DROP SHOT by Louis Dickins

Sonia is ashamed of her husband.

She’s sitting with a crowd of people at the local tennis courts in horror, as her husband Paul prepares to serve. He hasn’t won a game, and he and his opponent are deep into the third and final set.

It’s a hot, windy day at the South Morang Tennis Club. There’s a barbeque sizzling in the corner and cups of cordial set up for the kids. It’s the quarterfinals of the local tournament, and Paul’s lifelong dream of winning the cup is being violently dismantled.

At 48 years old, Paul is seriously overweight and has onset emphysema from years of chain smoking. Paul’s heritage is Albanian, immigrating to Australia as a ten-year-old, he loved the place immediately and connected to the nation’s love of sport.

Unfortunately, he’s being torn apart today by a much younger opponent.

His wooden McEnroe racquet has seen better days - it’s tired and wants to die. His Dunlop volley runners are undone and overcome by depression. Paul is out of breath, his sweat-drenched polo shirt clings against his skin.

He lifts the tennis ball into the air and connects with a powerful serve - off spin, curling into the court. A perfect serve, he thinks, until his opponent hammers it down the line. ‘Christ,’ Paul calls out as he throws his racquet against the artificial grass, ‘I can’t do anything right!’

Paul is a butcher by profession, he’s owned a shop in Richmond since the mid-eighties. His lamb chops are acclaimed by the locals, and he’s well-liked because of his social, happy disposition. His aspiration, though, has always leaned toward tennis and becoming a champion. As a boy, posters of his idols like Rod Laver and Fred Perry hung on his bedroom walls. At night he dreamt of aces and topspin backhands.

What was the defining moment of your life in tennis?

PAUL- Pat Cash’s 1987 victory over Ivan Lendl at Wimbledon. Boy, he played a magnificent match. Wonderful, graceful groundstrokes, ripper serve, and a killer drop shot. And he had presence. Something indefinable… he was magic. I sat transfixed as he played Lendl in ’87, I couldn’t look away. When he won, I started crying, real, physical tears. It changed my life. See, Pat Cash and I are around the same age, and we both grew up in Melbourne, so in a way, it was like I won Wimbledon, truly.

What is it about tennis you love?

PAUL- I’m into the unpredictable nature of the game. I thrive on its sense of competitiveness, and I like the community aspect of it. But, really I love the way the ball moves through the air, the sensation of movement. To me, there’s nothing better than hitting the ball with the sweet spot of the racquet, right in the middle. It’s wonderful.

Paul’s down three match points. It’s over. Even Paul’s resilient sense of determination has conceded defeat. He lifts the ball into the air and hits it with his dejected racquet. It lands in but is crushed back cross-court, Paul watching helplessly as the ball bounces away. Done, disappointed, his head sunken, he walks toward the net and shakes his opponent's hand.

‘Good game, mate,’ Paul says.

‘Yeah, Thanks.’

Defeat never changes. It hurts Paul in the same way it did when he was six. His whole life he’s dreamt of winning, the praise and adulation of being the best. Not just trophies and confetti, Paul wants admiration.

On quiet days at his butcher shop, Paul would rest his arms purposefully on the counter, close his eyes and daydream. He could see the shots, the pattern of the rallies, drop shots and smashes. He could see them. Seizing each moment, he could hear the roar of the crowd. He was the man, and this was his game.

In the months he spent preparing for the South Morang Tennis Tournament, he never considered not winning. It didn’t dawn on him that he could lose, it just wasn’t his destiny.

But now, as he shuffles off the court, his racquet packed up across his shoulder, sipping at an orange Gatorade, defeat hits Paul like a pile of bricks. He wasn’t good enough, not even close. Reality hasn’t lived up to his expectations, losing hurts like nothing else.

Inside the clubhouse, Paul walks straight toward the men’s bathroom. He turns on a tap and splashes cold water onto his tired face. He lights up a low-tar cigarette and looks at his reflection in the mirror.

Obscured by his heavy eye bags and grey hair he can still see the ambitious, dream-induced kid he used to be.

As a teenager, Paul had a wonderful tennis coach. They trained together every Thursday night for close to eight years. His name was Frank Price. Unbelievably overweight, he insisted on wearing track suits two or three sizes too small. He had dark black hair, slicked back. Frank was a part-time drug dealer, he supplemented his income as a tennis coach by selling crack cocaine from his car. His dedication to tennis was tremendous. He was not a preacher of push-ups, of weights and treadmills; instead, he was a believer in the beauty and spirit of the game.

Can you describe the influence Frank Price had on you as a young man?

PAUL- Frank believed in me, he understood me. He sat me down one day and told me the most important thing about competitive tennis was eye contact. You could size up and intimidate your opponent by looking at them directly in the eyes, their weaknesses, their insecurities, it was all in the eyes. In terms of style of play, he told me to be creative, to be original in your shot selection. Whatever shot, a lob or a drop shot, you had to hit it with conviction. Don’t doubt yourself, he’d say, don’t second guess your instincts, have belief… I was shattered when he was convicted of drug trafficking, I lost someone very special.

Paul reaches for some paper towel from the dispenser to dry his face, but it’s empty. He sighs and heads outside toward the carpark. Sitting in the passenger seat of their Holden hatchback is his wife Sonia. As he approaches the car, she gives him a smile.

Paul sits down and closes the door.

‘I’m sorry Paul, bad luck.’

Paul doesn’t respond, he sits in silence looking at the steering wheel.

‘It’s ok, Paul.’

Outside Paul can hear kids laughing and locals chatting. The summer wind whistles through the trees as cars go by on the highway. All Sonia can see is a sad, disappointed man.

‘I’m so ashamed,’ Paul says quietly.

‘… Why?’ Sonia asks.

‘Weren’t you watching, Sonia, he smashed me. All those people watched me lose. They saw a delusional old man embarrass himself. Nothing worked for me out there. From the start it was a total train wreck’ Paul removes his tearful headband, ‘All that work and all that preparation and all I did was disappoint myself. I was going to put the trophy up in the window of the butcher shop, I told everyone about this tournament, and I let them down. I let you down.’

‘Paul, no. You didn’t let me down. I’m so proud of you.'

‘What are you talking about,’ Paul says sharply.

‘You gave that match everything you had. You had it all on the line, and you had a crack. Listen to me Paul, the only losers in life are the people who don’t try. Who aren’t willing to have a go, who give up on their dreams. I don’t care about the score, you’re a ripper for trying, you’re a real champion.'

Paul turns to Sonia. Her blue eyes and tied back blonde hair.

‘Ok,’ he says.

He turns the key in the ignition, puts the car in gear and heads back home. It’s a quiet ride as Paul thinks over the match and his opponent. He can’t get over what Sonia just said to him; those beautiful words have slowly lifted his soul. As he puts the indicator on and pulls up at the driveway to their house, his resolution and commitment to tennis have come back. He’s no longer bitter or upset about how the match turned out, he’s starting to move on.

What motivates you?

Paul- You know, for a long time it was emulating the champs like Lendl or Pat Rafter. As a kid, my old coach Frank Price really pushed my buttons. But right now, really it’s Sonia, she just lights me up. She makes me want to be a better tennis player, a better butcher. The best me I can be. I can’t help but be excited about next year’s tournament, I’m already signed up. I can’t wait. And, you know with some hard work, a favourable draw, maybe a new racquet and with Sonia on my side, I think I’m in with a chance of clinching the trophy. Bit of luck here or there and who knows? I’m in love with the possibility of it all.

Continue Reading...

GRANDMOTHER by R.E. Hengsterman

A low metal growl rises, and I leap from the bed.

Ten... nine.

By seven, she's reached the cornered hill of Fletcher and Fields. Her brakes protest with a tinny squeal. By five, I'm half dressed. At three, the throaty rumble of the eight-cylinder engine grows. 

By the time I reach zero, Grandmother has arrived. She slides from the bench seat of her station wagon and navigates the piles of dog shit left by our beagle. 

Her pink, black-strapped handbag drapes her forearm. Her coifed hair is motionless. She has pressed her clothing into fine lines of order. 

Mother, Father, and Grandmother have a silent, transitory meeting on the lawn amongst the dog shit.  

***

In the kitchen, Grandmother unpacks her handbag; Kleenex, three pieces of bread, Pop Tarts®, a small change purse, cheese and crackers, a sleeve of thin mints, and a handful of peppermint candies. She is squat heavy and gray but determined to ignore the angry pop of gas trapped within her arthritic joints as she prepares my breakfast. On school days, Grandmother feeds me Pop Tarts® or Thomas’ English Muffins® slathered in butter. On the weekends, when without Grandmother, I resort to sneaking dry oatmeal from the kitchen cabinet. 

While I am at school Grandmother tackles the laundry and cleans the house with meticulous detail. In the afternoon, with her chores complete, she appoints herself to the living room couch to watch General Hospital. After school, Grandmother chatters nonstop. She's upset that Mikkos Cassadine has a plan to freeze the world using a weather machine.

***

The following Monday Grandmother was ill. There was no rumble. No tinny squeal. No announcement. Just Mother heavy-footing her way around the kitchen, slamming cabinets and cursing. 

“What’s wrong?” I ask.

“Grandmother is unreliable. I’m going to be late for work.”

Mother goes on to tell me Grandmother had visited Grandfather in the Army when they were dating and never left. 

“Hung around,” Mother says. “Like a stray dog.”

Your Father says Grandmother is the reason he gets angry. But I believe Father enjoys being angry. 

Mother tosses some crackers in my lunch box and says that years back Grandmother drove a red convertible, smoked cigarettes and killed her unborn baby in a car crash. The Grandmother I know is wrinkled and kind. Not a baby killer.

Mother talks all the way to school.  

The next day, when Grandmother is feeling better, I tell her what Mother told me. Grandmother says Father is an asshole and Mother is clueless. I’ve never heard Grandmother be foul-mouthed.  

Grandmother never missed another day for the entire school year. 

***

In the summer Grandmother and I take the old, ugly wagon everywhere. I sit in the rear facing, third-row way-back seat and watch the faces of terrified drivers who follow to close behind Grandmother, and her sudden, unplanned stops. I lip-read as their blood drains. Sometimes a smile jostled by fear escapes my lips. Most don’t smile back. Instead, they honk, shake their fists and flip me the bird. Grandmother flashes a wolfish grin in the rearview before tapping the brakes again. 

“Keep them off my rear,” Grandmother says.

***

Today we have lunch at the Apple Knockers on Pawling. Grandmother and I are regulars. They have the best battered, deep-fried fish in town with large pieces of naked Cod poking from the tiny bun. Apple Knockers should buy bigger buns.  

Grandmother likes the house-made tartar sauce with her fish. I order the semi-sweet tangy chili sauce, a milkshake, side of homemade cinnamon-flavored applesauce and unsalted fries (you have to salt your own). 

We sit in our favorite corner both varnished with a permanent layer of vegetable grease. As Grandmother wipes tartar sauce from her lips, I realize how ordinary we are. 

After lunch, we shop at the Price Chopper. For Grandmother, it has the better coupons. For me, the better toy aisle; filled with jacks and paddle balls and weird gum that you stick to the end of a straw and blow into lopsided, ugly bubbles.

On the way home, Grandmother and I pass the Pentecostal Church. Grandmother says I attended daycare there when I was younger, and she still worked at the department store. There’s sadness in her voice. I search my memory but have no recollection of daycare or God or Grandmother working. 

“I don’t remember,” I say, and her face brightens.  

***

We arrive home in time for Grandmother to settle into her soap. As General Hospital demands her attention, I sneak into the basement and unlock the metal door housing the water well pump. The pump sits in a small stone room cut into the earth. The air inside is dank and reeks of musty dishwater. Using my father’s wrench, I loosen a valve and let water spill onto the dirt floor.

When my parents return home from work that evening, and Grandmother has darted from the house, I ask why they are so mean to Grandmother. Mother brushes me aside, and Father swats at the air above my head.

They prattle. Work this. Work that. There’s no mention of the spotless house, the folded laundry or waxed linoleum floors. I wait several minutes and then interrupt. 

“I think I hear water in the basement. Come quick.” I say. 

Father rushes into the basement while Mother grabs a handful of laundered towels. It’s the most excitement our house has seen in weeks. Standing at the top of the stairs, I hear wet cotton socks slapping the concrete floor.

“Where’s my wrench,” Father yells. 

I say nothing.  

Mother and Father submarine into the low-slung pump room. The stone tomb muffles their cursing.

“Come here,” Father screams. 

I slip to the threshold of the pump room door, and Father tosses me a flashlight. 

“Shine the light here,” he says. 

I position the light. “Not there, here!” 

As Mother and Father scramble to stop the water, my hand hovers over the brass lock.  

***

Days later, Grandmother and I are on the couch. Mikkos Cassadine and his brothers Victor and Tony are held up at Wyndemere Castle on Spoon Island. Luke, Laura, and Robert Scorpio are desperate to stop the weather machine.

Grandmother pinches her eyebrow into a curious arc, smiles, and turns up the volume as Mikkos is seconds away from flipping the switch and destroying the world.  

Continue Reading...

EXCERPT FROM “COLLEGE NOVEL” by Blake Middleton

The next day around 6:00 p.m. Jordan drove to the corner store near his apartment and bought a Peach Cisco. He drove down I-95 with the windows down and drank Cisco and listened to Propagandhi. In the song the lead singer sang about sticking an American flag up someone’s asshole. In the parking lot of Eric’s complex Jordan sat in his car and swallowed an Adderall then drank some Cisco.

He walked toward Eric’s apartment. All the apartments looked the same. People were starting to come home from work. Jordan walked up the stairs to the third floor. He knocked on Eric’s door and Eric opened it. ‘Drinking Cisco already?’ Eric said.

‘Yeah,’ Jordan said.

‘Take this,’ Eric said. He handed Jordan a beer. ‘I just opened it. Put that shit in the fridge. It’s not even dark.’

Jordan walked inside and saw Eric’s roommate, Sam, lying on the carpet, holding a beer. ‘What’s up?’ Jordan said.

‘Drinking beer on the floor,’ Sam said. He got up and sat on the couch, grabbed a TV remote and a PS4 controller, turned on the PlayStation and the TV.

Jordan put his Cisco in the fridge. He sat on the couch next to Sam. Sam was holding a controller, searching YouTube. Eric sat on a different couch, facing the TV. Sam played ‘Sound System’ by Operation Ivy. They talked and drank beer.

An hour later Jordan was shirtless on the back porch, sitting in a lawn chair, holding a beer. Sam was behind Jordan digging through a bag of haircutting clippers. He attached one to a razor and ran it down the center of Jordan’s head.

‘Hell yeah,’ Eric said. ‘I'm pulling up a seat.’ He grabbed a milk-crate and sat on top of it. ‘Did you tell Emma you're shaving your head?’ Emma was Jordan’s girlfriend. They lived together with Zach. Had been dating for about four years.

‘Um,’ Jordan said. He texted Emma and said he was shaving his head. ‘Yeah.’  

Sam shaved off a long strip of Jordan's hair. ‘That feels good,’ Jordan said.

‘Give me your shirt,’ Eric said. ‘It's going in the freezer.’

Jordan picked up his shirt and handed it to Eric.

Eric walked inside. He walked back outside. He drank some beer and burped. ‘We’ll be drunk by nine,’ he said.

‘Right when we have to drive,’ Sam said.

‘Perfect,’ Eric said.

Sam finished shaving Jordan's head. Jordan rubbed his head. ‘Does it look alright?’

‘Looks good,’ Eric said. ‘Go ahead and pull your shirt out of the freezer.’

Jordan walked into the bathroom and looked in the mirror. He rubbed his head with his hands. He walked into the kitchen and grabbed his shirt and put on the shirt.

‘It's cold,’ Jordan said.

‘Feels nice, right?’ Eric said.

‘Yeah,’ Jordan said. ‘Not bad.’

They sat on couches in the living room.

Sam talked about getting high at church when he was in high school.

Eric played a music video for the song ‘Jesus is a friend on mine.’

Jordan said it sounded like the Talking Heads.

Sam said something about the guitar player’s hip motions.

‘I need more beer,’ Eric said and looked at Jordan. ‘Wanna come to the gas station?’

Eric opened his car door. ‘Don’t get in yet,’ he said. He pounded on the seat. ‘It’s infested with roaches. You gotta pound the seat so they go back into hiding.’

Jordan and Eric drove to the gas station near the interstate. They passed a McDonalds, a Wendys, a Taco Bell, a Walmart, another McDonalds.

‘Jesus is a friend of mine,’ Eric said. ‘He taught me how to praise my God and still play rock-n-roll.’ He parked the car. ‘Man, I really wish they made eight-packs of tall-boys.’

Eric walked inside the gas station. He walked outside the gas station, holding two four-packs of tall-boys. He got in the car. He looked at Jordan and held the four-packs next to each other. ‘Eight pack,’ he said.

They drove back to Eric's apartment and walked inside.

‘Let's take some 800 milligram ibuprofen and get fucked up,’ Jordan said.

‘Ibuprofen is generic trash,’ Sam said. He was lying on the carpet again. ‘I only get high off Advil extra-strength.’

Eric put beer in the fridge. ‘How does it feel to be two of the dumbest assholes on the world?’ he  said. He grabbed a beer and closed the fridge.

‘Feels pretty good from down here,’ Sam said. He took a drink of beer, spilt some on his face.

‘You spilt beer on your face,’ Eric said.

‘That’s what the carpet is for,’ Sam said. He rolled over and rubbed his face on the carpet.

‘Jesus Christ,’ Eric said. ‘I’m getting drunk tonight.’ He pulled his shirt off, walked to the kitchen, put the shirt in the freezer.

A little later Eric’s girlfriend, Kim, showed up. She sat on the couch next to Eric.

‘Can we get high tonight?’ Jordan said to Kim.

Kim reached under the coffee-table and pulled out a bong.

‘You're not allowed to smoke weed,’ Sam said. ‘You just got a haircut. That's illegal.’

Eric played depressing music on YouTube.

‘Sounds like American Football,’ Jordan said.

‘No,’ Eric said.

‘Very similar,’ Sam said.

‘Very sad,’ Kim said.

‘Sounds like Postal Service and American Football,’ Jordan said.

‘I’m gonna kill you,’ Eric said.

Jordan and Kim smoked marijuana.

‘My mom is going to find out,’ Sam said. ‘This is smart. This is really smart.’

Kim handed Sam marijuana and Sam smoked marijuana.

‘Play Ricky Calloway,’ Jordan said.

‘Shit,’ Eric said. He played the song ‘Get it Right’ by Ricky Calloway. ‘This is the guy that pressure washes UNF.’ UNF stands for University of North Florida. Jordan and his friends went there because you didn’t have to write an essay to get accepted.

‘What?’ Kim said.

‘This is Ricky fucking Calloway,’ Eric said. ‘He's a funk-singing pressure washer.’

‘Shit,’ Kim said.

‘He's not good at pressure washing,’ Sam said.

‘Leave Ricky alone,’ Eric said. ‘He does a fantastic job of pressure washing. He’s an excellent pressure washer and a magnificent funk-singer.’

‘Yes he is,’ Jordan said.

‘I'm an asshole,’ Sam said.

‘You are,’ Jordan said. ‘He does a fantastic job.’

Jordan stood and walked into the kitchen. He was feeling buzzed. He opened the fridge and grabbed a beer. He opened a cabinet and picked up a glass. ‘Why does this glass have Dough Mahoney written on it?’  

‘That's mine,’ Eric said.

‘Who's Dough Mahoney?’  

‘That's me. Dough Mahoney is PEN name. I have to use a PEN name because I’m going to be the fucking president. Kim made me that.’

‘Dough Mahoney,’ Jordan said, and poured the beer into the glass.

‘Dough Mahoney,’ Eric said.

It was quiet for a few seconds. ‘My mom is autistic,’ Sam said.

‘My Mom is Zach Braff and so am I,’ Eric said. ‘She’s big Zach Braff and I’m little Zach Braff.’

‘Shut up,’ Sam said.

At the party an hour later Jordan sat around a table with Eric, Aubrey, Olivia, and Sam. It was a glass-top table and the base was made of ceramic dolphins. There was a large bong in the center of the table. Aubrey was painting something on a small canvas. In the living room there was a drumset, a guitar, a bass guitar, and a microphone. Jordan was stoned and staring at the ceramic dolphins, not really thinking about anything except how stoned he was. He was very stoned, he thought. He heard a tambourine. He looked up and saw Olivia smiling. It was her birthday. She was twenty-two.

‘This is my tambourine,’ she said, and shook it again.

‘Cool,’ Jordan said.

‘I'm putting on Die Antwoord,’ Olivia said, and put on Die Antwoord. ‘I want champagne.’ She walked into the kitchen and came back with a bottle of cheap champagne and two glasses. She shook her tambourine. ‘Would you like some?’

‘Sure.’

She poured Jordan a glass of champagne. He drank some.

‘Don’t drink before we toast,’ Olivia said.

‘Sorry.’

Jordan held up his glass and toasted with Olivia. Olivia smiled and then Jordan smiled.

‘Where’s Emma?’ Olivia said.

‘She didn’t wanna come. She’s probably at home watching The Office.’

Olivia shook the tambourine again. ‘This isn't loud enough,’ she said. ‘I’m tired of hearing everyone's voice that hasn't said hi to me yet.’

Jordan didn’t know what to say. He took another drink. The champagne was good. Or the champagne was bad, but Jordan didn’t know what good champagne taste like.

Someone walked up to Olivia and said happy birthday. The person was wearing a colorful jacket and eating a carrot. ‘That jacket is funky fresh,’ Sam said. ‘That is some serious jazz.’

‘Yeah man,’ the carrot-guy said, and took a bite of his carrot and walked away.

‘That was strange,’ Jordan said.

‘What?’ Sam said.

‘That whole thing,’ Jordan said. ‘What you just said.’

‘You didn't like that?’ Sam said. ‘You gotta get freed by the funky fresh jazz beast.’

Eric walked up and said something about Billy Collins.  

‘Billy Collins is dead,’ Jordan said without thinking. ‘He died a week ago.’

‘No he didn't,’ Eric said. ‘Fuck off.’

Aubrey held up the canvas she was painting.  ‘It’s Eric,’ she said. The painting was deformed-looking.

‘The sagging lip represents years of untreated alcoholism,’ Jordan said.

‘Fuck off,’ Eric said.

Sam stood up and sat at the drum set. The carrot-guy walked over and played guitar. His carrot was gone.

Eric walked up to Jordan and said he had a confession. Eric said he never received money from the U.S. government for being one-eighth Native American. Jordan had been convinced for over a year that Eric received money from the U.S. government for being one-eighth Native American.

Jordan looked out the back window. ‘There's a fire out there,’ he said. ‘Let's go.’

The fire was big. There was a small tree next to the fire. Kim walked outside and stood next to Jordan and Eric. ‘This is how white people die,’ she said.

‘White people die in Iraq,’ Eric said. ‘Chill the fuck out.’

Someone threw an onion in the fire. ‘Burn the onion,’ someone yelled.

‘Is that an onion?’ Kim said.

‘It's okay,’ Jordan said. ‘We're going to get high.’

‘Who started this fire?’ Eric said.

‘Banksy,’ Jordan said.

‘Capitalism is the fire, and the tree is the people,’ Eric said.

‘When Bernie Sanders becomes president I'm going to request that all parties have large fires and Adderall,’ Kim said. Jordan gave her some Adderall on the drive over.

Kim talked about moving to Portland. Everyone was always talking about moving to Portland.

Jordan didn’t have anything to say about moving to Portland. ‘We need to burn this tree,’ he said, because it felt like it was his turn to say something.

‘It's alive,’ Eric said. ‘It won't burn.’

‘We need to burn the tree,’ Jordan said. He was drunk.

‘I'm not going to burn the tree,’ Eric said.

‘Okay,’ Jordan said. ‘Don't burn the tree.’

‘I'm not going to,’ Eric said.

‘Good,’ Jordan said.

Someone threw a pallet on the fire. The fire got bigger. There were about twenty people outside, talking in groups of three or four.

A little later Robert showed up to the party. Everyone was still standing around the fire.  Robert was wearing his Winn-Dixie apron.

‘Why are you still wearing that?’ Eric said.

‘I forgot,’ Robert said.

‘Keep it on,’ Jordan said. ‘It's good.’

Jordan asked Robert when he was going to bring him some ham-steak.

Robert said the ham-steak at Winn-Dixie wasn't on sale anymore. One time Robert and Jordan got stoned and ate ham-steak on the kitchen floor of Jordan’s apartment. Jordan said the ham-steak was shaped like a dog's head and Robert got scared and threw the ham-steak in the freezer, only to be discovered months later.

‘They sound kind of good in there,’ Robert said about the people playing instruments inside.

‘Should we go inside?’ Jordan said.

‘Take off your apron,’ Eric said.

Robert took off his apron. He threw it in the fire.

‘Hell yeah,’ Eric said.

Eric, Jordan, Robert, and Kim walked inside. They stood in the living room.

There were about twenty people in the living room. They listened to people play music. No one was singing.  Jordan walked to the microphone. He sang a song about ham-steak and Bernie Sanders. He walked outside and felt extremely intoxicated. A person walked past Jordan. ‘What is on your shoulder?’ Jordan said. ‘A hamster?’

The person said it was a rat. Jordan asked if he could pet the rat and the person said yes. ‘Her name is Little Miss,’ the person said.

‘Hey Little Miss,’ Jordan said. He looked at the rat. It had big eyes. ‘This rat likes you a lot. You can achieve things.’

‘Okay,’ the person said. ‘Thank you.’

Robert and Eric walked outside. Robert talked about leaving the party to go see a rapper named Kevin Gates. ‘I don't want to see Kevin Gates,’ Eric said. ‘He fucked his cousin.’ Robert said that it was cool to fuck your cousin in the year 2015. Jordan went pee behind a dumpster near the garage and then walked inside the garage. The garage was the rat-person's art studio. Jordan said he liked the art. The rat-person said it was shitty beach-art he got commissioned to make for rich white people.

Little Miss was in a cage hanging from the ceiling. Jordan put his finger inside the rat cage. The rat licked his finger. Jordan asked if the rat was going to bite him and the person said no. ‘It's licking me,’ Jordan said. He walked outside the garage. He walked inside the house. Someone said something about a terrorist attack in Paris. Olivia was singing and playing tambourine. Sam was asleep on the couch. Robert handed Jordan a beer and they both shotgunned a beer.

College Novel by Blake Middleton is forthcoming from Apocalypse Party Press in early 2019.

Continue Reading...

THE HYPOCHONDRIAC SOCIETY by Michael Prihoda

The Hypochondriac Society met every Thursday night in the basement of Knox Presbyterian Church.

The church was like a Russian nesting doll: the Presbyterians on Sunday morning, some Mennonites on Sunday night; a children’s Montessori school met in part of the basement during the week or whenever the hell kids attended school nowadays and for a while I think Paul, this one guy I knew from somewhere (maybe he served me food at Shish, that Mediterranean deli on Grand near the university that I generally avoided because, well, undergrads) said Monday nights were AA meetings but I didn’t buy that. For some reason. Maybe it was the shape of Paul’s face. Who am I kidding, I can’t remember his face.

But so the hypochondriacs got it on Thursday nights from 6:30 to 8:00, officially, though some of us lingered after that, as if every Thursday were a wretched party we couldn’t help prolong, knowing the hors d'oeuvres, so to speak, wouldn’t be as good back home.

There were ten of us for the most part. But if you count the people I talked to, it was four: Trey, Tull, Diogenes. Shit, that’s three. Whatever.

We brought our maladies like the shitty nephew brings a ring down an aisle toward a semi-entranced couple, the male counterpart of which probably harbors resentment and not a bit too little of put-offishness at having to tolerate this dweeb carrying potentially the most expensive piece of anything he’s ever purchased for anyone, excepting that Camaro he may or may not have purchased back in LA but whose payments he quickly defaulted before prestidigitating a new life with a family containing one of these trite extras: i.e. said punk nephew of bride.

Each week was the same but different. I’d had rumors of testicular cancer brewing for seven months now and every time I whispered this fear Diogenes would puff her cheeks, the same as certain fishes; her eyes would go all blurry and crosshatched and outsiders would think she wasn’t paying attention but really she was like an anti-muse, absorbing all our shit through her nostrils to pack away somewhere deep until her time as oracle might be called upon.

She always looked that way except for this time when a new guy came, threading some story about constant jaundice, MS, atherosclerosis, arthritis, tonsillitis, two bum knees, chronic shoulder pain, halitosis (a dead give away for a faker, since no such malady exists, I mean, c’mon, do your homework, as Trey would say), but so the list goes on and finally, after his lungs fully unwound his sails, Diogenes gets this feral look on her face, so bad I thought Vesuvius had reincarnated itself in the form of a 5’5’’, Greek-yogurt-eating self-proclaimed virgin who had dreams of being the first celibate porn star in history (don’t ask…). By the time she had picked up a chair (roughly shoving some guy, whose name may or may not have been Marvin, from said chair; the one operative detail I knew about him was the shape and expenditure of his glasses, overheard amidst the meandering exchanges of post-meeting time: oracular, the frames alone running him a morbid $340, “and that’s not counted in yen…”) the new guy skedaddled, dropping three paper clips, two rubber bands, a plastic clip like for a bag of chips, four number two wooden pencils (not the cheapo kind you see on sale at K-Mart in early August), and a grape sucker. I felt bad because that was classic hypo repertoire, the junkies’ toolkit.

The next time somebody new showed up, everyone kept shooting wry side glances at Diogenes for the first ten minutes as someone named Chris(?) said the usual.

Then it got to the new girl. We tensed.

So far she’d been calm as a nonexistent ocean breaker so when she up and Mt. St. Helens-ed us by whipping off her cardigan, t-shirt, and bra, exposing her breasts, and then pointing at a point near-ish her right aureole, only to scream, “SEE THIS!?” you could say we more or less had not seen it coming.

Well, sure, we saw. We saw a decently attractive woman whip off her top(s) and jab an index into the flesh of her right/left breast. But we didn’t see.

“BREAST CANCER.”

Then she sat down.

It made us uncomfortable. This was not at all procedure.

I looked at Trey. Trey looked at Tull. Tull looked at the floor, ceiling, Chris(?), then me. Then we all looked at her.

The older woman who walked with a cane some days to play up her failing hips happened to be sitting next to the new, breast-exposed woman. She patted her gently on the leg, which up ended up awkwardly landing somewhere around her thigh/butt cheek/hamstring since the woman was sitting and the half-naked girl was standing. “What’s your name dear?”

“Did you hear me?” her voice had rumbled into a lower register, less scream, more molasses to it. Considerably more mortality.

Something was wrong.

I wanted Diogenes to pick up a chair and make to hurl it. I wanted Tull to squeak so I could start talking about how I swear those mosquitoes from that weekend I spent camping with my cousins three weeks ago were carrying Zika virus. It wasn’t even my turn. There was procedure. But this was no good. I felt people shifting in their chairs.

The girl broke the spell by snapping her bra back into place, then putting her t-shirt on, then her cardigan. Very diligent, almost business-like. As if she had tried something on at Gap and found it not entirely agreeable.

She sat down. Her demonstration having birthed enough ghosts to fill Iceland.

Next Thursday four people showed up: me, Tull, Trey, and some other rando. Diogenes had come down with the flu, or so her text to Tull had said, which she’d half-related to us in malformed sentences lacking adhesion to the English language. I saw breast-cancer girl outside Knox on my way in, just standing near the steps to the door, in a pool of approaching darkness. I couldn’t/didn’t meet her eyes.

The meeting didn’t last until 8 that night. She wasn’t there when we left.

The week after, Trey and I were the only ones who showed up. Diogenes’ flu had progressed into full-blown malaria and Tull’s text also indicated house-arrest Ebola might be in her system.

Trey and I tried to have a normal session but the point was sharing, not talking tete-a-tete, mono-a-mono. That was too personal. Hell, if we wanted that, we wouldn’t meet in a church. The person we really spoke to at these things was the space between the circle of chairs. The god in the room. Breast-cancer girl showed us what we worshiped and it got embarrassing.

I helped Trey stack the chairs and we barely raised a hand to say goodbye.

At home, I took my shirt off and stared at myself in the mirror, squeezing my pectorals to make the aureole bulge, wondering what lay beneath.

I had nothing.

Continue Reading...

EYE BITES by Jenny Fried

What You Need to Know

I cut off a rat’s head with a guillotine, and it told me I looked like someone who ate cereal for every meal, which was one I hadn’t heard before. I do not in fact eat cereal for every meal, but there’s no use fighting with a rat head. I learned not to argue when I tried to kiss someone and was so nervous I missed her mouth. At first she told me it was cute, but later she said she didn’t know why she bothered with me. I got lost in the forest once. I remembered reading about mazes, so I took only left turns for as long as I could. I found a hill made all out of sand and a man with long straight hair. I knew I knew him from somewhere but I couldn’t figure out where the information I wanted was, trapped inside my head. It was like a seal I saw on the beach once. All its flippers were fine, and its tail was touching the water, but it couldn’t figure out how to get back in.

#

Things I Know

The animals commonly known as seals are referred to as pinnipeds in the scientific community. Kingdom: Animalia. Phylum: Chordata. Class: Mammalia. Order: Carnivora. Suborder: Caniformia. Raskovnik is the Bulgarian name for Marslilea quadrifolia, a small plant that looks like a four leaf clover. It is not particularly rare, nor does it grow in remote areas, but is completely unidentifiable to the untrained eye. A legendary herb of the same name was said to be able to open any lock. The distance from the earth to the sun is 4.85 million parsecs, 149.60 million kilometers, 92.96 million miles, 327.22 billion cubits. Thousands of people have childhood memories of a series of kid’s books called the Berenstein Bears, pronounced like steen. They never existed. It’s the Berenstain Bears, pronounced like stain. The erroneous memory is embedded so strongly in some people’s heads that it has been cited as proof that we are now living in a parallel universe, that it was -stein when we were kids, but that timeline was erased somewhere along the way.

#

What I Say to You

I think if I were an animal I would be a seal.

#

That Night

I make out with a chair and then it rips off its face, but it isn’t you its someone else I know. We go to a protest at my old high school and I am so so late for Spanish but this is important. A short kid with a beard sneaks away with my backpack while I’m chanting. I run after him I think but my legs are still at the protest and he gives my bag back because I ask him nicely. I go to an Italian restaurant with my parents and my mom kisses our waitress on the cheek. When she turns into a frog I wonder how I’m going to pay my college tuition. My frog mom swims around the glass of water the waitress keeps refilling and I keep drinking it because I don’t know how to tell her to stop. I don’t know how to tell you to stop looking at me because its not that I don’t like your eyes I do I just know that your pupils will start taking little bites of me when they dilate because that’s just how these things go.

#

Out Your Car Window

Even when it isn’t that hot yet if you look closely you can always see asphalt shake and shimmer a little. I think it’s jealous. Everything always moves over it and it has to stay still. Its just like how when you see deer next to the highway they’re always looking at you and their eyes are always full of that look you give bridges when you’re wading through the water. But there aren’t any deer this time because I asked you to go the slow way, only boys on bicycles and a dirty Laundromat every couple of blocks. Somewhere inside there’s probably a chute where they throw all the lost socks and a place where their ashes stay and the sock ghosts crawl out and go haunt feet and doorknobs. It’s kind of weird to look at someone who can’t look back but what else are you supposed to do if you aren’t the one who’s driving?

#

What I Say to You

Do you know what paper tastes like?

Sort of. I ate straw wrappers when I was a kid.

I ate old newspapers. I didn’t realize they didn’t taste good until I was done eating.

Like aftertaste?

Kind of.

Not quite?

It’s more like you forget what it tastes like while it’s happening.

Like you have to think about it later?

Yeah.

What are we talking about?

Eating paper.

We’re talking about eating paper?

Sure.

That’s it?

I guess.

#

Last Year

The bites started small, with just the eyes. Little love bites. Then there were words I could see on my skin. Then the big ones. Bite one pushed the air out of my belly. Bite two left a mark on my face. Bite three put a chip in my tooth. Sometimes I still cut myself on it when I’m trying to speak.

#

Things I Know About You

You walk with your heels turned in.

You always have cough drops in your pockets.

You don’t turn the radio on in your car, even when we aren’t talking.

You know more kinds of bears than I do.

You do your laundry in the sink.

You always forget to staple your papers together.

You wear shoelaces that are too long, and they drag on the ground even when you     remember to double knot them.

You don’t have any pets

You answer my questions, even stupid ones.

You go the slow way if I ask you to.

#

Your Place

I know that walking through doors makes you forget things because I read it somewhere. When I walk into rooms sometimes I forget what I am doing there and then I lie down on the floor and look up at the ceiling and wonder how many doors I have to walk through before I forget everything.

I know that you are looking at me because your eyes take three bites.

I like your eyes. I like your eyes. I know I like your eyes, I do, and my tail is in the water. You put your hand on my arm, you put your hand on my face, and look, look it’s you. But what if it isn’t, what if you rip off your face and it isn’t you it’s someone else I know, and your hand is on my face. Again. Her hand is on my face again.

Shut up don’t argue with a girl who wants to eat you.

#

Under the Table

You find me under the table and you put my head in your lap. We stay right there, and you don’t say anything, and I think you are good for me, I want to say you are good to me, I want to say stop looking at me, I’m under the table for a reason, and your eyes are just little bites now but what if they get bigger. I want to say what if I want to say stop but instead I just think it, but instead I just think it.

Continue Reading...

FLIPPED by Zac Smith

Brad flipped his car after hitting a fire hydrant, right downtown, right on Fifth Street, right near our old apartment, the prefurnished one with the broken window and the red wall and the kitchen that had bookshelves instead of cabinets, he was driving, something happened, who knows, he hit the hydrant and the car went upward, upward, from the height of the hydrant and the height of the curb, and the car veered upward and over the hydrant, and the hydrant's base cracked under the weight and pressure of the car and the angle of it, and the cracked base gave way so that the water could come out, and it came out, one huge spray into the underbelly of the car and out into the street below while car ascended into the air itself, at an angle, fast and strange, twisting, up and around, the body of the hydrant lifted, dislodged, entirely broken free, the water coming out as a geyser, up and out, the body of the hydrant rolling away, or more tumbling away, bouncing under the force of the impact, the force of the water, the car's wheels spun and the engine roared freely, the tired no longer struggling against the friction of the road but against nothing, free air, spinning madly, the engine just bellowing as the car veered upward, the clanging of the hydrant as loud as the screaming of the engine and the roar of the water, all three a unified cacophony on Fifth Street near our old apartment, right in front of the convenience store where people would gather to smoke and scratch off lottery tickets and ask for change and sell weed and catch up with the other people who lived on the block or around the corner, and who we would sometimes buy forties with and scratch off lottery tickets and talk about what the other people on the block were doing, who they were with, where they had been and what they planned on doing, who was leaving town, alone, or leaving with someone else, people we knew or didn't know or had only heard about, or people who we saw buying beer but who never hung out, and right next to the laundromat where someone died once in the bathroom, then they closed off the whole place with police tape, and everyone was crowded around trying to see who it was, if it was anyone we thought it would be, anyone we expected to die in a bathroom, or who always hung out in the laundromat for whatever reason, but it was just some nobody that no one knew, it was right in front of that laundromat where he flipped the car, his foot still on the gas, the car in the air, the tires spinning, engine screaming, water spraying, hydrant rolling off, and when the car landed it was the loudest of everything, a real crashing down, the whole car coming down from the air with its full weight, just a huge crash, the windows crunching into a million tiny bits and the hood crumpling in and the engine letting up, finally, a big groan into nothing, but the water still spraying up and wide, less murky now that it was finished clearing out the old silty pipes in the neighborhood and pushing in fresh clean water, spraying all over the upside down car, all over the street, the curb, like the car, car half on the curb, half in the street, Brad pinned between the wheel and the seat and the roof of the car but able eventually to wrench himself out through the busted-out window, on his back, coming out like a baby covered in glass and blood and just staring at the water coming up and spraying out everywhere while the radio kept playing, louder than almost everything else except for the water spraying out and splashing down, louder than Brad muttering “shit, goddamn," over and over again, louder than him just muttering the same thing over and over again, wondering when the cops would come, whether anyone would call them, whether he would have to call them, wondering what would happen if they came, what would happen if they never came, all kinds of shit, over and over again, the same shit just over and over again in his head.

Continue Reading...

MILK by Michael Mungiello

I’m on my way to mom’s apartment.

*

I’m at mom’s apartment.

Wow, nice. She’s really spruced up the place.

Mom?

I’m in here!

Down the hallway, wood floor, wood walls, wood doors, wood frames around photos (of me as a baby, me at my wedding, none in between); plants.

Mom?

Kitchen. Mom’s cluttered kitchen, Tchotchke salt shakers, detergent blue water sitting in the sink, a mini-TV in the corner and a little man saying in the Voice of Concern

A Storm Is Coming.

I look at the whole scene through the linty light coming through mom’s drawn translucent curtains.

Hey, Mom! Came to check up on you before the big storm. Do you need anything?

Oh, how neglected I am!

No one takes care of me!

For all you care, I could die!

Woah woah woah—what?

And she does the aftercry sigh and shiver and explains: last night she fell; couldn’t get up; called me but I didn’t answer (my phone was dead and I was out and she calls me once a day so sometimes, you know what, maybe I’m entitled to ignore a call, maybe it feels good); she called dad; he picked up; came over; helped her up; left; mom fell again; and couldn’t get up until early this morning, she had to move around on the floor and leverage several equidistant pieces of furniture.

Jesus, that sounds terrible, mom! Why didn’t you call dad again?

She doesn’t say, exactly, but talks about pride, pride, pride. Dignity; couldn’t I have called back? And dad, she didn’t want to steal him away again from whatever he’d been doing at that hour

Yikes, mom.

But it’s nice to be with her. Why? She asks about my job (I’m a pharmacist) and roasts me about the stupid things I say and she roasts me in a way that confirms that those things are stupid but that I’m not. Critiquing is how she connects. She has long grey thick hair like she could be a famous poet with a black-and-white headshot but she’s not a poet.

She points to my belly.

I’m pregnant, by the way, 4 months.

You look fat.

Yeah, mom, I just found out it’s twins.

(This is a lie. It’s not twins.)

I’m worried though. What will the baby’s life be like, Lorenzo is on another business trip, left with no notice. Things between us? Not good. And I know he’d always provide for the kid with money but as Lorenzo would say in business-talk:

I’m afraid I’ve written a check I can’t cash, emotionally.

The phone rings.

Mom answers.

Hello…Completely?...Okay.

Yes. Soon. Thank you.

I decide not to ask, it’d just give her an excuse to talk about how nobody cares about her, again. Mom’s quiet. She gets a tall glass and fills it with water and drinks it in a swig. Then she gets a gallon of milk from the fridge (I spot her like she's lifting weights, which is ridiculous because someone should be spotting me! I'm lifting weights) and she has a tall glass of milk.

Ah, milk. I have milk memories, like how in college I used to put vodka in my half-full gallon of milk so I could drink during the day without roommates noticing. (Milk gets rid of the smell.)

Ah, memories.

Mom makes the ahhh sound and puts down her glass.

Wow, what thirst!

She turns to me, panting with slaked satisfaction.

That was Cheryl. Dad’s dead.

*

Dad and I once went to a baseball game. He bought me a pretzel and looked very tall, very strong. I told mom the truth, he and I had a good time. Later she hurt her back and I connected the dots and didn’t speak highly of dad ever again. Her back didn’t improve, and hasn’t.

*

Outside birds and worms, pedestrians and rats, everybody scurries to a place where they’ll be safe. Meanwhile I’m on my way to dad’s, alone. Big clouds darkly hover over me. I feel ashamed. Was it something I did that made dad die? Or is this some kind of joke?

*

I take a cab and despite myself relish the opportunity to spend money like that. If not now, when?

*

Hi Cheryl.

She opens the door and is sad. Paramedics already there have given up and logged time place cause.

Hi Karen. Is your mother…?

Mom isn’t feeling well, she needed to go lie down after the shock. (That’s what mom told me to tell Cheryl.)

To me it all feels autocompleted. Of course dad died. Of course I’m here. Of course I’m consoling Cheryl, perfectly adequate stepmother. Of course of course.

You sure you’re okay?

You’re not even crying!

Yes, Cheryl. Thank you, Cheryl.

You have to feel your feelings!

Yes, Cheryl. Thank you, Cheryl.

I sincerely try to earnestly sniffle.

Cheryl grew up on a farm in Vermont and is into energies.

The difference between mom’s place and dad’s place is that dad’s place has an upstairs and a basement: three levels total. Mom? Just one floor. I guess that’s just the difference between a house and an apartment.

Photos here too, above granite countertops and under mini-chandeliers. Dad and Cheryl on their honeymoon and on fun vacations to Greece (I like these). Me and mom and dad—my communion, graduation, wedding. I wear a version of the same dress in all three.

Dad won’t meet his grandkid.

That’s sad.

It makes me angry.

Their cat is on the ground. He shows me his belly.

Cheryl, what did they say? Oh I see. Heart attack.

The phone rings. Cheryl goes but the person hangs up as soon as Cheryl says hi.

So difficult to believe.

I know, Cheryl.

He was the best man I knew.

And it’s stupid but I agree. He was actually nice. When he asked if I liked a movie or a book or a song on the radio that played while we were in the car (he’d ask after every song when it was just the two of us in the car)—he cared about my answer.

He was curious about me, fascinated. When he was around.

He’d also do this thing where he didn’t visit for a long time, even though he was a subway away.

(Dad: Park Slope. Mom: Upper East Side.)

Oh.

He’s dead.

Actually dead.

The paramedics are leaving with the body. Cheryl follows and I’m going to get mom.

The storm speaks!

Rumble Rumble

I look out the wide windows in dad’s study. Little rain sounds on the windowpane, steady then faster like—sorry—heartbeats.

I’m feeling sensitive.

I want to be with mom.

I clutch a photo of us all and take it with me when I leave, I don’t really look at it.

I’m in a cab to mom’s and now I look at it. It’s us at the Grand Canyon, the trip we all took, even Cheryl.

Mom looks pissed.

Dad doesn’t seem to notice she’s pissed.

I realize, if I was mom, that would only make me more pissed.

(Cheryl, nervously cheery.)

Thunder Rumble

Lorenzo calls but I decline.

I get to mom’s.

Knock.

Knock.

Knock.

Knock.

Freak out, get the landlord to let me in.

Mom’s dead.

On the ground, on her back, hand on her belly.

She looks vulnerable but she’s not vulnerable she’s just dead.

The landlord says

Oh no.

Your mom’s dead.

*

The rain is coming down not in sheets nor in blankets but in beds, California Queen. Like the weather is furious at the windows.

I don’t call Cheryl because I know mom would kill me. The landlord calls an ambulance but the streets are already flooding.

The other tenants are calling him—leaks!—and he has to check on his own room.

They’ll be here soon.

Everything’ll be handled.

I have to leave.

It’s okay, thanks for unlocking the door.

Well mom, you and me.

I hear a beeping sound over the rain brigade. What the hell?

The smoke alarm in the living room is going. I glance up and get a whopping drop of water right in my eye. Then a bunch of other drops on the back of my head when I turn away to wipe my eye. Then a torrent, a pillar, a fire hydrant’s worth of water. It’s like a whale is upside down on the roof and its blowhole is lined up exactly with the alarm. The alarm is blown right off, I’m drenched, I put a bucket under the hole and it doesn’t do much.

Crrrrack

I look outside and a tree comes down at one end of mom’s street. The tree blocks the road.

Crrrrrack

Another tree! Blocks off the other end of mom’s road.

Then ambulance sounds. But they can’t get past the trees. I see them pull up to the first one and then back out and swing around the block and try the other end of the street. It’s pathetic, futile. They know mom’s dead. No rush, guys. No worries.

I’m suddenly starving. I go into the kitchen and make a cold cut sandwich with Italian bread, mortadella, and mozzarella. A wayward branch bandied about by the wind smashes through mom’s window. Some glass comes dangerously close to getting in her hair. For propriety’s sake I drag mom into the kitchen with me, which I know I’m not supposed to do with the baby, and draw the curtain that was functionally the kitchen door, so nothing will mess up mom’s face, no broken glass or whatever.

Her eyes are still kind of open.

I want to close her eyes but I don’t want to touch her so I put the family photo from dad’s house over her face. It helps. It feels respectful.

I think I hear her try to talk. Garble. She’s not dead.

Mom?

But she doesn’t answer.

*

The storm is hard to describe.

Like, “I look at the storm and see myself.”

Like, “I feel I’ll die due to storm-related head trauma.”

Like, “And what about the people who aren’t me? What’s the storm like for them, where are they? It’s useless to wonder this but do nothing. I think I’m bad.”

Like, “I actually make a dark and stormy. In my mind I raise a toast with mom’s ghost.”

Like, “The thunder is dad, the lightning mom, the raindrops Cheryl. The baby?”

Like, “Thinking of my baby as the storm rages, I feel badly about the environment: specifically, climate change.”

Like, “I don’t hear the knocks at the door over the storm sounds so the paramedics have to break mom’s wood door.”

Like, “The paramedics’ ponchos seem used up and the paramedics themselves are still soaked all the way through. I’m swept into my old bedroom like dust while they work on mom. No windows in my old room. Safe.”

Like, “The paramedics come in to tell me that mom’s not dead but that she has overdosed on her back pain meds. They are taking her to the hospital now. They will try to brave the storm conditions. They ask if I will be riding in the ambulance—they understand if I don’t want to risk it.”

Like, “I decline another call from Lorenzo. I text and tell him I’m okay, just bad reception because of the storm. He responds with a thumbs up emoji.”

Like, “The back doors of the ambulance close and the rain’s hit me so hard even the baby feels wet. The ambulance wades in our race against time.”

Like, “There should never be a season for things like this.”

Like, “The storm is just a device. Like mom or dad or Cheryl or Lorenzo or the baby.”

Like, “I look at the storm and ask, Why can’t you be other, better weather?”

The storm stops.

The storm starts.

The storm says, What storm?

Continue Reading...

NO THANK YOU by Mike Corrao

becomingplateaubecomingmachinebecomingplacebecomingbodybecomingbirdsongbecomingdirectionbecomingstasisbecomingmattressbecomingthinbecomingessencebecomingmaterialbecomingpersonbecomingurnbecominganimal (or No Thank You)

 

There are a thousand plateaus spanning across this plane. Each occupied by strange machines eating each other, who stare at the remains for as long as they can bear to. “What kind of fucking place” is this: somewhere locked within itself.

A body that crawls out of stasis, so tired of its previous immobility that it stretches out in every direction until it is so thin that it cannot see itself. It feels like there is a jackhammer at the face of my chestplate. And it’s telling me that I’m late for whatever I’m supposed to be doing / that I’m supposed to have done by now (jesus christ).

What kind of person finds themself in a place like this, where the sky is made out of static and echoing birdsongs. But this is not the point (there is a reason) (geographical purpose)

yy told me that ff used to live under a stranger’s mattress. I couldn’t imagine occupying a space like that, or spreading myself out so thin as to disappear from myself. (I want to materialize)

which means finding myself in a space. Wolf-man locked in the urn-shape (stasis again) (unmaterialized)

It feels like the echoes are crawling out of my bones (unmaterialized)

How should a person be? (materialized) (unmaterialized)

Someone caught in the act of becoming (materialized) (materialized)

then caught in the act of fully forming, then caught in the act of watching the essence fall out of their head like liquid. And then they don’t seem like Someone anymore (unmaterialized) (becoming)

Their head looks hollow and weightless, it floats over their body. (I want to materialize)

but I’m lost in the midst of these plateaus, lingering under cannibalizing mechanisms and gears soaked in blood and oil. I don’t feel like I contain anything anymore, more like I am a part of the contents, and our coagulation forms something unstable and loud (materialized)

I’m worried that I can be heard and found (not hiding)

but incapable if I wanted to hide / when I need to start hiding (because there is always a reason to be disappeared)

No sun / No moon / No sky / No ground / No way to orient myself

Sounds so deafeningly loud (how should a person be)

physically speaking, should I be made organismally, or would you allow me to build myself out of new parts? Could a larger Someone remain stable for longer? (materialized) (unmaterialized) (return)

This will be a fleeting shape, that reveals itself in my death throes. Form me out of the sea foam and watch as the air slowly returns into the atmosphere, bear witness, examine what this container is made out of (materialized)

Continue Reading...

THE LOBSTER by Benjamin DeVos

I clock in at Pirate Cove and try to find a good place to hide.

I stay in the bathroom as long as possible.

Until my boss barges into the stall and tells me to get my ass in gear.

The shift’s starting.

The first table is always the worst because I’m not ready to act like a pirate.

I’m never ready to act like a pirate.

My first table is a father with his daughter.

“We are ready to order,” the father says.

“I want to get the best of the best.”

He’s young, but his hair is already starting to gray.

He’s wearing khaki pants with a shirt that has sweat stains forming on the armpits.

I want his life, to have something worth stressing for.

He orders lobster for himself and his daughter.

I write down his order on a pad of paper then stop.

“Arr sorry me matey,” I say. “There’s been no lobster for a wee fortnight.”

And I know this because we only get lobster at the beginning of the month.

Sometimes I serve the scraps from the back of the freezer, but I don’t want to ruin this family’s day.

“Lobster is our favorite,” he says, looking at his daughter.

“We’re out, me hearty,” I say, watching the daughter sink with disappointment.

“Darn,” he says, looking at the menu with intense focus.

“My apologies, wee lass,” I say, hobbling on my wooden peg leg to gain sympathy.

I imagine the man and me on a pirate ship together, and the man unable to cope with disappointing his daughter, jumping overboard with an anchor strapped to his waist, letting the weight carry him down until he sinks to the bottom of the ocean.

He’s still looking at the menu.

He says, “Well how about the crab, I bet that’d be as good,” trying to convince himself and his daughter.

He hands me their menus with a smile on his face.

“This meal should be excellent; we are a seafood-loving family.”

I want to tell him about the quality of the food, how most of it is frozen and reheated.

I don’t tell him about all of the complaints we get, how much food gets sent back for being sub-par.

Because he’s doing his best to give his daughter a great meal and I respect that.

“We love lobster,” he says looking at his daughter, “So we’ll come in next time it’s available.”

“Crab is good,” I say, taking the menus from him.

“It’s the best,” he says.

I say, “Lobster freaks me out; they’re like, the cockroaches of the sea. Every time I go to the beach, I try to avoid the lobsters.”

The father takes a long gulp of water.

“Yeah, we like our lobsters. They’re so delicious. It doesn’t matter what they look like; they’re good eating.”

“But they’re undeniably freaky looking,” I say, “Just like so weird.”

“Sure, but what animal isn’t weird when you truly think about it.”

He rubs his brow and looks at his daughter, whose posture is wilting like a dehydrated puppy.

“Well, monkeys look pretty normal,” I say, scratching the hairy area between my two pectoral muscles.

“True, they kind of look like people,” he says.

“Well, evolutionarily they are people,” I say, “They just haven’t become them yet.”

“We’re Christian,” he says.

“Oh, cool,” I say, “Does that mean you don’t believe people originated from monkeys?”

He says, “We believe people were born from Adam and Eve, and that humans have always existed.”

I cough.

I say, “I wonder if the first people were freaked out by all the different animals. Like they probably saw lobsters and were like, whoa, what are those things?”

“I don’t know,” he says.

“Probably,” I say. “And crab is pretty close to lobster, but they’re more like the spiders of the sea.”

I think about the man going to church and bowing down to a bloody cross on the wall, holding his palms together in a praying position, lifting them toward the ceiling and shouting something about how God has not provided enough lobsters, begging, pleading, for more lobsters to be born so that he and his daughter can eat them, rip them apart limb by limb, chewing on their flesh for sustenance, knowing that the Bible says that man has dominion over all creatures, so he can do whatever the fuck he wants, killing and consuming, tearing them apart with his teeth.

“Yeah, well we’re really hungry,” he says, sending a covert message with his eyes that he wants me to leave them alone.

I take a few steps backward before turning and wobbling on my prosthetic toward the kitchen.

The chef once told me that I take too long to bring him orders and that the customers become annoyed if they have to wait too long for their food.

I imagine myself with lobster claws for hands, pinching the chef’s jacket, and telling him that we all have to wait our turn in this life.

It feels good to be assertive.

I take a smoke break even though I don’t smoke.

I stand outside and let the wind hit me in the face.

Maybe I need to start smoking cigarettes again so that I can relax.

I used to smoke cigarettes with my older sister when she was sixteen and I was nine.

She would come home from school to babysit me, and I would ask her for a smoke, and she would give it to me.

It was fun.

Not the best, but still fun.

Just me and my big sis smoking.

The two of us would sit on the front porch in old rocking chairs looking at each other and rocking back and forth, with smiles on our faces and cigarettes between our lips.

For five minutes at least.

Then no more smiles.

Which is how I feel when I’m serving a table.

Five minutes, then no more smiles.

Just doing my job.

After serving my table their crab, which was just chunks of imitation meat over unseasoned pasta, I go over to the busser’s station to fold napkins.

I fold napkins whenever service is slow.

It’s my favorite thing to do at the restaurant.

I fold the napkins to be shaped like pyramids and place them in a row.

Sometimes I try new shapes, like a lotus, or a star.

I can do a swan, but it takes a lot of time, and I can only do one before continuing my pyramids.

I imagine starting a business with the sole purpose of folding napkins like origami and selling them back to restaurants for ten times the price of the actual napkin.

I examine the pyramid-shaped napkin and each unique fold that brings it together.

I feel like more of an architect than an artist.

I picture myself with a construction helmet on, watching as a group of laborers erect a giant pyramid out of a million napkins.

I think about the customer who will eventually use the pyramid napkin, and how enjoying the intricacies for more than a moment would be impossible, because the rules of society state that one must unfold the napkin, flatten it, then place it on one’s lap.

And how the flattening, the disassembly of the folds, is just another example of how humans destroy everything that they come in contact with.

Folding napkins helps me understand the world, makes me feel better about all of the destruction I’ve caused in my own life.

I look around at the customers in the restaurant and think about how in the end, we’re all the same.

We’re the destroyers.

My boss comes up to me from behind and says, “The little girl at your table just asked me why we’re out of lobster. We have too much lobster as it is. God, you are such a dipshit.”

Continue Reading...

NINE STORIES by Edward Mullany

Bay Ridge

I’d fallen off my barstool and had been helped back up onto it by the man who’d been sitting next to me and who was laughing at me, or with me, as I was laughing at myself, though this man wasn’t someone I’d known before I’d entered the bar that afternoon, several hours earlier, when I’d found myself on the street on which it was located, having walked a long way, without much purpose or direction, from the neighborhood in which my apartment was, and in which I’d been arguing with the person with whom I’d been living and with whom I was in a relationship, and who, in fact, I had been and still was in love with, though it had become clear to me that this person was no longer in love with me, and maybe never had been, though this person did not want to admit it.

 

Translated from the French

I’d been reading a novel about a woman who is haunted by the ghost of her husband, though she does not at first realize she is being haunted by anything, and though, even after she does realize, she does not know that the ghost who is haunting her is her husband’s ghost, though after a while she begins to sense that maybe it is his, for it interacts with her in a way she begins to recognize, or remember, so that by the close of the novel she knows for certain that it is her husband’s ghost, though after she arrives at this certainty, and is relieved of the sadness with which she till then had been living, his ghost no longer haunts her, and her life proceeds without incident until it ends, many years later, one night when she is peacefully asleep.

 

Orpheus at Rest

When the old man who was sitting on a stool beside mine at the bar discovered I was a writer, after I’d told him as much, after he’d started talking to me after I’d come in from the rain and had sat down and had ordered a beer and had drank it and had ordered another, he told me he had a story about his life that he himself would’ve written if he was a writer, but that he was going to relate to me now, as a favor, so that I myself could write it, as if it had happened to me, though I would have to promise him, he added, that if I became famous from it, and made a lot of money, that I’d return to this bar and buy him a beer and thank him for the inspiration.

 

Paulette

After I’d finished what I’d said was going to be my last drink, and had headed toward the door of the bar in the company of a woman who was my friend and who was trying to get me to leave with her, so that she could make sure I got home safely, though she had not come to the bar with me, but had only arrived after she’d realized, from the texts we’d been exchanging, that she was worried about me, and had thus left her apartment, in her neighborhood, and had gone down to the street and had hailed a cab and had gotten in it and had told the driver to take her here…yes, after all this, when we were almost to the door of the bar, which was open onto the sidewalk, where one could see that it had been raining, I wheeled around and went back in and tried to order another drink, so that the woman who was my friend felt compelled to remain there with me, by my side, though at this point the bartender had seen what was happening and had decided not to serve me anymore, so that now I really did leave with the woman who’d come to retrieve me, although I did so in a belligerent way. 

 

Almost Over

On the sidewalk out front of the bar we’d only now come out of, having spent several hours inside it with a number of friends who’d all now departed, either in pairs or by themselves, so that you and I were the only two people remaining, though even we were not so much remaining as we were waiting in the vicinity of that place we would’ve been remaining had we not gotten up and gone outside and begun looking at our phones and watching the vehicles on the street for the next available cab, so that one might have said that we were no longer conscious of our present surroundings, or happy to inhabit them, but rather were anxious or impatient for what we hoped those surroundings could provide us with, or for how they might imminently change...yes, while we were standing out on the sidewalk like this, outside the bar, both of us in possession of our phones, but not very much aware of one another, or how one another was feeling, or what one another was thinking, if we’d been thinking anything at all, I realized we hadn’t said a word to each other since we’d found ourselves alone, after the last of our friends had said goodbye to us, and something about the knowledge that this realization imparted to me scared me.

 

The Glitch in Reality

One morning, on my way to work, I found no one on the platform in the subway, waiting for a train, though when I’d been up on the street, walking toward the corner, I’d seen many people, as I always did, crossing in front of me, or going past me, or alongside me, entering stores or coming out of them, waiting at the stoplight as traffic went by, standing and talking, or yelling, in a word, doing many things, so that it seemed to me now as if everyone had disappeared, or as if they’d decided that day not to commute into the city. Though when I went back through the turnstiles and up the stairwell and out onto the sidewalk, so strange had I found the sight of the empty station, I saw everyone again, doing all the things that they were doing. And when I went back down again, slowly this time, with an awareness or consciousness of every action I was engaged in, or was undertaking, I saw that people were now where I’d expected them to be, on the platform, looking at their phones, or standing with idle expressions on their faces.   

 

Gowanus

We get in an argument on the sidewalk outside the bar where we’ve spent the afternoon drinking, though we do not finish the argument there, but continue it as we walk down the block in what we think is the direction of the nearest subway, though because you are ahead of me, and won’t let me walk beside you, and are not, in fact, responding anymore to any of the things that I say to you or ask you, I eventually lapse into silence, and can imagine that we must appear, to anyone who might pass us or observe us, not as two people who are walking together, but rather as two people who happen to be near each other, heading the same way, but who may or may not even know each other.

 

Thursday

The bottle that I’d finished the night before, when I’d come home from work after a day on which many things had gone wrong, or, anyway, had transpired in a way that was not to my liking, though they may have transpired in a way that was to the liking of some of the people with whom I worked...yes, the bottle that I’d finished when I’d come home that night, after such a day, and had decided to have a drink or two, but had ended up having more than I’d intended to, was the first thing I saw the next morning when, waking on the floor in the shirt and tie and pants I hadn’t changed out of, I groggily and painfully, and somewhat unwillingly, opened my eyes, though the bottle itself, which was near enough to me that I could’ve reached out and touched it had I wanted to, though just then I did not want to, and in fact wished that it was not there at all, even to be seen, let alone touched, was no longer upright but had been tipped over onto its side.

 

Carbon Prevails  

I’d decided to quit drinking, and had done so, and had stuck by the decision for many months, so that, with every passing day, the sense of accomplishment and resolve that had come to me, upon making that decision, was increasing, though so was, strangely enough, a sense of precipitousness or danger that I had not anticipated, and that seemed to be inversely related to that sense which I’d first felt, and which had caused in me a feeling of tranquility, or well-being, but which now I understood was at risk of being undermined, at any given time, by some part of me that wished to return to that life I’d had prior to making the decision that I’d made, and that was not a happy life, but rather an unhappy and dissolute one; or, if not return to that life, merely to find pleasure in ruining the life I now was attempting to build, as if I was not constituted solely of one volition, or will, but rather of two of those things, or, at any rate, more than one, though however many volitions or wills did comprise me, if that was the case, I couldn’t have said.  

Continue Reading...