Amy Barnes

Amy Barnes is the author of three collections: Mother Figures (ELJ Editions, 2021), Ambrotypes (Word West LLC, 2022), and Child Craft (Belle Point Press, 2023). She has words at The Citron Review, Spartan Lit, JMWW Journal, No Contact Mag, Leon Review, Complete Sentence, Gone Lawn, The Bureau Dispatch, Nurture Lit, X-R-A-Y Lit, McSweeney’s, -ette review, Southern Living, Cease, Cows and many other sites. Her writing has been nominated for Best of the Net, the Pushcart Prize, Best Microfiction, long-listed for the Wigleaf Top50 in 2021-2024, and included in The Best Small Fictions, 2022. She’s a Fractured Lit Associate Editor, Gone Lawn co-editor, Ruby Lit assistant editor, Narratively Chief Submissions Reader, and reads for The MacGuffin, The Best Small Fictions, The Porch TN, and CRAFT.

TWO MICROS by Amy Barnes

Gone FishingBefore they bury your father, you eat plastic bags of goldfish, stack tuna fish sandwiches into stomach skyscrapers, slurp salmon off wood boards, down sardines from sharp containers, sing duets with big mouth bass, lick rainbow book fish, and laugh as clown fish swim in your belly.When there’s no room for bait or folding fortune-telling fish, you see fish floating in your blood, ichthyology meshed with humanology, swimming upstream, upcolon, eyeballs bulging behind yours. You sleep, flopping restlessly on your deck, fish guts and blood as a mattress. You beg fishmongers to swing your legs and arms across 5:00 AM catch-of-the-day piles. You pretend your eczema is scales and scratch until there are patches all over.You buy a mermaid tail for your niece, but wear it first in your clawfoot tub with its Poseidon feet and trident legs. You plan a trip to a mountain stream to battle bears for salmon.The funeral parlor owner holds his nose when you arrive in a Mrs. Frizzle fish-patterned dress and fish hook earrings. You bring tuna fish sandwiches for the after-service potluck. A long-haired man hands out fish and bread. You consider asking if he knows Jesus’ other miracles, especially the one with Lazarus.The fishing schedule is printed on your dad's program next to scriptures about the Leviathan. He missed opening day by a week, we always went together, you tell your cousins and aunts. There are fish swimming in his clear coffin like a toilet seat cover full of plastic fish. He’s wearing his Hawaiian fish shirt, the one your mom picked for the last family vacation luau.You can’t find farewell words because you're too full of fish. A rainbow trout falls out of your mouth and catches all the light in the room.  Bereavement Fare Your shoes are white when you board. You have no luggage. No one fights to get on the plane first. Two people are dragged on. The stewardesses wear dark wigs with bangs that make them look like spies. Fishnet hose and black airplane-issued shoes. Some in slacks, others dark crinolines. All in jaunty death scarves imprinted with skulls.Their faces are as pale as yours, with Raggedy Ann blush blots. “Welcome aboard,” they say.One hands you a warm cloth. It unfolds into a damp American flag. Small children carry Colorform books with coffin and skeleton stickers. You step through coffee grounds smushed into your shoes. At seat 6, the grounds are replaced with the odors of potting soil and black mulch mixed with manure. Your nose burns. When you sit, a sea of darkness rises to your neck.You pull the airsick bag out. Your mother’s high school graduation picture is on the back next to her obituary. She’s smiling. Your seat mates stare at their grandmother and uncle. Died doing what she loved. Wife. Mother. Friend. Teacher. The plane takes off. Stewardesses stumble with tuna casseroles in aluminum pans and pound cakes in frozen foil. Black coffee in floral teacups. Your seatmates sleep because they’ve ordered sedatives. You didn’t.A Star is Born plays on everyone’s screen. Then, Steel MagnoliasThe stewardesses have shovels with airplane logos. They slide coffins into the empty dinner compartments and toss in dirt. The plane is landing soon. They announce. But no one’s listening. They’re eating lukewarm casserole and crying over Shelby. The plane lands. You pull a carved wood box from the overhead compartment. The second passenger in your row is refusing to get off the plane.Everyone else exits, leaving behind only black footprints on the gate’s carpet. 

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DIVORCED by Amy Barnes

A car the size of a house rams our house that’s the size of a house. Thunder from a 1986 Thunderbird shakes me out of my canopy bed to the window to the street. It’s the moment I know my mother is a liar, a big one. She lays there lazy for too long or maybe not long enough, in her satin-sheeted bed and satin-matching lingerie with a man who isn’t her husband or my father. Her lipstick is smeared and our house is too, a brick mouth opened up on one side. When the red lights encircle our house with the car-shaped hole in it, Mama staggers out wearing this not-father-man as a blanket. It’s not enough to hide him or her. The neighborhood sees extra glimpses that should have been kept secret -- breast tops, upper thigh thunder, rumpled bedroom hair. My brother and sister and I all stand in the cul-de-sac all in our night clothes, clothed by midnight, staring at the full moon-shaped hole that has appeared in our house galaxy, stars guiding insurance adjusters and curious neighbors who watch papers float out, folded blowing into the sky. My mother and father’s signatures land in front of our house when the papers settle. We argue over who gets what name or what parent but it’s late and we have school and cold feet so everyone goes back to sleep, except me. I follow the policemen until they find my father a sidewalk away drunk on moon and moonshine next to the battering ram car that we used to take together to the beach and back. The muscle car isn’t parked next to oceanside muscle men anymore, just idling on the curb by a curbed man sobbing into his I went to Virginia Beach and all I got was this t-shirt t-shirt. There are hangers full of my father piled in the back seat next to fast food robe wrappers and receipt pillows and balled-up Kleenex and lawyer lists of divisions of property and parents. I stand by him in bare feet and bare anger, pat his bent shoulders and ask if he needs directions home.

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TUESDAY AT THE MONASTERY by Amy Barnes

We reverently chop up Brother Francisco. 

Deo Optimo Maximo. 

After morning prayers, that’s we do on Tuesday. Laid on the dining room table, our former dining partners resemble dinner chickens we used to eat together, reduced to skeletal bones. We carefully cut away flesh and organs and eyeballs and hair. Stripped of their robes, we leave only skulls covered in skin, brains removed as if we are Egyptian mummy makers, not religious brothers.

I measure a place for my living hands on the arched crypt walls, bits of his skin clinging like gloves. Laid flat. Stretched out. A hand is twenty-seven bones. You can create with a hand. A leg has only two main bones.

On Monday, we make nails that our vows don’t allow us to buy; each piece of iron pounded into miniature crucifixion spikes. Nails ready to be pounded into palms and femurs and skulls. We pray over each nail in our teeth and under the heavy hammers, living spit bathing something for the dead. 

Wednesday is bone cleaning day. Bones are exhumed from their graves still reeking of death stench. We put them carefully in buckets ready for creating new forms, some left as full skeletons to recline in the crypts, robed as if they are alive. There are never enough bones. I begin to find joy in administering last rites to my brothers. 

I wonder what I will become. Where will my brothers nail me on Thursday, the day of the walls? A pelvis chandelier, light coming from where urine once flowed? Maybe vertebrae circle-nailed like flowers with finger stems?

We are only one step above putting skulls on sticks to frighten towns into not sinning or not disobeying the king. But it is more than that. We pray over these bones, counting them each like rosary beads. I walk the hallway and prayer for my brothers caught in bone purgatory. 

Deo Optimo Maximo. 

I see myself as more artist than necromanist. My skills as an architect pre-vows gives me the spatial skills to complete these silent tasks. I taste the iron nails and never quite wash the smell of death from my robes. I know they will choose my place carefully, laying out my bone design, my hands creating beauty after I am gone. It will become my penance.

What you are now we used to be; what we are now you will be...

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