Flash

REYKJAVIK by Jane Snyder

We took the kids on a tour of Iceland for winter break last year. It was Carrie’s first year of college, Tad’s third, and I wanted to do something as a family while we still could. The sun didn’t rise the whole time we were there but everybody seemed to be having a good time. The kindergarten class leaving the National Museum as we were going in, for instance. The children had big bags of candy and were laughing so hard they couldn’t stand it. As soon as they’d start settling down one of them would say something that sounded

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DCUQ ANGRUQ by Hugh Behm-Steinberg

A discussion in one of my classes, about metafiction, memory and torment, led me to bring up Chuck Jones’s classic cartoon, Duck Amuck. None of my students had heard of it, but that’s typical: they’re students. Still, before showing it in my next class I wanted to see the actual cartoon and not just rely on what I remembered when I first saw it as a kid. I mean who didn’t love the scene where Marvin the Martian takes Daffy aboard his flying saucer so that none of Bugs Bunny’s disintegrator blasts would ever singe his black feathers again?   But

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THE DAY THE MUSIC DIED by Sandra Arnold

We called him the Music Man because while he cleaned the headstones he liked singing along to the opera playing on his radio. Sometimes he threw his head back and let his voice soar to the sky, scattering the crows. His singing was so beautiful it softened the fears that lay hard in my heart. It brought Nettle close to tears and closer to remembering. Even Stuck Boy stopped his monologues long enough to listen. The three of us loved watching him at work though he rarely spoke to us except to tell us to bugger off if we got

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COVER by Benjamin Kessler

The father is accompanying the daughter to the mall. The daughter wants very much to get her ears pierced, and while the father thinks she is too young, he has consented. Though only after making the daughter pull weeds from between the spaces in the driveway concrete. The father doesn’t simply give the daughter everything she wants. He makes her earn it, and this makes him feel like a good parent. He enjoys very much feeling like a good parent, especially in front of the mother.   The daughter wants candy from one of the turnstile vending machines and the father

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THE PUDDLE BOYS AT NIGHT by Hadiyyah Kuma

Though dripping a little, the puddle boys are no longer melting. It is late nighttime. They don’t have to sleep because there is nowhere they have to be for now. They hope they never have to sleep again, but of course this is idealistic. The puddle boys know this too, but it is nice to ignore, it is nice to be fully conscious and in love. Crossing the street is the best excuse for holding hands. Cars echo away from them; some move through and splash people’s face. Everyone forgives them. The puddle boys’ backs become green then red. Their

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PICTURES by Andrew C. Miller

Lauren watched her father saw through the apple pie with a butter knife.  “Want a piece?” He scooped out a chunk, slid it into a cereal bowl. “Got eggs if you’d rather, but no bacon.” He poured coffee into a brown mug, dribbling on the counter. Lauren shook her head, glanced at the half open door to the canning room.  During Christmas they agreed that mother would be more comfortable on the first floor. So they converted the canning room into a bedroom and carried down her things—loose fitting clothes, toiletries, framed pictures of the family and relatives, watercolors from

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MOLD ON THE CEILING by Katherine Tweedle

Sophie had never thought twice about the décor in her mind palace. That was, until her counselor barged into her secret space and perched in her favorite armchair.  One moment, the women sat in an office tinted a chi-centering blue; the next, the room had transformed into a dim sitting room. Sophie blanched, her private life now public. Dr. Erwin seemed unabashed, if not actually bored, continuing to pull on a fountain soda the size of a prize pumpkin.  The room was Yin and Yang: clutter and cleanliness; one half as immaculate as a museum, the other half, a virtual

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CRY BUG by Gregg Williard

CRYBUG!!! CRYBUG SAY WE IN DANGER AGAIN!!! CRYBUG SPEAK FOR WHITE RACE PEOPLE, ‘CAUSE THEY IN DANGER AGAIN!!! CRYBUG CRY, WE IN DANGER AGAIN!!!! AGAIN!!!!!! CRYBUG GOT HOT BLACK TEARS AND SUCK CUP FEET!!!!! CRYBUG CRY, WHITE PEEPS, WE IN DANGER AGAIN!!!!!!! HOT BLACK TEARS CRY COLD WHITE FEARS, SAY, WE IN DANGER, AGAIN!!!!!! CRYBUG LIKE PAUL REVERE, ONLY WITH SUCK CUP FEET TO STICK TO CEILING UPSIDE DOWN! THIS ALLOW HOT BLACK TEARS TO FALL INTO BEER IN SPORTSBAR ALL OVER AMERICA!!!!! ALL OVER AMERICA, BEER TURN BLACK WITH CRYBUG TEARS!!!!! WHITE PEEPS, WE IN DANGER AGAIN!!!!!!!!

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THE OLD LADY WITH THE GOLD LAMÉ PUMPS by Kerry Rawlinson

I wonder if you remember her? Whenever we’d pop into the pub, the Old Cock and Bull, she was always sitting up at the bar. Because you loved that place, (not to mention their beer), we popped in pretty much every night. Beautifully dressed, always alone, the old lady would be perched on the high stool, sipping one of her limit of two glasses of beer. Nobody even talked to her, which I found odd. Occasionally her wig would be squiffy; her crimson lipstick slipping sideways. She’d look up into the bar mirror and fix it with a tissue. But

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AT HOME WITH THE MARTINIS by Joel Allegretti

4 p.m., Sunday, July 16, 1978 The white house with the gray trim at 33 Harper Road is the home of Elizabeth and Edward Martini. They were newlyweds when they moved to East Bedford, a Central New Jersey township, in 1957. They are both forty-four years old. Liz Martini, née Sprezzante, is a homemaker. Ed is an attorney in private practice. Liz is an accomplished cook. She makes homemade pasta. Last week, her skilled hands produced two pounds of pappardelle. Ed likes to work outdoors. He planted the juniper bushes on either end of the driveway and the impatiens and

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