflages the work of his glance in little shows of expression: it is as if he is tangled in thought. Then he goes back to his work on the page. He’s drawing. Drawing me. I say, “Let’s see it.”The boy has also hidden the fact that he’s seen me approaching his table. He blinks, unbothered, holding my gaze. I get that he’s managed to flip a page in his sketchbook. Sleight of hand. He says, “Pardon?”I smile and give a nod at the book, which the boy then turns to display. The drawings feature a man, the same man. In a sense, they’re pretty faithful: tight and scrupulous acts of capture. In another sense, they are secret romance: attuned, by weight and shading, to the question: what this person shows. Who this person is. I say, “Those are good.”“Thank you,” the boy responds, as if glad to be sure of his lines. I say, “Let’s do this.”Which is my line, and which I’m also glad to be sure of. But it’s true: I feel like I’m ready. Like I have been waiting, and for a long time. I see the boy deciding not to act like he doesn’t know what I mean. I see him looking at me in a new way. More the usual way. I peer at him. “Do it,” I say. “Turn the page.”

TWO MICROS by JP Vallières

December 14, 2024

T BALL

There’s a tee ball league for grownups. You have to be thirty-five to participate. Thirty-five is the cutoff. If you’re younger you’re not old enough. Joe hit a homer his first time at bat. We cheered and gave him back and butt slaps while he rounded the bases. We hoped to do the same. There was real glory to be had. Trisha hit a double, which is pretty respectable. Donny bunted, we think it was a joke, but Donny seemed ill-humored. Perhaps it was strategy? In the bottom of the seventh, the last inning, I came up to bat. Joe (who was going for the cycle) suffered a pulled hammy, he couldn’t risk further straining a muscle he hadn’t used in decades. I wasn’t supposed to play. I had just joined the team. They didn’t seem to want me at first but I had an in with the coach. He’s my stepdad, Greg. Greg always let me do stuff with him. All I had to do was beg. Before I got up he slapped my back, spit tobacco on my shoe, and told me if I didn’t win this one for the team I’d be a total failure, like Mom.

FLOOD II

There are species that didn’t make the ark. Some were not chosen. Others simply chose not to board. A gator with monkey fists. A cat, but there were already too many cats. Opossum like reptile with gills. There were chickens that could move boulders by clucking. Plenty of orphaned dog breeds. A monster that sang sweet songs of remorse. Something called a Liptirloot, which cannot be compared to anyone or anything. Unicorns never made it. Neither did the winged liger. But none died. They’re on the bottom of the ocean, biding their time. In the underark. Huddling behind a gate caked in salt.

THE OLD WOMEN AND THE SEA by Kate Faigen

December 12, 2024

Sybil unsticks her thigh from the side of the banana boat. She’s been lost at sea with Celeste for sixty-one days now. Sixty-one salty-aired days of morning dips and back floats at sunset. Stolen sandwiches dropped by seagulls into their laps, lunches and dinners enjoyed over chats about everything and nothing. Don’t feel badly for Sybil and Celeste—the old women are coasting. In the sun, they spread their arms and tan their skin, speaking like sailors. They laugh so loud and deep they make waves. At nighttime, Sybil and Celeste lie down and hug the banana boat—Cary Grant, they call it—their heads almost touching in the middle. When the sun rises, they sit up and say good morning to schools of fish already on their way.To people on land, Sybil and Celeste are a news story, a sensation. But “presumed dead” would be sublime, they agree. Not everyone cares to be found. Some days, they lament what they miss: screwball comedies, scented candles, omakase. They’ve found, though, that unobstructed stars at night are a panacea for missing.When they’re feeling especially light, Sybil and Celeste lift the stray oar from the foot area of the banana boat. The one that drifted to them thirty-something days ago. HAPPY CAMPER, reads the blade’s inscription. Sybil and Celeste use the oar as a microphone for karaoke—today, Sybil sings Sinatra, later, Celeste will channel Elvis. The oar takes them to stages big and small, where the main act performs for a one-person audience, each show the greatest on earth.

THE QUIET SHORE by Belinda Rowe

December 11, 2024

Everything has an end — even stars, but still, when I caressed your face that morning, my fingers panicked at the cold of you.Steadfast for thirty years. Every Friday night we dined at our favourite restaurant, ordered spaghetti aglio e olio and a glass of Chablis. You sat opposite the fish tank where the blue groper circled, I sat overlooking the ocean. Remember you whispered, that’s no life.I didn’t think I could go on; cloven heart, heft of silence, but I kept up Friday nights for as long as it took, sat opposite the fish tank, declined the Chablis. I didn’t give a fig about consequences. I mean, what did I have to lose?I dressed for the occasion in my white silk blouse with the cameo carved from conch shell, the silver necklace you cast in delft clay for me, your old military pants rolled up and belted, black tactical boots from the OP shop. I tucked my hair into your green beret.I moved like a sapper to the restaurant bathroom, kindled a smokescreen from damp lichen and twigs. Orange flames crackled and hissed. Gliding through the plumes and wailing alarms, I swept the blue groper into a sack, cradled him down the path to the waiting ocean.Every Friday night since, the smell of salt and seaweed are a salve. I sip Chablis from your hipflask, light a tea light, settle it on a bed of swamp she-oak bark — gentle it out. Watch it bobbing.

POTENTIAL DOWNSIDE OF REPLACING YOUR EYEBALLS WITH CORN ON THE COB by Tyler Plofker

December 8, 2024

Me and Johnny replaced our eyeballs with corn on the cob. One cob stickin’ out of each socket. Buttered. Went in easy. Johnny’s aunt, Joann, said, “Stop that, you boys need your eyes!” We said, “Shut your trap, ya old hag!”We ran into the backyard. Could see just fine. The cobs fell into our skulls and bumped around as we climbed into Johnny’s treehouse. He dared me to dare him to jump from the treehouse to the grass, which was uncharacteristic. I dared him to jump from the treehouse to the grass. Johnny jumped from the treehouse to the grass and broke his right leg and right hip bone, and then we weren’t allowed to hang out with each other for three and a half months.

WHAT I REALLY MEAN WHEN I SAY I’VE BEEN DOOMSCROLLING by Benjamin Ray Allee

December 4, 2024

We presumed the forbidden knowledge would be some eldritch thing. The death-in-thought, a word for God. A space at the universal end we could not reach. An unthinkable color. A demon in our brother.Horror of all horrors, it is none of these. The secret that obliterates the mind, the antidivinity, it is not great, it is not God, it is not ultimate.Instead, swiping up the cosmic edge, I find:A momma making breakfast. Using more eggs than I would’ve thought, apron on, divulging drama from the clothing store and I do not want to know—An athlete dancing. Sultry eyes for all who sees he sways and lets a rhythm catch him wild by the neck, tear my eyes away—A farmer mourning loss of calf. Seven hundred miles away and I can see his whiskers wet with loss, the space between proclaims heat-death—A toddler learning how to eat. How could I see it, know her name, not picture mandalic lives for her, some pruned by Murphy’s shears—Soothsayer claiming madness for the world. Espousing foolish notions that the secret is a word, a craft, a harbinger, a ghostly God whose visage is a killswitch, voice atomic bomb, a basilisk thought-virus unending and unstoppable, an elder mind we would commune with, be demanded by, and kneel to as we cry—No.There is a plum cut this evening, sweet trickle on the counter for a child I’ll never meet, and I do not want to know that.There is a meal, device, a ritual taken in my backyard by neighbors opening their folds to me look away, look away, look away—There is a quiet dance we’re sharing that once belonged to the space beneath our eyes.I have seen it. I have found the killing thought.

3 MICRO PIECES by Amy DeBellis

December 2, 2024

Yakutsk

Temperature dropping like a dive off a cliff. My lungs full of winter air, clear and sharp as ice. After the airplane and its stale box of other people’s exhalations, each breath is like mainlining oxygen. When I rub my lips together their skin is as dry as the snow beneath my boots. The salt of this morning still furs my tongue. My hands tremble brittle in my coat pockets, and my fingers rub the edge of a ticket, a mint, an obsolete coin. In only a few moments I will put my memories behind me and walk into the taiga. Try to forget your face and its smiling cruelty, the soft malice that always comes with power. Try to forget how you uploaded your consciousness into the cloud and cheated death, how you turned the ouroboros from a snake to a mute circle, a faceless loop: a splotch of ringworm, a spreading bulls-eye rash, a scrawled zero. Try not to wonder, a hundred years after I am dead, how much of this forest too will be gone.The wall of trees yawns before me. No fresh green breast here, no—here is a frozen emerald heart, holding within it no ability to nurture but only to embalm, to write my body like a stone carving, immersing it gemlike in years of snow. I step forward and the trees swallow me. They are tall and green and endless, speaking of everything I have forgotten how to say to you.

Wake

Morning: the sun smears blood across the sky. My mother’s body is as white and long-stemmed as a lily, a flower in its velvet casing. I’m drenched in black like I’m trying to melt into the shadows around the walls. Like I’m trying to camouflage myself from every distant relative—their exhalations sour with coffee, their smiles oily with false sympathy. I think of the last time I saw my mother smile: at the sea, the last place we traveled together. Inside my head I say Mother. The word flutters, dark and silent, on my tongue. I remember the green endlessness of the ocean, how we lay back on the sand and let the sun bleach the water from our bodies. Brine and salt in my mouth. The waves rising, cresting, falling. Time a noose around our necks.

Even My Fantasies Are Chronically Ill

Ringing in my ears like the seconds after an explosion, except it’s constant and unending, shrill as silver, and there was no explosion. Only days, soft and slow. I try to stand and my body fails me. A collection of diagnoses accumulates like a layer of filth on my skin: mast cell activation, dysmenorrhea, chronic urticaria. I try to stand and my body fails me. Craniocervical instability, hyperacusis, photophobia. My windows are shuttered; the layer on my skin is permanent. Postural orthostatic tachycardia, myalgic encephalomyelitis. The words of my diagnoses grow longer and longer until they might not even be real anymore, just syllables contorting themselves into agonized, impossibly labyrinthine shapes. My body keeps failing me forever, an endless loop of standing up and crashing back down again. My legs grow thin and brittle like matchwood. The ringing in my ears now more like a screaming. Lying in the soundless dark, I picture everyone who’s ever doubted me crowded around my bedside. I imagine them emptied of all the Have you tried and I don’t think and Are you sure, their throats cleared of all words, their esophaguses silent and moist. I imagine seeds sinking into the damp flesh there, weeds sprouting from their mouths, finally blooming into bright fistfuls of flowers: a perfect copy of the garden outside my window, the garden I can no longer see.

LOST HAM OF VIRGINIA by Joseph Young

November 29, 2024

That’s a dog, he said, thumbing a pink eyebrow.No, she answered, that’s a bear.Muzzle’s too long.That’s how they come around here.The creature climbed the far hill, cleaving the dew grass in two halves. It got to the door and pushed in, a clattering of end tables.Bears don’t act that way, he said.Dogs who act that way get taken off.He grabbed her by a hip, turned her around. Her nose was burnt so he kissed it.Like aloe jelly, she said. She pressed his dimple. Bzzt, she said.The bear or dog came out again, a ham in its plastic among its teeth. The dog got to the hill, stumbled, the ham set loose and tumbling down. The bear watched it roll until it hit the creek, a little plosh.Dog’s going to be unhappy, he said.Bear’s going to be pissed, she said.He pressed against her. Thighs, groin, stomach.Everything about you, she said.All about you, he answered.The bear, the dog, was rolling in the creek. It howled. Another world of pleasure in its sound.

ZOO DRINKING IN AMERICA by Avee Chaudhuri

November 25, 2024

Dutta placed a map of the zoo on the wall and reviewed the group’s itinerary. First they would shotgun beers in the parking lot, then visit the reptile house. There, they would shoot rum (hip flask left pocket) and handle the sloughed snake skin on display very delicately so everyone else would think they were respectable patrons of the Lincoln Children’s Zoo. Next they would watch the giant apes and pull bourbon (right pocket). It was rumored that the lowland gorillas were in a lustful and shameless mood of late. At this point they would purchase concessions to reduce the irritation to their stomach lining because of the booze. Usual fare, cheeseburgers, hotdogs and Coca Cola. The latter would be used to mix double rum and cokes before taking in the majesty of the large African mammals, the giraffe, elephant, rhino and hippopotamus (latin for “river horse” Dutta explained smugly). A single shot of blended scotch would be sufficient before mounting the camels and riding naked across the Sinai. But at least another double rum and coke, if not a treble, would be necessary to steel oneself for gator wrestling in front of a crowd of whooping sorority members from Oxford, Mississippi. It would reek of clove cigarettes. And finally, on a quieter note, the four of them would end their day beside the tiger enclosure at the far end of the zoo. Perhaps at this juncture a magnum of champagne would be produced from the large, intangible folds of a Burberry overcoat. A tiger had once spared Dutta’s father decades ago when he was a boy in Darjeeling. It’s a story Dutta Senior told often.

WHAT WE REMEMBER by Jorden Makelle

November 18, 2024

What you remember is riding scooters around the cul-de-sac on sun-soaked summer mornings. Me pushing you on our swing set in the backyard. A scruffy white dog lapping up water, its tail wagging. Her blessing the food, pork chops and green beans and cornbread. Running under sprinklers barefoot, tufts of grass tickling our toes. Red and blue and white popsicles staining our tongues. Him lowering the basketball goal in the driveway so you could play. Saturday morning cartoons and chocolate sprinkle donuts. Sunday morning church and lunch at Luby’s. What I remember is always sitting quietly, so very quietly. The all A honor roll. Chewing the insides of my cheeks until they bled. The sound of a hair dryer thrown at the wall. A pair of eyes gone black and vacant. Wondering if Jesus was going to come back anytime soon. Red and blue and white lights flashing in the driveway. Scratchy hotel bedsheets and locked doors. Him calling her crying, begging us to come home. Holding you and telling you that you were going to be okay. Because I knew you would be okay. Because you were far too young to remember.