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RECOMMENCE by Jim Ruland

May 7, 2018

Carol is calling from Los Angeles. She wants to know how the cat piece is going. The cat piece isn’t going is how it’s going. I write for a golf magazine. Not the magazine per se, but the blog. A golf blog. I hate everything about it. Its obsession with swing mechanics. Its upper crust entitlement. I even hate the way it sounds. Golf blog. It reminds me of the noise that escaped from my brother-in-law the time he got a piece of $6 gristle stuck in his windpipe and almost died. When the waiter delivered his filet mignon he’d cut it into pieces and calculated the price of each bite. Damn right I’m eating the gristle. This is a $6 piece of gristle. And they say there’s no justice in this world. Carol wants a cat piece for the golf blog because “cats are Internet.” I don’t even know how to parse that sentence, yet I know exactly what she means. I’m the fashion writer, which means I have to find a way to bring golf and fashion and cats together in a way that will make golfers want to click on every hyperlink and banner ad on the page. Welcome to my $6 gristle. I can hear voices in the background, the gently mocking commands of Vietnamese aestheticians, which means Carol’s at the salon getting her putting surface waxed. Carol makes verbs out of the names of websites and signs off. The combination of golf + fashion + cats sends me to sites where the word “catwalk” is prominently positioned. One of them links me back to one of my own pieces. I chop up some off-brand Xanax and try my luck with videos and end up in a wormhole of cats imbued with powers that nature never intended. Fighting cats. Flying cats. Magic cats scorching mice with laser beams shooting out of their eyes. Then: pay dirt. A kitten on a putting green playing with a golf ball. Adorable. Ovary melting even. The kitten bats the ball around and then pounces on it. The ball squirts away and the ritual recommences over and over again until the dimpled sphere rolls toward the hole with dreadful finality and disappears in the cup. Camera closes in on the kitten with its WTF? Face before pulling back on a golf clapping foursome, every one of them dressed to the nines. I hit refresh a couple hundred times and wake up to the sound of the phone. It’s Carol. She wants to know how the cat piece is coming. I look at the screen and a video plays of little girl burying a shoebox in the ground sing-saying, Bye-bye, Fluffy. Bye-bye, Fluffy. Bye-bye, Fluffy. Goodbye.

GAME THEORY by Simon Graham

May 6, 2018

For a time I dated a girl who was also an orphan. It was really great at first, us being orphans together. We had no responsibilities or allegiances, and we had plenty of money.

Sarah and I used our money to play games. I liked games because they stopped me thinking about doing what I had done prior to dating Sarah, which was putting my body against hot surfaces. I had done this because it made me stop thinking about being an orphan and because there are very few fun games to play on your own.

Sarah liked games as well. She didn’t have a problem with burning herself, but she did have a problem with depriving herself. That was what she called it. She said, I like playing games because when I’m playing them I forget that I’m meant to be depriving myself.

I have a theory that all orphans like games.

One game Sarah and I played was called Cat. Sarah came up with it. In this game, Sarah moved first, and her first move was buying a cat. My first move was telling Sarah that I’m allergic to cats.

Sarah’s second move was insisting the cat sleep with us in the bed. My second move was getting hives all over my body, even my genitals.

Sarah’s next move was naming the cat after a serial killer from the 1980’s.

She was an orphan, Sarah said.

My response was refusing to use the name because it was in bad taste. I called her Cat instead.

Sarah’s next move was yelling at me.

How is A_____ not an appropriate name? She yelled after Cat brought home a decapitated bird.

The next day I placed an anonymous tip with the real estate that there was a cat in Unit 3.

The real estate slipped a letter under our door. It read: You have two weeks to rid the apartment of all pets or, as per Section 45c of the code, you will be evicted.

I thought this was such a good move, but Sarah had a brilliant counter up her sleeve. Her move was telling me that Cat had become part of the family and so we had no choice but to move apartments. The reason this was a game-winning move was because it led the game of Cat into the new game of Moving, and this was the ideal – for there to never be a gap of time in between games, no gap of time in which I would think of hot surfaces or in which Sarah would think, I better make up for the past month of not depriving myself by depriving myself twice as much as I normally would.

A few months later Sarah and I played a game called Guidance. The idea of this game was that Sarah and I would both pay to receive guidance from someone who gave it for a living.

Guidance came about because one morning after not sleeping all night Sarah said, I think we need serious help.

We can’t just play games forever, she said, and I will deprive myself if we are not playing games, and maybe even if we are.

At the time we were playing a game called Drugs. The end of the Moving game had led us to meeting our new neighbours. They were playing the Drugs game and so taught us how to play it too.

It was a good game at first. Like, really good. But it had become a bad game. It was repetitive and demanded so much of us. It seemed like there would be no winner to the game, no end.

We just need a new game, I said to Sarah. I get it. This Drugs game is getting old.

Let’s go to a therapist, Sarah said.

I said, That doesn’t sound very fun. That sounds like the opposite of fun.

It’s not supposed to be fun, she said. It’s not a game.

I said, How about we compromise by turning us getting guidance into a game?

I’m not sure, Sarah said at first, but after a day she came around because she knew that compromise is integral to all relationships, and also because part of Sarah was scared of what would happen should she stop playing games.

For Guidance, Sarah filled a hat full of names of people in our town who gave guidance for a living. There was a rabbi, a pastor, an analyst, a psychic, a yogi, et cetera. Sarah picked out a priest. I picked out a clairvoyant.

I had no idea what a clairvoyant actually did and so I thought, Guidance is a fun game, full of surprise and intrigue.

But I was very disappointed by Guidance. Let me tell you why.

First of all, the clairvoyant’s eyebrows didn’t move and she made me pay upfront.

Second of all, the clairvoyant’s first move was too bold. Games are meant to start subtle and then escalate. Her move was staring into my eyes for a long time. Like twenty minutes, or maybe even longer.

The clairvoyant then played more moves, it apparently being okay in Guidance for one person to just play as many moves as they like while the other player sits in silence and watches.

Most of the clairvoyant’s moves involved saying things about me that could apply to anyone.

She said, for example, that our galaxy is in a spiritual period known as Kali Yuga.

She said, It is a time marked by evil and impurities.

I said, That sounds about right.

She said, I think you’re feeling these energies in a very acute way.

I said, Well sure, who isn’t?

She said, Times of destruction can lead to true freedom.

I asked, Is that what the next game will be? Freedom?

She said, Our time has run out.

Guidance is a very strange game, I thought on the way home from the clairvoyant. I didn’t understand why people found it so fun. I didn’t understand why so many people had been playing it for thousands of years. I knew I had only been playing the game for one day, but I couldn’t help feel like there weren’t enough rules.

At home, I asked Sarah whether she was enjoying Guidance, she having seen her priest that day as well.

Sarah said, I like Guidance. It is a fun game.

I said, It seems like anyone can play Guidance. It seems like some people have been playing it forever and are still not very good at it but think they are.

Sarah said, The priest told me I should stop playing all other games and just play Guidance. He said my next move in Guidance should be getting sober.

I said, It’s not a game if someone else decides your moves for you.

Sarah said, Maybe Guidance isn’t a game.

I didn’t like where Guidance was headed. I wanted to play a different game, but I knew that this is not how games work. A game had to end on its own, or turn into another game, the way Cat turned into Moving and Moving into Drugs and Drugs into Guidance.

Sarah went again to the church to play Guidance with the priest. She came back and said I was wrong, there were rules to Guidance, and then she handed me a tome of rules, rules that seemed to be irrelevant not just to the game but to our place and time.

It was an awful game, this Guidance. There was either no rules or too many. But I was in a real pickle because I wanted to spend time with Sarah and yet she all she was doing with her time was playing Guidance.

I did some thinking and came up with five options:

Suck it up and play Guidance with Sarah (Boring).
Think about hot surfaces again (Terrifying, not an option).
Play Guidance with someone else (Boring and also likely to make me feel very sad as not with Sarah, leading then to 2. Terrifying, not an option).
Playing a different game with someone else (Maybe not boring but still likely to make me feel very sad as not with Sarah, leading then to 2. Terrifying, not an option).
Find a game to play by myself (See 4.).

I nonetheless tried 4. and 5. to ensure they did in fact lead to 2.

I went to the neighbors’ house and asked what they were doing. They said they were playing Drugs. I said, Do you mind if I join?

They said, Not at all.

So I played Drugs with them for a while, until they both played the move of passing out.

Then I played the game of Drugs with myself for a while. For whatever reason, I hadn’t realised until that moment that Drugs was a game you could play on your own. How good it would have been to play Drugs before I met Sarah?

It was a lot of fun, playing Drugs on my own. I thought, I can do this. I can play this game forever. But then, no. Not forever. For one night. Or maybe two. I tried two. After the second night I realised that people don’t play Drugs by themselves because it quickly stops being a game. It becomes like hot surfaces and depriving yourself in that you need to play a new game in order to stop thinking about it.

It was then I told Sarah that I was having a really hard time. I said, I keep thinking about hot surfaces, Sarah. I need to play a game.

So Sarah said, Well come down and play Guidance with the priest and I tomorrow.

I thought about my options. About hot surfaces. About the importance of us being orphans together. I looked at Cat and then turned to Sarah and said, Guidance sounds like a great idea.

So that’s how Sarah and I came to play Guidance for seven years.

It was a long time to be playing the same game. It was boring for the most part. There were no real surprises anymore, us having both memorised the rules, the moves, the strategies.

Sometimes I wanted to play Drugs again. Or Moving. Or even Cat (Cat died). But mainly Drugs. Each time I thought this, Sarah would remind me that Drugs is only fun for a day or two and I would nod and say, Yes, Sarah. You’re right.

Sarah was fine with Guidance being boring because she thought the next game would be Paradise. She said it’s a small sacrifice to play this boring game when the next will be so much fun.

We can play Paradise with our parents, she said. Imagine that. Can you just imagine?

I imagined. Sarah and I spent hours lying in bed together, imagining. Sometimes I would joke that the game we were playing should be called Imagine not Guidance, but Sarah would look at me very sternly and say, That is the kind of thinking that will stop us from playing Paradise.

It makes me sad to think about Sarah saying this now. Mainly because she was wrong. The next game was not Paradise. After the car accident, Guidance definitely ended, but the next game, the game I’m playing right now, has no Sarah and no parents. It can’t be Paradise.

I’m not sure what to call this game. Maybe Floating. Maybe Void. Whatever it’s called, it’s an okay game. There is no Sarah and no parents but there are no hot surfaces either. There is nothing, which now that I think about it means the clairvoyant was the closest to being right. I feel free. Completely free.

That’s a good name. Free.

CALL OF THE CIRCUS by Hannah Stevens

May 4, 2018

She didn’t know they were coming but she knew when they’d arrived. It was April and the weather was too good for the time of year.

She heard the noise on the breeze: the faint, twisted sound of faraway music from a tent. She was outside and sat on steps framed by wisteria. Purple flowers hung from the thin tangled limbs of the plant and the heavy, tapered bunches reminded her of grape vines. Her feet were pale and bare and the tops of them burned.

Every few minutes there was a lyric caught between the music in the air. Adel put on her shoes and began to walk towards the music. As a child she’d felt compelled to follow ice-cream vans and her mother had lost her more than once. It had never been the sweet things that drew her because they’d always hurt her teeth: it was the colour and noise that she’d had to chase.

The circus tent stood in the fields across the main road. It was tall and she could see the red top and stripes high above street signs and hedges. The sky above it was dark blue but faded to paler shades as it got closer to the earth. It hadn’t rained for weeks and the dust in the air turned orange in the falling sun.

Later, when Noah was home, she told him they would eat in the garden. It was Sunday and he’d been working overtime again. Outside, she’d already lit the barbeque and the coals were silver and hot. Coloured bowls of salad and rice were laid on the table and she’d chopped radishes in the shape of jagged flower heads.

‘We’re eating outside tonight,’ she said, ‘you just need to bring the wine and glasses.’ She handed him a cold, cloudy bottle from the fridge and watched as the condensation ran down its neck.

‘Oh,’ he said, ‘but what about the bugs: I’ll be bitten all over.’ He looked at her but she was already in the arch of the door.

‘There’s something in the cupboard for that,’ she said without turning her head. ‘I’ll see you outside.’

It was past ten now and though the garden was dark the sky still had patches of blue. It was as if day was waiting for something and wouldn’t leave.

‘Look at that,’ Adel said and pointed upwards.

‘Oh yes,’ he said, ‘it reminds me of a toy I had as a child: it was like a jigsaw puzzle except it was made of wooden blocks. You flipped them over one way and it was a night scene. You flipped them the other and it was day. Sometimes I only turned half so it could be both at the same time. I always wanted it all, even then.’ He laughed.

‘That’s sweet,’ she said even though she didn’t mean it.

‘Maybe we’ll get something similar when we have children,’ he said and looked at her in that way he always did when he wanted something. She picked up the folded blanket beside her and pulled it across her legs.

She remembered the time she’d thought she was pregnant. It wasn’t that long ago and she remembered the sick feeling and how she couldn’t bear to do a test. Instead she’d looked up abortion clinics and how they did it. When Noah asked what made her restless at night she’d said it was work. Or maybe she was eating too late. It was probably just one of those things, you know how it is. In the end there’d been nothing to worry about after all. Either she’d miscounted the dates or nature had solved the problem for her.

‘Shall we go inside?’ he said. ‘I think I’ve been bitten. Plus we’ve both got early starts tomorrow and you look tired.’

She thought of the drive to work in the morning and reading the same street names as she passed them. She thought of the traffic crawling at its painful pace during rush hour and parents at school gates with purple circles beneath eyes they could barely keep open.

‘You go,’ she said, ‘I’m staying out a little bit longer.’

‘What about the cleaning up?’ he asked.

‘It can wait,’ she said. ‘Let’s be reckless.’ She picked up her glass then and swallowed the last of the wine.

‘Okay, just this once,’ he laughed and then he kissed her nose which felt cold now.

She waited until she heard the click of the door as it closed. Then she stood up and crossed the garden. The grass was cool and she could feel the material of her canvas shoes dampen as she walked. She stopped at the top of the driveway. A few seconds passed. There was still the sound of music but it was fainter now: maybe the circus had finished for the night. She hesitated for a moment and then stepped onto the pavement.

There were caravans lined up in neat rows behind the circus tent. In some she could see lights glowing from behind drawn curtains while others were in darkness. She wondered who was inside and if any of them were sleeping yet. There was noise coming from the circus tent and the music was louder there. She pushed aside the material that had been untied from its guy ropes and now hung across the entrance.

String lights were suspended from the ceiling and curled around supporting poles and ropes. They were shaped like lanterns and glowed red, yellow, green and blue. There were clowns in the centre of the tent and she watched as they stacked chairs and put props into boxes. Adel noticed a pile of empty beer bottles.

‘Are you okay?’ a clown in braces with bare feet asked.

‘Yes’, she said, ‘I was just having a look.’

‘Well the show’s over now, you missed it,’ said the clown, ‘but you can join us for a drink if you want.’ There was a gesture towards seats close to where Adel stood. She took a few steps and sat down. The clown offered her a bottle of beer and she leant forward to take it.

It was hot in the tent: the heat was damp and humid and Adel tasted salt on her lips. The clowns were still wearing their makeup and she wondered if she would recognise any of them once they’d taken it off. The clown next to Adel had smudged some of the white paint across her face and flashes of peach were slashed across her forehead.

Someone turned up the music and then there was dancing.

‘Let’s dance,’ said the clown with the smudge. She held out her hand as if inviting Adel to a formal waltz. Adel laughed and stood up. The clown’s hand was cool in spite of the heat and she was surprised.

‘When are you leaving?’ Adel said.

‘Tomorrow,’ said the clown and raised an eyebrow. ‘In the morning when most people will still be asleep.’ Adel could feel her phone as it buzzed in her pocket. It was Noah but she didn’t answer. The clown’s shirt was undone now and there was a vest she could see through beneath. A giant blue bow was still tied across her throat and she touched it. It was soft between her fingertips.

‘Even after all these beers?’ Adel asked and lifted her empty bottle into the air.

‘Of course,’ said the clown and she pulled Adel closer. ‘Come with us.’

SOY by Bram Riddlebarger

May 3, 2018

It was when he started drinking the milkshakes that the trouble began. Before two weeks had passed he had ballooned up fifty pounds and was beating the pulp out of every motherfucker that came within an inch of his mind’s eye.

His power, he believed, came from his special method, patent pending, of milkshake making. It had to do with split-second timing between milk added and ice cream stirred, although quick wrist action was as necessary a factor as any. Of course, he didn’t use an electric blender. It was just pure spoon on glass like a junkie and his needle. He needed these milkshakes. They were his rebirth into the realm of the gods and he was their master.

In one sick instance of his depravity, he beat a skinny blond-haired boy to a bloody mess as he recited the current thirty-one flavors of Baskin-Robbins ice cream in 3/4 time: one flavor for every blow to the boy's ever-flattening blond melon. Then he went home for a vanilla milkshake. He needed simplicity in the wake of triumph.

Then, when all the cows died, he was ruined. There was just no room for soy in his life.

He cried about it sometimes, later, but mostly he just dwindled away.

TIME TO MEET YOUR GOD by Chris Dankland

May 2, 2018

Mr. Coyote stuck his long down-curved nose through a crack in his apartment door. He pushed his head outside and looked left. He sniffed the stale apartment building hallway. He looked right. Nobody there. Thirty seconds later he left his posh 30th floor apartment holding a big bag of trash slung over his shoulder. He was wearing black gloves. Mr. Coyote calmly walked down the hall, opened the building trash chute, and dumped the bag of trash down the chute. He looked left. He sniffed the stale apartment building hallway. He looked right. And that, he thought, is the end of that.

Three hours ago, he’d been staring at a traveling collection of paintings by Lucas Cranach the Elder. The paintings were showing at the MoMA. They were exquisite. His favorite was a painting called Venus, showing a petite naked woman holding a transparent veil. Her eyes were thin and cat-like. Her thin pink lips were dented in a narcotic grin. Mr. Coyote couldn’t help but get as hard as a rock as he stared at her perfect painted skin. The true sign of a masterpiece.

The painting was still superimposed over his brain as he walked out the museum doors into the hot summer air, heavy with the smell of street piss and exhaust. Under his breath he absentmindedly mumbled the lyrics to Mystic Stylez as he strolled down the sidewalk a long way. Mr. Coyote suddenly looked up. He stopped. A petite teenager in a red t-shirt and jeans was passed out on the street, half leaning on a park gate. She obviously homeless. A thin layer of grime had accumulated sweat coated her skin. Her emaciated body spelled out junkie. Mr. Coyote though she was gorgeous. He walked closer and looked down at her. Two braless nipples poked through her skimpy t-shirt. Her jeans hung off her sharp skeleton hips, showing a small white lip of panties around the edge. Her thin pink lips were dented in a narcotic grin. Mr. Coyote put his hands in his pockets and moved them around.

A minute later he pulled out a bottle of Oxycontin. He bent down and shook the girl’s shoulder, shaking the pill bottle. Hey, he said, shaking her. Hey there. Do you see?

The girl stirred and slowly opened her eyes. She must have been doped up to seventh heaven. Anyone else who had been woken up in that position would have bolted upright. But this girl nearly climbed into his arms. Her eyes slowly flickered to life like a newborn butterfly. The girl looked up at him. She moaned, her body full of sleep. Daddy? she mumbled. Is that you, daddy?

He held the pill bottle inches before her face and shook it. That seemed to wake her up a little. Holy shit, she said.

That’s right, said Mr. Coyote. Holiest thing in the city.

She slowly looked up at him with purring kitten eyes. What do you want? she asked.

I want you to follow me home, said Mr. Coyote. Understand?

She nodded. I’ll follow you home, Daddy. She stood up, stumbling a little. Her clothes sagged off her. She was halfway dead already. Lead the way, she said.

Mr. Coyote shook his head. You walk in front of me and I’ll tell you the way.

The girl grinned. But I’m so little, Daddy, I’m not gonna hurt you.

It doesn’t take much muscle to slip a knife into somebody’s kidney and make off with their pills, he said.

She laughed. Do you have a cigarette?

Sure, he said. What kind do you smoke.

I don’t care, whatever you got. I like Camel Lights.

Mr. Coyote put his hands in his pocket and moved them around. A minute later he pulled out a pack of Camel Lights.

Thank you, Daddy. She pulled a cigarette from the pack and he lit it for her. Where’d you get that big bottle from, hmm?

Mr. Coyote put the cigarette pack in his pocket, pulled his hand out again, and pointed. My apartment is that way, he said.

She took a long drag and turned around and started walking. A long silver river of smoke curved through the city air as she moved from one cracked cement square to another with Mr. Coyote close behind. They walked four blocks like that, and she hardly turned around to look at him. She could feel his gaze on her body. She knew that he was following her as much as she was following him. Her tiny skeleton ass was fastened to his black, flesh devouring pupils. She was going to get high, all right. And anything else she could get, too. She was young and confident and stupid.

Back at his apartment, Mr. Coyote had her get on her knees and open her mouth to receive the pills he doled out. He put the pills on her tongue like a priest giving out the sacraments. He sat down on his expensive sofa and waited for them to kick in. He played Mystic Stylez on the stereo.

Soon the girl was floating through the apartment like a helium balloon, swaying and bobbing in the air, taking off her clothes exactly like he told her.

Mr. Coyote narrowed his eyes and stared at her. He licked his lips and spoke. You’re one of my babies, aren’t you? I think I recognize you.

Yesssss, said the girl. She floated through the apartment like a plastic bag in the wind. You’re my daddy.

As the girl’s body grew lighter and more and more weightless, the apartment darkened and sunk. Although they were on the 30th floor, the apartment was sinking underground, down below the never-ending battlefield of bloody, twitching hearts. The apartment was sinking down into the trenches. Down into the bone fields we call earth.

A flash of realization struck Mr. Coyote’s face. You’re a child of mine, he said. He stood up, walked over to the girl, grabbed her hands, and pushed his face close. The girl was suddenly frightened. Yes, said Mr. Coyote. Yes. Yes, I’m sure of it.

CARS THAT TREATED ME POORLY by Jennifer Greidus

May 2, 2018

These aren’t pictures of my cars. In fact, they may not even be pictures of the years of my cars. They are the color of my cars, the model, the make. The years, however, are a blur of heartbreak, manslaughter, and ice storms.

Volvo 66: My mother conceived her second child in this car. (Remember, not this car but a car such as this car.) There was a big scene and a miscarriage, which led to a complicated D&C, and then we had to have a memorial for the fetus. I am an only child.

Honda Accord: I drove this car to Kentucky, where I went to college. I drove it home 4 months later because I dropped out of college. I dropped out because they wanted me to swim, and I was scared of showing parts of my body in swimming class. The drive home was sad, too, because I had no music.

Lincoln Continental: I drove this car to Buffalo, NY. Or rather, I tried to. There was an ice storm. I think it was the 90s. I didn’t know that Bridge Freezes Before Road Surface was a serious thing. My friend was playing Madonna and singing to “True Blue” with her feet on the dashboard. I hit the side rail and then went down an embankment. The lawyer said “embankment,” but it was really more of a cliff. My friend went through the windshield.

Acura MDX: I took my grandma to the hospital in this car. She was cranky. She was also a woman who worried a lot about personal composure. She was unkind to me a lot. When we got to the hospital, she tripped on the space between the floor and the elevator. You know, that small gap, like 2 inches. I didn’t help her up right away. That was a conscious decision, not to help her up right away. On the way home in this car, she told me I looked fat.

Toyota Tacoma: I was raped in the backseat of this truck.

INTERVIEW WITH SAM PINK by Benjamin Scott

May 1, 2018

Sam Pink is the author of a dozen books, including Person, The No Hellos Diet, Hurt Others, and Witch Piss. I interviewed him about his latest book The Garbage Times/White Ibis, his paintings, and his time living in Florida.

BS: You lived in Chicago for a while but several years ago you moved to Florida. What sparked the move and why have you moved back to Chicago?

SP: I moved to Florida for the person I was dating. I moved back when we broke up.

BS: Sorry to hear about that. Does Chicago seem different? Where is the best place to eat in Chicago?

SP: Yes, it seems different, in that I view it differently but also that it is has slightly changed. The best place to eat is Arturo's on Western.

BS: You have a book coming out next month that contains two novellas: The Garbage Times/White Ibis. What are they about?

SP: The Garbage Times is about working at a bar in Chicago. White Ibis is about moving to Florida. They are also about a whole range of other things, both intended and unintended.

BS: Are you planning on doing any public readings? Or attending writer events/conferences?

SP: Yeah I have some readings set up, and hopefully more this year. I enjoy doing readings. I went to AWP this year as well.

BS: Your last book came out in 2014 you spent most of the past couple years painting while in Florida. How were the hurricanes?

SP: The hurricanes, where I was at, were very mild. I had an experience during one of them though. I went to my girlfriend's parents' house to hunker down because the news made it seem like the entire state was going to die. And as the time for the storm drew nearer, I had a panic attack (like heart racing and unable to stop thinking/calm down) consisting of envisioning the storm hitting, like visualizing the destruction of the wind, the walls of the house coming down and being pulled away by water, trying to save people, dying, etc., which continued to escalate in a way that was hard to endure, but then when I identified that there was a bad storm coming, and nowhere I could go, and that I'd have to try and survive and help the people around me survive as best I could, and that was just how it would be, I immediately became calm, and almost at the same time, the storm changed course and weakened and became nothing.

BS: How many paintings do you think you made?

SP: Including drawings, probably 200/250 or so.

BS: Do you plan on doing more?

SP: Yes, I just don't have a place to paint right now.

BS: Did you ever take any art classes in school?

SP: I took an art class in high school, which was basically like a crafts class/babysitting class.

BS: Why are art teachers quirky?

SP: Some spirits do different dances to get out.

BS: Where did you work while living in Florida?

SP: I was a dishwasher, a home remodeller, a medical warehouse employee, a machine operator, and an ice cream man. I interviewed to be a mortuary driver, but felt like the protocol of only sending me and not two people to pick up dead bodies was unreasonable.

BS: What is the worst/weirdest job you've ever had?

SP: (lights cigarette and looks off to side) Being me, dude.

BS: Are you working since you've moved back to Chicago?

SP: Not really, I'm looking for a job.

BS: How would you describe your books?

SP: I wouldn't describe them. That's what the words inside are for. Plus I honestly think other people understand what the books are about better than me, based off what they've told me throughout the years.

BS: Would you consider your books socially political as many of the characters/narrators are not out in front of society?

SP: Yes, in that you can interpret almost anything politically/socially. But no, in terms of any explicit ideas.

BS: Do you have a writing process? Do you make notes or have any habits? Does it take you a long time to write a book?

SP: Kind of. Usually I have a bunch of notes I've written down, or scenes I want to write, and then begin developing them. Usually takes a year to write a book.

BS: What inspired you to first start writing and painting?

SP: My spirit.

BS: While following your painting output I've noticed they tended to get bigger and the patterns/colors would change. When painting do you just use whatever materials are around or do you seek out certain colors brush's medium etc? Do you still have paintings for sale?

SP: I used to, and sometimes still do, use whatever is around. It helps to break patterns, and different tools do different things. But I have also gotten into purchasing art supplies, like specific colors, canvases, etc. I have two paintings for sale still.

BS: Do you work on one project (book/painting) at a time or do you jump between them? Are many of your paintings related to the content of any of your books?

SP: Usually one at a time. My mind usually tells me when to switch. Like if I feel less enthused about writing, then I switch, and vice versa. None of the paintings are directly related, but I have used them for book covers, etc., and also, I reference painting in White Ibis.

BS: Are there any authors that influenced your writing style?

SP: Yeah, but more in the way that they encourage me to 'tag in' and contribute, rather than giving me style points. I feel more influenced to 'do something' when encountering stuff that inspires me, rather than, 'I should do stuff like that.' Style is personality. Your personality is your style. Even if you're writing about aliens, those are aliens from your personality.

BS: How do you feel about the current political climate in the USA and globally?

SP: Haha, man...

BS: Do you listen to podcasts? Which ones?

SP: No.

BS: How many cats do you have? What are there names?

SP: I have two, Benny and Dotty.

BS: Which authors/books do people need to read now?

SP: Oh man, too many to list and remember right now. I try to support as many of them as I can, with what ability I have. But there's a crop coming up that is kablooey. There are writers and painters and other people coming up right now that are doing a lot to make me excited. Don't worry about them just yet, they will announce when they're ready. One book people need to for sure read is Welfare by Steve Anwyll, coming out this fall from Tyrant Press. They have paid me nothing to say this.

BS: Why should people buy your book and where can they buy it?

PS: Because it will entertain them and maybe do other weird things with their mind and because I'm a sweetheart. They can order now through Soft Skull Press, or through various online and physical locations on may 1st when it comes out.

BS: Are you working on any future projects now?

SP: Yes, I'm working on a book of short stories that is pretty much done. It's called The Ice Cream Man and Other Stories.

NEXT: EXCERPT FROM LIVEBLOG by Megan Boyle

X-R-A-Y ISSUE #3

May 1, 2018

DOWNLOAD ISSUE #3 MAY 2018marisha gene hicks // lanny durbin // juliet escoria // scott mcclanahan // derick dupre // kelby losack // ted prokash // nathaniel duggan // sam pink // benjamin scott // claire hopple // jennifer greidus // chris dankland

LILLY AND THE NINE-TOED WOMAN by Toom Bucksaw

April 27, 2018

Lilly brushed her teeth and saw another woman’s face in the mirror. She stared into her eyes and wished she could ask that woman where the fourth toe of her left foot had gone. Why hadn’t she taken better care of herself? Didn’t she know Lilly would need her toes someday? Lilly pulled her socks on and tried to forgive her.

In the big room Ellis was still sleeping on the floor with his head on the couch. The mechanical blinds on the window were creakily opening and shafts of sunlight were pooling on his face. Lilly didn’t let him sleep with her anymore because he came home late, but most importantly his drunken pratfalls into bed forced her to wake up and become accustomed to the weird way her sheets rested on a body that wasn’t her own once more before going back to sleep. He’d been more of a roommate than a boyfriend since the operation anyway.

Lilly crossed the big room and slid her card in her reward kiosk.

“Congratulations,” it said. “Thirty three point three repeating chips have been awarded to your account. Check back tomorrow at sunrise for fresh new chips. Tomorrow, the sun will rise at six thirty one A.M. Today’s temperature is fifty six degrees. Would you like a receipt?”

She couldn’t change the volume on this model, not that she cared to. Ellis stirred, like he did every morning; his breathing was shallower now and less rhythmic and she knew that she’d woken him up. Lilly was glad he had enough sense to play dead until she left. She allowed the kiosk printer to work loudly at a nine and a half inch receipt covered in full-color advertisements. The price of the ink was worth Ellis’s furrowed brow.

Lilly rode the mover to work and waded through that same gauntlet of obligated empathy and “if you need anything call me” eyes that had lined the path to her cubicle since the operation and showed no sign of abating. Her new photo I.D. still wasn’t scanning right at the check-in. She pulled out her old I.D. with her old face on it and the guard waved her through.

She was once the fastest typist in her department. The clacking of keys from her cubicle used to be the centerpiece of her floor; two years ago her secret santa had given her an extremely loud keyboard and when its keys rang out from her desk her coworkers were not annoyed but proud that they should share a floor with such an efficient worker. Now the nine-toed woman’s fat, dumb fingers had cost the company 1,325.638 chips in typos and clerical errors. She typed as quietly as she could so no one could hear how slowly she did it.

She typed so slowly that her mind wandered and filled the gaps between each keystroke. She thought mostly of when she was taller, thinner and whiter and of when Ellis slept beside her, and she pretended that he’d embrace her when she got home, pretended he’d be there at all.

The sun had set on the city when work got out and the mover was crammed with people. Rain pounded the street and drenched the commuters on this unenclosed section of the mover. Lilly stood under someone’s balcony out of the rain and swiped through the faces of the single men she shared this metropolis with. She’d been fielding these digital men for a little while now, about as long as Ellis had been sleeping in the big room, and to her disappointment she’d realized that as long as she shared rent with the only man she wanted and allowed him to eat from her refrigerator, she’d always want him.

Lately, there’d been one possible exception.

“You free tonight? Would love to finally meet,” Brandon messaged her. Her phone vibrated and with it her entire being. Brandon had started an acquaintance with her shortly after she’d made her profile, and he was the only one whose messages she watched for. He was everything she could have hoped for in a man she met through a chat box. He didn’t come on strong and most of all he didn’t tell her how much he “loved Mexican”. She’d been told the nine-toed woman was Bolivian, anyway.

She smiled at Brandon that night in the dim light of a mediterranean place Ellis had taken her once when he had had money. “Now that’s what I like to see,” he said. “Do it again.” She couldn’t help but smile again, and laugh as she hadn’t since the time when she’d had her own ten toes to walk on. “The way your lips curl when you smile.” He closed his eyes and did that kissing motion with his fingers she supposed French chefs did when they see a great soufflé .

She told Brandon about her job and how the nine-toed woman’s ten fat fingers had ruined her prestige. He laughed, but his laughter died quickly. He asked what else bothered her about her body. She told him about her missing fourth toe, and when he asked her what had happened to it she told him they didn’t tell her things like that. “Don’t you ever wonder?” he asked, his face wrinkling oddly in a charged confusion. The expression caught her off guard. She made an ambivalent expression that involved a shrug, raised eyebrows and a shake of the head and thought she saw some curious shade fall over him, but it was gone as soon as she noticed it.

Brandon ate and Lilly watched his jaws grind his food into paste. Handsome, handsomer than Ellis maybe. Ellis’s mind-life insurance certainly wouldn’t cover a body with such a strong chin, at least. A man could sell a chin like that and live pretty well. He was nice, perhaps overly so, but there are worse things to be, she thought, and you can’t buy nice the same way you can buy a better chin. She traced his eyes as he ate and when he went to the restroom she smiled only for herself, feeling her lips curl the way Brandon liked and for the first time finding herself liking it too.

Ellis was gone when she led Brandon through the kitchen and into the big room, the front door sliding itself shut behind her. Some mechanism misfired as it always did during the locking routine and some metal clanged inside the door. The sound was loud enough to wake her up most mornings when Ellis came stumbling through, but tonight she hardly heard it.

She could already feel his hands on her. At dinner she’d looked over each of his fingers from tip to knuckle and couldn’t help but see the monetary value inherent to their beauty. She imagined herself like a greedy cartoon character, some oil tycoon or gold prospector, archaic dollar signs flickering in her eyes, wanting to feel that monetary value inside her, as if it would somehow increase her own.

The door to her bedroom malfunctioned and beeped at her. She leaned her back against the stubborn door and smiled through a sigh. Brandon caught up with her and her body, not anyone else’s, was pinned between the heat of Brandon and the deep space chill of the metal door and it was her body, not anyone else’s, that became increasingly exposed as the clothing she concealed it under fell to the floor piece by piece.

His fingers crept along her outline and they kissed under the flickering tubes in her ceiling. His touch made her feel expensive. He caressed the curves of her “budget” 700,000 chip body the way Ellis had caressed the body of the woman she’d been before. That woman seemed alien to her now. She’d feared that using another woman’s body to have sex would feel strange, wrong, or possibly like some twisted late-capitalist form of rape, but it was just the opposite. Feeling Brandon inside her, knowing he was there only because she was exactly who she was, made that body, finally, miraculously, her own.

When they finished, they laid against the couch Lilly usually found Ellis dangling off of in the morning and stared at the soft blinking lights on the reward kiosk across the room. Brandon talked more about the place he went on holidays, out west where the mover didn’t reach and you could even see stars if the moon was new. He showed her a picture on his phone of the perfect blue water you could rent a room beside. She pinched her fingers on the screen and enlarged the image to see a fisherman on the lake.

The utter solitude of that figure stirred something in her chest; she wanted immediately for Brandon to take her there, onto the water, where they could float on the waves of that blue mirror and be near no one but themselves. How little she knew about this man meant nothing to her. She knew enough. She knew that he was Brandon, that he wanted her, and that the fisherman was calling to her from across time.

She swiped the image aside and saw another much like it. This time the focus of the picture was on the snowcapped mountains that cut across the sky. Brandon reached for the phone, but she moved it away from his grasp.

She swiped again. A picnic blanket, with sandwiches on paper plates, spread across sand.

At first she didn’t notice it, but as her eyes crawled along the pixels that made up the enchanting image of rural bliss, they tripped over an object of singular Wrongness, a chaotic thing impinging upon the scene of rustic tranquility Lilly had never known. It was her own maimed foot.

Brandon snatched at the phone and ripped it out of her hand, muttering some curse under his breath. Her flesh dragged across the screen, sliding the photo and revealing a portrait of her own pudgy, olive face, her hair lightly tossed in the lake-blown breeze. She looked happy. She did a better job with her make-up than Lilly could.

She could only confront the face of the nine-toed woman for a moment before the screen went black and Brandon thrust the phone into his pocket. He stood shirtless putting on his belt. Lilly watched him from the floor, her reclaimed sense of self nothing but a foolish sex-fueled lark now in the tightening prison of Other flesh. “What was my name?” she asked.

Brandon pulled his shirt over his head and paused, his mouth hanging open. He shook his handsome head and started across the big room toward the door.

There was a pounding on the metal. “Lilly,” Ellis slurred from beyond it, “unlock this shit.”

Brandon opened the door using the terminal and Ellis tumbled through it, immediately falling onto the kitchen floor, not taking any note of the man in his way. The door slid shut and Brandon’s footsteps faded down the hall. Lilly lay naked on the big room floor, listening to Ellis breathe against the grubby kitchen tile and felt a shred of intimacy sharing the floor with him, however far away. She thought about the lake and her hair blowing in its wind as if it were a memory and looked around at the things that didn’t belong to her, the reward kiosk ready to distribute another woman’s chips, the refrigerator stocked with another woman’s food, another woman’s ex-lover sleeping in the dirt of another woman’s sloven apartment. Some cluster of cells in her wanted to run after Brandon and tell him it didn’t matter what her name was, that she would be whoever he wanted her to be, as long as he would have her, but she couldn’t be sure if those were another woman’s desires.

She let him disappear along the mover and stayed there somewhere inside the nine-toed woman, wondering if two halves made a whole.

HONOR SYSTEM by Daniel Handelman

April 26, 2018

"Maybe some people have both,” she said.

She was rolling up a joint. It had too much weed in it. The edges didn’t connect.

“The way she writes the male,” she said. “She knows the male. But does the male know the female?”

She leaned back into the couch. They’d gone to a motel. There was no Americana, no plastic flamingoes. It was a motel with none of that. It wasn’t what she pictured.

“There must be a male who knows the female,” he said. “Out of seven billion people, it is possible there is a male who knows the female.”

“Maybe,” she said. She removed a pinch of weed and sprinkled it on the coffee table. The joint wrapped up nicely now. She licked the seam, then offered it to him.

He shook his head.

“Sure?” she said, holding it an inch higher.

They sat looking an old TV. She lit the joint.

“Are we fighting?” she said.

“No.”

“You can tell me if we are fighting.”

It was night. A thin slice of light came through the curtains, splitting apart a watercolor of a boat and churning sea.

“We are fighting,” he said.

She leaned forward a little off the couch, her head between her knees.

“Getting in bed,” she said.

She took off her boots and pants and fell onto the mattress, bouncing, the crunch of springs.

“Would you wear jewelry?” she said from the bed.

“Jewelry?” he said.

“I wear this,” she said, holding up her hand. “The ring you gave me. You’ve never worn jewelry?”

“I wore a Saint Christopher,” he said, thinking. “And pookah shells. That was middle school, the mid-nineties.”

“Not now? — in the late teens?”

“I have the shirt,” he said, looking down at it. He liked it. There was a shark on it.

“No,” she said. “Something significant.”

In the morning she was up and out of the room before he woke.

He went out onto the balcony. The sun was a weak glob.

He saw her approaching, her head bobbing, jogging. She came up the stairs and slid her keycard. She took off her running shorts and shirt, then got in the shower.

His neck hurt. He stretched out on the floor, flipped through channels.

They drove to a gas station. A bird pecked at an oily puddle. They bought a bottle of wine and poured it into a canteen.

On the highway they didn’t talk but could feel the tension loosening. They were starting to feel happy. Some thick film between them breaking apart. Palm trees swayed freely. Cars on the road seemed friendlier.

They drove and drove through less and less civilization. Fast food, names of DUI lawyers. Everything was sweating. The freeway became a two-lane highway. Dirt roads led off into woods marked by bunches of mailboxes.

They came to a fruit shack.

They walked down the aisle of bananas, mangos, guava.

Coconut, watermelon.

He picked up a mango and put it to his nose. “This one,” he said.

She took it and set it down at the register. She added a hand of bananas and a guava.

They looked around.

“Nobody’s here.”

At the register was a lock box with a slot in it, a list of fruit and their prices.

“It’s an honor system,” she said.

She took out some money from her bag. He went back to the car for quarters. They kept expecting someone to appear, to take their money, but no one did.

It was getting dark. The two-lane highway connected with a freeway, back to civilization, where they came to the brand of motel they’d stayed at the night before. The woman at the front desk looked similar to the other, and for a moment they felt like they’d gone in a circle.

“Can you recommend anything for dinner?” she asked the woman.

“Mall’s your best bet,” she said. “Just down the road.”

In the mall, she lost him on purpose. When she tapped his shoulder, he hadn’t known she’d gone.

Back at the motel she reached in her bag and took out a gift box.

“For you.”

He pulled apart the ribbon and slid off the top. There was a locket, a gold heart on a silver chain, and a ring with a blue stone.

“Do you like it?” she said.

He put on the ring. She helped him with the necklace, turned him around and kissed him, took his hand and put it under her shirt.

He had the thought that he was her. That he wanted to be wearing her lingerie.