X-R-A-Y Literary Magazine | Fiction

LOVERS by Michael Farfel

November 23, 2021 · Fiction

The two of them live in a small house that overlooks a somehow smaller lake. He has family money and neither of them have to work, but he finds meaning in his work (development—of what? we're not quite sure) and she writes poems. The house is ancient and the rooms are cold. They often lay in bed until long past midmorning, even sometimes past noon. They argue about who will make coffee, always finally decided by who has to pee first. It's usually her.

The house, which the locals say is as old as bones, is older. It is rickety and clicks and clacks and wheezes with every movement. When they make breakfast and he cracks the eggs, he cracks them ever so carefully so as not to upset the balance of the floorboards. When they fuck, in their small bedroom, on their nearly invisible bed, it is a cautious practice—albiet lurid, albiet lecherous. Any wrong breath or wrong leaning, any bad attitudes or misremembered lovers, and the house could crumble and fold them up between rotted joists and rust. Anything and that dear dwelling could diminish, tenfold. So they take precautions. And when he scrambles eggs he does so with loving kindness and when she pours coffee she does so slowly and they both take it black.

She’s known she wanted to be a poet since long before she knew anything. When she was a baby she almost never stopped crying. Her mother said in the first two years she was sure she had cried enough to fill an ocean. The only thing that helped, and her mother tried near everything, were books. The forests her father worked were always moving and there were rarely ever libraries nearby. So her mother reread their small collection. No children’s books. In fact, the one that did the best, not only kept her from wailing but helped her and her mother sleep on nights when her father took to drinking was War and Peace.

She's never read it herself, but did inherit her mother’s copy. Now when she has writer’s block, which is nearly always, she sleeps with it in their bed. Her husband found it endearing at first, but grew to hate it. Their bed is already so small.

She remembers very little of the story. It may not have even been Tolstoy that her mother had read to her when she was a child, rather some other’s opus. She swears she remembers endless wars and no small amount of confused young lovers, but couldn’t that be any work of art—any book ever written, whether stretched to its limit or condensed into some opaque metaphor?

She often tried to explain to her husband why she needed to sleep with the book. It was always a rambling mess—a jostling of non-philosophies and inclinations. Something about the beauty of brevity and how over time, the novel, War and Peace in this case, becomes less a literary object and more an interpretation of itself. And because of that, it's not so much the reading of a book that's important but the proximity one has to books—her argument always had kernels of clarity, but was mostly quite confusing. Always near the end of her tirade she would become flustered and swear off poetry and all things literary. To which her husband would say something like, “What about your poem about the frog? I really like that one.”

pale, little frog

on a lily pad

when I

looked up

you

were gone.

Occasionally he would peel the book out of her hands as she slept. Its corners often bumped into him as he tried to adjust. And on nights when she was under the full control of nightmares they’d both wake up with papercuts. She often woke up with a bruise the shape of the book against her chest. A blue-purple nightscape below her collar bone. A bad look, he’d say. Unhealthy. Whenever he got the chance, after she had fully succumbed to sleep, he’d pull back each finger—pinky, ring, birdie, pointer, thumb—and carefully unwrap Tolstoy’s tome and place it quietly on the bedside table.

Even if she just read the damned thing, he thought. To think of the book as just an object taking up room in their small house eventually drove him mad. There were days when it was all he could think about. During his morning coffee and his commute to work he’d picture it. The version she had, and often held, was old. The corners were all worn, nearly to the bone, and each page feathered at its ends. It was once lusterful, but now mostly gray and the words on the cover were blurred and in some places, completely erased. The thin paper was so translucent that it couldn’t even burn, he thought. Not even a spark.

One night, he decided it was time to get rid of it. Her quiet pale face was outlined and highlighted by the moon and the glow of the lake below. Her lips were held just open and revealed the whites of her teeth. Their criss-cross patterned bedsheets wrapped around her shoulders and her waist. A perfect moment captured, he thought. Beautiful, he whispered. And the book was free. He crept out of bed with it pressed against his stomach.

The lake, he thought, the one below their house that is somehow smaller than the house, somehow smaller even than their small bed, that’s where I’ll get rid of this damned thing. Tie it to a rock and throw it into the sea. He marched in the moonlight, briskly, but not so quickly as to alert the wolves. Just one foot in front of the other until he stood above the moonfull waters.

He had never opened the book before. In all the time they had been married and all the times he had pulled it from her hands, he never once felt compelled. Before he threw it into the water he sat on a black rock that half circled the lake and opened to the middle:

Napoleon...

He slammed it shut. “I’d rather not,” he said and pushed the book as deep into the lake as he could. Once the whole thing was submerged he apologized to the quiet night and laid on the rock and watched the new ripples ripple in the water until none were left. Over his shoulder their house looked so fragile. Its old timbers and forgotten windows shook with every wayward draft.

The next morning she woke up alone and overturned their room looking for the novel. First she took apart her drawers. Every article of clothing was cast across the room. Every small keepsake from her life that she had kept was pushed and rolled aside. Her father’s charms and her mother’s too, chucked. All the while, she called out for her husband. She checked her body for the memories of the book—no papercuts, no imprint on her abdomen. She checked the fridge and on top of every hanging picture and under every hanging plant, even in the percolator.

Have I been betrayed? she wondered. The man who I share with every ounce of blood I can muster? Could he, in his helpful, nasty way, his hopeful, nosey attempts at fixing, have betrayed my trust? Stolen my last connection, last bastion, last pillar? She shook with sorrow. The house was as unsteady now as it had ever been. She barely made it across the kitchen to her writing desk without tripping.

“That bastard threw my book in the lake, I know it,” she said aloud.

It took all her concentration to scribble him a note as the stilts and slats and timbers of the home wavered with her anger.

You,

Just as I was starting to understand it. Just as soon as I was prepared to get rid of it myself.I’m headed down to the lake to fish it out. If, by god, I retrieve it then all is forgiven. If not——I will feel awful for an awfully long time.

yours forever——

As she added the finishing touch to the note, a heart around her name, the house began its descent. At first their bedroom collapsed. Then the kitchen. Fire burst out of the oven and all the windows shattered. She folded the note. The ceramics in the bathroom ruptured and water jettisoned into the light fixtures and there were more flames. She placed the note on her writing desk and put her pen away. As she left and slammed the door the house let out a final, tired groan and ceased to be.

From the road, and perhaps from space, it was a spectacular scene. The house was quite old. Filled with lifetimes of sometimes happy, sometimes angry, sometimes nothing. Once it twisted up completely and its guts were discharged, a plume of blackness and redness erupted in all directions. Flames became a mountainscape and split the sky into stained glass portions. The intensities of the sun melted and reflected and chased each other through the hills. The lake evaporated and the trees wilted and turned to ash. Songbirds circled and mountain goats hid. There was a howling-crying sound that bore up from the earth as it swallowed what was left.

When the earth did finally settle, in place of the house was a greenness with the odd little flower here and there. And the lake, a crater now, had nothing but the book at its center. The smoke gathered into clouds and headed west. On the rock that half-circled the once-lake the husband and wife sat quietly.

An old man, a local, first on the scene after the dust had settled, said he had never seen anything like it. The two of them were shivering and telling jokes—covered from head to toe in dirt and falling pollen. He offered them a blanket and explained to them that they had survived something strange. He told them, and in later years, his grandchildren, that it shouldn’t have happened as it did. That the whole town knew the house would eventually fall, but not like this. He told the two that they shouldn’t have survived, that even the termites and the ants had been cremated. He handed them his canteen and they drank greedily. They thanked him and pointed toward the lake.

He made his way to its center and picked up the book. The cover and spine were nearly gone and most of the bulk of its contents had been melted and reformed into a rock.

“This yours?” he yelled back.

They shrugged and held each other close.

He sat with the object for a while and pondered it. Where it had once been something, it was now no more than a stone. He looked back at the couple, who were, to his mind, in some degree of shock, and waved.

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CLUTCHING by Melanie Maggard

November 21, 2021 · Fiction

Maybe you’re off the highway, cleaning out the deep fryer at a bowling alley in a college town in Virginia, the alleged state for lovers. You’re a boy in jeans and a Fresh Prince t-shirt, a short apron splattered with an eagle rising from a pool of blood. Townies and good ol’ boys order deep-fried chicken wings, burgers, nachos with canned cheese sauce the color of cantaloupes. They heehaw, drunk on Buds and Jim Beam, high on the split they just picked up in the last frame. You cringe with each dropped “g,” but we’re all dying, anyway. You’ve dropped into the gutter of loneliness, after dipping your toe in and realizing it feels just right. Here, now, things make sense, you’ve got orders and tasks. Your manager wants to crawl up your towering body and perch her fat ass on your shoulder like a crow, squawk in your ear while nibbling on crinkle fries. Sometimes while closing, you get lost in the cleaning and think: this could be it, all there is to life, every day an echo reeking of cooked meat and freezer burn. You’re in college, and they tell you the whole world is in front of you, places you will go, things you will see and do. But at 20, with maxed-out credit cards and a grand in engineering textbooks to buy, you keep hunting for the tracks of that dream. Your hands are burlap and chaps from bleach and scalding water. Your head explodes with formulas for lift and drag when all you want to see is space. Some days you sit on the tacky floor of the storage room, cry for the girlfriend studying literature six states away. You wonder if she’ll stay true, if you will. You finger the keys in your pocket and chew on how long it would take you to drive to her. She’s everything you need right now because she sees you as more than who you are today. She’s your best friend and you think of her alone in her apartment, crying while she spoons the pillow you slept on last summer. You breathe deeply and for a moment you smell White Rain strawberry shampoo. The bottom of this hole you’re in is round and smooth, but you devour it, you endure.

Crow Jonah Norlander

JONAHS AND THE WHALES by Avra Margariti

November 20, 2021 · Fiction

You tell me your father Jonah was eaten by a whale when you were a boy. Right before your eyes, you say. One moment you were fishing together in your old boat; the next, the beast breached, snatching your father between shadow-thin teeth as if he were bait. You had to row yourself back to shore. Your spindly arms took weeks to regain sensation. Your heart never did. Is there a Jonah here? the delivery person asks as they hand me a loaded speargun wrapped in brown paper. Your name is also Jonah. The junior who will soon outlive the senior. Or so I thought before your online order arrived, the anniversary approached. When you lie next to me in bed, you paddle like a dog in its sleep. You recite lines from Moby Dick, the Hebrew Bible. I’m grateful I hid the speargun and its harpoon in the garden among my sweet peas. When you hold my hand at night, you clutch it tight like a weapon. I won’t let the whale take you, you vow in the morning, but you won’t look me in the eye. It’s not me you see. Over breakfast you play whale song recordings, try to decipher your father’s secret Morse Code, tap-tap-tapping against wet stomach lining. Revenge, you say. You need to get revenge on the whale, rescue your father from its giant gut. It’s been twenty years, you tell me, the milky white of your eyes bloodshot fever-red. His matches must have long since burned to nothing, the minnow-diet shrinking his proud skeleton. His fishing vest a chilled rag, waterlogged. You need to kill the whale, slice its belly open; you need to get him out. While we stroll through the park, a volunteer asks if we’ll sign a petition to end whaling. You knock the clipboard out of their hands. When I watch the Star Trek movie about humpback whales brought back from extinction, you kick the TV in: tinfoil screen, fishing line wires. Women want me, cetaceans fear me, the hat you never part with boasts above the brim. We haven’t touched each other in months. I wake up in the middle of the night to find our bed empty but your side still warm. The speargun gone from my patch of sweet peas, trampled into muddy confetti. Cheery music emanates from the open laptop, a sea-blue aquarium ad playing on repeat. I drive through town, retracing your steps. The aquarium’s chain link fence has been cut open. Security guards sleep slumped one against the other, tranquilizer darts flashing like lures from the side of their necks. In the whale exhibit, the light is blue and oscillating. The ground rumbles with distant bellows. I spot you on the feeding platform, precariously balanced while the stunted orca below breaks the water’s surface. The beast regards you, sluggish, old. Your speargun falls limp in the water. It sinks fast. Impassive, the whale returns to the bottom of its clear-glass prison. You prostrate yourself across the platform. My arms, you cry, I can’t feel my arms. You dissolve into lament: My father, I can’t find my father. I know, I tell you, and think of the broken TV, and the trampled sweet peas, and the nine-year-old boy who had to row his guilt home.

Crow Jonah Norlander

THREE FLASH STORIES by Michael Haller

November 19, 2021 · Fiction

WORK

I answer a phone for the company. I sit behind a desk in a room and answer the telephone when it rings. When the telephone is not ringing I sit in my chair and wait for the phone to ring. When the phone rings I pick up the handset and listen to the voice on the other end, and when the voice is finished saying what it has to say I hang up and try not to think. Then the phone rings and I answer it.

My boss tells me I am doing a splendid job, but I think he is saying this to keep me from thinking that maybe I am not doing a splendid job and that I am, in fact, wasting the company’s money. But because the company has never shown signs of a money shortage, I do not believe it is possible to waste something that cannot be depleted. Therefore my boss is telling the truth. He is an honest man.

At 5:00 the phone stops ringing and it is time to go home. I do not know whether the company turns off the phone so no more calls can get through, or if the callers automatically stop calling every day at 5:00 and then resume calling at 8:00 the next morning.

At 5:00 I leave and go home to my house where there is a phone in the bedroom. This phone rings occasionally, no, seldom, when I am with it. When I do get a call, the voice on the other end often sounds familiar, but I cannot match the voice to a face or a person. I listen, though, and sometimes speak to the voice.

One day I made a tape recording of my voice and brought it to a nearby phone booth. I dialed my home, set the mouthpiece next to the tape recorder, rushed home, and answered my phone in time to hear my voice on the other end speaking to me. It was a limited conversation but one that I have cherished because I knew who was talking to me. I would like to meet this person from the phone booth, but because of time constraints we will be unable to get together.

THE TOURNAMENT

It was after the billiards tournament I had won. We were standing around the table talking; I was talking about the last shot I made. Hands recently removed from nearby pockets were grabbing my right one and shaking it in congratulations. One of the hands felt like a tongue. There were camera flashes and questions from a reporter. I had won. Then the men took me by the arms and laid me on the pool table, splayed like an X. Two pock-faced men unbuttoned my shirt. A heavyset man wearing tinted glasses took a penknife out of his pocket and stuck it into my chest just above the left nipple. While holding the knife in place with his right index finger, he removed a handkerchief from his pants with his left hand and blew his nose. He then made an incision in my chest that cut in a rising half arc to my right nipple, around and down to a spot midway between sternum and navel, then straight down to my beltline. He rolled back the flap of skin, in the same way one might open a tin of sardines. He sloshed his hands in the opening, then tugged on something that gave with a snap. It slipped out of his hands and made the sound a cow liver would make if it were dropped on the ground. Then they put the skin back in place, stitched me, picked up my fallen organ, and left. A minute later one of the men returned and read me a note: “In order to facilitate recuperation the patient must remain supine for seven days. If the patient attempts to ambulate before the seventh day, it is possible he or she will agitate the part of the body that is healing and tear loose the stitching.”

DOMESTIC

I live in the fear that someone will assassinate me. I will walk out of my house one morning to get my newspaper, and when I turn to wave to my next-door neighbor (who is also getting his paper) a gunman in a passing car will open fire with a machine gun. I will do a writhing death dance in my front yard, similar to the one Warren Beatty performed at the end of Bonnie & Clyde, blood spewing from my wounds like geysers.

I do not understand why anyone would want to assassinate me.

I am not a politician, and to remove any suspicion about my involvement in politics I have stopped voting. Nor am I a religious figure. I have closed the church’s doors to myself and have stopped thinking about God. Politicians and preachers are the usual targets of the assassin’s bullet, and by removing myself from the sphere of the hunted I think I will be safe.

Yet I wake at night and see shadows moving in the dark, hear feet shifting in the carpet...windows conspiring against me.

I will hire bodyguards to protect me at all times and I will wear a bulletproof suit. The protection will cost money but if it saves my life it will be worth it.

Crow Jonah Norlander

GOTTERDAMMERUNG by Howie Good

November 18, 2021 · Fiction

Welcome to the Age of Autonomous Machines, where the brown bears of Kamchatka are cold, ragged, and hungry, and under perpetual ban, and rivers brim with jizz and blood, and fish have the twisted mouths of stroke victims, where saints travel incognito on New York City subways and God speaks to them in a gravelly two-packs-a-day voice, where a peeling billboard declares it’s time to look ahead to the past, when the public gallows stood silhouetted at dusk against a sky of faded red plush.

Blinking like a sick mole against the harsh white light of the desert, the last of the angels steps out of his winged chariot onto the hot tarmac. Little girls in braids present him with bouquets. Jeers erupt somewhere among the hundreds of people solemnly watching the ceremonies from behind a security fence. The plainclothesmen mixing with the crowd pepper-spray everyone within range. On the tarmac, meanwhile, a military band strikes up a brassy tune that has long been a favorite of dictators around the world. Birds hum along.

I fall asleep to music, wake up to the barking of Soviet space dogs. We are apparently closer than I realized to the border of a bygone era. “Better call a repairman,” I whisper to my wife, who is standing on tiptoes, peering over my shoulder. By the time the repairman arrives, it is four in the afternoon and the sky has a long, black crack running down the middle. As he unpacks his tools, he volunteers that he has a titanium plate in his head. I nod numbly. Death, when it finally comes, will have his phlegmy eyes.

Crow Jonah Norlander

THREE MICRO FICTION PIECES by Cressida Blake Roe

November 15, 2021 · Fiction

Apocalypse Needs a More Exciting Plural Form

Proposition One:

The plural form of apocalypse isn’t nuclear fallout, environmental degradation, contagions, Horseman, acts of God, or St John’s Revelations. Instead, it sounds more like a woman fleeing in broken counterpoint to the screech of subway brakes and takes the shape of a fist slamming through a wall two inches from a child’s head: finales too small for the tabloid headlines, too colossal for folding away between pages, out of sight.

***

The train didn’t stop in time. They said she didn’t mean to die. Her husband thought, in front-page letters three inches high, that she always seemed perfectly happy. He didn’t know her nightmares, when she drowned in sealed vessels feeling less afraid of the water’s weight than the sharps of the sky. The sky strikes down, opened hand/closed hand. Nobody asked how many times the hand struck before. The child dreams of his father’s eyes staring out from the hollows of gun barrels, and the bullets whiz toward him, too slow for mercy.

Proposition Two:

The plural form of apocalypse is a paradox, implying a multiplicity of ends to worlds that can only end once. Only so many parallel universes can exist. Discarded cataclysms shake hands, murmuring with low voices in the slush pile of the gods. They were not violent, heartrending, pyrotechnic, pretty enough to make the cut. Better luck next time. But only so many worlds demand obliteration.

***

The moon crawled out of the mountain just after midnight, and the first people who had awoken pointed up at the slanted horizon.

“What dread god had arisen?” we asked ourselves. “What power comes to glare down with its cold eye?”

No one has answers. We drown our faces in the pond to drink its milky excrescence and punish the river that shatters its shadow. We open our wrists and drain the blood so that the land runs red and silver, loving this newly minted god the way the rain loves the soil.

Proposition Three:

The plural form of apocalypse invites destruction déjà vu, wearing the mask of innovation: a banality of hatred opening the same chambers and igniting the old fires. Leviathans press at the surface and leer, flooding the womb and crunching the sun in their teeth. In these days that are ending, each forged beginning chokes its hold and calls this gasping silence gratitude.

***

We unhinged our jaws to their fullest extent so that we could devour those who had and those who fed themselves on those who had not. We filled up the gaps in what had burned. If the world insists on forgetting our bodies, shoring up structures of good that would not otherwise remain, then perhaps it will overlook the traces of blood left behind, the bone shards, the tears of children in empty schools and parking lots, the mothers who lost their mothers, those who were no longer able to breathe.

Spooky Action at a Distance

And for now we are, indeed, here: six hours from sunrise.

The wheels rattle on towards tomorrow, and arrival. Until then, we sit in the lamplight glare and reflect on the meaning of terror, white-masked and waiting just behind us, a little out of sight. Perhaps the railroad ties will contradict the past, rushing away in the dark. Once, I asked you for a cigarette, but the smoke, wreathing in new patterns, intercepted the message. Six hours from sunrise, but nothing ever changes. Once, you asked to feel my edges, torn and fibrous from too much handling by those less considerate, used into an illusion of comfort. Have I said how I hate the presumption of nostalgia, wielded by old women? You cannot respond, weeping iron tears that do not fall. Six hours from sunrise, and nothing will ever change. No, you say at last, understanding the futility of this rattling, toward a destination that neither hell nor heaven can declare. Curling memories lie damp all around, rotting with the slow ceremony of forgiveness. I wished I could touch you in return—you, who I address as though such a distinction could alter this journey. But my absent face cannot communicate these desires, and they slip between the lines of light, lost. Terror watches through broken eyes and considers. Outside, in the rattling dark, we are six hours from sunrise.

And for now, we are, indeed here.

A Brief Treatise on the Unreliability of Memory

You taught me to speak of myself in the third-person, as though life were a story that could be rewritten.¹ Anonymity lifts the weight of four letters branded across her breasts: SLUT, bullet syllable shot back and forth across her battlefield body and never reaching anywhere,² when the dismembered diagnosis of language bears no resemblance to the possibility of a cure.³ In the third-person, she wrote a poem.⁴ In the second-person, you write a letter.⁵ In the first-person, I am still trying to understand why hope feels like such an indefinable burden to carry.⁶

¹He seduces her, in one version. In another, tree roots no longer scar the ground & she suffocates on dreams

²deep in sleep’s ivory box, where her mother tongue suggests how lucky it was that he was such a good guy.

³Symptoms remain untreatable except by passing apologies in counterfeit coin, love honed on an edge pure enough to cut men away.

⁴The poem is a life that never ends. What sounds true only becomes a lie about somebody else

⁵addressed to a ghost that refuses to exist in a post-trauma reality. She never learned how not to ask for justification,

⁶sexless & obscure, taken from strangers with the same imperfect excuses.

Crow Jonah Norlander

YOU’RE INVITED TO MY MENOPAUSE BALL by Susan Hatters Friedman

November 14, 2021 · Fiction

The Debut Ball for Invisibility

The family of _____________ (enter name of menopausal woman here) __

request the honour of your company at the Menopause Ball, in honour of her 51st birthday, to celebrate the “next phase” of her life.

You attended her Debutante Ball when she was “coming out” to be pursued. Now, in Grandest Blue-Blood Tradition of the Magnificent Menopause Balls of yore—for the next rite of passage, she is “going back in.”

Help ___________ celebrate this glorious time in her life, when she no longer needs birth control, Tampax, or responses to cat-calls. Join us as we fondly bid farewell to her: endogenous estrogen production, waistline, vaginal moisture, memory, stable mood, body temperature control, restful nights, and hair (except for witchy black chin hairs).

Let’s bid adieu to her marriageable years and debut her ceremonial cloak to symbolise her invisibility! The invisibility cloak will render her invisible to men on the street, men at the grocery store when she needs something from a high shelf—and let’s face it—men in the bedroom. However, she will be valued for her wisdom… if anyone can figure out where exactly she is.

The Soirée will take place on: Friday the 13th at Five Thirty P.M. (Biological clocks are ticking!)

Location: Shangri-La Hotel Grand Ballroom

Attire: Formal. The guest of honour will wear a white gown (with no worries, the one positive!)

____________ will be presented by two gentlemen, as is traditional for debut. Her escorts will be her husband _______ and Fireman Nathan (a.k.a. Mr. July in the Firefighter calendar—in case she experiences any hot flashes during the event).

N.B. In order to best represent the climacteric, the ballroom’s thermostat will be going all over the place. If the guest-of-honour asks, “Is it hot in here,” please reply that it “must just be you” in the grandest party game tradition.

The choreographed Climacteric Dance Finale will go all night—to symbolize difficulty sleeping.

With Music Including: “Hot Hot Hot” by the Cure

“The Heat is On” by Glenn Frey

“Ice-Ice Baby” by Vanilla Ice

“The Heat of the Moment” by Asia

“Hot Blooded” by Foreigner

and “Some Like it Hot” followed by “I’ve Seen Better Days (and the Bottom Drops Out)…” by Citizen King

All the crème de la crème will be there. The glamourous few presiding over the event, chosen by Le Distinguished Committee, will include those actresses in their 50s who can somehow still play women in their 30s: Jennifer Aniston, Nicole Kidman, and Robin Wright.

With man-splaining speeches expected from ________________(the guy from work who shares tips for menopause from when his mom went through it).

Valet parking tickets will be validated by ______at the entrance. (Sometimes the guest of honour wishes she herself were a parking ticket.)

Gift bags upon departure will include fancy-fans, tweezers, vaginal jelly, hair dye, and eggshell calcium tablets (for the rest of your life).

R.S.V.P.:

M___________________________

___ happily accepts

___ will be there in spirit

___ will be there in spirit, and realises that they will probably never again notice the newly-invisible guest of honour

Crow Jonah Norlander

JOE-DOG by Michael Haller

November 12, 2021 · Fiction

Joe was helping his ex-girlfriend Claire move out of her apartment (“the apartment where I grew as a person more than my previous four apartments”) while simultaneously helping his recycled girlfriend Lori move into the same apartment. (“Fucking creepy, I’m disinfecting this place when she’s gone.”) The apartment was a one-bedroom in trashy-trendy North Cumminsville, a blighted warehouse district in one of the mid-sized Ohio cities beginning with the letter C (not Canton, not Chillicothe, not Coshocton). Claire could no longer afford the rent in NC due to unpaid bills and the troubles they bring, and middleman Joe, a friend of the landlord, cluelessly arranged for Lori to meet the owner and win first right of refusal, without thinking that they might cross paths during the move. Joe chose to ignore any emotional discomfort this scenario caused by not thinking about it, and not thinking about “emotional-type things,” as Joe referred to them, was something he saw as an asset. His job, he told himself, was laborer; he was a packhorse helping one person move out and another move in. His secondary job, after the heavy lifting, was to stay out of the way, not make eye contact, and speak only when spoken to. His third job, if necessary, was peacekeeper, because the two women were no longer friends, all because of Joe. First, Joe dated Lori, then cheated on Lori by sleeping with her friend Claire, without Lori’s knowledge of course and without Joe’s knowledge that they were friends. Nor did Claire know that Joe was dating Lori until the two women were at a bar discussing the wonderful man they’d been seeing, who they discovered was the same man when they held up their phones and showed each other pictures of their beloved. Their smiles turned to eye-bulging disbelief, then mutual inquisition and accusation that launched a feud conducted in-person, via text, email, social media, and phone when they learned of each other’s “betrayal” (Lori’s term), an accusation Claire took issue with, because she didn’t know Lori was seeing Joe and said ignorance was the more accurate word to describe her part, the mutual recriminations and accusations causing them to distrust each other more than they distrusted Joe, who, because they adored him, and because he was the type of man in short supply—he had enough brains that he wouldn’t be called stupid, but not enough brains that he was smarter than either woman, who thought themselves alpha females. And he was so attractive it was like he was covered with chocolate syrup they wanted to lick off: 6’ 1,” 200 lbs., tousled brown hair, naturally muscular—“work muscles, not gym muscles,” Claire said—he worked in a lumber yard and could carry eight 2 x 8s stacked on each shoulder up a flight of twenty steps—with a strong upper body, and well-proportioned in all other areas, which was everywhere.

An impartial observer, however, may have cited Joe for unethical boundary crossing, breaking of trust, psychological damage inflicted on both women, with no certainty that even more damage wouldn’t be inflicted on them or on other women Lori and Claire were unaware of. Joe skated happily along, as another of his assets was his lack of introspection, although he wasn’t introspective enough to know this was an asset until his ex-lover Bruce Ford (he, him)—with whom Joe had his first, longest, deepest, and most intense sexual and romantic relationship (although Joe never thought of it that way)—told Joe, “Your gift is your lack of self-awareness regarding the negative impact you have on people—which self-knowledge would destroy anyone with scruples—while simultaneously you inflate the positive impact you have on others, so that you see yourself not as the pariah you should see yourself as, and should be seen as by others, but as a savior to anyone you love, is how you see yourself, a benefactor or kindly bestower of yourself onto others,” said Bruce Ford when Joe left him to date Lori. “Borderline sociopath in other words is how I would describe you, although your love is indeed the most wonderful gift I’ve ever received, so I’m not faulting you for your flaws, just pointing them out, and any time you want to come over for a back rub or foot massage—platonic, of course, I’m a one-man kind of guy, I don’t share—please, don’t hesitate.”

“Cool,” Joe said on his way out the door for the last time, then, “Well, I’ll see you around dude.”

Lori was parked in Bruce’s driveway honking the horn for Joe to hurry up.

“What did you see in him anyhow?” she asked as they drove away.

“See in him? Like, why did I hang out with him?”

“Yeah.”

“You know? That’s a good question. We’ve known each other forever—we were born on the same day, same year, same hospital, we lived three doors apart—”

“Ok, I understand. It’s not really important, as long as you keep getting tested once a week for the next six months.”

“Right on,” Joe said, sitting in the passenger seat, strumming an acoustic guitar left-handed, the fretboard sticking out the window.

***

While Bruce Ford was correct that Joe lacked introspection, it was not true that he lacked compassion, empathy, tolerance, and a natural ability to forgive and forget, so intrinsic to his nature that he was unaware he possessed these gifts and didn’t understand that others often lacked them. The emotional upheavals Joe caused always surprised him, as probably his deepest philosophical approach to life came from a cereal box interview with a surfer he read when he was a kid, something to the effect that life is calm seas and life is waves, and how you ride the waves determines whether or not you survive, it’s nothing personal the ocean has against you, it’s just something you put up with and try not to go under, and when he read this at age twelve, Joe internalized it and transmogrified it into an all-encompassing worldview that could be summarized as “go with the flow and don’t worry about things beyond your control,” and Joe would tell his friends, after the emotional devastations he caused, that his “victims” were fighting forces beyond their control (i.e., his behavior) and they should accept his actions, not fight them or question them, just go with the flow and you’ll be fine. This is how he explained his behavior to Lori and Claire, who were appalled at his brazen stupidity, but also fascinated that a beautiful grown man could have such a simple way of looking at things. They then thought maybe it wasn’t simple, that perhaps Joe was a savant, or Buddhist, maybe, not through studying but by natural disposition, he had, they reasoned, an advanced, sophisticated understanding of life and they were the dumb ones for not comprehending his God-given enlightenment, and all he was trying to do was share his wisdom with them.

After Claire was fully moved out (“eradicated” was Lori’s term) and psychically removed with three days of continual sage-burning that created an odor that permeated the entire 1920s apartment building where she lived, Joe moved his things back in because Claire had thrown them out the windows.

While the sage was still burning, and Joe had brought in his last bundle of clothes, Lori closed the door of the apartment, stood with her back against it so Joe couldn’t leave, and told him to take off his clothes. Joe was happy to comply, because he believed nudity, for him, at least, was the ideal state, and also because women, and men, liked looking at him, and because Joe was a people-pleaser more than anything, he was happy to give them something to look at. Only this time Lori told him to kneel on all fours and “stick your ass up high.” She removed her leather belt, doubled it in two, and slapped his ass so hard he howled in pain. Before he was able to ask what she was doing, she spanked him again. The belt left red marks on Joe’s rear, and when he saw Lori pull her arm back for another spank, he crawled to her and bit her between the legs. She was wearing jeans, and it wasn’t a ferocious bite, so she didn’t feel much, but seeing Joe’s beautiful face at her crotch inspired her to wrap the leather belt around his neck and tighten it like a leash that she used to pull Joe around the apartment. Joe played along, because Joe loved to play, even though this particular game was new to him. Little did he know it was also new to Lori, but she was assertive in a way that made Joe think this was something she’d wanted as soon as they had the chance. She pulled him into the kitchen and placed him in the corner--naked, leashed and collared. She removed a large plastic mixing bowl from a cabinet, filled it with water, and set it in front of Joe. She then took a drinking glass from the cabinet, wrapped it in a dish towel, and pounded the towel-wrapped glass with a hammer until it was broken into hundreds of shards that she sprinkled on the kitchen floor so that if Joe tried to crawl or walk out of the kitchen, he would cut his hands, feet, or knees.

“Don’t move,” Lori said.

“What the hell, babe? I thought we were cool.”

“Yeah, we’re cool. But do me a favor and get on all fours and start drinking from the bowl.”

Joe plunged his face into the bowl and suctioned water into his mouth.

“Not like that. Lap it. Lap it like a dog!” she said, and barked.

Joe started lapping the water, and that’s when she grabbed her phone off the kitchen table and photographed a naked Joe drinking water like a dog from a mixing bowl.

***

An hour later, after they made love, Joe asked Lori if she would put him on the leash again or if it was a one-time thing.

“I’m pretty sure it’ll happen again,” was her answer, as she massaged between his legs and coaxed another erection that she used to get herself off one more time.

***

Little did they know that before Claire moved out, she installed three surveillance cameras in strategic spots throughout the apartment so she could perhaps blackmail Lori, or at least embarrass her. One of the cameras was in a ceiling fan over the dining room table, angled toward the kitchen, providing a perfect shot of Joe’s slave-dog performance. Another camera was in the bedroom, and one was in the living room. Claire watched the tapes when she got home at 3:30 a.m. after tending bar for eight hours and getting stoned with a coworker. She was appalled at what she saw and then so aroused that she masturbated four times before falling asleep around 5:00.

Not much changed over the next month. Lori and Joe spent almost every night together, and almost every night, Claire came home and masturbated watching them. A routine had developed. Claire fell asleep blissed out and woke up anticipating the following night’s debauchery. She remembered that she had installed the cameras for purposes of blackmail, but she discovered instead that she was a voyeur, and this discovery lowered her self-esteem a bit, but not enough to stop her from watching. But her subterfuge made her paranoid. What if someone was watching her? She began thinking that perhaps her pot-bellied landlord—whose T-shirt always rode an inch above his beltline, revealing pale skin barely visible through a jungle of pubic hair that seemingly went from his crotch up to his neck, for more of the same hair sprouted from his shirt collar—installed cameras when Claire was at work, and while she masturbated to tapes of Joe and Lori, he masturbated to tapes of her.

“Does weed cause paranoia?” Claire asked Google, and Google said yes, around ten million different articles said yes, depending on what strain of bud was smoked, and what the smoker’s pre-buzz state of mind was, yes, paranoia was possible. Also, a tendency toward feeling guilty in general could be exacerbated by the herb. Claire decided she would drink more whiskey and smoke less dope, but whiskey made her angry, so she went back to weed.

“Does weed make women horny?” was the next thing Claire asked Google, and the answer, repeated ten million times, was that a woman’s horniness while elevated depended on what strain of bud was smoked, what time of month it was, the smoker’s level of fatigue before lighting up, and also, any pre-buzz anticipation of impending sex might intensify the desire for carnal annihilation.

***

Bruce Ford meanwhile was pining for Joe-Dog. Although he’d had a few lovers in the two years after Joe left, it was Joe he remembered most. He devised a plan: He would contact Claire and suggest she invite Joe over for a friendly chat. Bruce would already be in Claire’s apartment—in fact, he and Claire would be in bed, under the blankets, fully clothed of course because Bruce had only seen two women naked. (One was his mother [trauma!] and the other was a new-in-the-neighborhood fourteen--year-old named Brandy Sinclair, who had volunteered to be gangbanged by five boys of her choosing, two of them Bruce and Joe, but he was overcome with nausea when he saw her lying naked on the bed, her skin a sickly white, surrounded by the boys, touching and squeezing her until she took Kenny Listerman’s hand and put it between her legs. Bruce wanted to stay and watch the boys undress, but Brandy’s nakedness was a shock so troubling that he had to leave, and Joe followed.) Bruce hoped that, assuming Claire went along with the plan, Joe would see his two exes in bed and feel the whammo! of karmic devastation when he realized that what goes around comes around. Or something like that, is how Bruce Ford envisioned his destabilization of Joe-Dog, an emotional destruction he hoped would be so severe that Joe would plead with Bruce to come to his senses and “leave that woman and come with me.” Bruce then thought this scenario mightn’t happen. Perhaps Joe would get in bed with them, only to find they were clothed.

Bruce went to the Corner Pub, where Claire tended bar, a cinder-block hellhole as drab as its name might suggest. Upon entering, one noticed the low, drop ceiling, the absence of windows, wobbly tables surrounded by mismatching chairs, and almost no lighting except for the minimum the bartender needed to pour drinks and count change. In years past, the pub had featured non-nude dancers on a stage the size of a ping pong table, now home to the establishment’s lone pinball machine. Bruce had been there a few times with Joe and feared for his safety—bathroom graffiti included the message “if you’re reading this, you’re a fag”—so he dressed as straight as he knew how (which to Bruce meant cowboy attire) and practiced talking without the effeminate lisp he knew he talked with ever since recording himself saying the Pledge of Allegiance as a fourteen-year-old to see how obvious it was he was gay. (“I pledge allegiance to the fag—flag!—I pledge allegiance to the fag, oh god, the flag the flag…the flaggots…” and he stopped there because he knew he was doomed to announcing his gayness every time he spoke.)

Bruce came in and sat two seats away from a man somewhere in his sixties, who looked at him and said “Jesus Christ” and moved to the other end of the bar.

“What are you doing here?” Claire asked when she came over. “Are you trying to get killed?”

“Is it obvious?”

“No one dresses like that anymore.”

“It’s not macho?”

“It’s ridiculous. Gay men haven’t dressed like that since the ‘70s. You could at least have worn a shirt under your vest. And take that bandana off your neck!”

Bruce removed the bandana, eyeing the old drunk at the end of the bar, who, Bruce noticed, was staring at him with either hatred or lust.

“I think your other customer rather likes my attire.”

“Don’t. Ex-cop. Hates gays. Hates everyone except other ex-cops. Look at me.” Bruce looked at her. “Ignore him.”

“Okay, I’ll ignore him. But to answer your question why I’m here, I’m here because I have a proposition.”

Claire said his idea was silly and that he should forget about Joe and find someone else.

That night at 4 a.m., Bruce’s phone rang.

“Let’s do it,” an intoxicated Claire said. “I think it can work. But we have to invite Lori. I’ll set it up. I’ll propose a make-up party. I’ll invite both of them, and you’ll already be here in bed and I’ll get up to use the bathroom and I’ll get in bed with you and invite them into the bedroom.”

“Then what happens?”

“Then what happens? How should I know? We haven’t done this yet. I can’t predict the future.”

“What are you doing? You’re all huffy and puffy like you want to have phone sex but as you know, I do not lean in that direction.”

“I’m watching a…tape…..oh fuck! Oh fuck ohfuckinggod…”

“What sort of tape are you watching?”

“It’s…oh god…oh god…it’s Joe and—Joe and Lori!”

“What are you talking about? You have a tape of them fucking?”

“Hundreds. Every night. Before I moved out I installed cameras.”

“Oh. My. God. Can I come over? I need to see this. I mean, I’ll put my hand over Lori or something because that would ruin it, but if I can see Joe…”

“Hurry. Bring weed.”

“Girl, I am walking out the door.”

They fell asleep at six and Bruce woke at eight with an erection poking Claire’s lower back. It woke her up too, and she reached behind her and began massaging it. Bruce was aghast, but it felt so good that he came two minutes later, breathing heavily into the back of Claire’s head and noting with surprise the pleasant aromas coming from her hair.

“Mmmm…” Claire said. “Feel better?”

“Oh my god, I’m so sorry,” Bruce said, but Claire’s hand was still holding his spent but semi-hard penis, and he didn’t tell her to let go. Her hair smelled so floral, and the skin on her hand was a little rough—sandpapery, almost—like Joe’s hands—probably from twisting off thousands of bottle caps the last few years.

“Back to sleep now,” she said and took her hand away.

Bruce rolled onto his back and stared at the ceiling. He was overcome with self-loathing for betraying the cause, as he now thought of his queerness, a politically and socially revolutionary lifestyle that threatened the status quo and rejected everything it stood for, meaning all of the insipid love songs and commercials and TV shows and movies and billboards that glamorized straight life by showing happy couples and unhappy couples and their children and cheerful dogs and that congratulated itself when, once every five years, they sort of got it right in a movie or TV show regarding what it was like to be a real man, which is how Bruce thought of himself every time he made love with a man. But this episode with Claire? He was confused. He stopped thinking about it, got dressed, and went home.

***

As the make-up party approached, the women no longer felt threatened by each other, but they didn’t know this because their friendship hadn’t recovered to the point where they shared secrets or exposed vulnerability. Lori walked with what she imagined was a triumphant air—regal, actually, because she possessed the man everyone wanted. She was victrix. She pictured herself a mythical Roman empress, a goddess of beauty and war who inspired her men to kill barbarians in every corner of the empire. She would exalt herself by ordering the Senate to proclaim her “eternal wife of Jupiter,” reassigning Juno as wet nurse to their sucklings. Claire’s satisfaction, on the other hand, came from her deepening attraction to Bruce, who was the second most beautiful man she’d slept with, after Joe.

The men were less enthused with the make-up party. Joe’s usual go-with-the-flow attitude was slightly disturbed at the thought of being in the same room with three people he’d had sex with. And although the gathering was Bruce’s idea, he too was confused, because for the first time ever, he was attracted to a woman. He was so upset he consulted a psychologist to see if he was either insane or a degenerate, but the shrink, who seldom made eye contact during the session, said that as long as he was engaging in consensual and legal behavior, there was nothing wrong. “The guilt, or shame, you feel toward this woman…Betsy?...Let me make an analogy: All your life, you hated watermelon. Didn’t matter if you put ice cream on it or brown sugar or deep fried it. Point is, you never liked watermelon. And then one day you’re at a picnic, and people are eating watermelon, and you get a craving for watermelon. Who knows why? So you get a slice of watermelon and take a bite. You slowly chew it into a pulp and swallow. You don’t throw up. You end up eating five slices, and on the way home, you stop and buy a twenty-pounder that you eat within a day.”

***

The make-up party happened on a Saturday night, two months after Bruce suggested it to Claire. He arrived early to help prepare the snacks and tidy up. But they scratched the idea of getting in bed together and somehow using a façade of intimacy to hurt Joe and Lori, because they’d developed a true intimacy over the last two months that would be damaged if they used it to play a joke on their guests. Bruce was now thinking of himself as bisexual, and Claire was wondering why she was only attracted to bi-guys—first Joe, now Bruce. But what really complicated things was their curiosity: Bruce was now thinking about Lori’s shiny blonde hair, and Claire had never forgotten certain looks Lori gave her during their three-year friendship: penetrating, lingering looks when it seemed Lori’s eyes throbbed, or pulsed, as they stared at each other. She’d never had any serious lesbian fantasies besides the daydream of making out with a beautiful woman, preferably on the beach at full moon. And the other fantasy of being caressed and catered to by three or four naked sorority girls. And also the fantasy of cuddling with a lovely but tragic divorced woman, giving each other the healing love they needed before finding another man to wreck their lives. But Claire had neglected to watch tapes of Joe and Lori when they weren’t having sex. If she had, she might not have been surprised when she opened the door at 8:00 to see Lori dressed as some sort of Roman goddess, wearing a sheer toga-thing, and Joe dressed as a shirtless gladiator.

Claire and Bruce were gollywomped with lust when the Romans walked into their apartment, but Bruce recovered quickly.

“Joe, are you one of those Roman slaves who gets crucified for having a bad attitude?”

“Hey Bruce,” he said and hugged his former lover. Bruce lost all motor control and would have collapsed if Joe hadn’t held him tight.

Claire had lost fifteen pounds since Lori last saw her, and had dyed her hair a deep auburn with a jawline bob that framed her face like the Sutton Hoo helmet. Two inches taller than herself, Lori’s feeling of superiority diminished somewhat looking up into Claire’s dark eyes ringed with black eyeliner. “My god, she’s turned goth,” Lori thought, looking at Claire, who she only ever befriended in the first place because she liked to be out in public with prettier women, as a way of attracting the men the pretty girls didn’t want.“Are you two”— she nodded at Bruce, who had recovered enough strength to stand on his own “—a couple?”Claire scratched her nails through Bruce’s thick black hair.“Is that what we are, darling?”

“Well, I’ve never been one for labels,” he said, Claire’s nails sending sparks through his body. “Are you two a couple or just…friends?”

“It’s too soon to call us a couple because there’s a trust issue”—and she shot a hateful look at Claire that softened into fascination with her makeover, “but uh,” looking from Claire to Bruce—“things are going well.”

The evening passed pleasantly at first, everyone slightly guarded until the marijuana was passed around. Within minutes, it seemed more than four people were in Claire’s apartment, as the volume of conversation, music, and laughter increased two-fold, then three-fold. A connective warmth passed through all four as their social armor fell off, replaced by a renewed trust and mutual interest that wasn’t a bogus effect of the herb, rather, the bud seemed to have breathed life into their former selves—spontaneous and trusting, everyone abuzz with the feeling (not yet knowledge) that they were still friends, instinctively drawn to each other, just like old times, which for Joe and Bruce was twenty-four years. Claire and Lori had known each other just three years, but they got along so well (before the rupture) that they felt like they would be lifelong friends.

As the evening wore on, Joe and Bruce ended up in the kitchen, drinking beer and getting reacquainted. Joe had put on one of Bruce’s white t-shirts, a bit small but better for the way it clung to his torso and exposed enough bicep that every time Joe raised his beer bottle, a hump of muscle formed that Bruce wanted to kiss, lick, bite, caress, slap his cock against. Claire and Lori sat on the couch, near enough that their knees could have touched if one had leaned toward the other. It’s possible that Bruce backed Joe against the refrigerator and leaned in close to kiss him, but instead rubbed his face against Joe’s to feel his stubble. It’s possible that Joe placed his hand on Bruce’s chest, either to back him off or because the adventurous boy in Joe was still alive to Bruce, and holding his hand there was like a magnet that kept Bruce near. None of this was seen by the women in the living room, who now had relaxed enough that their knees were resting against each other’s. Lori looked at Claire’s black-stockinged legs and told herself she needed black stockings…but would she look as slutty-hot as Claire? And what Claire could see of Lori’s legs, from mid-thigh down to sandaled feet, caused her to lose track of their conversation about work as she daydreamed about rubbing lotion on her friend’s thighs.

Joe and Bruce came in from the kitchen and sat next to the person they began the night with, but there’s no reason to believe that in the coming weeks alliances and attractions wouldn’t shift, in a less bruising way than before. With the good feelings and restored trust flowing in every direction, it’s best to think that, whatever the outcome of the renewed affection, the foursome’s friendship had entered a new phase that would see the bed-hopping and eavesdropping recede. Although it’s too early to predict who will end up with whom, the fact that friendship is being restored might be seen as a sign of emotional growth. And Joe, who had never thought of himself as the center of attention (because he seldom thought of himself at all), was relieved that his friends weren’t fussing over him. He could relax and go with this new flow and see where it took him.

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IF YOU CAN, LISTEN by Jake McAuliffe

November 10, 2021 · Fiction

First off, endings are quiet. As something/somelove dies, a spacetime wound will appear to you and crickets will come out. They will flood your ears and tickle your canals like cotton. Some cheeky crickety fucks are going to use your body as a musical instrument. This is normal. I think every bone and pipe inside the human body was placed on purpose. You may have heard the theory of “intelligent design” but try this: crickets frisking your insides for anything that can shake the air. That’s music, baby. And that’s how tinnitus comes about. It’s insects. It’s our slow air for death, the one which we alone cannot play. I heard it only yesterday. In the worst white room, my love pinched my palm pink before her last breath smashed the air flat. Then, C sharp.

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THE STOAT by Nick Perilli

November 8, 2021 · Fiction

We don’t know where the hole in the basement of our house goes, only that it’s far deeper than it looks. Our pet stoat made it last year before disappearing into it. She was always digging—into our wood floors, our garden, our couches, and pantries—but this hole was her masterpiece. The white fur on her belly darkened with dirt over time. Since the day we brought the stoat home, she didn’t pay us any mind; she only had time for digging. She escaped from her cage whenever we weren’t looking, and we admit we rarely looked.

Whatever the stoat was digging for, she must have found it, as we haven’t seen the thing since. Our youngest daughter of three, Aly, sat at the hole in the basement for days while she was home from school with the flu. She, most of all, wanted to follow the stoat wherever it went. To find the better place it had surely gone.

Charles from across the street watched her while she was sick and we were at work. He didn’t have anything else to do but sit in his bedroom on his phone, taking photos of neighbors from the window. Whether it was out of boredom or malice, he encouraged our youngest to search for the stoat.

“Take my phone,” he said, knowing it was at 3 percent. “You can use it as a flashlight.”

At the dinner table that night, we noticed scrapes along Aly’s elbows and some dirt she forgot to wipe away along her neck.

“What happened?” one of us—the angrier one—asked. “Did Charles do this to you?”

Aly hesitated, exploring her options to respond behind her darting eyes, then burst into small tears as she told us that she climbed into the hole in the basement. “And I found her!” she said. “I met the stoat somewhere near the end. I saw an odd light from another place peeking in behind her. She was very still, and her fur had turned all dark.”

She thought the stoat was dead until it shook its head and began cleaning its face with its front paws. It plopped onto its one side, then the other, scrambling like a furred snake. When Aly reached for the stoat, it bit her.

“You’re late,” it said, “but I knew you would follow me.” The stoat’s whiskers twitched. “I’m here to tell you to go right back.”

“What’s there?” Aly asked, looking beyond the stoat. She tried to get closer, but the stoat stood in her way, baring teeth again.

“False wonder and warped danger,” the stoat said. “Dreams of people like Charles up there for children like you.” The stoat barked at her, low and strong like a hungry dog with powerful jaws. It bit Aly again on as many fingers as it could get in its mouth before she pulled away. “It’s not what you need—it’s not what I needed either, I guess, and now I’m caught between these spaces unsure of what to do.”

It barked louder—more guttural, more rabid. Aly backed away.

“I suppose I’ll just stay right here,” the stoat said. “To stop you, your small children, and your children’s small children from ever getting by me. From ever falling victim to predatory wonder. I am prey, but you shouldn’t be.” The stoat snapped its jaws at Aly one more time.

Aly scrambled out of the hole. Charles grabbed her by the arms, begging her to tell him what she saw down there. The false wonder. The warped danger. He had a look in his eye. Aly leaned into him and bit him hard on the neck until he left. Aly said he tasted like pennies—red on her teeth—then pushed the rest of her dinner away. Her older sisters ate it happily.

We called Charles, but he didn’t answer. We still saw the shadow of him in his window across the street taking his pictures, so we knew he was home. In time, the shadow faded.

Over the next three days, we found Aly standing at the top of the basement stairs at three in the morning. She tried and failed to go down the hole a few more times, until she hit a growth spurt and forgot that it was even there. In a decade or two, her children tried. Long after we died and left the house to Aly, her children’s children attempted, then their children—and so on. All of them were bitten and turned away by the same soot-furred stoat.

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