Hugh Behm-Steinberg

Hugh Behm-Steinberg’s prose can be found in X-R-A-Y, Grimoire, Joyland, Jellyfish Review, Atticus Review and Pank. His short story “Taylor Swift” won the 2015 Barthelme Prize from Gulf Coast, and his story “Goodwill” was picked as one of the Wigleaf Top Fifty Very Short Fictions of 2018. A collection of prose poems and microfiction, Animal Children, was published by Nomadic Press in January, 2020. He teaches writing and literature at California College of the Arts.

PATTY by Hugh Behm-Steinberg

The problem with dolls who can do things is that they get bored, you have to keep them busy. If you don’t they get clingy, and it’s so easy to forget to keep the little gold chain on around their neck. They say if you forget about the little gold chain the dolls will chase you everywhere, and then it’s stab, stab, stab.  But mostly they’re just you, only smaller, which is gross in its own way. As you get older, they become more childish, until finally you have to put them in a shoebox and bury them in the…

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DCUQ ANGRUQ by Hugh Behm-Steinberg

A discussion in one of my classes, about metafiction, memory and torment, led me to bring up Chuck Jones’s classic cartoon, Duck Amuck. None of my students had heard of it, but that’s typical: they’re students. Still, before showing it in my next class I wanted to see the actual cartoon and not just rely on what I remembered when I first saw it as a kid. I mean who didn’t love the scene where Marvin the Martian takes Daffy aboard his flying saucer so that none of Bugs Bunny’s disintegrator blasts would ever singe his black feathers again?   But…

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