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penny goring

PENNY GORING’S hatefuck the reader REVIEW by Chris Dankland

GET THE BOOK (read online + download epub and mobi versions for free)

LENGTH: 7,000 words

PUBLISHER: 5everdankly publications, 2016

YOU MIGHT LIKE THIS BOOK IF YOU LIKE: Kathy Acker, Édouard Levé, Sarah Kane

Penny Goring’s book ‘hatefuck the reader’ starts with the sound of someone talking so close to your ear that you can feel hot breath:

when i was invincible i believed beauty lasts forever and i died every day. you gave me nothing. i prefer to think you hit me because you are ill. i prefer to stroke my cold pillow. i prefer to sit on a chair than a sofa. i have a plastic joint in my right big toe. you permanently damaged every part of me. my aches and pains are not caused by ageing they are the aftermath of the violence. the end of a story is something i forget. in the month leading up to the twin towers event, i kept waking from a dream where an aeroplane was crashing through my window. i look better in photographs than irl. i don't truly believe in anything. i am startled when anyone calls me Pen, it implies familiarity and affection. i am slow to learn from my mistakes in life, but not in my work. i am attracted to boys girls women men anyone anything anybody. competition repels me. to describe what remains would distress me. i wonder if i will ever truly want to give up smoking. when i sit on the edge of my bed i worry about damaging the mattress, i try to sit on a different area every time, there are not enough different areas. you said i was boring in bed, then you fucked me every day for 2 years. i have cheated on all of my lovers, they were easy to fool, so was i. i joke about Art when it is invoked with a capital A. i wonder if i love anybody except my daughter, it often feels like hate. i do not intentionally remember hurt. i do not trust you. i was fined £1000 for criminal damage, this is how it happened, you punched me in the face until i stopped talking, then you grabbed a knife, then you stabbed holes in my thin plaster walls, then you ran outside, then i knew what had hurt me was outside, then i wanted to hurt the hurt, then i hurled dirty plates and cutlery out the window, then a plate smashed the sunroof of a BMW parked in the road way down below. it is a serious crime to damage a car because car equals money on wheels, and that is the true meaning of beauty.

The book comes at you in a non-stop flood of confessions:

“i got my 1st black eyes, broken nose, walking home through the park after school. i curled in a ball in the mud, a crucial bone in my spine got kicked into a new shape”

“at times i have lived with people who are now dead, believing it to be a forever thing.”

“i have seen a dead junkie hovering 2" above me in bed, yes, i have known ghosts, and i have felt their fabric.”

The book looks beautiful to me. It’s one of my favorite examples of digital literature. I look forward to the time when print versions of books become collectors items and pdfs become the norm. Nowadays most of us consume our music and movies in digital, streaming formats. We don’t need cds and dvds to enjoy albums and movies. We don’t need print books to enjoy great works of literature.

‘hatefuck the reader’ never stops to take a breath, and even by the last sentence it seems like it could keep going forever. What does Penny talk about? Poverty, abuse, art, memories, sex, habits, apartments, dreams, death, children, drugs, unconsciousness, sickness, hope, and everything else. It’s hard for me to think of many other books that have as much sustained energy. It’s relentless.

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ashley hutson

ON OUR WAY TO SEE YOU by Ashley Hutson

Right now we're stuck behind a funeral procession and it looks like we're going to be late. Mack keeps saying, How long, how long? We're on our way to see you.

I adjust the rear-view mirror, and Mack is in the back seat, bouncing around. He never settles down when the car goes slow, refuses to be lulled like other children, does not even want to be sung to. He's saying, How long, how long?

And it is about noon right now, and it is a beautiful day and it is November. There is a hearse way up at the front. The cars in the line are mismatched and strangely colorful. Funny how these things appear without warning. An hour ago I got the call, and I swept up Mack and yanked some clothes on him and we piled into the car and I hit the gas. I flew out of town, I don't mind telling you, and it seemed like I turned around for a second—just one second, to yell at Mack to calm down and quit screaming—and when I turned back there was this line of traffic in front of me stopped dead. It happened so quick that I slammed on the brakes, throwing Mack and me forward to strangle on our seat belts for a second. Uh-oh, Mack said.

These long, narrow roads between towns. You know them. You always complained about them when you had to get up in the pre-dawn hours, never knew what animal would jump out from the black woods and drive you off the road into death. Every morning in winter I'd listen to you grouch as I poured the coffee, and this was before Mack was born, this was when everything between us was an adventure and the only thing that worried you was a lonely road in the dark, and my biggest fear was a spider lurking in a kitchen corner. The kitchen of that house we loved, that was a long time ago, remember? And now here we are, me here on this road and you there, and Mack is in the back seat wailing like a devil, ignoring me like he was birthed out of some other woman's loins. Like I am not his mama at all.

Mack starts counting the cars ahead of us. They don’t make noise. I wind down my window and there’s only silence and wind. It is colder than it looks. I close the window. We're a mile outside of town, at the part of the road where it stretches wide and flat after a steep hill, and the cornfields spread out, and at the horizon are rounded mountains so far away they look blue. An open space like this is something special around here, you remember how the first time Mack saw this part of the road and yelled Roller coaster! like it was some big deal.

Now he's in the backseat and saying How much longer? and I tell him to keep counting cars. He skips numbers. He goes from eleven back to three.

I start counting, too. Everything is slow. And I am telling you what, these cars are all clean. I don't see a filthy one in the bunch, not like our old beater that I haven't taken to the carwash in who knows how long. And this day is so fine, so clear, and it's November and just as brown and gold and blue as a late fall day can be, crisp as flint corn. On these kinds of days you and me used to go out right before dusk, we would take walks in the woods down by the old gristmill's abandoned skeleton and I'd kiss you on a path so private no one but deer would see, and then on Sundays we'd go to your Granny's house and eat pot-pie until we were sick.

I am on my way to see you but I am stuck. A procession is ahead of me, a long, crooked line. How long? How long? Mack is saying.

He's lost count, and so have I. I can't see the hearse anymore, it's gone over the far hill and out of sight. There are three cemeteries between you and me and we’ve already passed two, and I keep hoping these cars will stop, I keep waiting for them to turn. But the cars keep moving in a slow drip-drip-drip fashion, and for some reason I am thinking of water, thinking of the word wet, thinking of sex, trying to think of the last time we did it in that small bed in our apartment before you got the night-cough and started with the pills. That apartment we had to move into after you got laid off, you hated it because you thought I hated it, but let me tell you right now: I never hated any room you were in. Right now I am thinking of your jaw clicking when you bit into a sandwich, and how the noise sounded like you were crushing gravel. The sound would satisfy me so, as if your mouth were mine.

The third cemetery is approaching, and Mack is in the backseat like some kind of ghoul that was visited upon me, upon both of us, like a night flower that bloomed in my stomach, like a premonition saying How long? How long? Mack is like a lot of things but the thing I most regret is that he looks exactly like me and not like you at all, even though that was something you cooed and congratulated the baby for—you congratulated a baby—while I lay there in the hospital bed, wondering if my insides would ever feel properly arranged again. And Mack being born sickly, with my spongy bones and looking like me, surely that was some kind of punishment? An omen? But of course you took his birth as a boon, to you Mack was a gift and it didn't matter that he was smaller than most or couldn't get his words out clear like other kids or that maybe my blood was to blame. You said he was a good kid because he was us put together and that blood was not poison, blood was just blood, and you'd never seen an omen in your life.

We've been following this funeral parade for what seems like a few hours now. I am trying to get to you but there is this line of cars I cannot pass or see the end of. I still cannot see the hearse. Sometimes I get glimpses, but you know how this countryside is hilly, is rocky and rough, and I keep losing sight of the hearse over the next hill or around the narrow curves that infest this place, the steep inclines that laugh at this old car, the landscape sneering at the humans who tried to carve a road into it.

The cars passed the last cemetery miles ago and I can't help it, I keep following them. Now they're splitting off the main road, going up a mountain. The night is coming fast. I forgot how early darkness falls this time of year. My ears are going shut. Mack is quieter now, lying down in the backseat. He's whimpering a little. I can't get the memory of a normal afternoon two weeks ago out of my brain. Do you remember? It was October then. You were setting trash bags on the curb outside the apartment, and I was at the kitchen sink skinning an apple, and Mack was watching the TV in another room, and when I caught your eye through the window you gave me a smile. You raised up your hand and waved.

From the back seat I hear, How much longer? but I ignore it. I gun the engine, willing the car to climb higher, higher. Where this mountain ends, I don't know.

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GHOST SEX by Chris Dankland

Lucille died of leukemia in Utah. Richard died in a car accident in Seoul. They were both 16 years old when they died, and now they'd be 16 years old forever, two pissed off sulking virgins condemned to populate the dreams of the living. All those faceless extras that appear in your dreams, where do you think they come from? Just whipped up out of nowhere? No you idiot, those people are ghosts.

///

In 1967, a Dominican garbage man in Queens dreamed about winning the Nobel Prize. Lucille and Richard were in the audience, sitting next to each other. Richard was wearing a tuxedo and Lucille was wearing a beautiful dress made out of a giant wet tongue. At the front of the room, the Dominican garbage man ranted about how he invented trash that doesn't smell. Every ten seconds, every audience member was supposed to stand up and cheer.

Richard looked over at Lucille, looking her up and down. Nice dress, he whispered through the side of his mouth.

Lucille stood up and cheered. She sat back down. Thanks, she said, grinning. It's the only good thing about this dream. What a jackass, she said, nodding at the stage.

Richard grinned. He stood up and cheered. He sat back down. The Dominican garbage man droned on and on and on. The two teenage ghosts managed to have quite a long conversation during that time. They introduced themselves. They complained about the afterlife. (What a fucking disappointment, sighed Lucille.) They talked about how they’d died. They talked about all the things they missed. They talked about the things they never did.

I never kissed anyone, said Lucille, quietly. She stood up and cheered. She sat back down.

Really? said Richard. But you’re so pretty!

Lucille blushed the same color as her red tongue dress. Thank you, she mumbled through a grin. Nobody wants to kiss somebody that’s dying, I guess. You didn’t see me the last year of my life. I was bald and pale and skeletal. I was throwing up all the time. I could barely get out of bed.

Can I kiss you? said Richard. He stood up and cheered. He sat back down.

When they sat back down, Lucille nodded enthusiastically. Richard leaned over and pressed his soft lips on hers. Everyone else in the audience stood up and cheered. But Richard and Lucille just stayed sitting there, pawing each other, breathing hard, making out.

Hey! said a nearby ghost. Pay attention!

They didn’t even bother to peel their faces from each other long enough to tell the creep to fuck off.

///

In 1983, Richard and Lucille met again. This time it was in the dream of a Japanese house wife who was taking an afternoon nap. She was dreaming about a haunted house full of pillows with arms and legs. The pillows had giant mouths full of razor sharp teeth, and they were running around murdering people. Richard and Lucille were both dead bodies laying on the kitchen floor.

Hey! said Lucille, quietly. She moved her foot and nudged Richard. Richard opened his eyes in a squint, but when he spotted Lucille they shot wide open.

HEY LUCILLE! he said loudly.

Lucille grinned and said: Shh shh shhhhh. The pillow monsters were running all over the house, chasing the Japanese housewife. Those fuckers have sharp teeth, she said.

Richard nodded and quietly crawled over, closer to her face. He kissed her. I missed you so much, he said.

Me too, she sighed.

Who knows when this bitch is gonna wake up again, said Richard. Lucille nodded sadly. Do you want to know something that I never got to do before I died? he asked. Lucille nodded happily. Richard stretched out his hand and put it between Lucille’s thighs. She blushed. Thirty seconds later, she was squirming. Lucille looked over at Richard’s pants. Something big and long was bulging down his leg, twitching like a chrysalis eager to shed its cocoon. She unzipped him and pulled it out. It felt good in her hands. Warm and hard and swollen. For a long time, they rubbed each other like that, watching each other grin and grimace and pant and whimper and groan.

All the sudden, a pillow monster scampered into the room, bug-eyed and wild.

Fuck! said Richard, jumping to his feet, hard as a rock. He jumped in front of Lucille and wrestled with the pillow monster, punching it in the face and throwing it around. Lucille! he said, between kicks. Meet me in the dreams of the first baby born in 2078! Find me! The pillow monster snarled and screamed.

FIND ME! LUC--

The Japanese housewife woke up.

///

In 2078, the first baby born on the planet was a girl from Nigeria. Her first dream came on the the third day of her life. Newborn baby dreams don’t usually have ghosts in them. Babies know nothing of the world. They know nothing of other people, not in the way that you and I do. To babies, people are amorphous blobs with liquid vibrating voices. And that was how Richard and Lucille appeared. Two naked lava lamp bodies with voices like singing waterfalls. The baby floated in a fractal womb full of patterns and squiggles. Richard and Lucille were playing the baby’s father and mother.

Your dick looks like a bowl of red jello, said Lucille, giggling.

Richard smiled and rolled his eyes, which nearly floated out of his head. He had to reach up and grab them so they didn’t get away from him. Look who’s talking, Miss Picasso painting, he said.

Lucille looked down and laughed. I have like fourteen breasts, she said. I guess the baby is hungry.

I think it’s kinda hot, said Richard.

You do? Well, I have to admit your jello boner is kind of doing it for me, too. Let me try something. Lucille floated down until she was six feet from Richard’s waist. She started sucking in air through her mouth like a straw. Richard groaned. His jello dick start stretching out, slowly pulled toward her mouth. Soon his dick was six feet long, filling her mouth. Richard held his head back and groaned.

Come here, he gasped.

Lucille floated over like a wiggly amoeba. Richard’s six foot long dick gently pushed through her skin, deep into her center. She wrapped her arms around him and gasped.

They finished fucking two hours later. In the newborn baby’s dream they held each other tight, their hearts pumping in perfect synchronized rhythm.

We have to do this again, said Richard. We have to.

Yes, said Lucille. I don’t want to be without you. I love you, she said.

I love you too, said Richard. Next time, let’s meet in somebody’s wet dream. Lucille nodded enthusiastically.

Lucille hugged Richard as tight as she could. I love newborn babies, she said. They sleep all fucking day.

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ANATOMY OF A DISTANCE by Elle Nash

A list of things you miss. A touch with the lips. The knock-you-on-your-ass touch, the kind that starts in the lower extremity of the leg below the ankle, as he moves closer to you, the kind where he waits for you to wrap your ammunition around him and then he pulls you in and you press with your lips pursed and slightly parted, like an immature form of animal or insect which undergoes some metamorphosis on this fucked earth, together with all of its countries, peoples and natural features which hide in our internal organs, a pear-shaped enlargement of the alimentary canal linking the esophagus to the small intestine, insects waiting in their little silky cases spun by larvae for protection, waiting for the true combination of high polymer qualities such as shape, color or form, those that please the aesthetic senses, especially sight.

A list of things you miss. Kiss so the insects with two pairs of large wings covered in tiny scales, usually brightly coloured, typically held erect when at rest, and the nocturnal insects (pocket of dust) related to butterflies could spread their number of specialized paired appendages that enable them to fly, in particular: outwards and upwards and out, out of the opening in the lower part of the human face, the tunnel surrounded by the lips, left dust and spines of insect foot in the wet membrane home through which food is taken in and from which speech and other sounds are emitted.

A list of things you miss. The kind of touch with lips that wait until 2AM, after I was gone for each of the twelve named periods into which the Gregorian year is divided, after I was gone for thirteen rotations of earth’s satellite mother. The kind of touch that waited at the lowest part or point of the grief container, typically made of glass or plastic and with a narrow neck, used for storing booze, before it had the strength in the face of pain or grief to crawl up out of its trash hole and hit me on the face, breaking the orbital, surface of the thing, what is a fracture on the socket of the eye? Especially the touch that was presented to his view, in particular, the touch on the lips slightly parted with teeth showing, which cradles the upper part of the human body, or the front-or-upper part of the body of the animal, typically separated from the rest of the body by a neck, that which contains the brain, mouth, and sense organs in between its palms, fingers, and thumbs, he waits for me to cry, the touch on the lips slightly parted with teeth showing and a tongue that pushes through the mouth that tastes drops of salt liquid secreted from glands in the eye when they cry or when the eye is irritated and he tells me it's going to be okay.

A list of things you miss. The touch on the lips slightly parted with teeth showing and a tongue that pushes through the mouth to touch another’s tongue, the touch that doesn't happen anymore is the one that says "I’m here you're here and we're alive" after a near miss; internal combustion engine unfortunate incident, one which happened unexpectedly and unintentionally, resulted in damage or injury, left black polymeric substance made from latex on the mixture of dark pitch with sand or gravel, used for surfacing roads, scraping skin, flooring, roof of mouth, etc; this accident which left a strengthened band of metal fitted around the rim of wheels screaming louder than the invisible gaseous substance surrounding the earth, a mixture mainly of oxygen and nitrogen, hefting in and out of the pair of organs studded within my rib cage, elastic sacs with branching passages into which air is drawn, squealing like a hard-boiled egg or some skinned sausage bursting with juice, so oxygen can pass into the blood uncollapsed and carbon dioxide can be removed.

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YOU ALWAYS GET CAUGHT ON THE LAST ONE by Steve Anwyll

Ain't it always the case.

I'm bored as fuck. Life's like that. So I fill my coat pockets with cans of beer. Drink as I cruise the streets. Stopping to look in windows that aren't obstructed. And ain't it always the case? You get caught on the last one.

The whole night going good. Then blammo. Out of nowhere. It's over. Some fucking do-gooder concerned citizen. Prodding into affairs that ain't their own. Acting tough. And as soon as they start yelling. You know you're sunk.

Like tonight. I'm standing there in the darkness. Behind these shrubs. Tall ones. I recognize the scent. Spruce. I convince myself I'm hidden here. From the quiet streets. Prying eyes. Even pedestrians.

And boy oh boy. You can imagine. I'm having a real good time. Beer in hand. Peering through a curtain free basement window. Watching this big fat fuck bastard standing in his bathroom. Shirt off. Shadows cast from a bare bulb above his head.

Makes his tits look extra saggy I whisper.

I lean in a little closer. Confident the light indoors hides me in it's reflection. He picks up a can of shaving cream. Fills an empty palm. Then grabs a blue plastic razor. Disposable variety. Holds it in his hand. He lathers both shoulders. He draws the cheap razor upwards. Flinging the used foam in the basin shadowed by his gut.

Then it happens. All the peace and quiet is interrupted. Some fucker yelling. I can't make out what he's saying. But I can't ignore it either. I turn around. Towards the street. No one in either direction. Fucking bizarre. Oh well. Maybe I'm going nuts? I am staring in people's windows after all.

But that can't be. I'm in control. So I hone in the noise like a dog. Look up. Ah ha. There's the source. Some god damned kook on a wrought iron terrace built for one. He's got both his fists wrapped around the railing. Shaking with anger. And the only detail I can make out in the dark. Is the small orange glow of a cigarette between the knuckles of his left hand.

When I look up at him. The son a bitch gets even hotter. Jumping up and down. Flailing his arms. I worry about structural stability while he yells profanities. Calling me demented. A pervert. The complete line of slander. I'm hurt. I'm not doing anything lewd. I'm only stealing a moment.

And there's no way I'm going to stand here. Take this bullshit. I've got dignity. Self-respect I think it's called. So I gulp my beer. Then yell up hey buddy, mind your own damn business. Like ain't you got a dog that needs sodomizing?

Well shit. That does the trick. Hit a soft spot I suppose. Because he kicks the posts. Rattles the rails. Thrashes his head back and forth. And without noticing. He accidently crushes the cigarette between his fingers. I watch it tumble through the air. And I forget about him. The yelling. How guilty I look.

Until I hear those words. The ones I’ve heard so many times before. The ones that hit like a knife. And break me from my trance. I called the cops you fucking piece of shit! Uh oh. God damn it! I have to get out of here. Find a way to get even with this lowlife another time. I know where he lives.

It seems like he must have a dog I can poison?

Remember that for later. Because if he isn't lying I'm running out of time. I chug the rest of my beer. Then run in the direction opposite of the main street. Down a smaller side one. It's dark. I feel safe. But I don't let false security stop me. I need to make some ground.

About a block away. My lungs catch fire. My head is pounding. I'm not cut out for this kind of exercise. But I hear a siren close by. So I double my effort. Nausea mounting. Huff and puff in overdrive. There's a park a block away from here. I'll be free and clear if can make it.

You can do it you old fuck!

And I do. Slipping on the loose gravel pathway as I enter. But not falling. Rounding a bench to dive in the grass. Hidden from the street by a high thick row of hedges surrounding the park. Even if the cops start looking for me. They'll never see me from the street. Too lazy to get out of their car.

So I roll over on my back. Check my pockets. Grab a beer. It explodes a little. I gulp half of it. Drop my head down into the grass. Stare up into the night. The beam of a flashlight waves above my head. I freeze. I hear the static of their radio. And hope they mistake me for a lump in the ground.

The light passes through the park. I stay still. It feels like forever. My blood's running cold with fear. Heart rate hitting the roof. Smiling wide. Boredom no longer a concern.

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gary j shipley

LISTEN, MY SISTER, LISTEN by Gary J. Shipley

He watched his legs grow from the armpits of his baby sister every day for a year. Both white calves there on the door of the fridge whenever he looked, and around them the arms of his sisters that through some mistake of birth were limited to two. Their eyes and feet and ears likewise dyadic. And the things they had only one of absurdly depleted in this same way.

Your sister was never more than one, the mothers kept saying. For the mother-body also seemed to be hiding someone else inside it, without any admission as to why it was so many daughters should warrant as many mothers. But her techniques at being half of something were so practiced by then she was hard to tell apart – unless like his your eye had first been seasoned on more rudimentary versions. And so he mostly disapproved of the way he could see how the mothers’ mouth would work at overlapping words, and how even her most basic movements were tiny grotesqueries of overdetermination.

Reflected in a mirror, he never saw more than one of himself; and wondered as a result why his insides had never been finished, why he’d been born so explicitly exiguous in this way, and why nobody ever mentioned it. The men the mothers knew well enough to sometimes hold onto only ever arrived at night, when they were already asleep; but some mornings the extra body was still there in the house, and like the mother-body was both internally too many and deceitfully oblivious. If he ever saw them in a mirror he saw the population of the earth swell a hundred deep into drips falling outward toward other planets.

Before his sisters got words he heard them from the same place. They were honest things, but would turn to falsehoods like the mothers and the men. And then there were the people, not part of the house, that he refused to look at. And because of this the mothers took him to see more of them. The not wanting to look prevailed and though taken specifically to see he did not. And force was he heard no good for what he had. And there was shy and there was just plain fucking weird, or so the men said, one morning in the bedroom in the mothers.

At eight years he was settled into this aloneness. He’d persisted for a series of weeks that numbered more than all the people in the house in aping the missing half. He got as far as a pancreas he couldn’t recognize.  Another way of being more than one spoke out the body of his sisters when they could not. The thought that they’d one day talk and would that way hide inside each other was a future he imagined never happening, and so eventually imagined himself preventing. They were happy and would find new happinesses if they were less ensnarled in the masquerade of being the same partially put together thing as him and instead became that thing. And he would be less alone that way. And maybe then the mothers would stop pretending themselves in half, and the men too would stop arriving.

It was cold in the night and he didn’t sleep. The mothers were busy merging with the men. When he tried to wake his sisters only one responded. He was falsely beside himself in the seconds it took for the second one to cry. He decided not to live through further impairments that at any time might never end.

Inside, when he looked, the second sister was not incarnated like he’d visualized. He’d imagined she would slide effortlessly from the other when she opened. But there was just blood and blood the same as his. And then parts he’d seen before cast in plastic that weren’t duplicated like he’d imagined when he’d had to stop imagining her complete. And inside them no further version waiting to get out. He’d not been prepared for so many separate instances of subdivision. The scissors were to act like a wand and his sisters like doves. But the voices got quieter until they weren’t anymore. And he continued to look for signs of their returning. He looked until his sisters were covering the floor. And at the point he’d stopped believing, they came back. And they all of them rolled around in their sisters listening.

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nathan dragon

DANIEL, MOSTLY by Nathan Dragon

He always felt like he needed things to be told to him. Bed and drinking water were always good, though. Something like that, so his TV would easily be a good distraction and some rest.

People’s voices, anyways, were fine. He worried a lot. Daniel needed something that could help with that. Nothing too scandalous, though. Everything as it comes, as he could handle it or it could be handled.

One at a time, please, he’d say.

Why did he walk away? Cause he couldn’t handle it.

Missed the point.

Did it anyways instead of not doing anything.

To feel like he was doing something.

Mostly he wanted to have some expertise. He wanted to be an expert, didn’t matter in what.

Just one thing that was no mystery to him, inherent, that he could understand fully.

Daniel knew some people, as people tend to know a few. Sometimes these people that one person knows, also know each other. Daniel’s circle could only be described by the thought of it.

Daniel had a brother, too. His brother could speak more than one language and Daniel was jealous at that, of his brother. His brother always knew what to say, had something to say about everything. His brother had fantastic communication skills. Clear and concise people said.

Then, there was this guy that Daniel sort of knew but not a whole lot. The guy collected the toys and trinkets from vending machines at like the supermarket or take out restaurants.

The stickers. Figurines. All those things in the plastic bubbles. Cheap yo-yos and the metal jewelry. Whatever there was.

Collected whole sets of the sets of the things.

Sometimes the guy would go to the bank and get out a roll of quarters or two then spend em up til he had a complete set or until he was out of quarters. If he got a complete set of the trinkets before running out he’d go to another spot that had some vending machines.

The guy always said, Not bad, to himself. At least Daniel had heard it consistently enough for always.

The sticker and temporary tattoo vending machines with the silver lower jaw protruding from a little display. The slots for quarters you jam into the jaw contraption and when a spring pushes the jaw back out, the quarters are consumed and the sticker or the temporary tattoo comes out sandwiched in between thin sheets of coated cardboard from a little opening above the quarter slot jaw.

The guy had the best luck over at the Chinese takeout place with these types of machines. Daniel saw that the guy got a whole set in five pulls.

That guy could always take home a complete set from there in less than a roll but Daniel never could.

The ones for the toys and trinkets, the machines with the clear cube of the prizes. Daniel saw this kind mostly at the supermarket and you had to put the quarters in the little quarter cut out, so as to put the quarter in the circle or half circle sort of against a wall, then it’d set in place and you’d rotate a little rectangular knob clockwise so the quarter descends in a round motion like descending on a Ferris wheel.

The best prizes from these types of machines, the guy told Daniel, were in the machines at the cinema.

The guy even had his own failing business, a collectors’ and hobbyists’ store that’s been there forever. Had a machine in there himself.

He was an expert.

He gave Daniel some of his collection, only the duplicates and encouraged him to pick something up, like something to do.

Encouraged Daniel to use the trinket vending machine.

Daniel more interested in the fact that the guy was an expert.

Someone else Daniel knew was also a regular that he, Daniel, saw at the café restaurant that he went to regularly himself. Daniel wanted to be a regular, like the regular he always saw.

It didn’t seem like he was ever considered one even though he went in every day. No one called him Daniel; not like Marty, Wendy or Trish, the other regulars.

They only called him pal.

Once Daniel got a small coffee for free. He threw the money he was going to use for the coffee into the tip jar anyways. Wasn’t really sure how or why it was free at that point but he didn’t mind.

Or why they were giving it to him.

He couldn’t tell.

Usually he couldn’t tell.

He kept the exchange going as long as he could, though. Put one coin at a time into the jar. Total of $2.60.

Daniel always saw that one regular. 7AM or 1PM, didn’t matter. The regular was always there in his regular spot, regular table. Daniel at least got the same things to eat and drink every day, but he didn’t pull enough weight in his regularmanship to have his own spot.

And sometimes too, Daniel only got his drink and sometimes he got his food and his drink. His food was only a sandwich. Every time he got food it was that, that one sandwich. He was embarrassed to order it by its name, a pun.

And sometimes when he was there he looked through some books and he hoped people looked at him like he was really smart.

Capable.

Daniel had something living in his wall, or things. He kept hearing crawling and scratching when he was drinking water and if he was sleeping he’d wake up from it, eyes bouncing all over the room, trying to quicken the acclimation of his senses, trying to hear in the room where it was coming from.

Still or on the move.

Sometimes the sounds seemed right over him like in the ceiling or like something’s on the roof or across from him in the wall or to the side of him under the floor.

They’ve made a mansion, a castle or condo out of his home.

Wall floor ceiling.

They had more room than him.

He was half glad to have the squirrels or chipmunks or mice in his walls. Half afraid, sort of paranoid that he was under siege. That they’d take his home from him room by room because they finally had scratched through the wall.

That he’d have to retreat to his storage room and he’d have to close the door.

And when they started to break through into that room he’d have to go down the stairs in his floor to the basement and hope that the door to the unit next door is open and he can make a through the unit, his neighbor’s place, duplex style building, if it’s clear.

He had a brother somewhere. His brother would’ve known what to do. But Daniel was sick of not knowing what to do. He wanted to prove he understood, what to do, so he called animal control to have it taken care of and they gave him instructions for the meantime.

He’d sleep better.

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michael seidlinger

PEOPLE WATCHING by Michael Seidlinger

You aren’t alone even though it still feels that way, long gaps of nothing between discussions that seem to have everything to do with the weekend, which leads you to the assumption that tonight won’t be much. You are with someone familiar, been around, floating along with the same circle since as far back as you’re willing to remember, and you are both searching the shopping mall for the others, convinced that they had told one of you to meet them at the food court.

“Why, I have no fucking clue,” he says.

But that’s really not ever worth considering because you both enjoy people-watching, picking out the men on the prowl, the women and which ones are possible targets, the others not so much because, as he says, “Too fat… Too ugly… One word: herpes.”

You listen to him string together a situation where the men on the prowl meet the women and how it’ll end up on the nightly news, or not, but it’ll still be something that probably happens, and happens a lot. You tend to agree. The funniest part of his mostly nonsensical scenario has to do with the spread of sexually transmitted diseases. Inevitable, you think. You ask him what it would take to fuck a girl with gonorrhea but before he can answer, you change the subject, asking him, “Hungry?”

He’s like, “I could eat.”

And so you go to some fast food restaurant and both get huge burritos that neither of you have any interest in finishing. Between gorging on big bites of the burrito, you count the seconds it takes for him to swallow and then he does the same. When you watch him swallow, you think only of empty calories and stomach flab and throwing up the burrito once you’ve had enough. He watches you swallow and thinks of ejaculate.

Really?

It is what it is, what else do you want? Shall I continue?

You end up fingering the area between table and wall anxiously, digging out dark matter from previous meals, while waiting for him to hand you the flask so that you can add rum to your soda. And then you drink it down in bigger gulps than before, counting calories, anticipating when the buzz wears off so that when you stick your fingers down your throat.

He jokes and asks, “What else have you choked on?”

You laugh along, the liquor kicking in, making the washed out light of the food court blinding to your eyes. You squint, wishing you had sunglasses but that doesn’t seem like something you’d wear unless it was ironic.

He stares at the half-eaten burrito without blinking, and then leaves the table without a word. You stare at your own burrito, certain that you didn’t eat all of it.

You start counting calories. You think of the sour cream, the cheese, the beef, the brown rice, you think about how many calories are in the tortilla, but when he returns, he smells vaguely of vomit and you get hungry.

Then you lose count. Start eating his leftovers, drinking more rum than soda, and then, when it’s your turn, he goes with you in the stall.

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troy james weaver

DOG PERSON by Troy James Weaver

For over an hour she’d been thinking about killing the baby. Was it a baby? A toddler? He sprawled between two exhausted, resigned parents four rows behind her. They had been in the air for six hours, somewhere over the Pacific, and she’d just had it already with the carts of stale food, the fake smiles, the snoring old men, and now, now more than anything, the crying of the kid, especially after having had the worst sex of her life that morning. It went on and on and on. She tried to plug her ears with her fingers, some meditation, headphones—nothing cancelled the sound. She could hear the blood in her head. Then the movement of her thoughts, the stars becoming nothing, dying—she could hear it all. Suddenly broken, she jolted up from her seat, and started over the man next to her. No doubt she was going to shut that stupid loud-mouthed lump of flesh up—break its neck, smother it with a pillow, maybe even flush it down the fucking toilet—glug glug glug. But then something happened. The last passengers, the inconsiderate few who still had their lamps on, cut the lights off almost simultaneously. It was kind of like a magic act. Maybe it was magic, period. And just like that, as the darkness moved in and consumed them, the kid finally shut up, didn’t peep even a wheeze of air, as though the sound of his tears had been vacuumed clean out of him.

She sat back in the seat, slunk down, closed her eyes, and began thinking about how horrible she had been—thinking such thoughts. Then her brain started in on another thing she didn’t want to think about. The lazy, half-assed, unprotected sex she’d had that morning in her hotel room in Mumbai. He was a sexy Welsh man, fifteen years her junior, named Albert. She’d been excited, after meeting him at a bar near her hotel. She was immediately charmed by him—his wit, his accent, his seeming decency. They’d spent the night together, had some fun, but he didn’t know the first thing about pleasing a woman, clearly, could hardly even locate the clitoris, his tongue making motions in all the wrong directions. Something she just choked up to inexperience.

When she finally started to doze the man sitting next to her woke up and decided he wanted to chat. Talked on and on and on about his business opportunities in China, Tech this and that, blah blah blah, on and on about how cool and young and rich he was—a monologue for the ages.

Finally, he said, The name’s Jeff.

She shook his hand, didn’t say anything.

Well, he said. What should I call you?

Jill, she said, unsmiling.

Jill, he said. What a pleasure. You get those eyes from Zales, because they sparkle like diamonds.

She laughed, rolled her eyes. Sure, she said. Something like that. Actually, I think it was Helzberg.

After a few seconds of awkwardness from Jeff, she said, Listen, man. That fucking baby’s done crying and we have four hours left on this flight. I’d like to be asleep for all of them. Sorry. Nice to talk to you and all, but I’m going to sleep, if I can.

Jeff nodded, said, Understood. Get some rest.

She woke up upon landing at LAX. She ignored Jeff’s small talk. When they got off the plane, he followed her—first to baggage claim, then to a vending machine. She hardly noticed him at first, yet there he was, tapping his foot, all smiles and waves outside the bathroom when she emerged, air-drying her hands, flapping them like weird wings.

Hey you, he said. I’ve been thinking. You like cats? I’ve got two at home. I’d love to take you out for a drink and show you my cats.

Ted, she said. I mean Ned. I mean Cody…

It’s Jeff, he said.

Well, Jeff, you see…the thing is…

Come on, he said. One cat, couple drinks…

You’re nice and all, she said. Thing is I’m a dog person. I wouldn’t save a cat to save your life. Sorry bub, just not interested.

But, he said. But he didn’t finish. She’d already turned away, had gained a few yards between them.

He watched as she faded into the crowd, her name in his head like an echo increasing in volume. By the time she hailed a cab, she couldn’t recall his face—and she didn’t like dogs, either. Her name wasn’t even Jill. It was Amy.

The cab driver played reggae the whole ride home. It was the same and yet totally different from New York—more of a sprawl, a different smell. She’d only been in LA for six months, working as a showrunner for a popular Netflix series. She was a natural born writer, her stories occasionally appearing in the esteemed New Yorker. She told the cab driver her real name. He told her his. His name was Raheem. They small-talked over Bob Marley and the Wailers. She was truthful, except for her job. She said she was a veterinarian who specializes in cats.

I hate cats, he said.

She didn’t say anything, just smiled big and wide, nodding.

How do you feel about screaming children on airplanes? she asked.

Can’t stand them, he said. I’d do anything to shut the little shits up.

I wanted to murder the kid on my flight.

Maybe you should have, he said.

When he dropped her off, she threw her bags in the entryway of her apartment, kicked off her shoes and went into the kitchen. Fridge flung open, she chugged down half a Bud Light and let out a burp. She felt a little grimy so decided to shower. As the hot water fell over her body, she recalled the screams of the child on the plane. She slid her fingers up and down, up, down, all over her body, lathering.

When she got out, she saw she had a text from her girlfriend, Myra. It was a meme of the president saying something asinine, sporting an I-think-I-just-shit-my-pants face.

She texted Myra back: One day we’ll drink from his fucking skull.

She entertained the idea of telling Myra about her trip, didn’t feel the energy.

In her robe, she peeped through the blinds out into the courtyard and saw a young couple smoking cigarettes on a bench.

She remembered his name. His name was Raheem. He was the nice one. The screaming child in her head stopped screaming. It had nothing to do with him, though, nothing whatsoever. It was just a memory, a thought. But maybe it was something he said. She wasn’t sure. Probably not. It was a little over the-morning-after, but she knew she’d be going to see her doctor soon. She didn’t want anybody following her.

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joseph grantham

DETECTIVE STORY by Joseph Grantham

There was this woman’s voice.

It came on the radio at about 11 p.m. every night.

The jazz station.

KCSM 91.1.

Think her name was Dee Alexander.

She told her listeners to breathe in fresh air and exhale negativity.

She told us to love our children and to take care of ourselves.

She told us the world needed us.

I’d always hear her in the car on my way home from the gym.

She made things better for a little while.

I didn’t have any children to love but I needed help taking care of myself.

I was going to the gym a lot those days.

I thought my legs were fat, and my ass too, and I was trying to tighten everything up.

For a short period of time I developed a routine.

I ran on the treadmill for twenty minutes, then I pedaled on the stationary bike for ten minutes, and then I drove home caked in my own salt.

But I’d always hear this woman’s voice before I made it home.

She was part of the routine.

And she was soothing.

One night she played a song by Mal Waldron.

I remember the song because it was the first time I’d heard it and because I liked the song.

It was called “The Inch Work” and it was from an album called Update.

Mal Waldron overdosed on heroin in 1963 and when he woke up alive he’d completely forgotten how to read and play music.

He couldn’t even remember his own name.

He needed shock treatments and a spinal tap.

He had to reteach himself how to live his life the way he enjoyed living it.

I am 24 years old and I live with my parents.

One night I got home from the gym and my parents were in the living room.

They were never up this late.

Once they entered their fifties they were in bed by eight.

But here they were waiting up for me.

The television was on, but it was muted, and they were sitting on the couch in silence.

Watching the images flicker, political pundits.

I set down my keys and they looked up at me.

“Did you see the lights?” my mom asked me.

She turned off the television.

“The police,” my dad said.

I hadn’t seen anything.

“No,” I said. “What’re you talking about? Is everything okay?”

“Larry Conlon died,” my dad said.

“They think he was murdered,” my mom said.

“I don’t know who that is. I don’t know who Larry Conlon is.”

My dad ate a toasted nut.

He had a plate of them on the coffee table in front of him.

“Who is Larry Conlon?” I said.

“He lives a few doors down, at the end of the cul-de-sac,” my dad said.

He was still chewing.

And then he was flossing out the nut remnants from in between his molars.

“He was murdered?” I asked. “Tonight?”

“That’s what they’re saying,” my mom said.

She shook her head.

She seemed in a daze.

Like she’d had a long day at work.

She sells propane.

But it was a Sunday.

Sure, she’d been training the new hire that week—think her name was Aimee—and that is draining work.

But it was a Sunday.

“Who’s saying that? Who’s saying he was murdered?” I asked. “Where did you hear that?”

My dad rolled the string of floss into a little ball and set it next to the plate of toasted nuts.

“We went down the street and stood around with everyone in front of the Conlons’ house. His wife was out there on the lawn, she was crying. And after a while the policemen asked us all to go back inside our houses,” my dad said.

For our own safety, they said. As if the guy who did it is still out there, roaming around the neighborhood,” my mom said.

She wrapped a blanket around her shoulders.

“It was a guy who did it?” I asked.

I sat down on the floor in front of the coffee table.

“They don’t know who did it, or if anyone did it, or what. Your mother’s just speculating because she’s a little detective.”

“You heard what Terry said. Said he’d heard screaming from the house. And banging. Not like a gun bang but like a chair being knocked over kind of bang.”

I reached for a few toasted nuts, rolled them around in my fist as if they were dice.

“Who is Terry?” I asked.

“Jesus, Joey. He’s our next door neighbor. You know Terry,” my mom said.

“Terry,” my dad said.

I ate what looked to be a walnut.

It was charred black, tasted like ash or bad coffee.

“Oh yeah. The bigger guy. He said he heard a chair being knocked over? How could he hear a chair being knocked over? From all the way down the street?”

“He passed by the Conlons’ house. I guess he was doing a loop. Said he was taking Aunt Cindy out for a walk,” my dad said.

He wrapped a blanket around his shoulders.

I was cold but we only had two blankets in the living room, so I stayed cold.

“He takes his aunt out for walks?” I said.

I ate another nut.

An almond this time.

“Aunt Cindy is his dog, Joey. You know that. The little dachshund,” my mom said.

“Patti, it’s not a dachshund, it’s a terrier. A little terrier,” my dad said.

My mom’s name is Patti.

My dad’s name is Joseph.

We have the same name.

I don’t know how it happened that way.

I should have told you earlier.

If it’s any help, my mom usually calls my dad “Joe,” and I am always “Joey”.

“Joe, it’s a dachshund. I’m telling you. I’m the one who goes and pets it every time it’s out on a walk,” my mom said.

“Patti, no one would name a dachshund Aunt Cindy. No one. It’s a little terrier. One of those Scottish ones,” my dad said. “Your mother must be thinking of Tania’s dog.”

He looked at the plate on the coffee table and then at me.

There was only one nut left and it looked like a beetle.

“Who’s Tania?” I asked.

“Tania has a dachshund.”

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