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A SILENT MOVIE by Chris Dankland

June 3, 2018

On the sixth day, Victor started staring at Antoine's feet. A pang shot through him every time he saw Antoine's plump toes wiggle. They were soft, pampered feet that had only walked on the prostrate backs of others. I bet they're tender, thought Victor, licking his cracked and bleeding lips. Like the winged feet of Mercury, Antoine's feet had only trod the most rarefied of airs. He didn't even carry his fucking camera onto the boat, thought Victor, snarling. The chauffeur had done it.

Antoine appeared to be passed out. Not dead yet, his chest was still moving. But how close was he? Victor wondered. Close enough to not put up a fight when his foot got chopped off with an axe?

It was the sixth day that they'd been floating in the middle of the Gulf of Mexico with no gas, no food, and no water. Water water everywhere and not a drop to drink, like the fucking piece of shit junkie poet had said. Victor curled his bloody hateful lips. I oughta chop that cocksucker’s foot off on principle, he thought.

Antoine said he'd been inspired by Victor's red cringing face in the mirror when he was fucking his ass. You looked poetic back there, he'd said. So wild. And so lost. Can I make a film of you?

Will there be drugs? asked Victor. Antoine nodded. Will you suck my dick? asked Victor. Antoine nodded faster. Do I have to memorize a bunch of shit?

It'll be a silent movie, said Antoine. I'll make my own version of The Rime Of The Ancient Mariner. On my dad's fishing boat. I'll give you some mushrooms and we'll have it done before you start to come down.

That cocksucker didn't say he'd be taking mushrooms too, thought Victor. I thought he knew something about being in a boat. I thought he was used to it or something. I trusted him. When the sun started going down the first night, they decided to stay on the boat and fuck all night and watch the sunrise in the morning.

You killed me, Victor moaned. He was surprised by the sound of his own voice. It barely sounded human. It sounded like the whistling wind. You killed me, he moaned. Victor crawled under a tarp to keep the burning sun off his face. He drifted into utter darkness and void.

///

Six hours later, Victor started staring at the axe. The sun had gotten into his bones now, moving through the marrow like underground lava. He wasn't hungry anymore. He wasn't thirsty. He couldn't tell if Antoine was breathing anymore, or if he was dead. Victor sat up and the bright reflection of the sun slid across the axe's curve like a snake's tongue. He crawled over to the axe and grabbed the handle. It weighed much more than he'd expected.

///

Ten minutes later, Victor started staring at the foot. What the fuck am I gonna do with this, he wondered. He wasn't hungry. There wasn't any way to cook the foot. Antoine had rich boy toes, but it must be tough to bite into a human foot. The foot is not the part that a starving person should be eating anyway. Blood gushed from Antoine's stump. Well, he was dead for sure. Good fucking riddance. What a stupid idea this whole thing was. I can't even remember what the fuck happens in that poem, I was stoned when we covered it in high school.

Out of the corner of his eye, Victor spotted a giant fishing pole. I know what I'll do, he thought. He pulled back the skin on the foot and used the tip of the fishing hook to make a small hole in it, big enough to pull the line through. He snipped the end of the line with some pliers and tied it together.

He held the severed foot necklace up high, as though he was presenting it as some kind of sacred offering to the Gods. He slipped the necklace over his head. Victor's tragic death was completely pointless and insane. Why not embrace it.

FUCK YOU! he screamed, flipping off the sky.

///

Three hours later, Victor started staring at the sun. He couldn't move anymore. Flat on his back in the boat. Could barely breathe. Looking up. The severed foot necklace had oozed blood all over his body. Some thin worm-looking tendon had slipped out of the foot and fallen into his lap. Victor was waiting. The longer he stared at the sun, the blacker it got.

He'd dumped Antoine's body over the railing a few hours ago. He was tired of looking at it. What was the point of this idiotic death trip they'd taken? Did it mean something? Did it say something about Victor? About Antoine? About this miserable idiot universe? Was it...did it mean something, that ancient mariner bullshit? Was there a significance?

When you slowly die over a week, this is how you start to think. This is the train of thought that consumes you, chasing everything else away. What does it mean? What does it mean? What does it mean?

The big black sky started to pulse and turn slowly. Windy tentacles stretched out from its perimeter, slowly spinning. The sun was turning into some kind of whirlpool, some kind of gate. The ocean coiled into long spinning strings that were sucked up into the sky, down the black sun's devouring hole. Victor could feel the sun pulling at him too.

What's the symbolism? he moaned.

The boat slowly lifted up into the sky off the face of the waters. Caught in the whirlpool.

Is this it? thought Victor, panting. And nothing else answered? Nothing revealed, nothing shown? Nothing? Nothing? Nothing else answered. Just sucked up by the sun. What does it mean? Just nothing? Nothing? It's all just a big nothing? It's nothing?

X-R-A-Y ISSUE #4

June 1, 2018

DOWNLOAD ISSUE #4 JUNE 2018rebekah morgan // gene morgan // drew buxton // dave k // christina antonovskaya // toom bucksaw // eîlot tuerie // tobias carroll // megan boyle // rebecca gransden // hannah stevens // gregg williard // daniel handelman // bram riddlebarger // chris dankland // jennifer greidus

THE DAY THE WORLD ENDED by Anastasia Jill

May 31, 2018

THE DAY THE WORLD ENDED, we lost our power first as lights and machines shut down like stale organs folding into their lives without blood. Mucus membranes settled in the trenches of my eyelid and produced chemical tears.

“It’s okay,” we told ourselves. “I am not afraid.”

After a few hours, lungs couldn’t take it, clawed their way out of our rib and sacrificed themselves to the noxious gasses. My nuke tipped fingers counted the columns remaining down our spine. We only got to three before the vapor consumed us.

“It’s okay,” we said again. “I am not afraid.”

Other bodies collapsed around us -- metal bodies, furry bodies, red meat bodies were starved by lasers and flooded out with a mix of water and dust from monuments collapsing. We do not shut down alongside them because we have to be strong, we have to eat their remains to sustain the infrastructure of our being. Our skin shed like orange peels and left a sweaty smell.

“That’s not any smell,” we said. “That’s explosive pixie dust and sweat.”

Lumps filled with sewage make tumors on what remains of our flesh, satellites to monitor bones for any sign of decay. Our bellies swell with water, and fish take shelter in the tissue until we are of egg and fetus, ready to repopulate once the disaster ends.

The building around us begins to fall in plastic sheets, like it were never reinforced with brick or mortar or the human hand. We watch the sun safe in the sky, mocking our imminent downfall.

“It’s okay,” we tell the sun. “I would mock us too.”

Everything stops and we are quiet until the Earth puts its head in an astral lap, throwing the continents and all its inhabitants like toys into a bright pink bin. Of course, at the point, we are mostly zombie, clung to life only by the stem of brain. China and Seychelles, France and Timor-Lest, the Koreas, Eritrea, Maldives, the States are names in a ground mouth housing us all like cars in a parking lot. We are all displaced. We have no home now because today, the world decided to pack us in its bags and end. Land is chipped at the corners, chemicals nibbling at their corners like rats. Like the rats that are, somehow, surviving, that we have to eat until everyone else dies.

The Earth continues to rotate while explosions liter its back. A dusty hand the size of a globe reaches up, and counts its spine the way I did. It gets further than three, but no further than five. The hand eroded off, and any second now, we know that we are next and will die alone.

Because God is alone the day he makes the universe out of nothing at all.

And there is nothing left when the planet implodes -- at the end, there is only us and light, cowering behind a pyramid snapped in the middle like a twig. Earth is formless and empty, fat lumps of sand and warm water and no life, no sign we were ever here.

When we want to forget it, succumb to the apocalypse and lay ourselves out for the horses to dine on, our guts twitch and jerk. Our navels implode, and suddenly, the ocean is full of baby fishes.

The sea lights up again and becomes alive, a vault of blue and golden stars to fall into at night. With this vision, we step out from the wreckage. We see the world; it’s beautiful. It is over, but able to be rebuilt.

“That’s something,” we say. “Really something.”

We pick up the countries like puzzle pieces and put them back in place around the fishes. We look around at the new world, and rest in the knowledge that it may be good, someday.

The day the world ended was the day it began again. The toxins were flushed and we woke up in a hospital bed, ready to work and rebuild.

SATURDAY NIGHT BLUES, OR THAT ONE TIME FRANNY TOOK PATRICE OUT by Bob Raymonda

May 30, 2018

Patrice walks into her kitchen, opens the cupboard, pulls out a box of Kraft macaroni and cheese, and sighs. She’s wearing a matching set of duck pajamas with a thinly rolled joint clamped between the corner of her lips. She runs the tap to fill a half-washed pot and lights the joint on the stovetop before setting the water to boil.

The clock on her microwave flashes twelve. The power went out last Wednesday and she just can’t bring herself to reset it. Her anxiety calms as she smokes and watches the bubbles start to collect at the bottom of the pot.

What the hell do you think you’re doing? The voice comes from nowhere and is husky like it’s had one too many Virginia Slims.

Patrice brushes a stray hair back around her ear and mumbles, “Making dinner.”

A stray tentacle creeps out from behind her back. It’s slimy and has thick black hair covering it. It’s wearing a gaudy wristwatch, which it holds unnecessarily close to her face.

Bitch, it’s 7 o’clock.

Patrice dumps the bag of noodles into the boiling water and turns down the heat. She takes another drag of her joint and grabs a can of beer from the fridge. “And your point is?”

My point is that we told Jessie that we’d meet her for tacos and tequila at 7:45 and you haven’t even taken a shower today.

In the blink of an eye, another tentacle appears and pulls the joint out of her lips, stubbing it out in an ashtray on the counter. A third removes the boiling macaroni from the burner and a fourth smacks Patrice directly in the cheek.

Get your game face on, girl. We’re gonna get it in tonight.

Patrice grimaces, trying her best to overcome the beast on her back.

“God dammit, Franny, stop that.”

She manages to strain the macaroni and dump in a pad of butter and the packet of Nickelodeon-orange powdered cheese into the pot. She dodges another smack from the fourth tentacle and gets her pathetic dinner into a chipped ceramic bowl. She gathers the bowl, ashtray, and the beer and brings them with her into her living room.

Franny is a gigantic parasite that latches onto Patrice with hundreds of tiny suction cups. Patrice has to cut holes in all of her clothing so she doesn’t suffocate, which has proven awkward in professional settings but works alright otherwise. Franny’s been around for as long as she can remember, but the two still can’t manage to agree on anything.

Patrice, it’s fucking depressing in here. We’ve gotta get out.

Franny and Patrice’s living room is covered in unopened mail and discarded takeout containers. There’s a Trainspotting poster on one wall and a shelf full of books on the other that were all Randy’s, but he hasn’t lived here in months and never came back for his stuff.

Patrice turns a Making a Murderer on Netflix. She settles into the pleather couch after kicking aside her electric blanket and says, “Franny, I don’t care what you or Jessie or that guy Chet you made us bring home last week have to say about it. Nothing is getting in between me and that murderer tonight.”

I’m not so sure about that.

Patrice snorts and grabs a throw pillow, putting it behind her head and muffling Franny’s voice. One of Franny’s tentacles starts to slither out from underneath her, but she bats at it with her fork before taking her first bite, followed immediately by a huge swig of beer.

“Ahhhh,” she moans, burping, “that hits the spot.”

Come on, Patty, you’re not gonna really live until you get outta those ducky pajamas and into something much less comfortable.

“Fat chance,” Patrice says, relighting the roach and turning the volume up on the TV.

Franny gives Patrice a few minutes. Even lets her think that she’s going to get her way, letting those sweet-talking Wisconsin lawyers lull her into a false sense of security. The minute Patrice’s guard is down, all of Franny’s tentacles are on deck.

With the first, she knocks Patrice’s beer into the bowl of macaroni and cheese, ruining it.

With the second, she throws the remote at the television, cracking the glass, and knocking it off the wall.

“What the fuck!” Patrice shouts.

Franny, laughing, takes her third and fourth tentacles and inserts both of them into Patrice’s ears. The woman’s eyes glaze over with a milky white film and she stops resisting. She stands and walks like a zombie to the bedroom; Franny chuckling the whole way there.

When Patrice comes to, they’re in front of the mirror and Franny is putting the finishing touches on her make-up. The tentacles on the left tending to her foundation and lipstick while those on the right do their best to do anything with her hair.

“Come on, Franny, next week. I promise”

Jessie’s been blowing your phone up. We’re already late. Let’s go.

Patrice glances down and notices the hideous dress that Franny has them in. Bright turquoise and covered in hideous sequins and low cut in the back, so the parasite can be the center of every conversation like she always is. “I look like a fucking clown.”

Mmm mmm mmm, girl. You look good.

Patrice tries to seize control for a second, grabbing a bottle of rubbing alcohol and makeup wipes out of the medicine cabinet, but Franny notices and slides two her tentacles back into Patrice’s ears.

After what feels like moments, the two of them are walking into Harry’s Burritos. The Weeknd is playing over the loudspeakers and Jessie is sitting by herself, a plate of half-finished-half-congealed nachos in front of her.

“Where the hell were you two?” she spits.

Patrice goes to speak, but Franny pipes up, pulling out the tentacle with the watch and pointing at her heavily rouged cheeks: Someone tried to bail on you.

Jessie rolls her eyes and slurs, “I ordered us margaritas, but you took so long that I had to drink them both.”

“That’s alright,” she says. Patrice’s voice is so soft compared to Franny’s that she isn’t even sure if Jessie hears her.

This is my song, Franny says, her tentacles waving in the air. Patrice takes a sip of water and glances around the room. She catches the bartender’s glare as he’s staring at them. It’s Chet. She’s had a crush on him for months, and she really should thank Franny for helping her seal the deal, but she has a hard time thanking Franny for just about anything when she’d usually rather be at home sleeping.

Chet grabs a bottle of mezcal and four shot glasses. He fills them up and sets them on a tray, abandoning his post to join them.

“What’s up girls, how’re you doing tonight?”

Chet! My favorite man in the world.

Jessie gives Patrice a little wink, “Oh, we’re good honey, how’re you?”

Chet smiles at the three of them as he passes out the shots, saving Patrice’s for last. He grazes her hand as he says, “I’m doing great. Shift’s just starting, but I’m taking this one with you anyway.”

Patrice’s face goes flush, but she raises her glass with the rest of them and whispers, “Good to see you too, Chet.”

I’ll bet it is, Patty.

Franny and Jessie cackle and one of Franny’s tentacles reaches out and smacks Chet on the ass. Now it's his turn to blush.

“Look, ladies, I’ve gotta go get back to the bar, but don’t you go anywhere on me,” he says, stacking the glasses and throwing a towel over his perfectly lanky shoulder, “stick around long enough, Franny, and I’ll let you eat the worm.”

I’ll bet you will, she whispers, Jessie cackling even louder this time.

“Be careful what you wish for,” Patty says, speaking up, “you keep talking like that and Franny’s got a worm of her own to show you.”

Chet shoots her another glance as he walks away, smiling with only half of his mouth. Patrice fucking hates how right Franny is; Steven Avery’s got nothing on Chet and she knows it.

For the next hour and a half, Jessie and Franny inhale twelve tacos between the two of them. Patrice enjoys two. Chet keeps sending them drinks and they keep drinking them, and before any of them know it, Harry’s is closing. Jessie stumbles outside to call a cab and Franny, for the first time all night, keeps quiet and lets Patrice do the talking.

“You wanna come by tonight?” she says, looking up into those big grey eyes of his and biting her lower lip.

Chet doesn’t say anything. He just turns the lights off in the bar and grabs Patrice by the wrist, leading her out to his car. He doesn’t even make a face as Franny slides her hairy tentacles all over his hips. He’s got one thing on his mind and one thing only: Patrice.

Back at home, Patrice is nervous for a minute that Chet’ll say something about the mess, even though it looks exactly the same as it did last week, give or take a room temperature pot of mac’n’cheese. Netflix asks if she’s still watching Making a Murderer, but she pushes Chet into her room and leaves the lights off. Franny hasn’t made a peep since they left the bar, only occasionally groping Chet, but still letting Patrice stay in control.

The three tumble around in the dark in her bed and Patrice wonders, for a minute, if it’s the part of Franny that’s snuck her way inside of Chet that gets him off, but she doesn’t mention it. Just lets the two of them pass out in a tangle of limbs and tentacles and sweat and condom wrappers and grabs her phone. It’s three o’clock in the morning on a Wednesday and she’s gotta work in a few hours, but she’s wide awake. She lights up another joint from her bedside table and looks at Instagram, immediately finding her way to Randy’s profile. She can’t stop obsessing over the new girl in all of his photos, even though Chet is still ass naked and only two feet away from her.

Franny, who Patrice is convinced is sated for the night, mumbles one last time before snoring: Aren’t you glad we went out?

Patrice, still scrolling through pictures of Randy’s new, slightly younger, slightly thinner, definitely more blonde version of her, answers: Yes.

FRIENDSHIP WOLFCHEESE by Jonathan Cardew

May 29, 2018

Slide through the doors of the convenience store. Live a little in your skin. This skin was given to you in about 1975. Friendship Wolfcheese made sure you got the kind of skin that earned you favor. Ask for cigarettes. Carefully enunciate the vowels and the consonants. Friendship Wolfcheese was very particular about sounds.

Marlllllborooooo Liiiiiights.

Feel the heat in your cheeks. Why the heat in your cheeks?

Marllllllborooooo Liiiights.

He doesn’t understand you. This boy of fifteen, with the fresh coat of paint on his face. Squints in your direction. He’s speaking, but the speaking isn’t happening in your ears.

Friendship Wolfcheese lived on a boat. He hunted for fish with a stick and string, and then he fried the fish in a sea of butter. Fish eyes popped because of the heat. Because of the way they were being cooked.

Marllllllboroooooo Liiiiights.

This boy of fifteen. He doesn’t know you. He doesn’t care for you. He’s got the phone to worry about and the hair to worry about and he doesn’t know you.

Point.

Marlllllborooooooo Liiiiiiiiights.

Point again, hitting the plastic separating you and the boy.

Marlllllborooooooo Liiiiiiights.

Fish eyes popping. More of a melt, really. Friendship Wolfcheese could melt a fish in butter whole. A whole melt.

Marlllllboroooooo Liiiiiiights.

Until the fish was just butter.

Marlllllboroooooo Liiiiiiights.

You could live without. Friendship Wolfcheese could live without. Fish could live without water for nine days. Flipping and flipping. On a chopping block.

You walk back.

CORPORATE CLIMATE by Benjamin Niespodziany

May 28, 2018

Corporate encourages that we ride to work on company pogo sticks. Company bicycles and unicycles are also okay, but everything else is frowned upon. “We can't force anyone,” the CEO laughs. Sheryl hates to bounce, rides in on a skateboard every morning. Everyone used to adore Sheryl, used to throw morning glories at her in the staff parking lot. Now co-workers spit on her as they pass her new office in the broken elevator full of fax machines. I remain a loyal employee, a pogo commuter covered head to toe in Band-Aids. My bruises and scabs are the only things that make my wife laugh. I take a pogo stick to work every morning and my poor balance never wins. I fall four of five times before sunrise and my work is only two blocks from my bed. My boss loves the commitment, adores the blood. Can't stop giving me raises.

SALT by Zachary Kennedy-Lopez

May 27, 2018

You’ve come to cherish the fragility of snails, come to love them in a small sort of way. When you see one attempting to cross the sidewalk, you pick it up—and it shrinks from you—and you move it to the other side. When it rains, you become more careful, you walk home with the light on your phone on. When you step on a snail in the dark, the shape and timbre of that sound taps something deep within you, and you imagine paying someone to take a needle and ink and carve colored lines into you, marking your own skin with a rendering of a snail as a sort of penance for all you’ve crushed. You think about what meaning could be assigned to a snail shell: home, vitality, retreat. You imagine a snail your own size, and wonder how strong the shell would be then.

Your parents have a corner lot with a sizeable yard, on which for years they’ve grown fruits and vegetables. You had corn when you were young, blueberries too, and raspberries, cherries, squash, and grapes. Many of the plants and trees had to be wrapped in black mesh so that the ever-present birds, snailkind, and deer wouldn’t make off with everything.

You’d heard, likely from someone at school, that salting a slug or a snail would cause it to shrivel and vanish, and you wanted to try it—not out of maliciousness, but because you are, always have been, insatiably curious. You knew nothing of the chemical properties of salt, and that you could pour salt on something in the world and cause it to disappear seemed a form of magic, a formula that tapped into something hidden about the rules of existing. Likewise, for some time as a child, you thought that spraying water on wasps would kill them, extinguish them as though they were flame, but you discovered one summer that this was untrue.

Once, when your mother was working in the beds behind the house, and she’d removed a slug or a snail from a plant, you asked if you could salt it.

She said no, and reminded you that salting the slug or snail would kill it. You hadn’t considered the implications of ending a life, that snuffing out a being so small and inconsequential was still killing, and her response stopped you short.

You’ve never salted a slug or a snail, but you imagine them bending in upon themselves, as might someone in the throes of vomiting, shrinking, becoming less pliant, contorting like a receipt tossed into a fire.

You think of your manager, the one who’s vegan and has a pupil shaped like keyhole. You think of how he was heartsick for so long when they couldn’t get the baby bird out of the walls of his office, couldn’t lure it down through the air vent. You think of how he told you about an injured animal he picked up on the side of the road—a blackbird, or a raccoon, you can’t quite recall—and you remember how he’d been quiet one day because the sanctuary had called to say the animal didn’t make it, that it had died, and even he was surprised at how broken up he was. You think of how you asked him about the shape of his pupil, and you even had the word ready, coloboma—a word, incidentally, that appears in a story by one of your instructors, a story you return to again and again, even-though-slash-because you’re convinced you’ll never understand all the pieces in play, a story that you’ve had your own students read—but you come to your manager armed with this word, and he says no, that’s not it at all. He tells you about how he was wilder in his youth, how he and some friends had been on the banks of a river, when one of them lobbed a beer bottle from a distance, and it struck him in the face, exploding on impact. Your manager has scars on his forehead, and a nose that never straightened out. He tells you that some of the glass entered his eye, and he had to be awake when the doctors attempted to remove it. Each time the surgeon brought the utensils up close, his eye twitched instinctively, seeking escape, trying to evade being touched. The cycle repeated once, twice, again, until finally the surgeon told your manager to quit fucking moving his eyes unless he wanted to go blind.

Your manager, who was nearing fifty when you worked for him, had an older brother who died in his twenties. It might’ve been suicide, it might’ve been a drunk driver—another thing you wish you could remember. But his brother was involved in theater, like your husband, and your manager tells you that your husband reminds him a lot of his brother.

You saw Alejandro Iñárritu’s film Birdman with your husband, and when it was over, you looked at him and said, Don’t ever do that to me.

You bought a shirt recently and a pair of jeans, both massively marked down. One tags reads Made in Madagascar, the other Made in Indonesia. You think of a conversation with your brother about the $6 H&M t-shirts advertised as being eco-conscious, made with organic cotton, Made in Malaysia. Your brother says something like, Mmp, yep, child fingers made that.

When you were younger, but old enough for your parents to leave you and your brother at home unsupervised, you went to one of the cupboards and took down a repurposed butter tub filled with salt. You carried it through the house to your brother’s room, and said, Look, I found sugar. He licked a finger and dipped it into the white mass, stuck it in his mouth.

Years later, he still brings this up.

Your husband won’t touch pecan pie. Hasn’t since he was a child, when his grandfather made one and substituted the sugar with salt by accident. Your husband and his sister complained, said, This doesn’t taste right. Their grandfather was furious and forced them to finish their pie. He was a man steeped in the belief that food on a plate is a contract: you finish what you take, you finish what you’re given. When your husband tells you this, he says, Because that’s a great way to teach a child about obesity. There are things you sometimes forget about your husband: that he was not as slim as he is now, that there are years of his childhood he’s blacked out.

Your husband’s grandfather cut himself a slice of pie, ate one bite, and threw out the rest without saying a word.

A member of your cohort tells you no, you’ve got it wrong, salt doesn’t dessicate snailkind, just the opposite—they bubble up, boil over, and melt.

In a way, both are right: as salt removes the water from the body, a snail emits a slime in order to protect itself. The bubbling, the boil—that’s the air leaving as the snail shrinks, compresses, has nowhere else to hide.

95 IN QUEENS by KRISTIN GARTH

May 22, 2018

JONATHANIt’s five past. The bookstore owner with the crooked back eyes me as if I’m a suspicious character. Sinister I wear like a Brooks Brothers suit. Not suspicious.Six past. If I’d been thinking, I’d have sent these things UPS. If I’d been thinking, I would have dumped her majestic, manipulative ass a year ago. If I’d been … with Lauren, there’s never been a lot of …Nine past. There’s little worse in the world than a three-piece suit and a tie in the middle of a July heat wave in Queens. And women with crooked backs.Ten past.LAURENI’m wearing a pleated black skirt, Mary Jane heels, a white turtleneck because Jonathan likes a girl in a turtleneck. He likes his girls in white.I’m running, in heels, down a street I hope is Tyrell. I’ve asked three people for help. None even stop to hear my question.Something drips down my cheek. Not sure if it’s sweat or tears or both. It hits my mouth. It’s salty. I lick my lips.It’s fifteen past. He will not wait.TRICIA“Coffee, blackI rest my fingers on a spoon centered on a violet linen napkin, take a New York City breath. I’m here, but she’s here too. And, right now, she’s with him.IRENE WESTER, PROPRIETER, WESTERDAY, 13 TYRELL STREETI’m an old widow who sells old things: books mostly, furniture, clothes. I know things. Like this thing stalking outside my store for 20 full minutes scaring off customers, a gargoyle.Comes inside. Pulls out a silk hanky, wipes his forehead with it all dainty-like.Wanders here and there, touches everything, careful. Uses the smallest surface area of skin contact possible, like it’s all infected with the plague. Keeps eyeing the door. Has some smart-ass ideas of not putting books back where they go.I eyeball him then. “No, sir. We do not.”Grimaces. Brings a stack of books, a money clip, on top, with a devil creature face, pulls a hundred dollar bill. Goes right back outside to stalk my front door.JONATHAN“It’s twelve fucking thirty.”Her hair is hanging against her red cheeks like thin, wet snakes.“Lauren?”Pants turn to sobs. On a public sidewalk, she throws herself at my feet. Screams a word I do understand: Daddy.Through the glass, I make unfortunate eye contact with the scowling old bookstore owner. I look away, to the voluptuous 33-year-old howling at my feet on a sidewalk in broad daylight.“Hello, Hannah.”I hail us a cab.TRICIAThree cups of coffee and five chapters later, I pull out my phone. An hour. He told me half that, tops.The blonde 20-something waiter hovers, faithfully attentive to my coffee cup covered now with my palm. I offer him a sweet tea southern smile. Any more caffeine, and that smile’s going full-on smirk.I’m the good girl. I cannot risk a smirk.JONATHAN“Little one, I’m going to require some patience. Been a bit of a snag.”I hear the ache in her breath.“At the end of the block, there’s a vintage toy store with a carousel. Pick out a doll. Daddy will buy it in half an hour.”LAUREN“Daddy, I don’t feel well.”He’s got a frown.“Where’s my pink sheets, Daddy?”Daddy used to wrap me in pink sheets, tell me bedtime stories. He slept inside with me.“I’m going to lie down on the couch.”I feel all bad inside.“Wrap me up in the pink sheets, Daddy.”JONATHAN“You’ve done your best,” Tricia tells me, holding her Little Red Riding Hood doll bribe in the kitchen. “She’s faking.”I nod. “I know.”“I don’t think you really believe she’s faking. We both know that you’ve derived a lot of,” Tricia’s choosing her words, “pleasure from this idea of her multiple personalities.”I contemplate an argument, but Tricia deserves the truth.“You’re right. Part of me still wants to believe. Part of me has this,” I cringe, “weakness.”I hear Hannah crying. Not Lauren. Hannah. I have an impulse to find her pink sheets and wrap her in them. Pink sheets I threw out three weeks ago.TRICIA“She’s in there talking to someone,” I’m realizing I am trapped in an apartment with a crazy person.“She’s just babbling,” he says casually. “She does this.”Maybe more than one.“It really does sound like she’s talking to somebody.”“Tricia, who in the hell would she be talking to?”That’s a very good question, I think. Say nothing.“I don’t think she’s talking to anybody.” He goes to check though. Just in case.ROSCOE PATTERSON, EMT, QUEENS EMERGENCY MEDICAL SERVICESWe receive a dispatch at 3:59 p.m., 225 Andrus #14, woman caller. Report is not unusual: “They’re killing me.” An unidentified male intercepted the call, said the woman is delirious. Police are inside when we arrive.A woman’s on the floor, kicking, screaming. If she were a child, I would say “having a temper tantrum.” Most definitely adult though. Early to mid 30’s, guess.Mr. Jonathan Braxton (the resident) tells us that Ms. Hawthorne (the screamer) is his confused guest. Complained of dizziness, exhaustion after moving some items.We discuss options. Ms. Hawthorne quiets herself. She’s sits up, criss-cross-apple-sauce, wide-eyed, like a little girl watching adult making decisions.“Do you need to go to the hospital?”One of the two officers speaks to her. Mr. Braxton fidgets.“Tricia get her some water. I think she’ll drink it now.”Ms. Hawthorne nods.The officers look at us with a shrug. Whole bunch of nothing.“Kinky fuckery of the beautiful and the demented,” my analysis to Ray on the way out the door, off to more craziness with an uglier view.TRICIAI’m in the kitchen. Refrigerator door’s open. Close to the living room as I can be -- with an excuse. He’s screaming at her. This anger sounds delicious. I want a taste. If he surprises me while I’m standing here spying, I’ll reach for the red and white paper boxes of Chinese food. We haven’t had dinner. I’m being thoughtful. He’ll kiss me on the forehead.JONATHANHannah’s asleep. Tricia’s asleep. I’m awake contemplating hanging myself from pink sheets.LAURENI wake up in half light/half dark, unsure where I am. I remember, soft and slow, walking, getting lost, Daddy. Hannah? Oh, Hannah.JONATHANTricia wakes me, breakfast in bed. "Did I burn the toast too much?”“Tricia, you know, I like it burnt.”Any other day, I would punish this amateur-hour incitement of praise. She’s been through a lot, though, little one. I feel compassionate. Write down the date.“Now, get dressed because we have a special date this morning.”It’s Alice in Wonderland, Queens Theatre in the Park.TRICIAThe bathroom door is stuck. I push. It doesn’t move.“Jonathan?”He appears in the hallway.“The bathroom door is stuck.”“What?”He tries.“It –is- stuck. What in the hell?”He kicks the door. It budges. We hear a groan. He kicks again. It opens enough I work my way inside. Lauren is on the bathroom floor, her body lodged against the door.JONATHAN“How were we to know we were hurting you, Lauren? You’re not even supposed to be here. Tricia and I will be out. When we return, we expect you and your things to be gone. Is that clear?She bats big blue eyes at me, Hannah’s eyes. Though this is not Hannah. This person I want to slap. She pouts, Hannah’s lips. I want to do it twice.“I’m sorry,” she whines, “to mess up your plans by passing out in my weakened condition.”This is Lauren. I want no part of this person. Not sure I ever did. She was the cost of Hannah.MONICA WRIGHT, TICKET TAKER, QUEEN’S THEATER IN THE PARKIn line, there’s this man. You can’t help but notice him.It’s his hands, toying with two tickets. Rubbing them rhythmically between mesmerizer’s digits as he talks quietly to a miniature woman in white with braids.His hands are massive, broad across the palms, twice the size of mine. Delicate, long fingers, powder pale, absolutely blank, as unmarked as a newborn. Nails protrude past the fingertips. They’re shaped into points.I’m holding myself back from stepping forward, towards those fingertips brushing stray hairs out of my eyes while I smile – the way the woman with the braids does. She isn’t even that good looking.His eyes fix on me, the smallest fraction of time I can imagine. They hold me still like an enchantment until I’m dropped, and he returns to his clueless companion.Do you remember cornflower blue, from the 48 crayon box? His eyes are cornflower blue.“Tricia, I don’t want her anymore. She’s dead to me. Do you understand? Lauren, Hannah, everybody. I don’t want any of it anymore.”The woman with the braids looks at the ground. She doesn’t seem happy. He hasn’t said he wants her.“This is your weekend, Tricia. The rest will go as planned.” He touches her on the nose. My nose tingles in sympathy with the current of that touch. He turns to me with the tickets. I take them. A shy peek into cornflowers makes my cheeks burn.“Thank you, child.”Our fingers touch.Thank you, child. Huh.TRICIAKey in the lock, Jonathan pauses. As the door opens, I hear wet words, blubbers and gurgles.Lauren left at noon. Hannah took her place.JONATHANI’m hiding in my own kitchen.“Shhhhhh, Tricia.”Rubbing fingers over that alabaster babydoll wrist, I raise it to my lips and kiss the delta of veins that meet at her wrist.“We’re not going to do a thing. We’re going to sit here and let her rot on a couch. When we’re tired of sitting here, we’re going to go on about our day as if that rotten corpse has been carted away, and we never even noticed it was there.”I speak it theatrically. Little Hannah, in the living room, knows where she stands.LAURENMean. Why’s he so mean? He said forever. He said, “I will love Hannah, forever.” He wants me to die here. I won’t die here. He’s a bad Daddy. He tells lies. He said forever. He said it inside the pink sheets.TRICIAHe’s making dinner reservations. Looking across the kitchen at me, I see, for the first time since Lauren arrived, a smile.Then his eyes change. It’s Hannah. Running at him, fists in the air, drool on the side of her face, like some large, round dog. Gone mad. He drops the phone.LAURENAaaaaahhh’m noooot gunna duh ayeDuh aye.JONATHANI kick her in the stomach, gut reaction of a student of the marital arts. Attack what is attackable; defend what is defendable. She folds in two, falls, a thud of bones and flesh against kitchen tile. Out of some strange sympathy, I fall, too.LAURENI’m wearing a shapeless blue knit shift, comfortable shoes, sitting in a waiting room of a health clinic in Atlanta. Near me are a few crying children, a teenage girl in a miniscule spandex dress, a couple of women who look like me. My name is called. ALICE WAYNE, OB-GYN, EAST ATLANTA HEALTH SERVICES33 year old female, Caucasian. Black hair. 5’5”, 140 pounds, Lauren Hawthorne.Gynecological examination following a miscarriage after a fall down some stairs. I notice substantial bruising on thighs, upper arms, abdominal region of the patient.I inquire about support regarding her loss. Informed partner does not know that she was pregnant.Too many falls down stairs you hear, in my occupation, to be statistically viable.“Ms. Hawthorne, for what it’s worth, you and stairs don’t seem to do each other much good. The stairs don’t care either way; you should.”LAUREN95 in Queens. A lot can depend on things like weather. Sometimes it’s the biggest, baddest wolf of all.

THAT ABSENCE YOU SEE WAS FORMED BY MY FRIEND’S FATHER by Stephen Mortland

May 21, 2018

JORDAN

To imagine what Jordan’s dad looked like, I pictured Jordan’s face stripped of his mother’s features. It was like clearing away layers of earth to find the remains of some unidentifiable structure. The scavenged and featureless result was the face of his invisible dad.

Jordan planned on changing his last name when he got married. The disembodied and scarred face of his father heard about it and showed up in Jordan’s dream the night before the wedding. “The name was fine for twenty-something years,” he said, “and now what, it’s not?”

“I learned how to wear your name,” Jordan said, “I wore it kind of hanging off my shoulders so that my neck wouldn’t be constantly sore. But Lindsay doesn’t deserve it, look at her, it would destroy her.”

“You’re right,” said the disfigured tiki mask that was Jordan’s dream father. “Let her keep her own name.”

“I can’t do that. She asked me for a name. I’ve got to give her something to make sure she’ll never run away.”

“Do you know how hard it is to love a baby all of the time?” The face asked.

Jordan woke up, got married, and they took his mother’s name. It was a good name and the right decision; his dad’s name was cursed. That’s what he told Lindsay when she asked, it’s what he told his mother, and it’s what he told me. The name was cursed, and the wedding was the perfect time to get rid of it.

He and Lindsay had a little boy of their own a year later. That little boy began asking for a name. They gave him the pure and unspoiled name they’d taken at their wedding. Jordan couldn’t help but tremble as he gave it to the boy. He trembled because he knew that if he’d given the child his father’s name instead, the curse would have turned him invisible and buried him beneath countless layers of earth.

LOGAN

I never met Logan’s dad, but I saw a picture of him. He’d been sick for a long time, and everyone knew he’d be dead soon. In the picture he was wearing a hat with military pins. He was young and handsome and looked the way all dads should look before they become fathers.

His dying didn’t make me worry for my own father, it just made me sad for Logan. He was quiet through it all, and that made it so much worse. I wished he would cry, and yell, and refuse to go to the funeral. I would support him. We’d run away into the woods behind his house. We’d bring the picture of his dad and tape it to a wall of a cabin. We would talk like his dad was still sick, and by that I mean we wouldn’t talk about him at all. We would ignore the picture. His perpetual sickness would afford us the silence Logan wanted. We would keep death close at hand, but never at our door. And we would be happy like that. We would ride snowboards in the winter, break branches off of trees in the summer, and listen to Blink-182.

My dad was healthy, but I’d tape a picture of him to the wall anyway and pretend he was sick as well. We’d teach each other to shave with BIC razors and be dads for one another. Two thirteen year old dad-boys living in the woods, that’s what I wanted for Logan. But instead he got a viewing, and a funeral, and all the sympathies he never asked for.

AARON

I don’t know exactly why I think Aaron's dad was an asshole, except that Aaron never talked about him, and Aaron’s mom seemed sad. His mom was the only mom I knew who wasn’t a Christian, but she was so sweet you’d never have guessed it. She kept alpacas in their backyard and made scarves out of their fleece.

Aaron changed his last name, but he didn’t wait until he got married. He did it as soon as he went off to college and stopped believing in God. God was trying to talk him into keeping the name, saying to him, “Aaron, come on, everything happens for a reason,” and, “Aaron, buddy, we need to forgive.”

Aaron told God that it seemed unfair, and he didn’t want the name anymore. He wanted his mom’s name, because she was sweet, even if she didn’t love God (which really, he reiterated, made the sweetness all the more genuine).

“Think of it this way,” God replied, “sins are like buildings, some are big (i.e. your father’s) and some are tiny (i.e. your mother’s). But Me, I’m in heaven, and in heaven, looking down, all I see is the tops of the buildings, I don’t know which ones are tall or short, I just know everyone’s got one.”

Aaron didn’t saying anything back to God, in fact he quit talking to him altogether. Before God goes to bed at night, and before He eats a meal, he still sometimes talks to Aaron, hoping to make a difference, hoping to get a response.

DEV

Dev’s dad is going to lose his foot. The doctor’s gave him special shoes and said, “If you don’t wear these shoes, you’re going to lose your foot; we’ll cut it off.” He calls Dev sometimes to ask for help moving furniture (on account of his foot hurts).

“Are you wearing the shoe?” Dev asks.

“Every once in a while, but it’s pretty uncomfortable.”

So he’s going to lose the foot. Dev thinks he wants to lose the foot. Not that he wants it gone, but it would give him an excuse to move less, to stay in his chair and watch television.

He calls Dev on Dev’s birthday while he and I are walking around Meijer with my daughter. He tells Dev the usual stories—stories from a childhood that Dev doesn’t remember. The stories are from before he and Dev’s mom got a divorce. Dev looks at me like, I’m sorry, and like, This will only be a minute. My daughter is looking at the fish in the Meijer fish tank, pointing to a dead one and making noises like she’s pretending to snore.

I only know about one of Dev’s birthdays (aside from the one he spent shopping at Meijer with me and my daughter). It was the only time he had a real birthday party. Somebody bought him a VHS video tutorial for Tech Deck skateboards—the miniature skateboards you control with your fingers. After opening the gifts, all the kids went outside to play, but Dev stayed inside by himself and practiced Tech Deck maneuvers. Tech Decks are great for kids like Dev who want to stay inside, but they’re also great for people who only have one foot and are still interested in skateboarding.

My daughter waved goodbye to the dead fish and blew it a kiss. Then she ran to Dev and let him hold her while he forgot (again) the stories he could never remember.

I imagined Dev without a foot, standing in the aisle with a nub at the end of his leg. It was frightening. I knew my fear was insensitive, and I hated that I was frightened of it. Stop staring, I thought, it’s impolite. How would he get around though? How would he ever leave this town with only one foot? I’ll go with him, I thought, and he can set his hand on my shoulder while we walk past the county line and on toward wherever. But no, I can’t go. I have a daughter, and she loves the fish here, in Meijer. Remembering her, I got nervous, because he was still holding her, hobbling down the cereal aisle, and what if he fell over?

STEPHEN

When my dad was in college he drank too much. His apartment was filled with empty bottles, and his stairwell was filled with drunks passed out and strewn along the walls. He drank and drank but always remained thirsty, and his friends said, “Drink more, we highly recommend it.”

One day, after drinking his normal excessive amount, he got into the driver’s seat of a car. The car, too, was filled with empty bottles. He knew he shouldn’t, but he began driving down the interstate, doing his best to keep the car between the appropriate lines. Blue lights flashed, and he saw a State Police in his rearview mirror. He pulled the car over and waited for the end of his life.

He wanted to think, It’s been a good life, but he couldn’t. It’s been a life full of empty bottles and drunk bodies, he thought. It’s been a life half-lived, and I still have never fallen in love. The State Police was knocking on his window. The aroma from all of the bottles and from the beer soaked into the fabric of the cushions drifted out the open window and crawled into the nostrils of the man come to end his life.

“You were swerving a little back there.”

“I know. It’s because my life has only been half-lived, and I’m only half a man.”

“I see. I don’t think I can write you a ticket for that.”

“No, you can’t. It’s not against the law to live a half-life. I wish it was. I wish you could write me a ticket, and I could take it to the courthouse and pay it, and my half-life would be remedied. I’d finally get rid of all of these bottles, and I’d fall in love, have a child, name him after me.”

“I’m going to let you off with a warning this time. But, on a personal note, I’m worried about you.”

Just like that, the man who had the power to end my dad’s life returned to his car and drove away. It was this strange act of mercy that carried my dad home that night, and laid him in his bed, and woke him in the morning. It was this strange act of mercy that recycled all his bottles and woke all of his drunk friends, hugging them goodbye. It was this strange act of mercy that pulled him from New Jersey to Indiana and arranged a date with my mother’s sister and then later with my mother. And it was this strange act of mercy that whispered in his ear, “A half-life can be a whole-life if you need it to be.”

6:54 by Andrew Miller

May 20, 2018

I arrive at 6:55. I climb the stairwell to the main lobby, swipe my badge to access the elevators. I wait. I have earbuds in and keep my eyes dipped so that no one acknowledges me. I enter the elevator. I exit the elevator at my floor. I begin my work day in silence. I attempt to spend as much of my workday as possible in silence.

I arrive at 6:56. I climb the stairwell to the main lobby, swipe my badge to access the elevators. I wait. I have earbuds in and keep my eyes dipped. I say nothing to the hellos and good mornings around me. I enter the elevator. I exit the elevator on 39. I begin my work day in silence. I attempt to spend as much of my workday alone as possible.

I arrive at 6:47. I climb the stairwell to the main lobby, in front of me is a man wearing a jacket just like mine. He swipes his badge to access the elevators. I swipe my badge. He wears a smile on his face. I wear my earbuds and dip my eyes when he turns to see which elevator doors will open. He greets the other workers congregating for the elevator. I remain silent.

I arrive at 7:03. I walk briskly to swipe in. The man with my coat is behind me. I drop my badge and he retrieves it.

“Thank you,” I say.

His hair is cut the same as mine. He wears the same shoes and the same pants. His black sweater snug around his pinpoint collared shirt. He smiles and says, “You’re welcome.”

Around us are several people waiting on the elevators. The elevators are always so slow. I wonder what it takes to say hello. To say good morning. To begin my work day in this other way.

I arrive at 6:54. I climb the stairwell to the main lobby. The man who looks like me is already waiting for an elevator. I swipe my badge. I remove my earbuds. I do not dip my eyes. I breathe out. He smiles. I say, “Good morning.”

He turns his back to me and doesn’t say anything. I look away and catch my distorted reflection in the closing elevator doors.