
WHATEVER by Emma Estridge
She emails me a PDF of instructions. The first is Learn to sit quietly with yourself. I feel that we have already skipped a step.

She emails me a PDF of instructions. The first is Learn to sit quietly with yourself. I feel that we have already skipped a step.

There was a fence, and there were holes in it, and she looked like a lizard sometimes, a shitload of speed coiled inside some slender frame.

I used to say I couldn’t travel because I didn’t have the time, but now I’ve got all the time in the world because the world isn’t using it.

The couch is more of a loveseat. It hardly seats the two of us. On it is the pillow and blanket I’ve been using. This is the longest conversation we’ve had in over a week.

Now that your precious jackfruit is out in the world, latch the angel onto your body and let nature take its course. She held her jackfruit to her breast, to her arms, her neck, rubbed it against herself until she was raw.

She’d say that it’s not enough for a man to create a life; he must sustain it. Protect it. Sufficiency means safety. It means contingencies. It means insurance.

He fondles a piece of charcoal and looks at me before touching the paper. The line makes a limp imitation of a spine. A nose appears.

The lord’s light is a fathomless null. Sometimes you’re afforded a glimpse and it’s a tunnel on the other side of which you crawl on the accordioned car’s ceiling.

At first everyone blamed the smoke on the war, then the steel plant, and, finally, the water. But Ong Hai says it’s not water but grief at the bottom of the sea.

The masks were thin, pliable. They attached to her skin, seamless. They emoted for her, always appropriate, guaranteed to fetch the reaction she wanted.