Fiction

THE TURTLEMAN by Patrick Reid

August 27, 2018

The turtleman has dark green skin, a thick, spongy surface, like wet clay. The turtleman lives by the lake. The turtleman has long, smooth legs, and even longer, skinnier arms. The turtleman reads fiction. The turtleman writes screenplays, hoping he will eventually sell one to Hollywood, but he doesn't let his hopes get too high, because he knows a lot of depressed screenwriters who have long since lost their creative spark. The turtleman has a mere bump for a nose, slits for nostrils, and two large eyes, cartoonish, mostly white. The turtleman has a shell. The turtleman walks on two legs, like the teenage mutant ninja turtles, although he looks nothing like them, he thinks, being much taller and lankier, although, sometimes, out of fascination, late at night, looks up YouTube videos of the live-action ninja turtle films from the 1990s and watches, with fear and fascination and a grotesque, uncanny sensation, the same way a normal man might feel watching the puppet character in "Mr Meaty".The turtleman tokes. The turtleman wakes and bakes, and then before breakfast, and then before driving to work, and then on the drive to work, and then at his first break at work. The turtleman has a job at Dunkin Donuts. The turtleman thinks the job is shitty, but he does not care what he thinks. The turtleman considers himself mindless and insignificant, and does not have a trace of self-interest, ambition, or ego. The turtleman is viewed by his coworkers as remarkably friendly and cooperative. The turtleman is responsive to people, like some kind of liquid moving around their solid, fuller existence. The turtleman steals white powdered munchkins throughout the shift, but only when he is working alone. The turtleman is nice to customers. The turtleman is never on his phone, but he does not correct coworkers who do use their phones, who read Twitter until customers grow visibly angry and shift or move something on the table to make a noise and get the coworkers attention, or say "hey" under their breath, because the turtleman understands why they would rather be on their phones than paying attention to their work. The turtleman knows that his coworkers could give a shit about their work at Dunkin Donuts. The turtleman still does his job well. The turtleman is Dunkin' Donuts employee of the month. The turtleman freaks his boss out, because she said once he seems like "a fucking robot," although she apologized later, so the turtleman was confused, although he understood where she was coming from. The turtleman understands people really well, and has a lot of compassion, and understands human flaws. The turtleman exercises 5 times a week, doing full body workouts, with an emphasis on back and legs. The turtleman plays basketball to cool down. The turtleman, after exercising, sits down in his apartment to write. The turtleman never finds it hard to be creative. The turtleman completed a screenplay last week about a woman who was raped, and sent it to Hollywood, fingers crossed. The turtleman, this week, is working on a screenplay about a man who was raped. The turtleman tokes while he writes, and feels it helps him think more clearly. The turtleman has many other ideas about many other kinds of people and creatures getting raped. The turtleman is always excited to get started on a screenplay. The turtleman reads. The turtleman has read Infinite Jest and Ulysses many times. The turtleman has murdered exactly 15 people over the course of the last 3 years. The turtleman is cute. The turtleman is desired by many women, but he feels no sexual attraction. The turtleman pokes himself sometimes to see his spongey skin pressed on like a memory foam mattress. The turtleman kills for fun. The turtleman feels bad after he kills. The turtleman does not rape. The turtleman has a very peculiar taste in art. The turtleman only likes art that centers around the topic of rape. The turtleman has right wing political views. The turtleman breathes. The turtleman tries to fall asleep. The turtleman thinks "fuck I'm fuck retarded" as he tries to sleep. "I can't articulate myself for shit" he says out loud. The turtleman says "Fuck. I want to rape. I want to get raped. I want to rape. I don't want to rape." The turtleman begins to cry. The turtleman screams. The turtleman smiles. The turtleman thinks "I can't even begin to express how retarded I FUCKING AM!" The turtleman thinks "3am shift, fuck," even though his shift is 4am.The turtleman wants to murder again. The turtleman is bloody thirsty. The turtleman, the turtleman, the turtleman. Then the dick slides off like butter.

HERE WE ARE NOW by Melissa Goode

August 24, 2018

We play this game. You say something nice. I say something nice. You say something mean. I say something mean. We fuck. You aren’t so into it now. Your nice isn’t that nice—beautiful, really? That sounds like a lazy lie to me, but it’s my turn to say something nice. Your mean isn’t that mean. Something about my driving, like I care.

You say, “Are we just trying to manufacture feeling here?”

“Yes.”

“Let’s keep it simple,” you say and take hold of my ponytail and pull it hard.

“Better,” I say. “Make it meaner.”

You do, making it hurt—I try and hide my smile.

You drain your beer and you don’t watch me over the bottle. You close your eyes and I tell myself it is against the glare of the fluorescent light in our kitchen, but there was a time when you wouldn’t let me out of your sight.

Last Friday night. You opened the bottle of tequila, sniffed the triple sec, and pulled out the fancy margarita glasses that were a wedding gift from someone forgotten. I couldn’t make the salt stick to the rim of the glass. You poured the salt into a saucer and left it on the table between us. We drank and put the salt to our mouths with a wet finger—my mouth, my finger. Your mouth, your finger. When did this happen?

The yard at the back of our house slopes downwards and has no fence, ending with a gully of trees. That night, it was a hill to be run down, full throttle, screaming all the way.

We don’t go out anymore.

Sometimes, I say, “Oh, [insert band] is playing at [venue in the city where we used to go].”

“I don’t even know who they fuck they are,” you say.

I say, “Maybe if you stopped listening exclusively to your nineties playlist on your phone, you would know them.”

This is your cue—Nirvana, Soundgarden, Alice in Chains, early Pearl Jam and no one else has ever measured up.

We don’t dance anymore, unless we are a bit drunk. Then it is in our front room, under the dim, yellow ceiling lamp littered with dead, gray bugs. It is slow. More like leaning against each other. You hold me close though, your mouth pressed against the top of my ear. I like that and I should tell you, while we still dance.

“Proud of you, babe.” You used to say that all the time. I didn’t have to do much—bake cookies, kill a spider, get you off.

“I don’t want to become maudlin,” I say now, when I’ve had three drinks, because that is my arbitrary point of no return and I don’t get happy anymore when I drink and it has nothing to do with the gin.

I know alcohol is a depressant, but I didn’t think it was until now.

You say, “Get drunk with me. Let’s get fucked up.”

I try. I do.

Every time, I come so close to saying it—can you believe that one day one of us will die first?

It isn’t too late for us to be the hipster couple making coffee in that new way that takes forever. Drip, drip. We have the red plaid shirts. You’ve got the facial hair. We’ve got the cannot-give-a-fuck attitude, except we mean it. I don’t know if they wear Converse.

Your appendix scar is a thin, silver-white line sewn near your hip when you were sixteen. We have been together for so long, but I want more. I want you from when you were sixteen and I was fifteen—as if we could run backwards into time.

I would have rushed to the hospital and brought you chocolates and a little teddy bear holding a helium balloon—GET WELL! And we would have made out, me lying along your uncut left side, until one of the nurses told me to leave your bed, this was a hospital not a hotel, and shouldn’t I be at school? Or maybe she would have smiled and told us we had three more minutes, but that’s all, swishing the curtain closed around us before she left, and we would have got it all done in three minutes in deathly silence, your hand covering my mouth.

This still works—you rising above me, lying down along the length of me, above my head, below my feet. Everywhere. Your mouth on mine tasting of our last meal and our last drink.

Sometimes you wash the dishes and you take your time with it, like you have all fucking night. You stare at the window above the sink, a mirror with the night behind it, and you sway and hum and sing every song from Nevermind, starting with “Smells Like Teen Spirit” and ending with “Something In The Way”.

“Can’t you mix it up?” I said last time.

You were elbow-deep in lemon-scented suds and looked over at me. I swear you didn’t even see me when you sang, “I’m not gonna crack”.

You went outside onto the deck and made a call.

“We used to do shit,” I heard you say.

I didn’t know who you were speaking to, but I knew it was about us.

I pulled out our box of photos—when photos were printed, stacked in envelopes with negatives. There are photos of us on our phones and on the computer—not many though. Most of us is in that box.

You came back inside, bringing the night-cold with you, tucking your phone into the back pocket of your jeans. I wanted to ask who you were speaking with. I didn’t though.

“Nothing lasts forever,” I heard you say. Or maybe I dreamt it. I dream about you all the time—me telling you not to leave. Know that. I don’t want you to go.

EXCERPT FROM “DRIFT” by Chris Campanioni

August 23, 2018

Born Under Punches

The things I recall, I recall in zip pan, POV, a pullback shot without mise-en-scène. Or in darting moments, a brief flash, a passing scent, transposing and unblinking, and utterly distinct. Yet the whole of history favors similarities and slight anachronisms. The schism of time is in a class all its own, and even now I am racing through hallways of my subconscious without taking notice of the hall itself. The lino. A railing. Reverse angles by which you see your own self speaking. Everyday details. Everything passes. As a rule, I strive for lucidity in loneliness, long takes in cover shots, covering myself with the candy of imagination, the sweet gaze of the mind’s eye that seeks amusement and finds instead the truth. It strikes without warning. I am either writing it down, or scurrying for a pen. And of course, my palm as paper never does the trick. Too many callouses, rough spots or swollen joints makes for disjointed prose, words rising and falling on the flesh, out of frame, a chronic fear like a cough, or coughing fits in an elevator filled with mysophobics without relief of medicine. Time is relentless. All the memories I have of a certain age arrive with an eye for dissolves and split screens, ellipsis narration, the Kodak Junior camcorder above me, rising higher, slung across somebody’s shoulder. The older I got, the more conflated I became: rapid cuts into a montage set to something serious by Radiohead or Kurt Cobain’s hoarse voice asking to be raped. Again and again. Only every five seconds, three more images arrive in the form of bridging shots: a birthday party, Carvel cake, wrapping paper unfolding a gown and tassel. In the interest of time and patience, the camera skips the in-between phases, puberty, the Middle Ages, and suddenly time’s up, or forever passing, the screen goes dim. Remove the reel and I don’t exist, unfilled as an indecision, a figure shot from extreme distance, an unrequited gaze . . . The memories I have as a child, eyes agape in solicitous childhood, of five years and five months, or at nine, balloon mind, afraid of almost everything—¡Tribilin!—every converging train and each whistle and telephone ring and my mother’s laugh and my dad’s demands, and under tables all the faces I never knew from just their feet rising higher in the address of my dreams, conflated voices all talking separately at the same time around a dinner table, or at a cocktail party, or in my own mind, into and out of intuition . . . Readjust the lens to find emptiness, which is only thirty-three frames per second, a vast expanse of images, the darkness of the cinema, the places my mind goes when I stop to think, an isthmus for hermetic memories lost in the time it takes for perceiving anything. And time’s passing.

BURGLARS by Francine Witte

August 22, 2018

I used to wish my parents were burglars. That would have been more honest.

Instead, we had to live in a shadow. It looked like a house, but it was a shadow. All dark and hushed and Daddy about to lose it anyway.

Always about to lose everything on some bad business deal. Some neighbor or something would tell him a mountain of lies, and Daddy would climb it like a stupid goat.

One night, I woke up to my mother screaming. Daddy started pounding the piano keys. When that didn’t stop her, he pulled the vacuum out of the hall closet. Ran it back and forth and back and forth.

And me upstairs, shushed up in pink curlers, transistor radio next to my ear. I was wearing the paper ring Daddy gave me from the cigar he bought that day to celebrate the money he had suddenly found. Kiddo, he had winked, sometimes, the thing you need is right there for the taking.

And now, later, much later, the vacuum roaring, looking to eat everything it saw. Then it stopped. Just like that. And my mother still screaming how he took the money from my Alzheimer uncle, and didn’t he have a soul?

And that should have stopped everything right there, but it didn’t, and Daddy yelled back how she was getting all wrinkled, and how would her boyfriend like it, and oh yeah, he knew about the boyfriend, and my mother screaming back that she had to take love wherever she could find it.

Next morning, my mother came in, panda mascara and hair like a scratchy tree , and told me that daddy lost us the house this time for real.

And I tore off Daddy’s paper ring, and wished again they had been burglars like the ones on TV, who wore masks and jimmied windows on sleeping houses, maybe making off with rings made of diamonds and gold, and that way my parents wouldn’t have to scrap for whatever money and love happened to be lying around.

SHE HAS DISCOVERED COSTCO by Shannon McLeod

August 21, 2018

It’s Friday the thirteenth and day number four of your leave. You’re taking some time off work since “the incident.” You’re at the DMV because you’ve been meaning to go for months but you’re always working when it’s open. You’re afraid of seeing your students’ parents in the waiting area. You’re wearing the same Alf T-shirt and stretched-out underwear you’ve had on for the past two days. You’re pretty sure you stink. You glance at the people sitting beside you and determine they are too old or too young to have children in middle school. You may never return to work. All these years you’ve prided yourself on flying under the radar. If you return there will undoubtedly be meetings, performance analyses, watchlists. Maybe it’s time for you to switch careers. They call the number on your ticket. The woman behind the counter tells you to back up against a grey screen. “They let you smile in these pictures now, you know?” she says. Your face may have changed shape in response, but if it has you can’t feel it.

The last you saw of work was the hallway ceiling. Your co-workers, Margaret and Anita, carried you out to your car after you couldn’t get up from the floor yourself and you couldn’t stop sobbing. You hadn’t had much of an opportunity to talk to Anita, who was new to the district. After this, you are certain, she’ll only ever think of you as the lunatic. You’re pretty sure you broke some things – school property – but you can’t remember what. Margaret, the more maternal of the two women, made you promise not to drive until you were ready. You assured her you didn’t need someone to pick you up. (There wasn’t anyone to pick you up.)

When you were down there, intimate with the linoleum, the other teachers locked your classroom door. You heard a knock and a whiny voice calling, “Ms. Winn?” It was Ethan, the kid who visits your room each week to argue about his grade. Margaret opened the door a crack, stuck her head out and replied, “She’s busy right now,” as you sat merely two feet behind her, your face in your hands. You contemplated telling them you’re suicidal. But you were hesitant, knowing it’d land you in the hospital. It wasn’t so much that you wanted to kill yourself as it was that you couldn’t stop fantasizing about how you’d do it. And was that suicidal?

Either way, teaching had become difficult. You used to be confident. You were the ever-grinning entertainer for your daily audience of twelve-year-olds. Lately, your hands shook, you could barely speak. When a student asked you whether 64 was a root number, the only thought you could summon was leaning back in your Buick, listening to Sinead O'Connor while your garage filled with carbon monoxide.

You went home. You turned off your phone. When you finally turned it back on, six hours later, you had a voicemail from your supervising administrator and several text messages from your co-workers, who all seemed to think that what was happening in your brain could be fixed with enough wine.

After the DMV, you visit your grandmother. She has discovered Costco. Grandma is excited for you to stop by so she can fill shopping bags with her overflow of products for you to bring home. Today she has extra grapefruit and broccoli, tiny cups of microwaveable soup, frozen sausage patties filled with cheese. She dumps half a bag of kettle corn into a gallon ziplock and throws it on top of the pile of food. You come here now instead of grocery shopping. You sit with her in the living room after she’s offered you an individual bottle of iced tea from the pallets stored under the dining room table. It’s room temperature, but it tastes good. You realize you must be severely dehydrated. You remember one of your cousins telling you Grandma had depression too. When your mothers were young, Grandma would spend weeks in bed. By the time she got up, the whole back of her head would be matted. Your aunt would spend hours with her in front of the television, brushing the tangles out of her hair. Your cousin said, “Back then, Grandma called them ‘headaches.’” It seems a good euphemism, you think. Your head hasn’t stopped pounding from all the crying.

Grandma asks you how your sister, Trisha, is doing and you say, “She’s good,” even though you suspect the fights with her boyfriend get physical. They’re both covered with bruises when you see them. You worry about Trisha. You think she will open up, seek out your support, when she’s ready. For now, you call her on the phone but avoid seeing her in person. Your grandmother looks at you expectantly. You guzzle down the bottle to avoid saying more about Trisha.

“You like that?” Grandma asks.

You nod.

“Well, I’ll give you some to take home, then.” she smiles. It’s hard to picture her in a week-long nap while her children cried from heavy diapers. Your grandmother seems so happy now. You reach into the second shopping bag she brings you and open another iced tea. You drink it, and the pounding seems to ease a bit.

You’re about to ask her what it was like for her, when it started, how she made it stop. You’re staring at the hall closet while you try to form the words in your head. The words should be gentle. She is eighty-three. Grandma notices your stare and gets up. She opens the closet, yanks at the vacuum that’s too heavy for her to maneuver.

“I suppose you want to get to it,” she says.

You stand up to begin the chores she can’t manage on her own anymore. You catch a whiff of rotting fruit and remind yourself to take out the garbage before you leave. It’s a good sign, your sense of smell returning.

CHERYL by Michael Seymour Blake

August 20, 2018

There was a loud crash outside the apartment.

We were in bed talking about leaving the city just as we always had around ten p.m. every night for the past million years. I’d bring up a photo of some paradise with green grass and a nice big blue sky, no skyscrapers or office buildings in sight, and Terry would go, “Yep, that’s the place for us,” and then we’d settle back into our misery and forget all about it. I was delinquent with two of my loans, Terry took a pay cut to save her job, and we had a whopping fifty bucks in our savings account. We were sick of the city and sick of ourselves and sick of peanut butter and jelly sandwiches, which is all we ate because who has the time and energy to make anything else?

“What was that,” I said.

“Dunno,” Terry said.

We stared at the wall for a minute. She nudged my ankle with her big toe.

“Guess I'll see what's going on,” I said.

I looked through the cloudy peephole—flickering bulbs, slimy brown banister, a pile of smelly shoes outside 2B. I opened up to see a massive chunk of ceiling right in front of our door. Dust and debris everywhere.

“Holy shit, we got a roof out here.”

Something moved in the pile of dust. I closed the door, leaving a crack open for peeking. The thing shook stuff off its fur. It was a damn coyote.

“We got a coyote too.”

Terry shuffled over, all crusty-eyed. She glanced through the crack, then at me, then back through the crack.

“Wait, there’s an actual coyote out there.”

“Yeah.”

She smiled. “Something’s finally happening.”

We named her Cheryl.

I built a home for her out of cardboard and reflectix and duct tape. She was a wild thing with green eyes and a burping problem. She burped like forty times a day. We fed her protein bars and baby formula, plus anything we could find in the neighborhood trash: pizza scraps, stale arepas, stuff in jars.

The landlord didn’t allow cats let alone coyotes, so we decided to keep her permanently inside. I resented the landlord for being such a stereotypical landlord. If we were a day late with rent, he’d come by with his chest puffed out, eyes like black crescents. He wouldn’t even say hello.

“Look at the hand,” he’d say.

I’d play along and look. The hand was thick and tan. It would be open, palm up.

“What’s wrong with the hand,” he’d say.

“Let me get the checkbook.”

“Answer me.” The hand twitched.

“It’s empty.”

“That’s right, empty. The hand hates being empty. Gets bored. Better give the hand something to hold, or the hand will busy itself by writing an eviction notice.”

So we tried to toilet train Cheryl. We’d sit her on the bowl and say, “Go potty! Go potty, good girl!” She’d stare at us. “Come on, use that potty!” She’d stare. Then we’d let her down and she’d pee on the floor.

Nights, Cheryl would sleep between our asses. It got harder than ever to leave for work in the morning. I just wanted to be home with the girls. Always. It was all I could think about. That, and the lioness.

I’d put up this image in my cubicle a while back—a lioness standing in a field of green grass with a cerulean sky up above. She had a desperate look in her eyes. Her lean muscles were covered in glistening, flaxen fur. Whenever my boss yelled at me for something, I stared at the lioness in a trance. Nodded and stared, unphased. Yes, I’m sorry. Won’t happen again. You’re right, I am a waste.

You learn these tricks after twelve years in data entry.

A week passed. There was a knock at the door. We were in bed with a burping coyote between our asses, which made things a little more bearable.

It was the landlord.

“Roof came down,” he said.

I looked at the pile of roof sitting in a sunbeam. We’d just been walking over it.

“Whoa, crazy,” I said.

“I have some people coming today, so don’t bother complaining about it.”

Cheryl came to the door. I tried to kick her away, but she bit my ankle.

“Get that thing out of here, no dogs allowed,” said the landlord.

“Oh, her? She’s a coyote.”

The hand twitched. Cheryl growled.

“Pretty sure that’s not allowed either. I’ll get back to you.” He squinted at Cheryl. “Don’t get comfortable,” he said.

I shut the door and thought about the lioness.

Next day, I let the cleanup crew in the building. Four sad looking guys in oversized overalls. “We’re here to fix a ceiling,” one of them said.

They brought a ladder to the top floor, scuffing up every wall they passed. After setting up the ladder, some brooms, spackle, paint buckets, brushes and stuff, they left, taping a note to the front door that read, ‘Back in five days.’

I went downstairs to get the mail and ran into 1B. We nodded at each other. She had the desperate lioness look, just like the rest of us. On my way back up, I saw a butterfly hanging out on the bannister. Bright yellow with tiny black spots. It lit up the hallway. I tried to save it, but it fluttered out of reach.

As I stepped back into our apartment, I heard a resounding thwack downstairs. 1B hated insects.

Terry was at the store getting some paper plates. Our sink was full of dishes, and neither one of us was going to clean them. We were happier now, but that last bit of lassitude clung to us like a bug to wet tile. I cornered Cheryl in the bathroom.

“No more going on the floor. Use the toilet like a normal person.”

Cheryl peed on my feet while maintaining eye contact with me. I let her out, and stood in the warm urine thinking about the lioness.

When Terry got back, we all choked down some peanut butter and jellys.

Someone knocked on the door.

It was the landlord.

“Coyote’s gotta go. You have until tomorrow night.”

“That’s not a lot of time to arrange something.”

“Tomorrow night, or the hand will start writing that eviction notice.” The hand twitched. “And get some air fresheners or something in here. Smells like hell.”

“All right.”

I shut the door and spied through the peephole. The landlord went upstairs and started inspecting the ladder. He peered up at the roof, mumbling.

I curled up on the floor, head resting on Terry’s crossed ankles. “We need something to happen again,” she said.

“Nothing’s gonna happen.”

“Then maybe we need to make something happen.”

But we couldn’t think of anything.

Cheryl burped.

The next night I got home from work and realized the ladder was gone, but the hole was still there. I went to investigate. Turned out the ladder wasn’t gone, just knocked over. I lifted it upright and positioned it under the hole. Then I thought, “Hell, I’m gonna climb this thing.”

And I did.

I climbed right up. I was heading towards the sun, but it was eight p.m. I popped my head through the dusty, crumbling roof and was met with a fresh breeze carrying the scents of soil and sage and summer. No offices or busted up apartment buildings in sight, just hills and grasses of all different kinds and lengths in shades of greens and golds. I ran my hand over some. My fingertips tingled. A yellow butterfly landed on my chest, did a little spin, and flew away.

Paradise.

“I think we can make something happen,” I yelled, bursting through the door.

I told Terry about the impossible world on the roof. We went to the grocery store and bought a few boxes of cherry Go-Gurt, fruit, water, and a big thing of trail mix, then I stuffed Cheryl under my arm and up we went.

We hoisted ourselves onto the grasslands. Cheryl ran circles around us, tongue wagging from her mouth. I picked a clover and handed it to Terry. She ran her fingers through the white, spikey flowers. Cheryl growled at something fifty feet away in a cluster of foxtails. We went over.

It was the landlord.

He was all eaten up, stomach torn wide open, bloody loafers resting in the grass. The hand sat separated off to the right, palm up.

“What could have done that?” Terry said.

“Don’t know,” I said. But looking at the landlord’s remains, I did know. “We won’t survive long here.”

“Maybe not, but I don’t want to go back.” She tore open a Go-Gurt and started slurping it down.

I launched a defiant burp at the sky and Terry responded with a monster burp of her own, cherry yogurt dripping from her lips.

Cheryl trotted ahead and we followed. We could hear hammering and voices behind us. They must have been fixing the roof. Goodbye city, goodbye data entry, goodbye everything.

Cawing black birds flew in a V overhead. A cool breeze made the cream-colored shrubs dance and whisper. Silhouettes crept across the horizon. The lioness was waiting out there. We’d have to deal with her when the time came, but first we needed to find shelter. Terry grabbed my hand. It felt good to walk in the sun with my family, felt good to move, felt good to know something was happening.

We followed Cheryl towards some trees in the distance, all of us panting in the wonderful heat.

HOOKS by Troy James Weaver

August 19, 2018

A few days after I heard the news, that he’d tried to carve a hole for himself inside the earth, I wondered if it were possible for a man to rip out his own vocal chords. One night, I actually Googled it, came up with a bunch of misleads. Wouldn’t have mattered anyway—I’d just get a little black board and hang it around my neck and write it all down for him with chalk. The things I saw, the thoughts I had. Voices still exist, even if you can’t hear them. Maybe it all came down to selfishness. For a minute I thought I’d just swallow down some fish hooks and rip them back out of me and hope for the best—what I’d call “trying to be a good friend.”

Often he’d stand at the corner outside Al’s, sipping at his Mocha while holding court with himself, just talking and blabbing away to nobody. If anybody tried to join him, which, as friendly and welcoming as his smile was, was often, he’d clam up and do more drinking than talking, staring right though their caring faces out beyond and over the dirt road to a place where the sun patched the hills with gold.

He hadn’t always been like that, sure, that all started up after Marti took the Mazda and hitched a U-Haul to the back, stuffed all of her belongings into it, and headed off into the great belly of America, telling him she had to go out and find herself, where exactly she fit in in this too-short disaster called life. That’s when he stopped talking, around then, even though he kind of still talked to me. You couldn’t call it conversation, or exposition, or anything, really, other than short observational bursts, guarded clues into the state of his thinking. I even made him go to the doctor one time, and not without a fight, either, because I figured maybe he’d had a miniature stroke or something, but Dr. Bruner said he was healthy. His face didn’t droop any more than usual and he still seemed to walk just fine.

After the attempt, though, he had to spend a few weeks locked away with some head doctors out in Mulridge County. The day he got out, I went over and found him in his rocking chair on the front porch whittling away at some totem he held tightly in his palm. From where I stood, it looked like he’d fashioned himself a tiny baby.

“Hey, Scott,” I said. “Long time no see.”

He looked up and nodded, kept whittling away at the infant, sweat beaded along his brow in thin rows. I detected in the dying light a few streaks of gray in his sideburns. He was only twenty-five and starting to age at a rapid clip, though his face remained boyish, in fact, strangely so, and you couldn’t help but think that there were a million other faces that were just the same, you’d just never seen one.

He finally folded and pocketed the knife, set the baby on a little table to his left, and said, “Finn. Been a minute.”

“What’d you carve there?” I said.

“Marti,” he said.

“Looks like a baby.”

“It’s Marti,” he said.

“All right, then,” I said. “Marti it is. How’re you feeling?”

He didn’t say anything, just nodded.

“Looking good,” I said.

He lit a cigarette, took a long pull and sighed, staring off through the lighted windows of the house across the street.

“Well,” I said. “I’ll go ahead and get out of your hair. Just wanted to stop by and say hi, that’s all. Don’t want to be a bother.”

As I was walking away, I heard him.

“Sure is hot,” he said.

I turned around. “Hit ninety-seven today,” I said.

“Hot,” he said.

I nodded right into an immense moment of silence and just kept nodding.

“Want to come in?”

Still nodding, I followed him in and sat at the dining room table, a darkly varnished thing littered about with unopened mail, while he rummaged through the fridge.

“Want a Coke or something?”

“That’d be great,” I said.

He sat down across from me, offered me a cigarette.

“Thanks,” I said, but he just sat there staring at me, not saying a word.

We smoked in silence for a while, sipping our Cokes.

“I have to clear the air,” he said.

“You don’t have to do that, trust me. It’s okay. Don’t worry about it.”

“It’s not Marti. It’s my job. My job’s got me all fucked-up,” he said.

“You’re an IT guy, right?”

He nodded. “You don’t know the half of it.”

“The half of what?” I said.

“My job.”

“Well?”

“I work in the city.” he said.

“And?”

“I sit at a table with rows of other people. These people, they do the exact same thing as me.”

“Yeah?”

“I worry about them.” he said. “They don’t even know what kind of damage they’re doing to themselves.”

“Okay? What do you mean?”

“What I do. You want to know what I do?” he said.

“Of course.”

“All the evil shit you hear about being on the internet. My job is to view all that stuff and decide whether or not it should be scrubbed from the internet.”

“Seems like the lord’s work to me,” I said. “Why you feel so bad about it? Somebody has to do it. It’s honorable, right?”

“You just don’t get it. Nobody gets it. Marti didn’t get it. You don’t get it. The doctors don’t get.”

“Hey, hey, slow down,” I said. “I’m sorry. I didn’t mean to upset you.”

“I’m not upset. Just get on, you should go. But finish your fucking Coke first. Don’t want it going to waste.”

I chugged the Coke down and said, “You need to chill a bit, okay. Calm down. I love you.”

“There is no such thing,” he said.

“Whatever, man,” I said. “I’m leaving.”

When I got out onto the porch I took his stupid little wooden baby he’d carved and threw it across the street into the neighbor’s yard. My anger got the best of me. I started thinking about how if he tried killing himself again, he’d do well to pick out a surer method. Rather have him dead than crazy.

We didn’t talk much after that. His hair grew long. He stopped going to Al’s, recused himself from the world around him. And in a way, so did I.

Maybe if I could’ve kept my mouth shut long enough, his silences would’ve been voice enough for me to “get it.” Perhaps that’s the real matter, after all—“getting it.”

It’s never so much the swallowing that hurts, it’s the ripping out. If fish hooks could talk, I swear to god they’d tell you to run.

WE CLEAN UGGS by JP Sortland

August 16, 2018

Yes. No. Hand washed. No machine.

He was the only man who shined shoes at George’s Shoe Repair. The tiny refuge was located below ground at the 51st and Lexington subway station.

Yes. Hand. Wash. Personally. You’ll like.

There were two or three ladies of an implacable foreign origin who also shined shoes in silence. Customers predicted the mystery women came from Bolivia to Tajikistan and everywhere in between.

Buddy’s origin was clear as mud too. But wherever he’d come from before ending up at George’s had made him an amicable fellow. Unlike the shoeshine girls, the patrons of George’s never wondered where Buddy was from. Instead they wondered how anyone could be so nice.

Friendly like a Canadian, one customer said to his coworker. German maybe? Yeah, kinda I dunno. Except a different accent and everything.

The leopard coat girl had little faith in Buddy and therefore she had faith in nothing.

His hands rested carefully atop her Uggs. His fingertips ready to pluck them off the counter with a gentle squeeze of his fingertips into their furry insides. To Buddy, this exchange should already be done. Those soft boots should already be in line with the others.

You’re sure you won’t like ruin them, right?

Buddy gave her a smile to deflect the insult. Hidden behind his friendliness was a plea for understanding and trust.

Clean Uggs every day.

And you’re not gonna throw them in a washing machine right? Because the tag says spa-cifically they have to be hand washed.

Yes. No. Hand washed. See? Wash by hand. Stuff with paper to keep good form. Help dry. Protective spray for leather. Good care.

Um. Okay?

The leopard coat girl released the boots. The cynicism however, her lack of faith in Buddy and therefore mankind, stayed with the Uggs.

Buddy handed her the ticket and the leopard coat girl hesitantly took it. Her face twisted in confusion and looked like written information had never been conveyed to her.

Buddy wanted nothing more than for George’s shop to be profitable. A busy shop meant money for Buddy. However, a crack in his resolve made him wish the leopard coat girl had never stepped foot into that business. Into his consciousness.

I need those by tomorrow.

Yes. No. I don’t know. So sorry.

Buddy shook his head at George. His arms fell to his side.

I have the ticket? They were here yesterday?

The leopard coat girl snapped her gum. Buddy silently thanked her for it.

He knew how George loathed the sticky substance. He had seen more gum on the bottom of shoes than anyone in New York City.

I’m real sorry, miss. We’ll compensate you for the loss.

They were like two hundred.

George winced.

Two hundred new. How about one-fifty?

Fine. Whatever. I’m never coming back here.

Understandable, miss.

Buddy remained quiet at George’s side. Obediently bearing witness to the berating.

You sure you didn’t see them nowhere?

Yes. No.

Buddy shook his head.

I like just don’t understand how you lose boots?

Buddy looked down at the floor.

He’d be paying for those boots unless George found forgiveness in his shoe polished heart. It was the price he had to pay. It was a fair price.

Someone could’ve run in and snagged em. Buddy here turns his back for one second and that’s all they need.

George handed her the monetary apology.

Buddy weighed the relationship he’d built with his employer. This was a setback, but it was repairable.

He’d looked high and low but the boots were nowhere in the shop.

He knew because the last time he’d seen them they were flying off the Queensboro Bridge into the East River.

AN ESSAY ON BIGNESS by James Tadd Adcox

August 15, 2018

I am a man who never needs to do what other people tell him to do. I am so much bigger than they are. When someone tells me to do something, I give them a look. It is a calculated look. In this look, I share with them the artificiality that lies at the base of this interaction, and indeed all of our interactions. It is a look that says, “Whatever you might tell yourself about rights and authority, we both understand the physics of the situation. Perhaps, after you have told me to do a thing, I will do that thing; perhaps I will not; but do not confuse the telling and the doing.”

A smaller man, in similar circumstances, might refuse to do what he was told, or do the opposite, merely to show he could. I have no such need. I am vouchsafed by bigness. It is more impressive if I choose to do as I am told than if I refuse, since there is never any question whether or not I could have refused. When, for example, at the bank, the man behind the little window asks me to step aside for the next customer: I give him my look, then step aside. The man behind the little window is shaken. It is as though he observed a tornado pass by the house in which he stood, or the ground open up and swallow the person next to him (another man in a tie and light-blue shirt, behind another little window). If I had chosen to do otherwise, if I had allowed my bigness to erupt upon him, what protection would his window offer then? But I did not; how much more fearsome and remarkable that I did not.

I have met taller men than me, but they were not bigger than me: they were lanky, disproportionate, long rather than big. One never needs to look up at such men. Usually they’re hunched over, in any case. It goes without saying that I have met men fatter than me. And I have met men smaller than me who were nonetheless exceedingly muscled, men who emerge at irregular intervals from the gym so that they may be observed. They dehydrate themselves and wear shirts designed to draw attention to their arms. Their muscles are a layer they have placed over an anterior smallness. They can remember a time when they did not have muscles. They know there is a future in which their muscles will leave them.

My bigness is of a different order than these bignesses. My bigness is an essential bigness. There has never been a time when I was not big. Even in my cradle, the bars separating me from the space outside were a formality. As I learned to stand, gripping the leg of a chair, my parents looked on, nervous. They were not small people, neither my mother nor father, but in me they gave rise to a bigness that neither could comprehend. I don’t mean to say that I was grotesque as a child, please don’t misunderstand: I was child-sized, much smaller than I am now. But it was obvious that my child-size was its own form of bigness. Bullies avoided me; smaller children grouped themselves under my shadow, knowing I felt no need to prove myself. I have never needed to be anything other than polite.

Tall, beautiful women love me. I answer a certain anxiety they have felt all their lives, instilled by mothers and television commercials, regarding their tallness. Yet the women I prefer are extremely small. This is not because I like to push anyone around. I could push around much larger women or men, no problem. (Anyhow, I’m not that type of a guy.) It is, rather, that I enjoy the contrast: such a large man, such a tiny woman. At night I dream of perfect women, tinier and tinier, women that fit in my cupped hand, women dancing on the ridges of my fingerprint, becoming ever more perfect as they disappear.

On the street, I often step to the side for oncoming pedestrians, simply to see their reaction. Relief, mostly: and a kind of love.

HOW TO TAME A FERAL CAT by Katherine Beaman

August 14, 2018

It was a point of personal identity for Lula that she refer to no plant as a “weed” and refrain from assigning labels of “good” or “bad” to any creature. Her property: a lot which was adjacent to her daughter Valerie’s own house, and on which sat a mobile home with two attached porches and a mess of plant matter almost entirely obscuring it. Corpses, or almost-corpses, of junebugs lie scattered and belly up all over.

Many an afternoon, Lula would study the cat the hung around by her fence. She would glance over at him from her chair on the porch as she took a sip from her glass of iced tea and ate her morning toast. Sometimes, she’d stand up from a gardener’s squat to wipe sweat from her forehead, look over at the cat, and test out kissy clicky sounds on him. The cat would slink around, dotting from here to there, always keeping an eye, as cats do. After this went on for some time, Lula made the decision to befriend the cat. She set a can of vienna sausage on the porch.

Flies darted around the can on that muggy morning of that summer. Many of the flies resolved to stay and loiter in the ripe aroma, such that the joint became a full-on insect and feline cantina. What if the flies wore wife-beaters, the way they hung around like men outside a gas station? Suppose the cat pulled together enough change for a can of beer! With each new morning came new charities from Lula and the cat began to develop something resembling trust in her. After his alert posture slacked, Lula managed to trap the cat into a carrying cage which was onced used to carry her guineas (who had long since become breakfast for the local coyotes). Valerie never learned to tell the difference between the howls of coyotes and dogs.

Summers like these, in this place, have always been violent. There is a constant rhythm of swatting, biting, itching. Your own sweat falls into the corners of your eyes and it adds to the sting. There is no place to escape the heat and the restlessness in your gut burns you up. When Lula gripped the cat with her thick green rubber gloves and plunged him into the cage, the cat’s primal screams were nearly drowned out by the air around them, air too saturated with survival to pay any notice to what occurred on the porch of Lula’s mobile home that morning. The great paradox of this place is you’ve got to have a little feral in you to be able to call this place home.

Home was something of a loosely defined, abstract concept to Lula. Lula’s Pa once made tweaks and repairs on tracks and freight cars of rapidly expanding rail lines which carried oil from here to there. As a child, Lula’s family slept in box cars. Lula found playmates roaming the ground. She and her brothers learned to catch bullfrogs and box turtles, snakes and armadillos. When her Ma called the children in for a lesson or a meal, the creatures were released to scurry off into the surrounding bayous, hills, sands, or whatever the environment was like where the locomotives of capital took the family.

Ma, can I keep it just this once? Lula once pleaded of her mother with regards to a rabbit which she and her siblings had somehow gotten into a wooden crate. I’ll take good care of it. I’ll feed it and clean its crate and everything. Promise!

Lula’s mother once placed a calloused hand on her hip and pointed a ladle at her daughter. The only way that thi-ing is coming in this car is if it’s shot, skinned and boiled in stew for supper. Now, shoo!

Lula’s brothers once smiled big. Ma, can we shoot it? Can we? Can we? They once raced to grab the shotgun which was propped up by the door of the boxcar.

Ma once felt it a healthy part of a boy’s bringing up to quench their thirst for blood, so she waved them off with a grunt and a nod. Lula refused supper that night and cried herself to sleep.

The lesson that Lula’s Ma once tried to teach her and which Lula seemed to have failed to learn or accept is that feral critters are better left to their feral ways. The kindest thing to do for a feral cat, should you come across one and think it cute, is to leave it be.

I don’t get why she thinks she needs another animal around, let alone a wild one. Bless her heart. But what really gets to me is that poor cat. He’s been in her bathroom for two weeks now and he’s just as hostile as the day she brought him inside. That cat doesn’t want to be there. I wish she’d just give up on this silly idea and set him loose.

Dionysus voiced is own views on the subject, venomously hissing at Lula’s outstretched gloved hand which held a morsel of tuna.

You can’t keep that thing in your bathroom. It’s not where it belongs. Let the creature go free. Well, we’ll see. He’ll come around with time.

It would not come around with time. Some cats, if taken in as kittens up to two months in age, can be domesticated into lovely housepets. But much like people, as cats age, they become more and more set in their ways. It is easier for a camel to pass through the eye of a needle than a feral cat to become domesticated.

What if it has diseases? Not to mention, you could get hurt. At your age you don’t need to be setting yourself up for injury and infection. Who do you think has to care for you?

Well, we’ll see.

After Dionysus was left to his own devices in Lula’s sparse, stark white bathroom, he would help himself to the offering of cat food left behind. He would then rub his face and body against every surface in the bathroom: the walls, toilet, door, tub, sink. If he must be held in this place, he figured, he might as well claim it as his own with his feline scent. After this ritual came a prayer consisting of cacophonous cries that pierced the air with his prisoner’s sorrows.

Here are some facts about feral cats: The more generations that have passed since a cat’s last domestic ancestor, the wilder a cat will be. No matter how many generations of wildness, however, most tend to be largely dependent on human kindness and waste products. Without welfare and hand-me-downs, roughly fifty percent of feral cats die within their first year of life.

Things continued much in the same way as they had been going. In spite of feedings which occurred twice daily and numerous extensions of a heavily-gloved hand, very little progress had been made toward building amicable sentiments in Dionysus. He always reacted to any gesture with an arched-back hiss as if he had been plucked from his Eden that very morning. When Lula left, he would resume his routine of eating, pacing, praying, and plotting his revenge.

Like most any cat, if Lula were to die, Dionysus would not hesitate to lick every morsel of meat off her bones. Dionysus, however, actively fantasized about the idea of dining on the flesh of his captor. He absolutely detested his sterile cell. He sharpened his claws on the door and waited anxiously for it to open long enough for him to burst free. His prayers were offered piously. He would humble himself for falling short of wild glory and then he would seek forgiveness for his sins. He thought of all the rats there would be to hunt in cat heaven.

Lula would pray to her own cat gods, the gods who had driven the first domestic cats from streets to hearth in Egypt. The Egyptian cat goddess Maftet ruled over justice, war, and execution. She later became Bastet, the goddess of motherhood. The relationship between war and maternity is a complex one, birth as violent of an ordeal as death. How quickly bodies and homes become battlegrounds. How devastation is passed down the generations. These gods, surely, would have the power to undo iterations of increasing ferality and isolation.

The gods blessed Lula with a solution over breakfast one morning. As she took care to spread butter evenly over a slice of toast, she realized that the toaster was the key. Whether the lock the key opened was a door of control or liberation was not a matter to which she gave much thought.

When Dionysus was confronted with the cage a second time, he resisted defiantly. In his cat’s mind, the cage had brought him to somewhere terrible and to somewhere terrible it was sure to take him again. Yet the cage was not to leave the bathroom, let alone the bathtub, during his term of occupancy. Dionysus writhed under the stronghold of his murderer’s green gloves as they sentenced him once again to the cage. He employed every survival tool with which he was equipped. Every hiss, a supplication. Every scratch, a sacrifice. Even as the glove turned the faucet of the bathtub and cool water of imminent death drenched his body, he did not surrender his faith in the Almighty. He cried out and cried out, declaring his allegiance to the gods. One final prayer, that his soul may be wild in the life to come.

The toaster’s cord could barely extend from the bathwater to the nearest outlet, but Lula managed. The electricity which pulsed through Dionysus’s earthly body was more feral than he could have ever hoped to have been. When it was all over, his limp corpse permitted Lula to hold him close to her breast as she carried him outside. His head fell pathetically over her arm and his body hung like a garment. Though his fur was cold and damp, warmth had not yet left his body.

Slain Dionysus was lain on a table in the garden where no plant is a weed and no creature is good or evil. Next to him lay a steel blade with which a long line was cut into his flesh from his throat down to his anus. The head, tail, and paws were chopped off and tossed aside. His skin peeled back just like an orange. All internal organs were excavated and deposited on the pile of dismembered body parts.

When Lula had toast and sausage for breakfast the next day, it was very quiet.