Flash

THE HEART OF MORALITY by Austin Ross

May 13, 2019

Daddy’s monster is back. That slightly musky scent of sawgrass wafts in across the Everglades as he slides a single bullet into the revolver. This is what I remember, all these years later. This incident with the revolver is familiar to me, a nightly ritual to cap off our evenings of foil-wrapped TV dinners and, for him, nearly a third of a bottle of whiskey. I have learned by now to keep silent during the ritual.

As he examines the revolver in his hands, polishes the silver of the barrel with his sleeve, I think: he isn’t such a bad Daddy. His monster is one that only I can see. He still takes me for bike rides, sometimes, through St. Mary’s Park after school, still holds my hand as we sit in the church pew in our Sunday best. The monster inside him has slowly eaten away at what makes him Daddy. It reminds me of the alligators that I can occasionally hear through my bedroom window during the long summer nights. I can forgive Daddy for what he’s become, I think—if only because it is sadness, and not anger, that made him this way.

Tonight feels different to me, though. We are both sweaty from the oppressive Everglade heat. He has stripped to a pair of pants and an undershirt. I am still in my dress, my feet hot from wearing the shoes and socks of my school uniform. My legs dangle from the chair. I wish I was taller, older. Daddy looks at me and sips from the whiskey bottle. He spins the chamber of the revolver, clicks it shut, presses the tip of the barrel to his temple. He looks me in the eye, smiles sadly, and pulls the trigger. Click. No bullet this time. My heart is beating so fast I think it might burst, but I don’t cry. Crying makes it worse.

This is our ritual—Daddy will now press the tip of the barrel to my head, pull the trigger, and afterwards we will watch I Love Lucy, neither of us speaking in the quiet, desperate aftermath. Which of us did he want to die more? The girl with her mother’s eyes, or the widowed father? I don’t know.

Daddy slowly exhales, and I am brought back to this moment, now. Tonight is different: he slides the revolver across the table, removes his hand slowly. He looks at me, his eyes curious, like a wild animal’s, as though to ask: what are you going to do?

“Go ahead,” he says. The sound is deafening in the silence. “Pick it up.”

The revolver gleams on the kitchen table. I stare at it, my heart beating faster with each second.

“This is the heart of morality,” Daddy says, tapping the kitchen table with his finger. “A loaded gun.”

I look Daddy in the eye, carefully examine him. His face is expressionless as he watches me carefully, and I wonder: if I pick it up, will it make things worse?

I sense Daddy’s monster behind his eyes. It had come to live with us after Momma died—slumped over the kitchen table one day, her own monster—bowel cancer—having devoured her quickly and unexpectedly. Over the years, Daddy had learned to chain the monster up. When others saw him, it was manageable and tame. But I know it’s neither of those things. It will destroy him if he lets it.

I pick up the revolver, feel the weight of it in my hands, the authority it brings. I open the chamber, see the single bullet resting inside. Tears are streaming down my cheeks. I can sense Daddy’s immense sorrow. As the tears well and my vision blurs, Daddy shimmers and splits into two.

“Do it,” they both say as the monster grows. The lights above us flicker as their black tendrils stretch across the table towards me.

I slide the chamber closed again and pick one of the Daddy’s, squeeze the trigger, and in the explosion of sound, something leaves the room, some massive presence, and I wipe my eyes clear and see Daddy crouched on the floor, crying but unharmed, and I run to him, apologizing, but all he does is say I’m sorry over and over and over as he hugs me tightly. In the distance, I can just hear the rumbling growl of an alligator, or perhaps a monster, retreating to the swamps.

SOMETHING WRONG WITH MY LIFE by Meeah Williams

April 26, 2019

I could sense it coming like a mule senses thunder.I had his cock in my mouth and I was trying to keep my neck from being too traumatized when he bucked his hips in short hard thrusts. It was like being a passenger in a car whose driver proceeded down the street by slamming on the brakes every three seconds. I'm getting whiplash just thinking about it. I watched people on the sidewalk stop, stare, and the expressions on their faces said "What the hell is that all about?"I leaned out the window and threw confetti at the parade-goers lining the pavement, smiling like a prom queen, my teeth gnashing together. What I mean is that I smiled like a porn star, a cock thrust balls-deep in my ass."It's okay, ok-k-k-k-kkay," I cry, throwing more confetti, which is actually colored rice, crying, my mascara running, thinking "isn't this over yet?"Thinking, when the birds swallow this rice it's gonna bloat up in their little bellies and they'll explode and die. This bed is like a raft in the middle of the ocean and I'm looking for an island, a tanker, a helicopter, anything to wave my arms at. You're in the helicopter, hovering, but all you're doing is watching. Yes, I'm talking to YOU, the watcher, the reader, whoever. YOU!When you cum--or get bored--you hit the off button. It's even worse when you hit "pause," and there I am, eyes shut, mouth black-ovaled, looking like I'm in pain, the thick shiny thing half in and half out of me, almost human-looking, human plumbing, clogged, and I'm waiting, waiting waiting either for the thrust or the withdrawal and getting neither. Just that clogged plumbing with no flow..."Fuck you!" we both shout, you and I. No, I'm not going through all that again. We're going mad with thirst anyway. It can't be long now. I'm going to test my luck in the choppy water, whatever that means. I'm going to commit myself to the waves.Hello Ocean!"Certain death," he ventures a guess. But he's already commandeered the machete, don't think I don't know it. He's figuring he'll clobber me on the head, cut open some part of me, drink my blood. He's bearded now, maniacal, looking like a two-legged Ahab."Thar she blows," he says and with his pirate telescope points up to the sky which looks like the aftermath of a flash photograph--a flash photograph of nothing—or everything.I slip into the water, where the sharks are slouching about in their leather jackets, cigarettes dangling from their louche lips, posing with self-conscious nonchalance in a way they're well aware shows off their new tattoos to best advantage.Oh the sharks aren't as bad as reported. Fake news, you see. I meet one with a Brooklyn accent and a history of trumped-up mayhem. But he's ready to turn a new clam shell, so he says. I can be a trusting soul, when I'm desperate enough. I jump on the back of his jet-ski and wheeeeeee...We're bouncing over the waves now. My hair flowing out behind me like a banner that says "Welcome home, Johnny!" There's a desert island with your name on it somewhere. But it's not on any map and you have to put your name on it yourself."Who's Johnny?" I yell into the shark's non-existent ear. He doesn't answer. His body is thick, smooth, one big chunk of remorseless muscle built by a lifetime of endless swimming and fed by murdered mermaids. He smells like Brut, not fishy at all. He's got about 300 teeth in that mouth of his. Sure they can reduce me to a bloody hash within seconds. But, wow, when he's in the mood, you should see him smile.

LET ME SHOW YOU WHERE YOU’LL BE SITTING by Jeffrey Yamaguchi

April 25, 2019

We walk through a corridor, then down a flight of steps. Elevator doors open to receive us as if they had been waiting. We get in and my guide, a woman in perfect business attire, pushes the only button. The doors close. There is no sound. I can’t tell if we are moving up or down, and then I realize I can’t tell if we are moving at all. Suddenly there is a slight lift, and then feathery fall, of the woman’s hair above her eyes, which are staring right through me.

*****

There is a painting on the wall. Two large swaths of dark storm cloudiness on a moonless night, surrounded by a multitude of colors – the blue of the bluest sky, the red of a lollipop savored with impossible patience, the purple of a bruise that came by way of invitation. I stopped noticing the painting until someone new began work in our area. She mentioned the richness of the pools of darkness – unnerving, but also inviting. I looked at the painting again and saw not two streaks of starless black surrounded by colors, but now, just countless blotches of a deep and unforgiving darkness. Was I misremembering? Or was someone fucking with me?

I turned away and made a point of not looking at the painting ever again. So I saw it every day, countless times. The darkness continued to grow.

*****

The phone rings. I answer it immediately. I want to show how present I am, how assertive I am about getting things done. I say hello and hear a familiar old man’s voice on the other side of the line.

“Is Mr. Neal available?”

I explain that he no longer works here and hasn’t for some time, as I have done many times before.

“But that’s impossible. I just spoke to him yesterday. It is imperative that I speak to him at once.”

I know how this conversation will continue. So I tell the old man that I will deliver his message to Mr. Neal as soon as possible.

“Thank you, sir. I look forward to hearing from him shortly. Please do tell him it is urgent.” I hang up. A few minutes later, the phone rings. I answer it immediately.

*****

Everyone else has left. The echoes of a vacuum from the other side of the office fill the air. I look outside at all those empty offices in the looming tombstone landscape. Just a few lights on in a scattering of windows here and there. One by one, as I continue to reach beyond my own reflection into the swamp dark murkiness of night, the lights go out. Eventually, I am holding my gaze on the very last light which is rising and falling, as if it is lost at sea, not because it is moving, but because my breathing has become more labored and anxious. With absolutely no fanfare whatsoever, the last light is extinguished.

LIES ABOUT THE WORST WAY TO DIE by Dawson Kiser

April 24, 2019

There are a lot of shitty ways to die. A quick Google search of the worst ways to die will lead you down a not so wonderful rabbit hole of people drowning, burning, being eaten by animals, even falling in volcanoes. Not that I’m an expert on dying, but I’m walking into the hospital right now for my third year of chemotherapy and I’d argue this must be on the top 10 shittiest ways to die. Burning? That sounds horrific but from my limited research I found out you black out within 20 to 30 seconds. Your worst 30 seconds alive. This has been my worst 3 years alive. Slowly being eaten away by the ravenous monster inside my single lung. My left lung was cut out during my first year. Empty promises of a quick fix. “The tumor is only in your left lung,” they said. “We think you’re in remission,” they said. That month spent in remission ended with me face down in the busy Chicago intersection. Blood flowing from my nose and mouth. Shit and piss down my leg. A crowd of people. Some taking pictures with their phones. Others rushing to my aid but hesitating when their noses reached the stench. Took a half an hour for the ambulance to come. Now they say, “there’s cancerous cell growth around your right lung.” As if they have to specify which lung it is.

The other cancer patients look at me with dreadful eyes. One young woman, who is still very much pretty, is looking at me wondering, “will I look like that in a few years?” Sorry, you probably will. You will probably throw up, shit, and piss more than you thought was humanly possible. You will have no appetite and will shrivel up more with each day that passes, leaving you looking like a stray dog living in a dumpster in a back alley. In your worst moments, you will compare yourself to Jesus Christ as you sweat blood down your jagged face. I pass her and say, “you’ll be alright.” and use all my strength to give her an encouraging smile and a pat on her (soon to be bony) back.

I’m running a little late so most of the good beds and chairs have been taken. I sit down in an old wooden chair with a penny thin cushion that allows the hard seat to grate on my fucked tailbone. The same nurse as always goes around and draws the curtains. This way you can’t see the other poor bastards turn into zombies. Not that this does much. The noises people make can be just as bad as seeing them turn into the living dead. The first year I tried to sleep through the “therapy” but the visceral nightmarish imagery that flooded my dreams made it unbearable. Now I bring a stack of mindless magazines to read. I tried novels but I’d get bored too easily.

I have managed to get comfortable with the needles and tubes in me. At first, you feel like the patient in the game Operation. It’s been about an hour. Family members of patients are starting to visit now. The support by family and friends in the early stages make you feel like you’re a celebrity. Your brother’s daughter’s girl scout troop sells cookies to raise money for your surgeries. Your mom’s church holds a healing service. Your best friend from high school that you haven’t talked to in years, except for the occasional Facebook message, stops by your house with a casserole and hallmark card. Your siblings and parents come to every chemo session. You get used to their company. But after a year or so the hype around your death begins to fade and less people visit. I haven’t had a visitation in a full year. Not that I care. I can’t even speak during the sessions anymore.

A few curtain rows down I hear sobbing. A young voice. A kid voice. A little girl whimpers, “mommy it hurts,” again and again. Her mother’s voice can be heard trying to comfort her dying daughter. “I know baby, I know. The medicine will help baby,” she says. That’s what we all hope. In my three years of chemo I’ve never shared a session with a kid. I’m focusing on my magazine trying to distract myself from the poor child. Brad Pitt in trouble again. The new Marvel movie broke another box office record. Nameless actress had a nip slip on the red carpet. These are the things that occupy your mind in these circumstances. Mindless pop culture magazines spreading gossip like you’re back in high school. Don’t pretend you don’t like it. You live for it.

My reading is interrupted by the sound of the little girl screaming. I hear the man closest to me ask a nurse for earplugs. I’d be lying if I told you I didn’t want a pair as well. You’d want them too.

“Mommy I can’t,” she screams. “Yes, you can Claire,” her mother says with a trembling voice. She has a name. Claire. I feel the devil in my chest clawing at my heart. A name solidifies. It completes. It makes someone’s suffering tangible. A little girl isn’t dying of cancer. A little girl named Claire is dying of cancer.

I unplug all the needles and tubes inside of me. The monitor begins beeping in a fast-steady gallop. The nurse rushes to my assistance. “What are you doing? Where are you going? Are you alright?” she says. I extend my skinny-ass legs until they reach the floor. Using the chair as support I push myself up. I head down the room ignoring the nurse’s plea to sit back down. I shuffle my feet like a toddler learning to walk. All 70 pounds of me walking past all the other patients towards the sound of Claire’s cries. I turn to face her laying in her uncomfortable piss-soaked hospital bed. Her mother stands surprised to see anyone who isn’t the nurse. I fall to my knees next to Claire’s bed. I reach out both of my hands. One towards Claire and one towards her mother. Claire takes my hand and her mother hesitates a little before doing the same. “You’ve got this Claire,” I say, “you’re gonna kick cancers ass.”

I know the pain won’t stop but Claire’s cries and screams did. Another hour has passed and I’m still kneeling next to her bedside with her mother and their hands in mine. The only thing to be heard is the rhythmic beep of her monitor.

She’s asleep now. Her face soft and smooth. Soon she will be frail. Her skin will drape over her twig-like bones and her muscles will shrink. Her half circle eyes will take up most of her face and the skin around them will begin to darken. Her hair will be gone, and she will cover it up with a Mickey Mouse bandanna. She’ll want to throw punches at God, but her hands will be too weak to be made into fists. But for now, I’ll sit here in silence and comfort both her and her mother. There’s a lot of shitty ways to die but I’ll lie and tell them that cancer isn’t one of them.

THE TROLL BY THE EAST BRIDGE by Helen Armstrong

April 23, 2019

The thing that very many people fail to grasp about city planning is that a lot of planning goes into it: ha ha. This is always my gag at parties and it very often falls upon deaf ears. I’m uncertain whether people don’t want to find me funny, or if they just don’t understand my humor.

When the troll by the East Bridge - creatively named by Richardson, the city planner before me, whose interests included golfing and beer and golf clubs - demanded a sacrifice or he’d torch the town, people certainly weren’t laughing anymore. And they weren’t laughing when I walked right up to the troll and he ate me - in small pieces, of course.

Maybe he had gum disease: ha ha.

The feeling of having your ligaments torn apart from one another and having your guts ingested is unique, as you might imagine. Have you had a root canal? I haven’t, but I’ve heard terrible things.

It’s also interesting how the mind doesn’t simply disappear. Our thoughts float around through and outside of our brains, our whole lives just- humming around inside our skulls. The synapses light up like the fireflies that children like to catch in the dusk at Hawthorne Field after the baseball games have all wrapped up for the evening.

Those summer nights are the best, and perhaps it would be easier to describe this feeling of being torn limb from limb not through comparison but rather, by contrasting it. Example: it does not feel like watching children catch fireflies at Hawthorne Field in the dusk.

Example: it may feel more like being the fireflies, captured in a mason jar and forced to suffocate.

The mind doesn’t simply disappear. It scatters. The thoughts that spend most of their days floating around Hawthorne-Field-my-brain-my-skull-et-cetera just kind of...

So forgive me if I’m a little all over the place.

Let’s see - I got my start as a city planner after I finished my undergrad degree in Business Administration. I loved college and as soon as I landed on the hard pavement of the real world, I wanted to scramble back through the glass doors of academia and into my seat in the front of the class again.

So I applied for a Master’s program, and a few years later wound up on the pavement once more but this time, with a degree in Urban Planning. It didn’t make the landing any softer!

People ask me what I do. I tell them: I gather and analyze data to discover the needs of the population and from there, develop both short- and long-term solutions. I review and solicit plans from developers. I know the zoning laws and other regulations - so that you-don’t-have-to. You see?

Frank thinks it’s a great profession, but he’s an artist, so of course he can think that because it pays the bills. The bills that support his painting and sculpting, and recently he’s been getting into tile-making. Which you can buy at the farmers market which I found the space for.

City planners love sustainability. I love sustainability. I was the one behind the rain gardens you see by the roads and in developments. What is a rain garden?

A rain garden absorbs the runoff rainwater from roofs and driveways and lawns and patios. From the sky. According to some studies, they remove up to 90% of the chemicals and 80% of the sediments from rainwater runoff.

That’s a good thing. It means more water soaks into the ground.

That’s a good thing.

See it sinking down, now.

Frankie also stands up for me because he loves me. I don’t mean, in my last few moments of consciousness on this realm - or, perhaps, any realm - to indicate that he is anything less than a gracious and loving partner. We did not meet at a gay bar. We met in the library. We were both checking out books on gardening.

Neither of us are gardeners.

Go figure, ha ha.

Is there a joke about green thumbs here?

Perhaps. But I don’t have the time.

I’d like to make it clear how important it is to invest in renewable energy and open spaces in our town. I know that it can feel hopeless, at times, to be up against climate change, because there’s Al Gore out there and ice caps melting, sloshing water up onto the land and killing millions of people, like they’re tiny ants. We can drown just as quickly as ants, is a fact-that-is-not-fun.

Their brains must scatter as well but into the ocean, and so the water becomes a vast repository of all the knowledge and experience that everyone whose lives it’s claimed has had. Picture that: krill floating among the memories of prom nights, and a whale may accidentally swallow the whole of a brain surgeon’s knowledge, which she’ll then spout out and fling into the air, careless with it.

Perhaps the troll could become the next city planner.

Wouldn’t that be something? I don’t think he’d fit behind my desk, ha ha.

Frank would think that’s funny, but it’s more you that I’m interested in.

What’s the point? The rain gardens are great, the farmer’s market draws people in from out-of-town-if-you-can-believe-it. Is a legacy only as worthwhile as the people around to make it into one would consider it to be?

I’ll tell you something important. No one cares about local issues.

I’ll tell you something else important because I think I may be running out of time. When they made it the law of the land he proposed to me but we never got married.

We’re still engaged.

I guess I’m old-fashioned. I guess I didn’t want to hear you all talk.

And set to the tune of Simon & Garfunkel as that is what is playing in my head in my last moments: last last last:

PRINCIPAL ALPACA by Richard Leise

April 22, 2019

Interim Principal Gregory Jenne has Alopecia universalis. But he is accustomed to this; has dealt with the condition all of his life; survived the childhood taunts; rationalized the rejections; no longer dreams of eyebrows and eyelashes. Having recently celebrated his thirty-fourth birthday, he assesses his present position. He finds that he is satisfied, proud of his accomplishments. Lesser men would have created excuses. Weaker individuals would have hidden in their parents’ basements. He likes to think of himself as methodical. Scrupulous. Tall, his arms are longer than they should be, and this makes it difficult—no, this makes it impossible—for him to find suits that fit. What he has done—resorting to slacks, shirts, bowties, and sweaters (having no body hair, and the building being so cool, the sweaters function rather favorably)—has, while pragmatic, made him, enigmatic. More than this, though, and he swats a fly from his phone, dials the number on his desk, he has made a name for himself. The students like him. They call him Principal Alpaca. Ha, he thinks, whenever donning one of his sweaters (brown and beige cashmeres) hand-picked to better fit the part. That’s funny. He’d love to know the name of the child who—

“Oh, hello,” and he grabs his phone from the desk, silences the speaker. “This is Principal Jenne, from Endwell High School? Am I speaking with Mr. Nye?”

Silence. Just the buzzing from the fly, circling his head.

He is not surprised. As a point of fact, he is impressed that the phone is even connected, and, to that end, that the boy’s father has bothered to answer.

“Mr. Nye, I’m sorry to have to call, but—”

“What’s he done?”

“Pardon?”

“Bobby. Just tell me what he supposedly done and get on with it already.”

There was a time when Interim Principal Jenne would have pitied Mr. Nye. When he would have told his wife that the man suffered from what he called ‘honest ignorance.’ But his son’s particular sort of prejudice? No sir. Not on his watch. No matter how regularly he came into contact with these hillbillies, this was something that, as a graduate from, and now Endwell High’s building principal, he resolved never to accept. The fly lands upon his desk.

“Well Mr. Nye,” and he clears his throat, “Robert has been suspended. We’re going to need you to come down to the school and pick him up. Directly.”

The man laughs. “Oh yeah? Directly? You planning on telling me what for? Or’d you rather I guess. Who’s to say it ain’t his word against yours?”

“I can assure you,” he says, swatting the fly from in front of his face, “there’s no doubt. I wanted Robert—”

“Bobby.”

“Excuse me, Mr. Nye, Bobby. I wanted Bobby to explain, to report, I should say, his actions. But your son. Well, Mr. Nye, I’m not quite sure how to say this.”

“How about you use your words.”

“Honestly, Mr. Nye?” and Interim Principal Jenne straightens. “Honestly? It disgusts me to report that Bobby called a classmate the N word. And you need not take my—”

“Is he?”

Interim Principal Jenne pales. He doesn’t need a mirror to know how he appears. But shock soon gives way to anger. Indignation. Given his own, unique, pigmentation, he is no stranger to slurs. There are many words he could employ. Names he could use. But he will not stoop to this man’s level. There is no reason to escalate the issue. He was hired, in part, because he possesses, unlike his predecessor, a level disposition. His ability to handle men, he thinks, whose family tree consists of a trunk.

The man laughs. Ripe, fleshy sounds, thick as gunk scooped from a pumpkin. “You ain’t listening, Jenny. None of you do. Surprise? Who said anything about a surprise? Listen. Up.”

“Mr. Nye. Now I’m sorry, but—”

“No, sir. Nuh uh. Now you listen here, Jenny. You’re sorry? I’m the one sorry. You call me at work. You get me off my cows. You tell me you’re suspending my boy for what? It’s a simple question. Answer up. Is the kid, or ain’t he, a ni—?”

Interim Principal Jenne feels the phone against the side of his head. The screen warm with electricity. He looks out the window. The fly, like a sick screensaver, slowly rotates against the perimeter of the glass.

“That’s what I thought,” Mr. Nye says. And he cuts the call.

It is just now May. The grass is green. And the sky? Blue. The fly makes a slow pass around the room, then smacks against the window. Interim Principal Jenne watches it rise, and fall. Rise, and then fall. Flat upon its back, the fly buzzes mindlessly, its wings worthless. And then, he supposes, lowering the phone, it died. It was dead.

THE PROBLEM WAS STARTING by Alex Behr

April 21, 2019

The problem was coming up with reasons to scoop rice on the plate one more night. The stove worked. She could boil water. Pasta. Rice. Pasta. Rice. Boil and pour and scoop and swallow. The problem was the streetlight. The streetlight leaked through the blinds, and she could put the extra pillow over her head, but she feared the nightmares. She waited until the birds started singing or squawking or whatever they did at 4 a.m. from branches the cat couldn’t reach.

The problem was her son: she forgot to smile at him. But she scooped the rice. She scooped the pasta. She scraped off the leftovers and filled and emptied the dishwasher. She forgot to shave her legs. There’s hair on her toes. The problem was the weather forecast cycling through the months, and the egg yolk and wine glass stains on the tablecloth. The pieces of dried cat food stuck to the linoleum. The problem was she couldn’t delete the voice-mail messages from her ex-lover.

The problem was that photo of her on his phone (and hers), where she sits on his kitchen chair with orange peels balanced on her nipples. Her tits look fine, but she has bags under her eyes and looks demented. What is happy? This? Coming off sex drugs for the first time in years (divorce, you know) is like coming off cocaine addiction: but she never was an addict. She only saw them on TV.

The problem was the orange peel photo somehow getting on her son’s friend’s Instagram account. (She never locks her screen.) She wasn’t a follower of her son’s friend, Josh, but she was on the PTA with Josh’s mom, Nancy. She got an urgent text message from Nancy through Instagram with the photo—a black bar over her eyes, and one over her tits. Nancy was Christian. Nancy sent a sad-face emoji with it and had typed many words, but by then the phone was thrown against the wall and the screen had shattered.

Oh, my god. She ran upstairs. Her son was in bed, under the covers, though it was the afternoon. The blinds were down. His phone was powered off, a bad sign. “I have to quit school. I hate you.”

“Do you want to talk about it?”

“I can’t stop thinking about you having sex.”

“Don’t think about that!”

“I can’t help it. It’s in this part of my brain,” he pointed to his right temple, near a large pimple. Her son was fourteen, and growing so much he went through two boxes of cereal a day, but he still had a stuffed bear under his pillows.

“You shouldn’t think about me having sex. It’s gross,” she said. “Do you think about Dad having sex?”

“I don’t worry about him.”

He refused to go to school. He hit tennis balls over the back wall into the Georges’ pool. She watched him from the screen porch. It was easier to be silent with her son, too. She replayed the dead sex in her mind. The brain lit up the same parts through memories as if they were happening. Her ex-lover promised they would forget each other. He got colder the more she cried. She wondered how memories shifted and moved to different parts of the brain. Like clothes in a dry cleaners.

Late-night Google was her companion. Dopamine and acetylcholine, a neurotransmitter, helped form memories and damned her to nightmares. Her ex-lover said she was exquisite. He’d had cataract surgery; he couldn’t see her clearly. Did she end up in a Mary Gaitskill story on purpose?

The whole thing, all thirteen on/off months, was like having sex in a hospice, waiting for the death tone, but in this case the music was the krautrock group Can. They met in her ex-lover’s four-poster bed, whenever the wife stayed at her sister’s, or hotel rooms with wrought iron bedframes. Yoga straps. Useful. Do anything. Don’t leave marks. He can bruise. You can’t. Don’t look when his phone lights up. Don’t assume others. We are holes.

Her son didn’t go back to school. Everyone he knew had seen his mom’s tits. She told the school counselor she would homeschool him. Instead, she bought them two prime tickets to see the Australian Open, blowing out the last savings from the divorce.

She’d lost language during sex. Language rushed back on the plane with crying babies. Her son’s head rested on the fold-down tray table, while air currents buffered the plane above clouds. A red gash between them. Only in the air did people walk up and down aisles with blue pillows around their necks. She’d had a pain in her shoulder for months, during the sex thing, and her left hand would go numb at any thought of him, or any story that required empathy.

When the wife came back for good and the marriage closed down, he said it might still open for others, but not her. The parts that want to come close and insert into other parts ... that he would put the same parts into strangers, and them in him, and it would be the same release as with her. That is one clue. But he memorized her taste.

She’d almost left her purse and iPhone by the charging station at the gate. She forgot to pluck the dark hairs on her chin and didn’t monitor her butter intake. The problem was her ex-lover’s last email. He’d love to be friends, but casual. The words vibrated on her new screen. He has no headroom because this is the worst, most harrowing time he has had so far with his wife. He wants her to be a friend who won’t care about him. She—with the perfect tits (maybe the wife’s are too)—is sincerely great, but he is not coming on to her. Gifts are forbidden: friends don’t send friends chocolate.

She had to scrape her skin off and grow new skin, reconstruct her body from the nights of drinking scotch, being thrown on the bed, dozens of times, but never food in the fridge. Cookbooks of the married kind. Never opened. Don’t spill lo mein on the sheets.

Before the flight she’d texted, No, we can’t be friends, and more words in anguish, and a few clever things, and he texted, Peace. Healing. Respect. And his initial. In case she forgot.

He bites her all over in a public park. He wants on the Fuck Train, and then he wants off. His head is on a stake. The problem are all the skulls, lined up on stakes, the sweet procession of ex-lovers, and now one more.

A baby was wailing behind them on the plane. She said to her son, in the chill, “Should we kill the baby?” She tested out her old personality. Could she mother again?

He beat on the tray table with his knuckles, listening to Queen. Bopping his head. Took out his ear buds. “What?” She repeated herself. She hated doing that.

“Think you’re funny?” her son said. “Think you’re funny about killing a baby?”

“He’s crying.” But she laughed. It felt. Good. She woke every morning feeling dead. Her secret. She monitored the icon of the plane on the map of the Pacific, not letting herself think of what would happen if it, and them, fell.

“Did you know when you were little, we put the toilet seat up on an airplane, and you put your balls right where men pee?” She would crawl out of this bad thing.

“That’s sick. That means my balls have been to exotic places.” Her son showed her his phone. “If it’s 11:59 a.m. in Melbourne, tomorrow, why can’t they predict the future for us?”

MEALS OF OUR CHILDREN by Will Gilmer

April 19, 2019

I put chicken breasts next to the eggs to thaw and wonder if these eggs were born from the birds whose bodies will become my dinner. I pull out oil from olives that will never become trees and baby bean sprouts who will never know pods of their own.

I make double in case Trevor decides to come down for dinner. I know it’ll matter on how many pills he took, how much he slept today, and if he’s even here. When he vanishes I “run the circuit”, drive from flop house to flop house scanning over the buffet of now familiar faces until I find his.

Each time a little more of him is gone, consumed by a hunger no home cooked meal can sate.

Gnaw marks, like the ones on his old teething ring, appeared when the doctor gave him Tramadol after hurting his shoulder during the Homecoming game. Incisors scars ran up his arms when they moved him to Norco after X-Rays showed a labrum tear. Now I’m losing him, one mouthful at a time, as broken needle teeth pile up next to the burnt spoon on his dresser.

I try to make him unappetizing; season him with love, baste him with therapy, dredge him in rehab. But he was too tasty from the start.

I know the day will come when I’ll run the circuit for the last time. I’ll find him like leftovers; cold, flavorless, forgotten. In those dark hours after the “I’m sorrys” and the “If there’s anything I can dos”, after the hushed whispers of “He should have been a better dad”, it’ll lick its lips and come for me.

I’ll make the perfect dessert.

SIX FEET, BLEEK, AND BURIED by Exodus Oktavia Brownlow

April 15, 2019

Six feet could be ten feet.

Six feet could be sixty.

Six feet was not a lot. Six feet was one of him.

It starts with an ending.

Bleek, a man with big hips. They curved against the box. And he saw their fullness. The mirror reflected. Lying, they looked more grave. And he understood why. Why they gave him such looks. Why they envied his curves.

Six feet could be ten feet.

Six feet could be fifty.

Six feet was not a lot. One new fridge—a big box.

Bleek had an old iPhone. With service still intact. It was safe on his chest. No chance of slipping down. The place was un-spacious. His span, stunted, no chance. One small mercy, a fan. The taste of air was sweet.

Six feet could be ten feet.

Six feet could be forty.

Six feet was not a lot. One thing of Bubble Tape.

His ragged breath, cut off. His cracked inhales, deprived. Fairy-princess music. He fumbled with the phone. Sickening sweaty hands. It was so very hot. So very hard to breathe. The sound had been a text. And he knew it was them. Was the music a jape? Was it reassurance? Or a cruel reminder? Bleek could not decide which.

Six feet could be ten feet.

Six feet could be thirty.

Six feet was not a lot. It was just some inches.

He read literature. “How are things going, friend?” And Bleek replied, “Just fine.” “This downtime is quite nice.” A lightning fast response. “Haha, now that’s funny!” They praised him from above. “You’re fucking funny, friend!” Bleek sent an emoji. The impish kind, slant eyes. He added, “I know this.” A thumbs up and time down.

Six feet could be ten feet.

Six feet could be twenty.

Six feet was not a lot. His walking span was that.

They tossed him in the box. Calling him every name. Freaky-Faggot-Fucker. Short men threw him inside. A complete set of six. One had his long left leg. The other had his right. One had his long right arm. The other had his left. One had his nice-sized head. And one short man just watched. They dropped in a small fan. They dumped in an iPhone. They closed the box’s lid. They buried him alive.

One group of fans watched him. He watched the six men back. Was it his height and heels? Was it his curves and jeans? Was it his femaleness? Bleek could not decide which. “Excuse me, friend,” said one. The man held up something. “Self-lighting mirror, friend?” Bleek studied the small man. He had on a Lowes’ vest. Bleek posed in the mirror. His reflection glowed back. “Absolutely,” Bleek said.

It ends with an onset. Bleek pursued a new fridge. His steps devoured floors. Lowes had not been prepared. His hips swayed side to side. His heels clacked and sought praise. And his mouth chewed tape gum.

BUMMING by Chelsea Harris

April 14, 2019

We’re outside the corner store bumming smokes off each other. He’s a redhead, says he’s got a bad habit of picking his face. The whole thing covered in craters. Our friend shows up, Andy. He’s got something to show us. We take a drive.

Up the road there’s a car. Totaled. Hit a tree. We get out of ours and I slam the door, hard, a privilege. There’s someone inside the wreck. A crumpled napkin. A pair of puckered lips. Andy tries to pull her out but her body has been deflated. I poke at the airbags. She’s dead, the redhead says. He isn’t wrong. We head back to Andy’s, a real shithole. He gets a beer, leaves his fridge wide open. We join him out back, on the porch. He says, I look at it two ways. Either we do something with the body or we don’t. Redhead smiles, his fingers scratching at a fresh one on his cheek, What did you have in mind?

Before I knew it we were hauling her onto the pavement. Her hair matted in jellied blood. Arms twisted up like a pretzel from the fair. Her eyes had popped from the impact. Face swollen. Andy jabs at her sticky thighs with the toe of his boot. What now? I ask. They scoop her up by her arms, drag her to the edge of the woods. Redhead hocks a loogie back towards the car. Squeezes a big one by his eyebrow, rubs the goo between his fingers. I tell them we should leave her. I tell them we should call the cops. They both laugh, turn around to look at me, nothing but a Barbie, a toy for them to play with. Don’t be a pussy, they say, Check her glovebox. Inside I find some money, a joint, a weathered photograph. It’s of her and a woman. They’ve got their arms draped over each other like a shawl. They’re laughing. I shove it in my back pocket, take the joint over to the boys.

It takes them an hour. Their hands choked in blood. Redhead’s got it all over his face in big smears like jam on toast. They leave her body, the hole in her chest clogged, her clothes in a heap beside her. We drive back to Andy’s, the radio buzzing. Redhead holds it in his lap like a puppy. They roll down the windows, barbed gusts of wind slashing my face. The night a hole, waiting to swallow me up. When we get back, Redhead plops it on the kitchen table. A gummy, tacky mess. A wad of chewed gum. A punctured water balloon. The boys take turns snorting snow. I sit against the wall, the clock above me pulsing to the beat of itself. My shoes stick to the kitchen tile. Want some? Andy asks. Redhead blows snot into his hand, wipes it on the back of his jeans. I join them at the table.

We wake to sirens. Our bodies spliced together on the floor. I pull a sweater over my head, gather my hair into a bun. Before I have time to stand Andy is by the freezer, his head buried deep inside, a fog of frost folding over him. I feel Redhead behind me, his presence a cloud suspended over the back of the couch. He puts his hand on my shoulder. Time to play, he says, silent enough that only I can hear it.

On our way out of town we pass her. A string of yellow tape tacked up around her body. A tow truck in the midst of hauling her car away. We listen to the news on the radio. Redhead and Andy snicker in the front seat. We pass exit after exit, every sign a blur. Three hours in we stop. A rest area. The boys pull the cooler out of the trunk. Open it up. Touch it, Redhead prods with a smile. His teeth are brown, gums bright red, the toilet after a period shit. He grabs my arm, yanks me close. Come on, it’s got special powers. Andy laughs. I pull myself away, away from them, away from the car. You’re a fucking pussy, Redhead coos. Andy runs at me, eyes thumping like a drum. I race towards the bathrooms, hoping I can lock myself inside, but I’m too slow. His hand catches my wrist, nails scraping my skin like hot iron. His way of branding me. He pulls me to the pavement, pins me down, climbs on top of my chest. His face plump with rage. He socks me once, then again. My head goes numb. Vision dim. I hear Redhead slam the trunk shut, feel them scoop me up, toss me back inside.

We make it to a motel outside of Denton. All of us pressed into a full-sized bed. The boys strung out, their hands on my thighs. The TV blinking a scramble of shifts in front of us, the bed illuminated in a blue pixel haze. I reach for the remote. Outside, Andy’s car is on fire. I hear a boom, glass bursting onto the pavement. People yell, their voices strangled by the flames. The motel manager knocks on our door. Three long whacks. I scurry off the bed, out from underneath them. They roll over to face each other. Redhead’s got a few new ones busting from his forehead. A cluster of fresh eggs. The motel manager tells me I better get dressed and get down there, tells me he’s already called 911. I shut the door, look down, untamed pubes erupting from my panties. Andy sits up, wiping his eyes. I take a beer out of the fridge, park myself beside him, offer him a sip. The cooler is in the car, I say, waiting, holding my breath. Redhead stirs behind us. Andy takes another drink. I expect it to hurt, but I barely feel a thing.