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PATATINA by Rosalind Margulies

My boss is a dog and today is the dog’s birthday. Okay, not really. I like to say that my boss is a dog, but it’s just one of those things you say to make it easier, you know? But it is her birthday. The dog’s name is Patatina, which is Italian for little potato. The dog’s owners, Mr. and Mrs. Bianchi, are Italian. I’m from India or at least my grandparents are.  And Patatina is a Papillon. (Patatina can also mean pussy. In case you were wondering.) Here: Lake Oswego, 15 minutes from downtown Portland but several income brackets

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MIRACULOUS AND UNPREDICTABLE AND PERVERSE AND UNKNOWABLE: An Interview with Shannon Robinson by Rebecca Gransden

Primeval forces threaten to invade the worlds of Shannon Robinson’s short stories. Wild presences haunt suburbia, and folkloric figures surface as manifestations of deep-seated anxieties. For the collection The Ill-Fitting Skin (Press 53, 2024) Robinson presents normal life in all its complexity and confusion, where Mother Nature shows her claws and mythic creatures bare their teeth. This skin is pregnant with dread, imbued with the surreal, and, like a serpent, ready to shed and transform. I spoke to Shannon about the book.   Rebecca Gransden: What is the story behind The Ill-Fitting Skin? When did you conceive the collection and

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YOU WORK IN THE WORST DINER IN EXISTENCE THAT’S ALWAYS OPEN FOR BUSINESS by Avitus B. Carle

Where the brown leather stools and chairs suction to the patrons’ skin until they bruise. Where the tables wobble and the menus are always sticky and the food listed changes every day. The bar is slanted and the floor dips and your uniform remains the same except for the endless supply of toothpicks you carry in the pockets of your apron. Where you are the only employee. Where food cooks itself. Where you can gaze at a new apocalypse just outside the window every time the bell that hangs over the door sings a brand-new carol and a new customer

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JESSE HILSON RECOMMENDS: David Kuhnlein

Jesse Hilson recommends…David Kuhnlein   Decay Never Came (Maximus Books, 2023) The text of this chapbook is less than forty pages long but it can’t be read in a hurry. It can’t be gobbled up like a small package of black licorice. Slow down and take in each line one by one. You are now reading at the slowest setting of the necro-metronome. The book’s title is Decay Never Came, suggesting that a jump into a different, longer timescale is required to get what the poems are doing, with the risk that even then this could not be possible. A

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CONGRATULATIONS by Graeme Bezanson

After work I met Alexa because we were trying out the idea that we could be just friends. Together we walked to Barnes & Noble where they were having an event for Dan Dashiell, author of a celebrated sad novel about a dying husband who spends the last month of his life teaching his wife how to cook the family’s favorite meals. Every chapter is a different dish and life lesson. Alexa knew Dan from the internet and I think they read together once, before he became a successful young novelist. Also I believe he was at one point fucking

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EIGHT QUESTIONS FOR MIKE TOPP by Sabrina Small

A memory of my interview with Mike Topp, which I forgot to record, and then turned into a pseudo-transcript, at which point I solicited interjections from the artist. The first thing I tell Mike Topp is that I didn’t realize who he was. That I hadn’t done any homework beyond reading his tweets and a few poems on Hobart. I tell him his name is so gay it approaches drag, so I was picturing a young gay dude who had watched a lot of Warhol films and revered Peter Sellers in Being There, a practicing naif, a retro naif even.

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TRANSMISSIONS: The Collidescope Podcast

Welcome to Transmissions, an interview feature in which X-R-A-Y profiles podcasts. Rebecca Gransden: Does the podcast have a mission or manifesto? George Salis: The Collidescope Podcast has the same mission as my online literary publication The Collidescope. The goal is to shine a light on neglected literature and celebrate uninhibited creativity. Art for art’s sake rather than something commodified and packaged for mass consumption. To quote from my site, “We love to see the mental fireworks of a writer wrestling with their imagination, with language itself.”  A good deal of the stories, books, and authors on the show are those

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LEGATO TONGUE by Timothy Boudreau

In the mid-eighties most Prescott High band members cheat on the terminology test, since Mr. Madison can’t see past the front row. Brass and woodwinds retreat toward the percussion section, sit with answer keys on their music stands. Percussionist Colin Andrews sits alone, no cheat sheet, scores a 96%. All three percussionists, Colin, Danny Gabriel, and Liz Reynolds, live in Perch Hollow Trailer Park. Colin gets it: growing up on the poor side of town naturally makes them want to pound the shit out of something. Liz lets all the neighborhood boys practice on her in her father’s shed; they

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JUSTIN ISIS RECOMMENDS – Neo-Decadence: A Wardrobe Tour

Relax, for the moment. Your enduring boredom with contemporary art, writing and poetry results not from the sirenic tug of allegedly competing media, but from the soporific stupidity/sincerity to which most artists, writers and poets have willingly reduced themselves. Is there a solution? One often wishes to fall at the foot of AI and implore: “PLEASE, dear statistical large language model, with saintly expeditiousness, render these arriviste mediocrities obsolete, financially and culturally! We’re sick of hearing their ‘raw’ and ‘authentic’ thoughts as they froth themselves into a lather of cliché over representation, compassion, empathy and all other vanities worshiped by

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THE ARTIST by Ruby Zuckerman

A––––– hasn’t been anywhere, or seen anybody, since her unemployment money ran out. Iron wind chimes jangle when she knocks on the door, and jangle again when it opens. Someone named Sara leads her to a table in the center of the shop. Sara is wearing a cloth mask with a red and white geometric print, which makes A––––– feel self conscious about her own KN-95, like she showed up wearing a suit when Sara is just wearing a cozy sweater. Everything inside of the room is white, everything outside is gray. This makes any small moment of color extremely

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