Dallas Jones tweeted. The fear washed my wrinkles in goosebumps. I Know What You Did Last Summer now as predictable as rain. I am my brother maxing out his credit card. American Psycho is being remade. I am my father wondering about the vote. Idiocracy now a prophetic tale. I am my mother cleaning dishes for different reasons. Lord of the Rings lives on forever. I am the door to other lives. I scrolled.
we didn’t even know we were in a rickshaw-type town, but it was a good thing we were, being out of time & money & the rickshaw seeming quicker than walking & like a pay-what-you-can type operation. we were already confused on so many levels – in a real uncertain bind, our heads bouncing along the ground behind us. we didn’t even notice the astronaut when we climbed aboard & about sat on him – as little as he was. but he said he didn’t mind the company, that he was just riding around for the ride of it &…
Grandma spoke to ghosts and refused her dentures. She’d shit herself and call us thieves. She said her dying was taking forever and that Grandpa stopped loving her, and both those things were true, but only because Grandpa was dead. At sundown, she’d turn werewolf. She’d call me Donald and flash her gums. I’d go to the garage, disturb Grandpa’s tools, taste corrosion; thumb old magazines, and smell decay. I’d sit amongst rot (avoiding the rot in Grandma’s brain) and tie knots in Grandpa’s sewing kit just to feel closure. Grandma’s mouth puckered like an asshole. She’d eventually miss Mass,…
Julia starts noticing David when he kills the fish in their bio classroom. The class finds it on the floor when they come in, stranded in a too-shallow puddle of water, tiny mouth open in a last desperate gasp. Like everyone else, David wears an expression of puzzled sorrow, his pale eyes wide with sympathy, but nobody besides Julia notices the spots of water on his sleeves. The thin trapdoor of his smile, flickering in and out of existence. So Julia starts noticing other things, too. She registers the curve of his lips, the cupid’s bow as pronounced as those…
The land holds its own weather for Shome Dasgupta’s collection, Atchafalaya Darling (Belle Point Press, 2024). The rhythms of Cajun country make themselves known in the richness of the waters, the sly grace of the fauna, and the down-to-earth sensuality of the cuisine. Ghosts step between the living, and memories breathe in the wind. Dasgupta addresses longing, grief and struggle, all the while infusing the stories with enchantment for the region. There is music to be heard for those who know how to listen. I spoke to Shome about the book. Rebecca Gransden: We begin at the end. The collection…
We look at houses with acreage and discuss their merits, knowing we can’t leave our jobs in the city. Talk like we have a second life to live. We stand in an open field, dark like it never is at home. The Milky Way appears as a band of light in the sky.
On tiger nights she wants sex as soon as she gets home. Even if you’re right in the middle of making dinner, no matter if the sauce is just setting up or the souffle must come out of the oven. “Who makes souffles anymore?” she asks. What can you say? This is a woman who’s been tending big cats all day, mucking out their habitat while they pace back and forth in their holding cells, running dry tongues over four-inch incisors as they ogle a pallet of deer-legs thawing in the sun. On the days when she’s on capybara duty,…
All the bodies of water below us are shining circles. They look up at me, like eyes.
Catfishing happens at night and the bait smells like blood and cheese. We fished for what felt like hours in a cloud of mosquitoes, and we only caught one fish. We pulled it to the floor of the boat, and I couldn’t believe it actually looked like a cat. It fought hard, flailing wildly. The man called it a beastly motherfucker, his foul language thrilling my sister Ellen and me. “You know catfish got tastebuds all over their bodies?” he said. “They’re just swimmin’ tongues. You lick one and he’s lickin’ you right back.” “Gross!” we screamed. “Why would you…
In my mouth, your name is silt and sweet freshwater, like the stream that bounded you and yours into that space the rest of the village didn’t dare cross. Yong’en—Yong—En—Yongen. 永 for forever and 恩 for a kindness. It must have meant my kindness; you have never been kind to me, my Yongen. When we were girls you would organize the other kids so that as soon as my attention flagged, they would peel away from me–your long hair and shrill laughter flickering on the wind at the front of the pack. It was a shock every time, a reminder…