Archives

COURT MANDATED THERAPY by Sage Tyrtle

Bill is not having flashbacks to Vietnam. Even though the shiny-haired psychiatrist says there's no doubt at all, even though the list of symptoms looks like his autobiography. Bill sits on the burnt orange couch. He looks at the palm frond wallpaper. He says in his most even tone, "No, I believe you're mistaken," and he's being careful because if the psychiatrist decides that he's a danger to himself or others then he could end up a Thorazine zombie like Harry Alessi up at the sanitarium. Bill clears his throat and makes himself look into the psychiatrist's eyes. Makes himself say, "But let's explore it further."

Bill is not having flashbacks to Vietnam. Yesterday, when Bill was kneeling on the floor at the local Goodwill, keening, he wasn't hearing gunfire. He couldn't feel socks that had been wet for so long they were disintegrating. His hands weren't dripping in blood. Bill didn't feel the horror the psychiatrist is telling him he felt, and avoiding places that remind him of the war won't help. When Bill was on the floor, shaking his head in response to the Goodwill manager who was pleading with him to leave, he was holding a Holly Hobby doll.

Bill is not having flashbacks to Vietnam. Yesterday, curled into a ball on the floor in the Goodwill, he was also in 1971, he was also back at the house in Munroe Falls. He was ripping his draft notice into a hundred pieces and flushing those pieces down the toilet. He was stuffing clothes into a duffel bag. He was emptying the Green Giant Frozen Peas box of his mother's pin money with a muttered apology. He was walking backwards on the highway, sticking out his thumb, muttering, "North, just north," to the drivers. He was thinking of his Canadian wife who bounced out of bed at 5 AM, who made up silly songs whenever she saw a bumblebee, who never existed. The tiny apartment they never shared in Montreal and their imaginary little girl named Judy. Who pointed at the picture in the book he was reading and said, "I am Sylvester and you are the Magic Pebble, okay?" He is mourning his nineteen-year-old self, his gentleness in the years before he reported for duty, Sir.

Bill is not having flashbacks to Vietnam. But he nods and nods and tries to remember how to grin in a way that is convincing. He shakes the psychiatrist's hand and promises to fill that prescription, doctor, and when he makes it outside he sits on a park bench where a pigeon flies over and looks up at him with bright eyes. He rips the prescription into a hundred pieces. He lets the wind take them.

Read More »

‘BLUE BANJO: THE HIRAM SADLER STORY’ DELETED INTERVIEWS by Bodie Fox

HAZEL COX (Hiram’s first wife): I was pregnant with our first the night he played the Russian Roulette. We was in a dive bar after a show in Lubbock, Texas—I’ll never forget the place, neither, ’cause it had a sawdust floor and the piano played itself. He was drunk, of course. Except for that first year we knew each other—from the day he walked into my music store to the night of our wedding—he always had something to sip on, whether it was a bottle of rye or a bit of sippin’ cream. 

He lost. But, in a way, he won. He survived. The bullet was only a .22. It went under his skin, ricocheted off his temple, bounced up and around his skull, and tore out behind his right ear.

HANK SADLER (Hiram’s oldest son): Yeah, Pa fought in the World War, the second one, even survived the Battle of the Bulge with nothing more than frostbite in his picking hand, which the docs had to cut out. They took his pointer and bird fingers. Still got em, though. Shoot, ask him about it next time y’all bunch head out to his house. Keeps ‘em up there on the mantle in a TOPS Sweet Snuff tin, all blackened and wrapped in frayed tissue. Likes to take ‘em down anytime he got company over. 

“SWEET TOOTH” (convenience store clerk in town where Hiram resides): I coulda done told youins how the ole boy got the Cancer in his throat. After all the business up at the Ryman, after they’d done blackballed him over the lawnmower, he stayed in town more and he drove down here every day for two packs of Winstons. Rain, snow, sleet, hail, he’s here. About twice a week, when I’m just about to leave for home to take my supper, he comes back in, stands on them tiles—those two sticky ones there—and gets him anotheren.

PARSON LYMON (preacher at Hiram’s church home): It’s always a good Sunday to see Hiram strut through those back doors, under the brick arch. Although, he’s late every single Sunday. I can’t recall a time he ever arrived before the hymn that leads into my sermon. We tried to work it out to where he could play backup banjo to the piano sometimes, something to encourage him to come early, but it never worked out.

HARRIET SADLER (Hiram’s eighth daughter): It’s not like he was around anyways, but, yeah, Mom—that’s Erin Massey, his third, dead now—left him. He came in roaring drunk one night and threw turtle stew at me for smarting off, something about how fat he’d got. Luckily he missed, and it splattered on the dresser that Mom kept in the dining room. What they had left, which isn’t much, was over after that. 

PARSON LYMON: Rambling man as he was, he always seemed to stay married. I officiated all seven of his weddings, but I think Hiram only counted six. He had one annulled on the grounds of incapacity. However, that argument could probably be made for all his marriages, except the one with Hazel; I know without a doubt that he was sober for the year before they tied the knot.

HUNTER SADLER (Hiram’s fifth son): If I ever wanted to see him, had to go to his shows.

LEE SHARR (former friend of Hiram’s) After that whole mess with the lawnmower on the Ryman stage, he was bored and sitting around with me in the carport most days, chain smoking Winstons, taking pulls off my rye. That’s when I suggested we should make Brunswick stew, give us something to keep busy. That’s the shit that he later jarred, labeled and sold as “Brunswick Blue.” Stole my recipe, the bastard.

HAZEL COX: He won’t admit it to you, but there wouldn’t be no Hiram Sadler without me. Sure, he was good, but he was in a bad place when we met. After they cut off his picking fingers, he about drank himself to death and it didn’t stop until the day he came into my music store, where I showed him a left-handed banjo, the one he bought, the one that made him who he was, the one with the blued head on it. He won’t tell you that I was the one who taught him to play again, play left-handed. He never even told them kids how it happened. Told ‘em that he taught himself to play over again. Bet he said the same thing to y’all folks. 

CLAIRE SADLER (Hiram’s second daughter): All of us kids seemed to get different Hirams. A few, like Hank and maybe Steff, say that he was good to them, and I think he tried with me, at least when I was young, but I wish he hadn’t. 

There was this one time: my school had a Career Day and I’d begged and begged him to come. I mean, what kid wouldn’t? He was Hiram Sadler, the living Bluegrass legend. When it was my turn, he wasn’t there and I did all I could to not cry in front of everyone. 

He was two hours late, but he came, smelling like rye. Mrs. Dubbie only let him talk because she felt bad for me. Didn’t bring no banjo. Didn’t bring no finger picks. Came dressed in his old fatigues and passed around his TOPS Sweet Snuff tin for all the kids to see.

Read More »

MOVEMENT STUDY by Amelia C. Winter

The only way they had was their nakedness. This and this alone delivered them through the many corridors of their pursuit: their innumerable stations of falling over and springing upright. 

Their eyes, their pupils, were open, bright, darting: brilliantly black-on-white. They were silent—mutists—but too antic for the soliloquy over the straitjacket. They were turned out of the asylums as quick as they were caught, hopped then over hedges and fences, scattering the hills. 

The realm of objects at all times tried to court them; its advances went unrequited. (That is what a prop is, said Marx: a thing that tries to dominate you and fails.) They were slippery as fish, and in time they were common as pigeons, though they never scavenged or roosted or even seemed to perch, and certainly they did not breed. 

Some were captured on motion picture cameras—but very few, and only by desperate pursuit. Stories were fitted to this footage at great cost. The dramatic scenes were done by costumed doppelgangers, all of whom later sat abed and drank, copiously—copiously.

When I say that they were naked, I mean that they were clothed, relentlessly and essentially clothed, even the tops of their heads covered with an inalienable hat. 

When I say that they were naked, I mean that some of those who saw them also studied them, wrote of them, but one would then be found giving suck to a piglet or taking a wife in legal ceremony and the arguments would fall apart. Even the poems of praise were outdated in weeks. 

When I do say that they were naked, I mean that they lacked the impression of weight and volume; one could chase them up, reach out and palpate their necks and yet feel no surer of them as things of real duration. 

But their real duration was discovered at last when they vanished. They came all at once, and they went all at once. It seemed they were to be nobody’s sport.

And then:

A man ran for a train and caught it. 

A man came into a secret and never told it. 

A man kissed another man on the mouth and got the hell slapped out of him. (He never lost his hat.) 

A man drove to the detention centre and detonated his bomb, then fled across a heat camera that tracked him. The heat camera tracked him live to a bog into which he waded out, in which he submerged himself, until his signature died. He was never caught. On the shore, by a tree, he left a ratty tramp’s coat.

These were tributes.

Myself: I have spoken to nobody friendly in months. I eat tuna-on-toast in my little brown garret and attempt to write. I spend my evenings laid up in bed, cold-calling people by voice-over-IP, trying to sell them insurance. 

When I go running—always by night—I imagine that I’m Eadweard Muybridge, of chronophotography fame, having just killed my wife’s lover. Muybridge was acquitted for that in 1875, but I live in a different time. 

When I think, as I run, of my wife’s dead lover—of my finger depressing the gun’s trigger, the bullet piercing his heart, of how he staggered backward into his bookshelf and conducted all his books, knick-knacks, and tchotchkes down onto the floor, on top of him—I know I’ll need to spend my life on the run—running in place against a black background—each minute movement an exquisitely-lit anatomy—a stationary plate of black-and-white impressions. 

This, too, I tell myself, is a variety of escape. Just narrowly.

Read More »

GREAT BLOOD by Zee Carlstrom

Every day, during his half-hour lunch break, Horace Median Dahl strolls along the ornamental concrete pathway that cuts through the center of Grace Hill Cemetery. During this restive walk, he eats his usual brown-bag lunch: a snack-sized sack of Doritos and a chicken and cheddar sandwich with BBQ sauce, the way his mama always makes it. 

Today, however, Horace strays from the ornamental concrete path and tosses his mama’s lunch into the garbage. Unencumbered by tradition, he strides down a weedy gravel walkway that takes him into a dark corner of the cemetery, devouring a tilapia salad sandwich and a can of ranch-flavored Pringles he purchased from a deli. 

He does this, makes these changes, because other things in his life need to change—bigger things than chips or lunchtime walking routes—and Horace believes he can start small and work his way large, hoping decisions are like atomic particles, minuscule molecules that, when combined, create universal shifts. The kinds of shifts that move a thirty-seven-year-old warehouse manager out of his mama’s spare bedroom and into the warm embraces of greater hopes and truer lovers, lovers of a sexual variety, with fascinating private organs and lips that taste, he imagines, nothing like BBQ sauce. 

The gravel path crunches beneath his Asics, a comforting sound as he meanders past the crumbling graves, far older and poorer than the grand monuments lining the central pathway. Beneath the yellowing oaks and orangish maples, he pops his Pringles’ top and inhales the new-can smell. Intoxicating and vaguely alluring. 

High on ranch-flavored dust and the potentiality of his future, Horace strolls toward a statue—a fat angel with a wreath of dead flowers on its head. Chuckling, he stops and observes the angel, which seems to stare into the place where Horace keeps his secrets. Then, he hears a lustful voice behind him.

“Hey there, big fella.”

Startled, Horace wheels toward the voice. There, on the other side of the path, he finds a middle-aged woman wearing a red-white-and-blue bikini. She’s seated on a gravestone with her arms resting on her knees, her head cocked, and her lips set with a curious smile. 

“I assume you’re here cuz of my Craigslist advertisement,” the woman continues. “And if not, then I’m wonderin’ if you’d like to be my baby’s daddy.” 

Horace nearly drops his chips but holds fast to the can. He studies the woman. She is not particularly attractive, but still out of the league he has come to accept as his own. Flesh bunches around the edges of her patriotic bikini, and her nose is the size and shape of a parrot’s. And yet, regardless of these and other shortcomings, Horace is drawn to the woman’s countless folds and ripples, and the question of fatherhood echoes in the meager vaults of his masculine mind.

The woman sighs. “Judgin’ by your obvious surprise, I’m gonna take it you haven’t read my Craigslist post. If that’s the deal, please lemme explain—” 

She does explain, and Horace listens, nodding and smiling while the woman makes jokes about her father’s death, his kooky last request, his alarming insistence that she preserve their ancient bloodline, their ancestral greatness, the Knights Templar and the Freemasons, Benjamin Franklin and Joan of Arc. She says her first name is Guinevere, her last name is Magdalene, and her father specifically requested she breed a heroic descendant on his grave, taking as her mate an average stranger with poor eyesight and questionable prospects. 

“I know it all sounds a little nutty,” Guinevere continues. “But your glasses are pretty thick, and your shirt’s too large, so I’m assumin’ you meet my daddy’s requirements.” 

Horace stress-chews a mouthful of Pringles and swallows with difficulty. “I do.” 

“Super.” Guinevere smiles—warm yellow teeth—and unties the strings binding her bikini bottom. With a flick of her wrist, she exposes herself. 

Mortified, Horace averts his gaze, turning back to the fat angel with the dead flowers on its head. 

“Oh my God,” he mutters. “Oh my God, oh my God, oh my God.” 

“Relax.” The woman lays back on the grave and stares at the sky. “You got this.” 

Horace shifts on his feet. He looks up and down the gravel path. Surely, there are hidden cameras in the bushes. Surely, this is not happening to him in real life. But then, it must be. He’s never had a dream before, not even during the day, and this is all too imperfect for fantasy. Too impossible. 

“What are you waitin’ for?” murmurs Guinevere. “I’m offerin’ you everything.”  

“I’m coming,” Horace whispers, stumbling forward, unzipping his khakis with his non-Pringles hand and wondering what mama would think if she knew he threw away her sandwich, her chips, her kindness.

“There ya go,” Guinevere coos as Horace climbs onto her body. “It’s only weird if we think about it.” 

Horace clears his throat and avoids his thoughts. He drops the Pringles can into the grass. He does his best. Long seconds pass, and he tries to breathe through his nose, sparing Guinevere his fish-tinged breath. He moves like the men he’s seen in the videos. He moves like a man worthy of responsibility. He moves like a hero with a future, a house of his own, a life worth living. He grunts and struggles, and Guinevere sniffs and coughs. 

“This don’t mean nothin’,” she mutters. “This ain’t for you or me.” 

“I know,” Horace gasps, willing his body to cooperate, envisioning his eventual child. A genius, perhaps. A titan of industry. An eminent world leader who will forget his father entirely the way Horace has long tried to forget his own. 

“Oh God,” Horace hisses. “Oh God, help us all.” 

“Why you cryin’?” Guinevere asks, tenderly, but it’s too late. Lunch break is over. The Pringles are finished. Horace can already feel himself deflating, the great urge dying, the chance passing like time.

Read More »

ROBERT KLOSS on film with Rebecca Gransden

Can you talk about the influence film has had on your writing?

A lot of my writing is me trying to translate aspects of film to my work. Various shots, sounds, atmosphere. Using film as a basis, rather than say using reality as a basis, or other books as a basis, means starting with another artist’s aestheticized version of the world. What I see in my mind when writing then is framed, lighted, shot, so on, like certain scenes or moments from films I admire. Then I try to translate it. The silences, black and white faces, gusting wind of Antonioni or Kurosawa, for instance. 

The impossibility of it is sometimes frustrating, almost painfully so. But the impossibility of it is also why I allow myself to do it—the failed translation allows it become something closer to my own.  

What directors, film movements, or particular actors have been an influence?

Filmmakers who are particularly good at sliding between reality and dream have shaped my writing: Wong Kar-wai, Carl TH Dreyer, Ingmar Bergman, David Lynch, Apichatpong Weerasethakul, Andrei Tarkovsky, Werner Herzog, Paul Thomas Anderson. There are others I’m leaving out, but those have been the big ones over the years. 

Are there films that are reliable for inspiring your creativity?

I don’t think so. I wish I could count on tapping into something whenever I need a burst. But I need things to happen more organically, more surprisingly. I can’t impose upon a film in that way or impose upon my process in that way. It has to emerge. 

Have you ever made a film? If so, has the process of doing that had an influence on your writing?

I have not. For a long while I wanted to, really wanted to, because film seemed to embody more closely what I wanted to achieve in writing. At one time I think I could have done it. My brain now works so differently than it used to. I’m not sure if it’s aging or what. It takes me so long to muddle through. Things don’t occur to me like they used to. I can’t see them as clearly. It takes me so long to get anywhere. I have to fail, fail, fail, fail before something takes hold. There’s no vision, no certainty, no direction. 

Can you give some film recommendations for those who have liked your writing?

I’ll give a list of some films that I admire that I haven’t mentioned. Mostly recent favorites. Most anything else by these directors would work as well.   

Zama (Martel), High Life (Denis), Personal Shopper (Assayas), Decasia (Morrison), The Wolf House (Leon and Cocina), Horse Money (Costa), The White Ribbon (Haneke), The Favourite (Lanthimos), The Lighthouse (Eggers)

Read More »

THE SHAPELESS by Gregory T. Janetka

When they told her how the body had been found thirty feet from the road by prisoners who were scouring the gutter for trash, the only thing she could think to ask was if there was any way to save his sperm. The police did their best to express their regret in broken English but she didn't hear a word, lost as she was in the minute details of DNA harvesting. Months had passed since then, or was it years? Maybe it was yesterday, who could tell? His body's blueprint might be gone from this earth but in its absence came flashes of body parts throughout the apartment: a forearm in the refrigerator, a jaw bone on the nightstand, a left leg—no longer able to support its own weight—crumpled up on the closet floor.

Neither had wanted a baby but the dream of reanimation, of scraping blood from the overgrown grass where he fell, only grew stronger. This life—escaping their country, building something new, traveling unsettled and joyful, burning bright and leaving their bloodlines to die—it was all they ever wanted. Their plans, never codified beyond such romantic ideals, were filled in as the need arose. When there was nowhere to live they bartered for an apartment, when they ran out of money they took the first jobs they were qualified for—he as a courier, her an English teacher. He enjoyed learning the city and surrounding towns on his bike, but hers was a hollow means to a paycheck. None of her coworkers had any higher ambition, any dream, any reason to live here other than survival. But to be fair, inspiration was a useless quality when students wanted nothing beyond a basic proficiency in the language that had come to dominate their own.

#

“Donorcycle.” 

That's what the nurses called it, at least until they learned she was an American. After that, they didn't speak at all. 

"Another donorcycle accident..." 

She looked up the phrase. It wasn't a mistranslation but slang, a term to denote the propensity of healthy young men with healthy young organs to die riding motorcycles. It was a phrase accompanied by an eye roll that easily wrote off his entire life.

News of his death brought no word from home. 

Home. 

It was as silly a term as donorcycle. Home was where she came from, where she'd been stuck, like a bus terminal. With nowhere else to go she remained in the one-bedroom apartment, unsure where she'd find the next index finger, shoulder, or vertebrae, while his scent grew weaker and weaker.

#

Drowning out the silent apartment with an indecipherable TV soap opera, she lit the stove, put oil in the pan, and dropped in a dozen shishito peppers. It was the last thing she expected to find in a market in the Madrid countryside. One in ten was hot, they said, like Russian roulette. 

Tossing the plastic bag into the trash she watched it fall on a fresh, pink human kidney that sat precariously atop a pile of torn junk mail and broken egg shells. Thinking nothing of it, she closed the lid as the doorbell rang. Every knock, every noise might be him—they never did let her see the body—but would he appear standing tall, his 6 3 frame looming over her with the comfort and safety it brought? Or would it be the pile of mannequin parts that were left by the roadside? 

At the door was neither, but rather a perfect circle that looked as if it were cut out of wax paper, hovering in midair. It moved forward with no deliberate speed, disappearing when it came into contact with her chest. As it hit, she felt the coarse sand of the Jersey shore beneath her toes, smelled the nitrite-rich, overcooked hot dogs of the boardwalk. Nothing else appeared and she closed the door.

The peppers popped and screamed, filling the place with choking black smoke. She removed the pan, turned off the gas, and threw open the small window high above the couch. Despite being hundreds of miles inland, salt air roared into the room. The sand beneath her feet shuddered at the taste and turned to mud, bringing with it the smell of fresh tar baking in suburban sunlight. She fell to the ground and rolled in the substance like a happy baby pig, unaware of its future. As the brown-black mess seeped into her skin she thrashed about, searching the muck for hidden body parts as if on a game show. Finding none, she fell onto her back, exhausted, and listened as the sound of crashing waves filled her ears. A rectangular column of water squeezed through the window like Playdoh, hung suspended for a moment, then rained down. It stank of dead fish and tasted like iced tea. Her belly full, she extracted herself and closed the window.

She stirred the peppers and watched the legs of oil skirt the edges of the pan. Grabbing one by the stem she bit down and her mouth swelled with heat and spice. When her throat hollered for relief she grabbed a second pepper. One by one she made quick work of the dozen, every one hotter than the last. Sweat poured from her forehead, armpits, and under her breasts. 

#

The heat subsided, the smoke dissipated, and the water dried. Seated at the desk she stared past the blank computer screen to the space where a nothingness planted and grew fruit, colorless, tasteless and unsatisfying. She took out her phone and dialed his number—still disconnected. It would be reassigned one day. Feeling her belly, she dialed another number and walked outside. The stars, filled with lightning, pulsed as if in a power surge.

"Hello?"

"Hi mom."

"Dena. What is it?"

"Mom...I'm pregnant."

"Pregnant? What do you mean pregnant? Who could possibly be the father?"

"Everyone. Everyone in the whole world. Everyone who ever was and ever will be. Isn't it grand?"

Before her mother could answer she threw the phone to the sky. As it climbed and climbed she felt her belly again and watched as the phone joined the stars.

Read More »

SQUAT STANDS by Richie Smith

The high school gym was filled with jocks and weight lifters and I didn’t fit in with any of them. People like Irving Ackerman, the strongest Jewish kid in the school. 

Irving didn’t know me. I lifted the lowest level of weights, but I resolved to change this. I was going to work out to grow big and strong.

I found a body building program in the back of a comic book.

“Universal Body Building” had the logo of a muscle man hugging a sexy woman and promised to send me weekly lessons which would transform me into a hunk of muscle.

In order to start the program, I needed squat stands. 

“Dad, can you buy me squat stands?” I asked the next morning at breakfast.

 “Squat stands are expensive,” he said, biting into his English muffin. He drank dark liquid that wasn’t coffee. He didn’t understand the importance of body building, but by the time he finished eating, he realized I was disappointed.

“Maybe you can have squat stands for Hanukah,” he said when he got home later that night. “I’ll see if Dan Lurie has them.”

Dan Lurie was a bodybuilder with a retail store in Canarsie.

“Can we get the stands tonight?” I asked, as if squats were a life-saving intervention.

It was the last night of Hanukah, 6:15 PM on a weeknight and the store closed at seven.

For some reason, perhaps guilt, my father agreed and we sped on the Belt Parkway to Dan Lurie, weaving in and out of lanes at a high speed so I could get squat stands.

Unlike the shining stainless steel squat stands I had seen in various gyms and at school, these squat stands were flat black with square bases that rattled on our uneven basement floor.

I started the Universal Body Building Program, but couldn’t keep up with the lessons or the twelve dollar monthly payments. Even though I had squat stands, I still had weak quads, and soon, I also had a collection agency coming after me.

I did squats for a few more weeks on my own and then moved on to smoking pot instead.

I spent school days getting high, but I still wanted to get strong. I still had a man crush on Irving Ackerman, now a senior and possibly the strongest Jew in the world. He was musclebound from all the furniture he lifted at his father’s store: Ackerman’s Eclectic Antiques, one of the famous high school dozen that could bench press the entire rack. He gave up wrestling to become a body builder.

Sometimes I followed Ackerman in school. I admired his Herculean walk, the wide lats and bulky thighs that never allowed him to bring his arms or legs together. He seemed the perfect person to lift weights with, if only I could get him to notice me. 

My only hope to gain favor with Ackerman was a scaly one-eyed kid with a limp named Gallo, who hobbled alongside Ackerman like a pilot fish. Gallo also happened to sell pot, so one day when I was buying a joint, I asked if he ever lifted weights with Ackerman.

Gallo looked at me sideways, compensating for his glass eye. “We lift all the time, man.”

Gallo didn’t seem muscular but he was tough. “You want to lift with me? You’re not going to be able to lift with Irving until you bulk up a little.”

I hesitated, not wanting to be alone with Gallo, but I realized this was probably my only chance.

“I’ll lift with you,” I said. “You have weights?”

“Of course I got weights. I got lots of weights. More than you can ever lift.”

“Should I come over after school?”

“Sure, come the fuck over. If you don’t mind cat piss. I got cat piss all over the basement. That’s where the weights are.”

“I’m allergic to cats,” I said thinking about the horrible smell of cat piss and Gallo actually looked pissed although I couldn’t tell if he was looking at me. He was one of the few people I knew who would actually look better with an eye patch.

“You got weights?” he said finally.

“Yeah, I have weights but I don’t know if there’s enough for you. How much you lift?”

“I lift lots. What you got?”

“I don’t know, maybe one sixty.”

“That’s weak. Smith, you’re pretty fucking weak.”

“I got squat stands.”

“I’ll be over at three,” he said.

After school, Gallo showed up at my house in a leather jacket reeking of pot. His dress shirt underneath was unbuttoned to reveal a gigantic metallic cross. He limped across our foyer in sweatpants without underwear.

I introduced Gallo to my mother and he winked at her with his glass eye.

I showed him the weights in the basement.

“Vinyl weights? That’s so weak, Smith. But I like the squat stands. Fucking Dan Lurie. You know, he was supposed to be Lou Ferrigno’s understudy for the Incredible Hulk.”

“Cool. You ready to lift?”

“I need a ruler,” Gallo said. “I gotta measure the handgrip position and make sure it’s even on both sides.”

“Richid can I speak to you?”

I hated being interrupted by my mother.”

“Mom, do we have a ruler?”

“Richid. Come upstairs.”

I left Gallo behind to set up the weights and went upstairs.

“I don’t like the looks of that kid,” my mother said.

“Mom, stop judging my friends.”

She handed me an envelope. “You also have mail from a collection agency.” 

I lifted weights with Gallo for over an hour and we didn’t lift much. After each set we had to wait while he painstakingly measured the distance between hand positions on the bar.

“You don’t want it uneven, otherwise one arm will be stronger than the other,” he said.

I didn’t criticize Gallo, but I had watched Irving Ackerman lift and it only took him a minute between sets. Maybe that’s why Irving was huge and Gallo wasn’t.

I decided this would be the last time we would lift together but Gallo called me the next night and the night after and every day asked if we would lift after school. My mother continued to complain that he was a creepy kid and a bad influence, and despite all the lifting I never got any bigger because we spent most of the time measuring our hand positions. I was afraid to tell Gallo to stop calling me, so I went along with it until one night when he called, instead of asking me to lift, he asked if I wanted to go to a party.

I said yes but made the mistake of telling my parents.

“You’re not going to a party with that kid,” my mother said at the dinner table.

My father grabbed another lamb chop. “Which kid?” 

“The kid with the weights,” said my mother.

“You mean the kid that comes over every day? The kid with the cross and the glass eye who refuses to wear a jock strap?”

“Yeah. That kid.”

“That kid means trouble. Forget about it.”

 “That kid is best friends with Irving Ackerman,” I said. 

Everyone knew Irving. At least everyone Jewish did.

“Irving’s huge,” said my father. 

“That gentile kid doesn’t look like an athlete,” said my mother.

“Irving’s an athlete,” said my father. “He’s a wrestler. He doesn’t have collection agencies coming after him. I don’t want you going to any parties. Have the party here.”

“No way,” I said and stormed away from the table. 

But, I thought about it. If I had a party, Irving Ackerman would most certainly come, and he would see my squat stands. Hopefully he would be impressed.

“I’m having the party at my place,” I told Gallo the next day. We were on the exit ramp where the cool people in school smoked cigarettes. I didn’t smoke cigarettes but speaking with Gallo gave me an excuse to hang out there. 

“You think people will come?” I asked, but I was really referring to Irving Ackerman.

Gallo blew smoke out of his mouth sideways, in the opposite direction of his drifting glass eye. “People might come,” he said. “Will your parents be home?”

“Of course not,” I said, preparing for the argument with my parents.

“We have to be home,” said my father. “Otherwise it’s illegal for you to have a party.”

I knew this wasn’t true.

“We promise not to bother you,” said my mother.

“I just have to warn you,” I said. “Some of the kids smoke cigarettes, and there may be beer there.”

“We weren’t born yesterday,” said my father. “Just use common sense.”

Unlike the parties these kids were used to, I presumed my house was different. I had “a finished basement.” They were used to sitting around on bridge chairs next to an oil burner.

I set up the stereo I earned as a gift after my Bar Mitzvah, with the turntable on top and the 8-track cassette player. 

My mother wanted to hang crepe paper decorations. I nixed that.

“It’s a party for cool people,” I said. “Not a sweet-sixteen.”

I was delighted to see how quickly the tough kids swarmed in. Soon it was smoky, loud and crowded.

At the peak of the party, and fashionably late, Irving Ackerman arrived with Gallo limping down the stairs behind him.

Irving Ackerman saw everyone guzzling Rolling Rock and Miller light. He saw the bucket of Alabama Slammers I mixed in a garbage can as well as Theresa Milliken vomiting into a paper bag in the corner of my basement. Immediately he smiled.

Gallo pointed at my squat stands and Irving nodded his approval.

I handed Irving a beer and he shook my hand.

I blasted Emerson Lake and Palmer.

Welcome back my friends to the show that never ends. We’re so glad you could attend come inside come inside.”

 Joey, the biggest burnout in the class, asked Gallo to watch his beer while he was taking a pee.

Gallo nodded, placing the bottle on the table next to him. “Yeah, I’ll keep my eye on it,” he said with a laugh, and reached to yank out his glass eye—but Irving stopped him.

Doors slammed.

People made out. Everyone smoked weed. There were joints and pipes and even a bong.

Joey switched on Black Sabbath, sandwiching his head with my Bar Mitzvah speakers blasting Iron Man into each ear.

Things spiraled out of control.

The smell of pot drifted up through our wilting ceiling.

People fought to get into the small basement bathroom pounding on the aluminum shower and it sounded like thunder.

In the laundry room, someone made a torch out of a can of Wizard toilet spray, singeing my mother’s negligee.

Kids carved their initials in the bathroom door. Someone shellacked my father’s college pennant. Foam rubber torn from our couch rained like confetti.

Out of desperation, I went upstairs to seek advice from my parents.

“What the hell’s going on down there?” asked my father. “Are people smoking marijuana?”

“I’m not sure,” I lied. “Maybe.”

“Everyone has to leave now.”

“I can’t just ask everyone to split,” I said. “It’s the middle of a party.” 

“They’re destroying our house.”

Ending the party seemed very uncool, but I knew my parents were right.

“If you don’t ask them to leave,” my father said, “I will.”

My mother shrugged. “Just tell them someone called the police.” 

“Yes,” said my father, “the cops are on the way.”

I spread the word.

“The pigs are onto us,” said Gallo. “Party’s over.” He and Irving were the first to leave.

Eventually everyone was gone, except for Tomlinson, a short, shy kid still hiding in our cedar closet. My mother dragged him out by the ears.

The basement simmered like a crater after a mortar blast.

That Monday after the party I was kind of popular at school. I had trashed my entire basement and supposedly the cops visited. Apparently this met the very definition of a cool party.

I hung out with the smokers on the exit ramp between periods and some of the cool people even acknowledged me.

A car screeched in the distance, tires shredding over asphalt and Gallo pulled up in his souped up Camaro. The passenger window lowered and Irving Ackerman waved me over, tan and handsome in sunglasses. Up close, the leather of his jacket was soft and grainy, a much higher quality than Gallo’s. He was drinking a beer.

“Great party, Smith,” he said. 

A compliment from Irving Ackerman.

“Thanks for coming,” I said. “It was a cool time.”

“Very cool,” said Ackerman. “Here,” he said. “Finish the beer. We should lift sometime.”

“That would be great,” I said holding the beer as the car screeched away and for the first time in a while, I felt oddly victorious, even invincible. 

But fifteen minutes later I was suspended for the possession of alcohol on school property; suspended for holding a beer handed to me by the one kid I truly idolized.

And three months after that, Gallo was on the local news, arrested for trying to steal a safe from our elementary school.

I never lifted with Ackerman. A year later I left for college and my parents gave away the squat stands.

Read More »

CALCULUS by Calvin Westra

Last to first, his girlfriend dumped him, he did not get the job, his accent sailed out the window of my car, and he sneezed harder than I’d ever seen before.

It was an incredible sneeze, the kind that has you spitting and slobbering over the windshield, catching your breath, feeling like something knocked the wind out of you.

We watched as the accent flapped over the median, through oncoming traffic, and off among the tumbleweeds.

I said, “Is that what I think it is?”

And he said, “Yeah, that’s right. My accent.”

It was a horrible accent and I’d never before heard him speak without it. It was like he was trying to imitate some British politician or celebrity or it was like he was trying to imitate someone who imitated a British politician or celebrity.

If he got too excited it went all over the place. He’d be telling a joke and out of nowhere he was John Cleese on research chemicals.

But I had never heard him speak without it so I had kind of thought it was real.

We pulled to the shoulder and searched for the accent but it was a windy day and it was clearly not coming back.

“That accent is long gone, bro,” I said and he told me he couldn’t do the job interview without it.

I told him the airport Starbucks probably would not care if he didn’t have an accent. I told him he might even be better off without it.

I didn’t have to tell him how important getting this job was because, like me, he had been wiping his ass with old magazine pages for weeks. But I told him anyway and I reminded him that earning a paycheck would mean returning to the world of luxury, of on-demand toilet paper.

He had gotten up early that morning, before the sun had dragged itself out, and he had been slamming all of our vodka and referring to it as “morning vodka.”

He had also smoked the last of our weed, taking massive hits out of the ice cream maker he had fashioned into a bong.

On top of that, we had pooled all of our change and used it to buy almost a gallon of gas.

And here we were, on the side of the highway, considering turning back.

He somehow knew he wouldn’t get the job but I didn’t believe him so I drove him to the interview anyway.

He was right, he didn’t get the job. He swore to me his whole life was over now, without the accent.

Next his girlfriend dumped him.

She called him mid afternoon the next day and told him she wanted to take a break. The last few times she had been at our apartment she had complained about things like how we didn’t have toilet paper or that he smelled pretty bad and wouldn’t ever shower, even when she hinted at it politely. He smelled like old socks (her words), ground beef (my words), and weed (objective).

“It’s the accent,” he told me. His eyes were huge and wet and red. He stared a thousand miles into the future and explained to me that without the accent all he would ever be to people was his stutter, his GED, his greasy hair, his inability to read social nuances, and so on.

He told me that I could not fathom all the things he knew about Calculus, while I sat at the desk we shared, trying to fill out my own job applications.

Hand to God, brother, I know unfa-fa-fathomable things, is exactly what he said and how he said it.

He had this job application on the desk and it had little boxes for your education: where you went, the years you went there, your graduation date, and your major. In hard to read cursive he had written his high school major as Calculus.

In reality, he never finished high school. He had dropped out because “it was just fights and bullshit.” If you didn’t want to eat shit every day you got your GED and that’s what he did.

Since I had first moved in with him, he had spent every afternoon scaring up weed at the park.

It took him all day but he could show up with whatever change he found in the couch cushions and hustle people for stems and seeds, for residue, for whatever. He would huddle over park benches and playground equipment waiting for people to pass him by. As soon as someone neared him a disconnected sentence would shoot from his mouth and straight into the mind of the person.

He could say anything he wanted. He didn’t even know what he was saying. But words slipped past his crooked and broken teeth and fluttered on the breeze, gently rocking and waving through the air until they found the right angle to slip into some bystander’s brain.

And what do you know, sure enough, that person had come to the park specifically to buy whatever stems and bullshit he was trying to sell for ten dollars or they had crossed town specifically to sell him whatever random shit weed excess they might have in a baggy somewhere on their person, for whatever change he was offering.

People served him for whatever pennies and nickels he was holding in his outstretched hand. People bought whatever weed-adjacent garbage he was offering at whatever price he named. He could talk the sun into orbiting the earth, so long as he didn’t think about it too much.

Back at the apartment, we smoked whatever he had scavenged. His fingers always spilling out of his hoodie holding “one last roach” that formed from the dust in his pockets.

“You can’t even fathom all the things I know about Calculus,” he says. He holds accumulated quantities. We smoke the weed his patience buys.

First to last, he explains to me he needs to get his accent back and then he’ll get a job and then he’ll win over his now ex-girlfriend.

He calls her, briefly manic, to tell her how he is going to track the accent down, somehow inhale it back into his being. But she never returns the calls.

He turns depressive, withdraws, sits quietly with the ice cream maker in his lap, inhaling forever and then trying to talk to me about the accent with a lung and a half of smoke tumbling out as he does.

He draws imperceptible lines between how hard he sneezed and the way the hiring manager fixated on his GED. He stuttered too much, he admits, but only because he was nervous, only because he couldn’t stop thinking about his accent jerking around in the breeze like an abandoned bag, like a helium balloon wrestled free of a toddler’s grip.

He explains scientifically how all this bullshit is because of the accent or its absence and if I have questions, he says he isn’t explaining it well, the words just aren’t there. But there is truth, he promises me, to what he is saying.

It’s the accent’s fault or the mad winds that propelled its send off.

Those mad winds or the gods who sent them.

Those gods or maybe us, the bastards who named the gods. If he doesn’t think too hard while he explains, it makes a sense too perfect for me to even write.

Read More »

HOT SAUCE GLOW by Jody Rae

Is it true we’ll spend the next nine months across worn-down Neapolitan-chocolate-brown carpet that we tell ourselves we’ll cover with a rug, but never do? The cinder block walls are painted dried vanilla ice cream on warm pavement. Like a wound that won’t heal, the thick drapes won’t close all the way and they bleed a strawberry sunset over Wide Open Spaces, an autumn-tinged campus and the regal-yet-defunct Boise train depot. 

For a split second, I think you are giving me the cold shoulder when I come home from class and you are asleep with your eyes open and, yes, it is creepy. We never get enough sleep. Like a toxic love affair, we fight sleep and we crave it and we wrestle it and we yearn for it and we abandon it, and when we succumb to its gentle arms we never want to leave it again. 

How many nights will we spend under this popcorn asbestos ceiling that we drove thumb tacks into to secure our twinkle lights, talking late and vowing to hold each other fiercely accountable for the lives we want? Powerless to the sparkle lurking between shadows, we will go astray, wander into intersections and stumble into gutters, eventually finding our way back to what we wanted all along.

Will we remember the wall-mounted phone with the spiral cord you deformed while twisting it around your fingers, drunk-dialing your crushes and defending your Scottish name in a rapidly fading Canadian accent. Grayg? Trayv? 

There is a long line of boys outside our door for you, but before you go out on weekends, you leave sticky notes for yourself on the phone: Don’t Call [Current Crush]. And when you come home from the parties, you rip off the sticky note and crumple it in your hand while dialing. 

Will you ever remember taking the trash out? There is a garbage shoot down the hall, and I think, seven floors high, what a ride. We are very bad at taking out the trash, but we’ll get much, much better. 

You eat tacos from the top-down as opposed to coming in from the side. While earnestly and sincerely discussing angels and ghost theology, there is Jack in the Box hot sauce staining the corners of your mouth in an upward arc. While you speak, leaning close to my face, I think of the Joker. Years from now, I’ll learn about the Black Dahlia murder, and I’ll know exactly what a Glasgow smile looks like. Well, you are Scottish, after all. I’ll recognize the description of the image without needing to look it up online (don’t Google it). It’s Jack in the Box hot sauce without a napkin.

While I neatly arrange items on my desk like a still life painting, your desk displays unfolded laundered underwear, a case of diet coke, stray spiral notebooks and highlighters, Kraft Easy Mac dinners, and text books that never move all semester (they don’t need to). You wake before dawn to run stadiums with your soccer team, then come home to write a Women's Studies paper the night before it’s due. You’ll get an A.

We’ll tell each other a lot of things, but one thing I never tell you is that time I saw your crush at a party, cornered him on the beer-slick stairway, and threatened: “Heyyyyy, so good to see you, [Redacted]. Hey, listen if you ever Steal Her Sunshine I swear to god I’ll [redacted] and your mother will cry when she sees what I’ve done to you,” and his face went slack and, yes, it was creepy of me, but y’all hooked up anyway, and as far as I know he had zero power to steal your sunshine so, as far as I know, he remains intact to this day. 

One night, religious visitors three doors down come in to stage what looks like an intervention for our friend in the next room. They speak quietly, kneeling on the Neapolitan chocolate carpet, while we strain to listen over our homework. You twist your hair between your fingers, sigh, and open a package of Oreos. “Should I do it?” you ask. I nod, not knowing what “it” might be, but knowing you should absolutely do whatever “it” is. You scrape Oreo cream onto your fingers and step into the other room where our friend is being held hostage by prayer warriors. With a straight face and steady voice, you hold out your hand and say to our friend, “Um. Josh stopped by to say hi, and wanted to give you this.” 

I nearly pee myself. The prayer warriors think we’re on crack, that’s how hard we’re laughing. You fasten a bra over your eyes, blinding yourself, and hop like a cricket through the hallway, knocking the wall-mounted phone off the wall. “WE’RE NOT ON CRACK!” you yell. The prayer warriors leave soon after, tiptoeing past as we wheeze and writhe over the chocolate ice cream floor. Our friend comes over to our side and says, “You’re dead for that,” and snags an Oreo.

These will be the happiest nights of my first eighteen years of life — this pocket of acceptance I can come home to, in between classes and meals and study labs. You say you love my red Hurley hoodie, so I’ll ship it to you someday. I’ll sip hot cocoa in a navy waffle knit maxi-skirt, rolled low at my belly, and in that moment you’ll startle and say that I remind you of a beloved Aunt. I will wish for time travel again and again over the next decade, if only to go back to that dingy, cozy laugh haven.

At a toga party, we wear matching sheets covered in blue and gray stars over jeans and tshirts, and a stocky football player mistakes us for junior highers. “Fuck you! Fuck you!” you yell at the offensive lineman who will be accused of rape soon. I laugh hysterically because I can’t fathom becoming an adult, plus my mouth is filled with braces and my hair is braided. Let’s go, girls.

Spring break that year, you come home with me to Santa Cruz. My mom drives us all over, and we wind up in Carmel-by-the-Sea, where we shriek at $1500 tshirts and then pretend we already own one. At a drugstore, we wait in line to buy Advil or something when you sigh and ask me, “When does Daddy want the Jag back?”. I say five. It is 4:50. A smartly-dressed, gray-haired woman ushers us to the front of the line so we won’t get in trouble with our fake father. We quickly pay and race to the parking lot, ducking in our seats while yelling for my mom to “just drive” her Toyota Tercel like a getaway car. That night, we watch “Brokedown Palace”, and I, for shit and all glory, would one hundred percent sell myself out to release you from a Thai prison, no matter the charge or sentence. Later, my mom says, “She’s just so witty”. How does one become so witty?

This was your idea: We’re with Holly in the drive-thru line at a flagship JBX, remember that bullshit?. Boise is such a hot drive-thru market, we warrant a hipster analog Jack in the Box, I’m so sure. Yet here we are, waiting so long, creeping toward the speaker box like a car full of would-be “SAW” victims. “How many tacos? Hello? Hello!” You’re out cold, sound asleep, a serene smile plastered across your glowing face.

Is it true that I won’t laugh this hard for another eight years? Yes. 

You always wanted to have two little girls. You have their names picked out. I always wanted to read a newspaper in my writer’s bungalow among mature trees, with eclectic throw pillows and a large hanging star lantern. 

We are very good at manifesting.

Read More »