Fiction

THREE MICROS by Evan Jerome Williams

Carl

Carl is a cobra with nine eyes. Carl has seven too many eyes, and none of them see well. He has difficulty finding eyeglasses that work for him on account of his extra eyes.

Carl needs eyeglasses to read. He is a scholar studying applied reptilian physics, a discipline primarily concerned with asteroid-detection and trajectory-disruption techniques. Carl needs eyeglasses so he can protect us.

Carl found an eye doctor who used to be a pirate. The eye doctor poked out seven of Carl’s eyes with precise stabbing motions, then made as many eyepatches with equal precision.

Carl looks like a badass. He has the right number of eyes for eyeglasses now. Carl is going to save the world. 

 

This Is A Threat

I bought an orange sweater at the mall and decided to wear it to my dermatology appointment. Dermatologists study my skin because it is multi-layered, and that is unusual. They want to understand it. When I got there they asked me to take the sweater off. “Please, sir,” they said, “we need to see your layered dermis.” I couldn’t take it off. “I can’t,” I told them, “It’s a new layer of my skin.” I tugged at it. “See?” I said. They walked to the other side of the room to consult their notes. They consulted one another. They all nodded and came back. The dermatologists fanned out around me. “This is a threat,” they said. “Take off your sweater,” they said. “Take off your sweater so we can study you.” They anaesthetized me and peeled it like a sunburn.

 

Amos

Amos is a man I met in a hot tub. Famous. Famous Amos in a hot tub with me. This makes me famous. Amos says so, in the hot tub where we are both famous. Amos has cookie shorts. Chocolate chip, I think, or raisin. Raisin cookie shorts for Mr. Amos in the hot tub.

We are in Hawaii. I can’t remember if I mentioned that. Famous people are more common in places like Hawaii. Maybe I should omit this detail. Or alter it.

Amos is a man I met in a hot tub. Famous. Famous Amos in a hot tub with me. This makes me famous. Amos says so, in the hot tub where we are both famous. Amos has cookie shorts. Chocolate chip, I think, or raisin. Raisin cookie shorts for Mr. Amos in the hot tub.

The hot tub in Arkansas. Arkansas where few famous people are found at leisure. Arkansas, so unfamous as to be infamous for its unfamousness. Mr. Amos and I, famous, in the Arkansan hot tub. “Do you want some cookies?” he asks. “Yes I’d like that,” I answer.

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RUSSIAN ADVICE by Joshua Hebburn

The only tenderable advice Mom had given him was if a woman threatens to throw a plate at your head, she might, but if she takes her shoes off first, she's going to kill you. Mom said she learned this while reading Turgenev. In college. 

He started taking magnesium supplements for better sleep. His therapist recommended it when he mentioned his disturbances in his sleep and insomnia. He Googled magnesium. He learned that magnesium burns especially hot, and that bad people—child pornographers, hackers, drug cartel accountants—used magnesium-based flip-switch ignition setups to melt their hard drives full of illegal information when the men in heavy gear and gas masks stormed in. He learned about nutritional magnesium. He went to Target. His dreams became vivid from the magnesium. The dead and the lost things in his life returned to him in everyday settings, and the famous people—politicians and actors and actresses—all articulated together into nonsense. The people were speaking out of character, sometimes in a language that was almost decipherable. The settings flowed into the wrong next one. They committed unconjoined, sometimes tender, sometimes disgusting acts. These would be disturbing. This isn’t speaking of the objects and other nouns. That is if they weren't, as memories, faint, thin, and rapidly fading. But maybe they wouldn't: they don't wake him up in their progress. He thinks of these as his magnesium dreams. He has magnesium dreams almost every night now. He didn’t dream this much before, either. He likes it even if it makes him feel bad. 

The other advice Mom gave was—for instance, only eat cake after thirty if you’re not married, women like plump guys but don't keep them—it was stuff that made only surface sense, made too complete a feeling, was calculated to imply a kind of person, it was like a magazine ad. 

He thought of the way she would turn her hand palm up when she talked. She curled her index finger in towards the palm. It alarmed him that he couldn’t think of the hand beyond the gesture. In his mind’s eye it was a smudge, like the limb of one of the figures in the background of a painting, exactly what came into his mind when he thought generically of a “woman’s palm,” or “woman’s index finger.”  He could look at his own hand and observe the fold of flesh in the groin between his thumb and his pointer. He wished he could see a picture of the same place on her hand, or, if he could only consult a reference to jar his memory into particulars.  He imaged some library that contained volumes of photographs of human hands, human wrists, human arms, and all of the other parts, photographs made in hard light and printed in large format on thick, smooth art book paper.  It would be forgotten, the form of any human hand, her hand was going to be forgotten, and even his own hand as it was now because it would be another hand in the future, a hand with different creases.  

Nobody's home. He went to her room and applied her makeup from the crowded table. He does it in the same way you might invert your shirt and go bongos on your belly, or sing a song loudly and badly, inserting cusses and slurs, or the way you pretend to be Jim Carrey in The Mask. Hummanahummana! Because you can. First a metallic dusting. Then an outline with a wet black pen. An oyster colored, oyster cool cream on the hands that smells like lavender, and salt. The satisfying twist of the plastic gold tube to raise the ruby worn down by Mom's lips. I'm a glamorita, a glamourpuss. I look divine.

He was occasioned for all of this. He thought while he sat beside his second wife, who he knew he didn't love recently, or maybe never. His hands were folded into his hands. The pew was hard. Everyone wears black. The pastor said the pastor's scripture of love, God, and death. The light passed through the stained glass windows and it filled the enormous room with color.

He thinks of Mom smacking the bottom of the bear shaped bottle of pure clover honey, then looking at Dad at the kitchen table, and moving her hand to the hollowed bear rump, patting and laughing. Later, she would throw something at Dad, and for a reason. He couldn't remember if she was wearing shoes, she often did or didn't inside the house. How did she feel? 

Like a duel, he supposed, you make a commitment and do it out of some idea that you will feel some way after you've gone through. They say, go through with it. You go to the dentist. You go to the funeral. You snort cocaine. You divorce a wife. You say Jesus Christ.

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BACCHUS AT LARGE by Avee Chaudhuri

For six straight days we drank bourbon with delighted urgency: men, women, and children above the age of twelve. The preacher was horrified of course. The Mayor betrayed no emotions. He simply knew what must be done to save the town. Twelve-year-olds were dancing in the streets and exposing themselves to livestock and wild animals. Many of the women had embraced the ancient, sapphic ways under this new regimen. The men were livid but the Mayor kept the peace. “It’s the whiskey, fellas. That’s all,” he said, knowing he was a liar. The Mayor was a man of the world and had been educated in France, then had practiced law and medicine and silversmithing in Brazil before an intense hankering for peaches brought him back to Texas.

For six straight days we drank, and Providence smiled briefly because on the seventh day we were assured that Addison himself, the dread distiller, would ride in from Kentucky and burn everything in sight, and then in the smoldering wreckage he would murder Jason Faulkner with his bare hands. Faulkner had worked at the distillery in Shively, and stolen from Addison about one hundred cases of whiskey, simply because he could. Then he came down to Texas on a wagon loaded with whiskey and books and seed packets for some land and privacy. He was a horticulturalist by trade and set himself up in consultation, in a house off the main square. The whiskey was stored in his basement. 

Faulkner was a womanizer too and something of an exhibitionist. He slept with Molly Ibsen under a canopy of blue azaleas in the public gardens, and that’s what set the whole thing off. Molly came home that afternoon without her usual despondent look and her husband was immediately suspicious. He followed her the next day and saw her screwing Faulkner in all these poses facing earthward. He was incensed, then aroused, then briefly conciliatory, and then even more pissed off. Intending to stab Faulkner in the eyes and groin, Tom Ibsen broke into his house through the basement, where he noticed the many cases of whiskey, all stamped with the famous Addison logo: a horse trampling a Delaware Indian. He decided not to kill Faulkner that night, and as it happened Faulkner wasn’t even at home. He was with the preacher’s wife high above town on the roof of the Hotel Sam Houston. 

The next day, Tom Ibsen wrote to Addison describing what he had seen in Faulkner’s basement. In a week he received a reply that Addison was on his way to murder Jason Faulkner and destroy the town which had harbored him. Only Ibsen’s home would be spared. Ibsen was so goddamn petty that the news from Addison struck him as fair and equitable. Ibsen drank a toast to himself and fell asleep at his desk. When trying to rouse her husband for dinner, Molly Ibsen saw the letter from Addison and took it to Faulkner. She was inconsolable. 

“Calm yourself, Molly,” said Faulkner. Faulkner told the Mayor a little of what transpired and asked him to hold a town meeting and the Mayor agreed because things had been far too peaceful and civil and he was getting fucking bored with it all and restless. Once in Okinawa, a man he had disgraced with his fists had told him that every crisis is an opportunity. But for so long there had been no crisis here on account of fair weather and steady trade. 

“Send forth the crier,” the Mayor said dramatically. Then he did a bump of cocaine. 

The town gathered and Faulkner addressed the citizens: 

“Friends, lovers and enemies. You know me as Jason Faulkner. That is indeed my name on the census but I have been known by many names over many lifetimes: Bacchus, Hanuman, Reynard the Fox.”

“What the fuck is your point!” someone shouted. 

“Goddammit,” Faulkner continued, “I am the god of wine and mischief. A terrible disaster awaits. I stole one hundred cases of whiskey from Brody Addison and he will think you all complicit and burn the town. Unless we drink all the whiskey.” 

“Seems to me,” said Colonel Bright, “that we oughta dump that whiskey in the river and that you oughta move along.” 

“And waste the wisdom of Solomon, the secret pleasure of Agamemnon?” Faulkner said. “We can drink it together in the spirit of fellowship. We can show that evil goddamn maniac that revelry will always triumph over murder and arrogance.” 

Faulkner repeated the claim that he was a living god and this upset quite a few people, particularly the preacher. 

“You’re simply a man. You fucked my wife and she didn’t come home smelling like ambrosia. In fact, she reeked of horse shit,” the preacher complained. 

The townspeople prevailed on their mayor to say something:

Why the hell not, said the Mayor. This is the time for spectacle and revelation. Atrocities in the Belgian Congo, the telephone, the phonograph, a transatlantic cable. They’ve discovered the lost city of Troy and canals on Mars. In about one hundred years, the millennium will be upon us and the world will surely end. The sea will swallow Texas, and we may or may not survive in the coming ether as unlimbered gnats. For so long, the Mayor sighed, all we’ve really known how to do together is kill, so why shouldn’t the king of satyrs appear in these woods and tell us otherwise. 

“Fuck it, I’m in. Faulkner, put me down for a case,” said the Mayor. 

Not to be outdone, Colonel Bright demanded two cases of whiskey, and soon everyone was clamoring to help hide the evidence of Faulkner’s crimes. Thirty or forty good men and women had come forward and the Mayor issued an emergency order that the children could drink. We started drinking in a concerted fashion. Musicians played day and night in the main square. The drunk children started using cocaine in vast quantities in order to stay awake so they could keep drinking. Old blood feuds were resolved and outstanding gambling debts were forgiven. Tom Ibsen even tried to reconcile with his wife, but by then, in her state of sublime drunkenness, Molly decided she didn’t need Tom or Jason or carnal knowledge of any man or woman. She wanted to be a gunfighter. The Mayor, seated beneath a statue of General Sam Houston, watched it all and thought to himself: somewhere, that old Samurai bastard is smiling upon us. 

Late on the sixth day we smashed up and burned all the empty bottles and crates from the Addison Distillery. The Mayor and his valets performed Pagliacci, a rough English translation that had us in tears. The point is it sobered us up. The musicians disbanded. The brothel, which in those six days had served as a hospital for victims of alcohol poisoning, was redecorated in its usual satin and silk finery, in its traditional arabesque. It was business as usual when Addison rolled up. The peach farmers were in the main square arguing with the monocled peach commissioner, threatening to form a co-operative. In the middle of it all, the Mayor wore his finest sable coat and twirled his walking stick, saying, “Gentlemen, gentlemen, gentlemen!” 

Addison was gaunt and high-legged.

“Where is he? Where is Faulkner?” Addison asked. 

“Faulkner, we know no Faulkner,” said the Mayor. “we know a Bacchus, Bismarck, Hanuman, Cleopatra, Bob Seger and the Silver Bullet Band, and good old George Washington Gomez.” The Mayor kept going for minutes, fueled as he was by cocaine and insolence. 

“Enough!” Addison shouted. Then he brandished his pistol. 

“Hey there, Addison!” Faulkner cried from his front porch. 

The two men met in the center of the main square. 

“You are a thief. Where is my whiskey?”

“I don’t know what you’re talking about. You’ve ridden all this way for no reason.”

“The day after you left, I discovered one hundred cases of my whiskey missing. I have a letter from a man named Ibsen claiming to have seen one hundred cases of my whiskey in your cellar.” 

“That man Ibsen is a congenital liar. There is no whiskey here,” said Faulkner. 

Addison sighed and smiled wistfully, sensing Faulkner had outsmarted him in some way, and then he shot him right in the gut and then once more in the right temple. Faulkner’s blood crested in the wind, splattering among the peaches. 

“I am a Colonel of the Commonwealth of Kentucky. I will ride freely,” said Addison. 

We buried Faulkner later that day in a shallow grave, and the Mayor spoke a eulogy in a variety of modern and ancient languages. Whenever Faulkner is ready, whenever the horn blows or the raven circles the mountain, what little we have laid on top of him, mere twigs and branches, and some handfuls of dirt, may be easily traversed. 

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BABIES DON’T KEEP by Janelle Bassett

I packed my blue kiddie-sized suitcase that said “Off to Grandma’s House.” In went the socks that I liked to roll down into ankle worms. In went the hairbrush with my spelling bee name tag stuck on the handle to claim it as mine—just like the dark greasy hair wound through it.

Usually the suitcase referred to my dark-haired Grandma, because that's where I took it. This time I was packing for a trip to my red-haired Grandma’s, but the suitcase was still right about where I was headed.

I put in a wax air freshener shaped like a teddy bear. The bear wore blue jeans and I’d melted his head into his shoulders with a lamp light. I meant to—had wished for a real flame and quicker dripping. The bear was a victim but still smelled like sea breeze. I always sniffed my victim before going to sleep. Routines were secretly holding me together.

I hoped my mom would pack a bag for my sister. Without help, her bag would be only Tootsie Rolls, trolls, and hard objects for pelting me when I most deserved it. No underwear, just projectiles.

I finished packing my suitcase hours before I was to be taken anywhere. I sat on my bed with my shoes buckled and looked in the mirror and saw the kind of girl who packed her bag hours early and then put on her shoes and looked in the mirror and watched herself pat-pat her bag to make sure it was staying ready.

I watched Grandma pull up through my sheer curtains. She parked her tan Buick, put her purse on her shoulder then, remembering she was in a small town where purse snatchings were rare and she could acquire her granddaughters for free, set her purse back down.

My mom let me open the door. Grandma was no longer her mother-in-law, so Mom was under no obligation to smile, coo, or offer her pigs-in-a-blanket when she came around. Mom put out her cigarette and put both feet on the floor—she no longer needed to impress but that didn’t mean she wanted to be caught all bunched up and puffing away.

“Look at you, all ready to go! I guess you didn’t have time to brush your hair. Where’s your sister?”

Grandma stood there fragrant and put together, masterfully middle-aged. She was the only person in my life who wore outfits and not just clothes. This gave her a certain authority over my hair. Her go-to look was bright multi-colored tops tucked into solid slacks, plus jazzy belts, beaucoup jewelry, a crisp hairdo, shoulder purse and foo-foo perfume. She had a high slim waist and it seemed like her whole past and future revolved around that fact—her middle being so easy to locate.

Grandma looked past me and saw my mom sitting up straight and not on fire. “How are you doing, Mandy?”

Mom said she was “getting along fine” but did not offer examples of her fineness or ask any questions in return. Instead she got up to see what was keeping my sister from getting this woman off her porch.

I was telling Grandma that I’d packed a swimsuit just-in-case when we heard yelling.

“It’s time to go. Right now!”

“I want to bring my (unintelligible)!”

“You can’t! It doesn’t fit in your bag! Just take everything from inside and pack it. Same thing.”

Grandma and I heard a scream that started upright then dropped to the floor. Then we heard the crunchy brown carpet take some abuse from Tara’s fists and heels. I thought good. That carpet deserved it.

I bet Grandma wished she had her purse to look through while she stood through this tantrum—she could have feigned gum-rifling to break the tension.

I told her, “I better go see what’s going on.”

She looked in at our couch and said, “I’ll guess I’ll wait in the car.”

When I walked in Tara was still pounding and my mom had her face in her hands. Mom saw me and offered, “She wants to bring her entire drawer.”

Tara stopped moving and crying so that her justification wasn’t coming from an out-of-control animal. “I need to bring it because Chomp-Chomp sleeps in there. It’s her bed!”

Chomp-Chomp was my sister’s stuffed rabbit who I’d never ever seen sleep anywhere other than in Tara’s twin bed, in the crook of her arm. I said, “Why can’t she bring the drawer?”

“Because… it’s part of the dresser.”

“We will bring it back.” I made it into a “we” situation, like the idea was gathering momentum. Practically everyone thinks bringing the whole drawer is a reasonable idea.

Tara looked at me to forgive me for about twenty percent of how I’d treated her up until that moment. I had to keep her tipped slightly toward me with these moments of understanding so she didn’t hit me too hard when she hit me too hard.

Mom said, “It’s heavy. And what would your grandma think?”

From the floor Tara watched to see if I was pulling for her strong enough to get past the next, logistical hurdle.

“We’ll tell her it’s a Reed family tradition—that your family has traveled with their dresser drawers for centuries. One guy started it and then that became the way it was done. Like how Johnny Appleseed’s descendants probably still wear pots on their heads.”

Tara put her ankle on her opposite knee and said “Yeah” like she’d just been taking a casual floor rest or doing a yoga pose and not wigging out about a detachable piece of furniture.

Mom must have realized how close she was to being free from us for two days. “Fine. But I’m not carrying it out to her car. You two will have to manage.” She gave us each a kiss on the cheek, went into her room, and shut the door.

As Tara and I lugged the dresser drawer across the lawn we remarked conspiratorially on how light it was, really, and how well Chomp-Chomp would sleep in the city. Grandma popped the trunk without comment. We didn’t even have to tell her about the Reed tradition, she could tell by our unkept hair that we came with a fair amount of straggly reasoning.

***

Tara and I rode in the backseat because Grandma had plastic shopping bags in the front and didn’t offer to move them. Also, we needed to be close enough to fight and huff at each other without getting neck cricks.

Grandma never asked about school or friends or if we’ve been nice to Mommy. She wanted to spend time with us, not with a five- and a seven-year-old. She knew our day-to-day lives were boring struggles and that nothing that happened at school was worth sharing, so instead she told us about her life.

I was glad I didn’t have to produce answers like, “Yes, my teacher is very nice, she grades in green instead of red” but I did want to tell someone about getting under my desk for earthquake drills in my dress and how the cold concrete floor felt on my underwear when I leaned back into a full crouch. And about my daily work digging out tree roots at recess. Every day I exposed more tendrils and every day I became less articulate.

Grandma told us about selling high-end stuffed animals to rich children and the parents who wanted to shut them up, and about her new dummy cat who tried to sleep on the wrought iron headboard but kept falling into the crack between the bed and the wall with a squawk that must have meant “I thought this time would be different!”

I filed away all this incoming information. I looked like a blank incapable child who might sit watching houseflies, but I was a Rolodex in cotton tights. These stories were clues and demonstrations I might need someday when I learned how to be a person.

Tara looked out the window. This made me furious. I wanted to hurt her so that I didn’t have to think about how she saw the world when I was busy with my own investigation.

I whispered to her, “You smell like the dog when she first wakes up.”

She frowned, hurt and small, and tried to kick me.

Grandma said, “Stop that fighting or you won’t get to see what’s in these bags.”

Tara stopped so I gave her a victorious look because even though we both stood to gain from the bags she had already sustained my critical comment while I remained unkicked.

Tara told Grandma that we’d each gotten a puppy from a neighborhood litter. Spunk, the puppy she’d chosen, was still alive and chasing cars while the dog I’d chosen, Lucky, was killed by a car just as soon as I’d named him. Tara said, “Isn’t that kind of funny? Lucky?”

And Grandma laughed because it was kind of funny when you weren’t the owner and the namer of the unlucky pup.

So Tara kicked me back without compromising the bag of goodies, and while I stewed about the comedic, deflating death of my pet I was also relieved that my sister had tipped us back to even. I did my best damage in retribution.

***

We’d been driving for two hours when we stopped at a gas station. Grandma needed to fill up and said we could get a snack, which meant candy because we weren’t the kind of girls to walk out with a bag of pretzels.

Tara and I stayed in the car while Grandma pumped. We wordlessly watched Grandma push buttons while the back of her belt sparkled for us. When she turned around with the nozzle she tapped it on the window, like a fun-loving warning. Give me a smile with your hands up where I can see ‘em.

Inside the gas station I found the candy aisle and decided to get Sixlets which are like rounder M&M’s, with even more of that factory-made taste (bouquet of dye with notes of clanking).

Before I could finalize my choice by swiping it off the rack, I saw a man in the next aisle. He was in the salt aisle: chips, peanut butter crackers, jerky sticks, mixed nuts. He held a bag of Funyuns and I recognized him immediately. If I hadn’t been with my Grandma I might not have made such swift connections. I might have thought, “Bus driver? Farm hand? Yoyo’s Pop-Pop?” But in that context I easily remembered that he had once been my low-level, temporary, menacing Grandpa. An image of him reclining on the couch leering and sneering in pajama pants made my stomach grasp at my inner-skin for balance and composure.

I froze and tried to understand the implications of this sighting and whether I wanted to be recognized by this man. I scanned for Tara. She was safe with Grandma and the cold drinks. I considered army-crawling to them but I knew the Sixlets would make me a conspicuous rattlesnake.

He hadn’t noticed me yet. Then I recalled how unremarkable and forgettable a child I was. People never remembered me. I had to be formally introduced to my great-grandmother each holiday and every picnic. I could probably do a cha-cha dance with several packages of Sixlets and this past-Grandpa wouldn’t even look up.

This was a relief. This Grandpa had, for a brief time, been the partner of my red-haired Grandma who was now only feet away with the cold drinks. I didn’t know if they had been married or simply boyfriend and girlfriend, but I think they lived together. His razor and comb had been in her bathroom with her seashell art and her round cakes of pink soap.

I’d only picked up slivers about their relationship. From listening to adult conversations I’d learned that he’d been stealing from Grandma and had done the same with other women, that he’d pushed a girlfriend down concrete steps, that he’d gone by other names, that he was bad inside—wanting and taking. All while smelling of sharp pine. But the final point of all the gathered slivers was this: she’d gotten away from him.

Until then. When he loomed one aisle over with his Funyuns.

I wanted to sound an alarm and be an alarm. I didn’t want to be unremarkable but ultra-remarkable, like a swirling flame that screams in beeps.

“Hey! Hey you! You’re my grand baby! Aren’t you my little grand baby?”

He was looking over and down at me, identifying me correctly. Except I was never his and he knew me from ages five to six, when I could read and shower alone and wear bodysuits—so not a baby.

I decided not to speak but to cower. So much for being an alarm, for swirling in response to danger. In the heat of the moment I was all prey, all rabbit, begging for mercy only with my eyes.

“You are my grand-baby ain’t ya? You’ve grown. You’re gettin’ lady legs!”

He was leaning on the rack between us and studying me like his eyes were the sun and I grew into a woman only under his edifying watch. I didn’t know he was drunk but I knew he was loose in a way that meant anything could happen. And that the “anything” felt tipped toward bad and toward irrevocable.

He knew I was scared and this only brightened his beam.

I heard my grandma’s shoes tipping across the store. I saw her approach, looking only right-at-me because she’d had previous experience with his mean and binding focus.

She stopped at the entrance to my aisle. “Come on over here.”

She was my well-dressed embassy.

Tara was at her side, looking frightened and like she forgave me for another twenty percent of my awful behavior because she disliked seeing me in a vulnerable situation.

“Well, looky here. Pretty Miss Dreena. Here with our grandbabies. Looking so nice.”

Grandma didn’t acknowledge him or meet his eye and I understood all the strength she had in her—her strength in that moment and in the moment she finally kicked him out. I understood her strength in the moments I couldn’t imagine, like what bad men did when they had the chance, and moments I wasn’t privy to, moments from before I was born, like when she was ten and a neighbor boy pushed her down, lifted her skirt, and stood over her because he wanted her to know he could do more if he felt like it. In that moment her strength kept the truth of that powerlessness from penetrating her being.

I took my Sixlets and went to Grandma. She held my hand and led us to the checkout. She looked straight ahead but Tara and I were weaker and watched him following us.

“Where are my three beautiful girls heading tonight?”

Two people were in front of us in line. Grandma gripped our skulls and turned our faces away from him.

“Where are you taking my grandbabies?” His voice was becoming more threatening and more cajoling.

I started to cry. It felt like he could do whatever he wanted since he’d claimed me as his. His grandbaby.

Grandma pulled me into her hip. We were next in line.

Tara saw my tears and turned back to yell, “We are not your grandbabies! And you smell like your dog when she first wakes up!”

He laughed and he came closer, both actions that made the tears come harder.

Grandma had to yank the Sixlets from my upset hand to pay for them.

He was right beside us, nearest to me. He called Grandma’s name. He called her “the little wife.” He asked where we were going over and over.

The woman behind the counter said, “Is there a problem here?” and I wanted to scream an affirmative and scramble behind the counter with her, back with the telephones and the guns and the propriety.

But Grandma very coolly said we were fine and closed her purse and handed us our candy.

She said to us, “We are going to walk to the car and drive away.”

I just knew he’d follow us and scratch at my window until he saw that none of my haughty confidence remained. I knew he wanted to put his yellow teeth in my face and feed off my disgust.

But once we started toward the door he stopped shouting and simply let us go. We got in and we drove away, just like Grandma said. I looked out the window at the gas station. He hadn’t emerged. He wasn’t chasing us.

We were not his grandbabies.

As she pulled back onto the road Grandma asked, “Are you girls okay?”

As Tara said, “No” I said, “He didn’t even remember my name.”

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UNFINISHED by David Osgood

My wife brushes her teeth in the shower and doesn’t spit, so the toothpaste foams around her mouth and drips down her chin onto her breasts. It reminds me of the two people I fear the most: my mother and my dentist. Tonya oversleeps again. She is starting to look like her mother. I burn my wife’s sprouted grains toast because I hate her new Vegan diet. She doesn’t notice because it is covered with half-ripe avocado. I crisp up a whole package of uncured maple bacon to give her something to complain about. 

Tonya yells at her mom like a teenager, though she is only twelve. I cannot imagine what the house will be like when I leave and she doesn’t have an audience. She and I lock rolled eyes. It’s the only thing we have in common that keeps us from falling apart. 

On the way to school, Tonya mentions drugs. I tell her I smoked pot in college, but that’s about it. I try to remember what it was like when I was her age. I feel bad for Tonya, having a mentally vacant dad and an emotionally unstable mom. No wonder she is doing drugs already. I picture Drew Barrymore doing a line of cocaine off a Tiger Beat magazine with Jonathan Taylor Thomas on the cover. Maybe I just wasn’t as cool as the other kids, sweaty palms and counting down from ten to muster up the courage to kiss my girlfriend. She broke up with me and the other kids called me a prude. I entered high school with the enormous false sense of confidence that I would sleep with every girl in my class. When that didn’t happen, I drank to feel something, then drank not to feel anything, then just drank. 

Tonya opens her car door before I come to a complete stop. She runs up to a group of girls and hugs them all at the same time, showing off what looks like a tattoo on her backside. I drive away thinking I should be upset or disappointed or concerned in some way. I wave begrudgingly at an over-caffeinated school mom tipping her oversized coffee cup to my obvious right of way like she is performing a humanitarian feat. I fantasize about her tailing me home where we drink mimosas and cheat. 

I locate the piece of oversized luggage we used to take on family vacations and pull it down from the closet shelf; I find a tampon, a trial-size body lotion, and a foldable toothbrush in the bottom of it. I pack up everything I can fit into it, sit on top of the full suitcase, and get lost in a ceiling stain. 

Tonya and her mother come home, furious I missed their calls and voicemails and texts. They stomp up the stairs like walking temper tantrums, following the noises to the bedroom. I look down at them from the attic through a large hole in the ceiling where the stain used to be. “I cut a stain out,” I manage to utter. “I’ll replace it.” They look up at me as if to confirm my suspicions that the father-daughter dance was not, in fact, cancelled this year.

My wife makes curry for dinner and Tonya stays at the table for the entire meal. She asks if we are getting a divorce and I tell her no I just hate my life and she says join the club and we smile like a familiar pain masking a deeper one. She looks high but I don’t say anything. My wife doesn’t talk to me for the rest of the night, even when I am unpacking the enormous suitcase and cleaning plaster off the bedroom floor. I pretend to sleep while she cries; she sleeps and I get up to pay bills in the dark.

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MY LAST DINNER WITH THE CARPENTERS by Alyssa Asquith

The dinner invitation had not come at a convenient time. In any event, I wasn’t dressed; I couldn’t remember when I’d last been dressed. Most of my clothing had been eaten by moths or rats years ago, and the stuff that remained—leather, mostly—was brittle and dry, like old toast.

Besides, my teeth had begun to fall out. I’d lost one the day before, and two more by the morning. I think I must have swallowed them.

But I couldn’t refuse the Carpenters. The fact of the matter was that Mr. Carpenter had been looking forward to the evening all week, at least according to Mrs. Carpenter, and they were old friends of mine—perhaps the oldest—and it had been too long (much too long, as Mrs. Carpenter so kindly put it) since I’d paid them a visit. So I dressed myself in my very best curtain—a soft, delicate thing, made of cotton—and set out as soon as I could.

The world outside was ugly and crowded. Seagulls waited on chimneys and terraces, eyeing the brown rats that swarmed underfoot. Lines of old men stood on street corners, begging. Some begged for food; some begged for money. Some begged for teeth. I walked with my jaw clenched and my lips sealed. When I arrived, Mrs. Carpenter had already set the dinner out on the table. I was late.

“I’m sorry,” I said. “Time must have gotten away from me.”

Mrs. Carpenter’s expression was tired, but not unkind. Since our last visit, her hair had turned from black to gray. “It’s been getting away from all of us,” she said.

From the corner, I could see Mr. Carpenter watching me. His eyes were round and large, like a bird’s.

We started on dinner at once. Mr. and Mrs. Carpenter sat on one side of the table, while I sat on the other. This seemed proper. As I took my first bite, I found that the turkey was cold and hard, like ice.

“How long were you waiting?” I asked Mrs. Carpenter.

She waved a hand. “Don’t give it a second thought,” she said.

Both Carpenters, I noticed, had filled their plates, though neither had begun to eat. I lifted another forkful to my mouth, then paused. Mrs. Carpenter was smiling at me.

“How’s your cat?” she asked.

“Dead,” I said. “Dead for quite some time, actually.” I lowered my fork. “How’s your daughter?”

“Gone,” Mrs. Carpenter said.

There was a long silence.

“I’m sorry to hear that,” I said.

Mrs. Carpenter’s smile had vanished. 

I took another bite of turkey. One of my front teeth broke off and landed on the plate with an audible, tinkling sound. 

Mr. Carpenter watched it fall with rapt attention.

“Again, I’m terribly sorry,” I said. “For being so late. I really do apologize.”

Mrs. Carpenter shook her head. Her eyes were far-off and misty, as if she were thinking of something else. I took the fallen tooth off my plate and slipped it into my pocket.

“You and Clara used to play together,” Mrs. Carpenter said. “Don’t you remember?”

“I remember,” I said.

“You would sit out on the floor,” she said, pointing. “Just right there. Playing cards. Doing magic tricks.”

I nodded, once. Already, I had begun to feel unbearably sad.

Another silence followed. Mr. Carpenter’s gaze was still fixed on my plate, but the whites of his eyes had begun to glisten, as if with tears. I was gripped by an urge to reach out to him, to place my hand on his and leave it there, just for a moment.

Instead, I took another bite of turkey. As I chewed, I felt a second tooth crack; both Carpenters were watching me, their faces tense and unhappy. Slowly, I lifted a hand to my mouth and spit the tooth into my napkin.

*

My walk home was littered with old furniture, stray animals, and small children. I was saddened to see so many things without homes. Once or twice, I thought I caught a glimpse of my old cat—my wonderful, black-and-white boy, who had spent so many evenings curled up on my chest. It’s too easy to see the dead in the living. The cats I did see would hiss and growl and sometimes bark, like hyenas.

A few blocks from home, I did, by chance, encounter the Carpenters’ young daughter, Clara. We were walking on the same side of the road, heading in opposite directions. Her hair, like her mother’s, had begun to gray, but I recognized her by the way that she moved: rhythmically, and with small, careful steps, like a dancer. When I stopped, she looked up, as if by instinct.

“Clara,” I said.

She ran to me and threw her arms around my waist. I placed a hand on her head. She was smaller than I had remembered.

“My teeth are falling out, Clara,” I said.

She stepped back. For one, breathless moment, I thought she might speak, and a faint memory (the sound of her voice, perhaps) seemed to hang in the silence between us.

Instead, she reached into the back of her mouth—wincing, very briefly, as if from pain—and produced a tiny, shimmering tooth, almost perfectly white. She placed the tooth in my trembling palm and closed my fingers around it, one by one.

*

Clara’s is the only tooth I have left. All my others have gone.

It’s a little thing—a milk tooth, most likely—and much too easy to swallow. For safekeeping, I have wedged it in between my first and second toe.

I can’t say when my next dinner will come. Outside, the seagulls feed on the rats. The old men have stopped begging. 

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THREE MICROS by Carolyn Oliver

Sunrise House

In the sunrise house walking on stilts, the snake-filled water rises. It’s Sunday morning. I am old, very old, my joints as conspicuous among my limbs as the lead strips between stained glass. I’ve lost my glasses. It’s not my house, but the house of a friend. You are not so concerned about what kind of friend he is to me because you are fixed on the snakes. They are not venomous, not large, not hungry, and though I have lost my glasses I can see the lovely bands of red and black and gold roiling through the water that slips up against the breakfront, the wicker rocker, the pine sides of the bookshelf. I am still afraid, you know. I’ve lost my glasses. We have been here a long time, well supplied, because no one is coming to save us. No one can catch a house on stilts. The air rushing through the windows is warm, the water—more alive than water ought to be—is cool, it’s a washcloth in the feverous night. I’ve lost my glasses and of course we are not in love and there’s nowhere we should be but here, this Sunday morning in the sunrise house.

  

Courting Disaster

The trick is to offer the unexpected: a drive to the market, an hour on the lake, saint-like conviction. Avoid ostentatious gifts. Bring fragile tokens: orchids, eggs, joy. He might need some time. While you plan, keep your mind occupied with the long game. Save for the ring. Name your children. And then, when he’s done waiting to happen, maybe tomorrow, or a good year, or some quiet heat-hazed afternoon in your hometown, he’ll accept your proposal. There’s the striking smile, then the settling: his face bland as a sugar cookie, ordinary as summer ice melting before you have a chance to drink.

  

Cross My Ocean

After we outgrew the hollow circle and the taste for falling together safely, we learned to lock our limbs into lines, face off equal across the blacktop. Bolder than whisperers,

some kid picks, and they call for you—come over, come over—either to break through their arms, bash fingers into fists, slam brick and skim tar, free—or to spring

back between ranks, belly full of ache, claimed.

come over, come over, come over, come over, come over, come over, come over, come

Now schoolyard sharks circle, don’t eat. They turn tender arms and fingers fronds to catch and keep. No one falls. They play until the sea’s all anemone and teeth.

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MY BROTHER, MY MOTHER, MY FATHER, AND I by C. Beston

My brother asks if, when he is older, he will grow as big as our father. I tell him the best thing to steal from the supermarket is a glass pint of milk. You drink the milk, then return the bottle for two dollars.

My mother asks me to stack plates and glasses in our high cabinets. Reach for vinegar at the store. Every year she shrinks. I wonder when she won’t be able to push a shopping cart. If I will set her in the child’s seat and hand her tomatoes and oranges to inspect, one by one, before placing them in whispering plastic bags.

My father, in his fine suits, is not bothered by the freezer-cold of the supermarket in summer. He points to cuts of meat as the butcher’s breath fogs the plexiglass. I shiver, my linen dress thin, concrete cold pressing through my sandals. My brother retreats to the dairy case after my nod. The milk bottle he can slip into his sweatshirt pocket, whistling as I pay. My father watches each cent on the screen.

I cradle every paper bag, thoughts of tomatoes crushed and steak exposed through torn plastic and the vinegar bottle shattering. The smell in my sandals, pulling slivers of glass from my feet.

My brother lines ten milk bottles under his bed, which I will return. Twenty dollars. He asks, would I buy him some cigarettes and stamps. A chocolate bar. A can of sardines. And keep the change. 

My mother takes the car to the store, readjusting the driver’s seat each time. My father curses when he pushes it back, forgets to fix the side mirrors. Soon my mother will hand me the keys, and I will sit forward, tapping pedals with the end of my shoe. 

My father asks me to bring him the milk after dinner. He smooths the waxed cardboard of the carton with his palm – his hand so large his fingers fit around it. He thanks me, and says to put it back where it came from. 

I drop the change from my brother’s bottles into an old jam jar. The pennies splash against the glass. I can’t overhear my parents’ conversation.

My brother will not come to the store when I drive. He chases the dog to the backyard instead. His head almost seems to brush the door frame.

My mother lets me borrow her deep straw tote, which I clutter with scarves and receipts. I couldn’t slip a bottle anywhere inside this dress. I could nest it inside the bag.

My father’s face is beet-red when he comes for me, huddled in that back office where the starched-shirt man took phone calls while I pulled threads from the hem of my dress. He takes the car, I walk home. At the front door, my arm arcs higher to fit my key to the lock. 

I thought shrinking took longer. 

Dinner is being served, my brother the last to arrive. He fills the doorway. Only I turn to see his broken glass smile.

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THREE TRIPTYCHS WITHIN A TRIPTYCH, OR: SPINACH PIE by Benjamin Niespodziany

a multi-level triptych [1] Woodsman's Lint-Licked Pocketsafter Leśnik, the Slavik forest deity [a] Woodsman protects the forest by writing messages into the rocks. Messages in clock talk Woodsman doesn't understand. Messages in dirt. In fur. In bark. Important forest, he writes. Formative forest. Former corner, cornered form. [b] With beard of grass and vine, Woodsman wears skin of reed and tree and string. His stomach is a lake of fish. The torch he carries bares a blue flame. It assists in guiding his moon, in practicing the magic of being alone. Silence hangs like a stranger from his blanketed shawl. [c] Townsfolk knock on Woodsman's door but rarely does Woodsman sing. Hands of shamrocks, hands of stockings, pocketed stones to throw days later. The cave is vacant. They've named it. It pours from within. [2] Witch in Her Cloud Coughs Away from the Town [a] Witch collects an assembly of teeth. Horse, wolf, fox, man, beast. A new pair to wear every day. When night arrives, she returns the teeth to their jars as if to the jaws where once they helped. She closes her eyes. Her mouth like a child's, as soft as cave. [b] Witch lives in a cellar behind the stove and is known to mimic a mouse. She spins thread to honor the dead and climbs back up to her cloud. [c] This is Witch with the horse made of crows. Witch with the most vocal of vocalist ghosts. Her footprints, her claw marks in the bark of the trees. Her bear paces its cage. Her bear is so decorated in circles and still it does not help. [3] Play [a] Witch, Woodsman, Horse and Bear prepare a miniature play. A play on explanation, reads the letters in the bark. A play about town. [b] The stage is the forest. The townsfolk arrive in nines. Everything melts, swells, regenerates, opens. Townsfolk laugh up fully grown townsfolk. Bubbling, festering, elderly births. Woodsman knocks and saws down their horns. From launch to harvest, the moon turns into an orange. Then later a point, then later a skull. [c] Witch grabs with hands of ash. Witch touches trees and touches leaves and touches Woodsman and touches townsfolk and everything is coated in ash and many rush to cleanse but many, too, remain, leaving their stains in place, feeling this charcoal darkness, their feet spread wide like trees.
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AT A LEMON-COLORED HOUSE ON CALLE D by Ray Ball

The day before Myradis Guzmán died, the tropical sun boiled off some of the rainwater that shrouded and smoothed the cracks in Havana’s sidewalks. She sorted grains of rice and hung out laundry under the watchful eye of a statuette of Yemayá. She chatted with neighbors on her way to ETECSA. When she arrived, she secured her place as la última and slipped into a wisp of shade to wait her turn. After her heart suddenly stopped, her body remained in her house for over a week, while her brother Yordani navigated bureaucratic tapestries of red tape. Waiting was so much a part of life that it continued after death. In that limbo where the paint continued to shrivel and peel, Yordani opened all the windows as night fell, and friends came by with bottles of rum to toast the departed. 

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