EULOGY by Dan Melling

Derek came in sad-faced because Alastair’d died, said, Alastair’s dead, but I’ve not worked in seven months because the pub’s been closed, so I said, Who’s Alastair? Derek’s face got sadder, said Big Alastair, with the jewelry and I remembered him. He was a dickhead. I said, Oh yeah, and got Shelly over to talk to Derek, but Shelly wouldn’t care either. Alastair was a dickhead who always wore two watches and two thick gold chains and a ring on each finger and whistled when he wanted a pint and one time slapped a girl’s arse as she walked past….

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CLUTCHING by Melanie Maggard

Maybe you’re off the highway, cleaning out the deep fryer at a bowling alley in a college town in Virginia, the alleged state for lovers. You’re a boy in jeans and a Fresh Prince t-shirt, a short apron splattered with an eagle rising from a pool of blood. Townies and good ol’ boys order deep-fried chicken wings, burgers, nachos with canned cheese sauce the color of cantaloupes. They heehaw, drunk on Buds and Jim Beam, high on the split they just picked up in the last frame. You cringe with each dropped “g,” but we’re all dying, anyway. You’ve dropped…

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JONAHS AND THE WHALES by Avra Margariti

You tell me your father Jonah was eaten by a whale when you were a boy. Right before your eyes, you say. One moment you were fishing together in your old boat; the next, the beast breached, snatching your father between shadow-thin teeth as if he were bait. You had to row yourself back to shore. Your spindly arms took weeks to regain sensation. Your heart never did.   Is there a Jonah here? the delivery person asks as they hand me a loaded speargun wrapped in brown paper. Your name is also Jonah. The junior who will soon outlive the…

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THREE FLASH STORIES by Michael Haller

WORK   I answer a phone for the company. I sit behind a desk in a room and answer the telephone when it rings. When the telephone is not ringing I sit in my chair and wait for the phone to ring. When the phone rings I pick up the handset and listen to the voice on the other end, and when the voice is finished saying what it has to say I hang up and try not to think. Then the phone rings and I answer it. My boss tells me I am doing a splendid job, but I…

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GOTTERDAMMERUNG by Howie Good

Welcome to the Age of Autonomous Machines, where the brown bears of Kamchatka are cold, ragged, and hungry, and under perpetual ban, and rivers brim with jizz and blood, and fish have the twisted mouths of stroke victims, where saints travel incognito on New York City subways and God speaks to them in a gravelly two-packs-a-day voice, where a peeling billboard declares it’s time to look ahead to the past, when the public gallows stood silhouetted at dusk against a sky of faded red plush. & Blinking like a sick mole against the harsh white light of the desert, the…

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THE FLIGHT PATH by Megan Peck Shub

The morning my friend passed away—not a euphemism here, for passing is just what she did, through her protracted process, a slow shifting from life to whatever it is that is not life—some engineers launched a rocket at the Cape. I’d flown down from New York at 4 AM, but I arrived too close to the end for me to cut in, so I stayed at my parents’ house, waiting for the call.  That night, in someone’s backyard, my other friends and I, we stood there, conscious of our collective remaining behind. It was one of those suburban Florida backyards,…

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MICHAEL SEYMOUR BLAKE on film with Rebecca Gransden

What film, or films, made the first deep impression on you? Hi. I’m overwhelmed with the amount of responses I have to almost all of these questions. I’m terrible with stuff like dates and technical details etc. and I forget important chunks of information all the time, only to blurt things out weeks later during a conversation with an unrelated person who is probably in the middle of talking about their day. In other words, I will forget to mention movies that live in my heart. I will forget super critical moments. I’m gonna answer this stuff with whatever randomly…

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THREE MICRO FICTION PIECES by Cressida Blake Roe

Apocalypse Needs a More Exciting Plural Form Proposition One: The plural form of apocalypse isn’t nuclear fallout, environmental degradation, contagions, Horseman, acts of God, or St John’s Revelations. Instead, it sounds more like a woman fleeing in broken counterpoint to the screech of subway brakes and takes the shape of a fist slamming through a wall two inches from a child’s head: finales too small for the tabloid headlines, too colossal for folding away between pages, out of sight. *** The train didn’t stop in time. They said she didn’t mean to die. Her husband thought, in front-page letters three…

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YOU’RE INVITED TO MY MENOPAUSE BALL by Susan Hatters Friedman

The Debut Ball for Invisibility The family of _____________ (enter name of menopausal woman here) __   request the honour of your company at the Menopause Ball, in honour of her 51st birthday, to celebrate the “next phase” of her life. You attended her Debutante Ball when she was “coming out” to be pursued. Now, in Grandest Blue-Blood Tradition of the Magnificent Menopause Balls of yore—for the next rite of passage, she is “going back in.” Help ___________ celebrate this glorious time in her life, when she no longer needs birth control, Tampax, or responses to cat-calls. Join us as we…

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