Interviews & Reviews

ADAM SOLDOFKSY RECOMMENDS: YEEHAW! Novella Round-up

July 23, 2025

The novella is famously “pocket-sized,” and marketed as such, in the relatively rare case when a publisher feels whimsical enough to produce one. Crassly, it is a work of fiction which achieves that mystical, begrudging minimum page length that warrants its nestling between front and back covers all on its own. And we as modern readers (forgive the assumption) respond to it as a physical object the way we respond to almost anything that is a smaller version of something else: with a kind of simple, unintimidated affection, the result of our own enlargement in its presence maybe, with anticipatory

BURIED PATHOLOGIES AND THE ULTIMATE ‘NO PLACE’: An Anti-Interview with Oli Johns by Ryan Raymond Buell

July 8, 2025

How many people will read this interview? Will anyone read it? Will exactly three people read it—the writer interviewed, the editor interviewing, the publisher publishing … before a handful of thumbs sends it scrolling offscreen in their search for more content?—so much to read and digest, to form a perspective on … I can’t. I don’t have time. Just swipe to the bottom and see if it leaves a mark. It’s hard to know if I watched this or imagined it, but there is probably a cyberpunk anime where someone plugs a metal cord into their brainstem, and the data

BOOKS THAT NEEDED TO BE SAID: I CAN’T STOP THINKING ABOUT. Recommends by Shane Jesse Christmass

July 1, 2025

Why did I choose these books? Perhaps because, to me, they represent literature that stands apart from the hegemonic literary marketplace … operating outside the structures of commercial garbage publishing, which prioritises market-driven narratives and commodifiable claptrap stories. They resist assimilation into the literary industrial complex, which often seeks to sanitise or manipulate raw human experience for consumption. Instead, these texts engage in an unapologetic exploration of obsession, identity, and the dissonance between desire and self-destruction. These writers embrace a nonconformist aesthetic, their works subvert the conventional expectations of plot resolution and character redemption. The protagonists are not mere vehicles

IT DOESN’T END WHEN YOU CLOSE THE BOOK: AN INTERVIEW WITH KEVIN M. KEARNEY by Leo Vartorella

June 24, 2025

Kevin M. Kearney’s latest novel FREELANCE (Rejection Letters, 2025) is a dystopian thriller. It is a psychological profile of loneliness in the age of OnlyFans. It is a condemnation of AI and the gig economy. It is the story of a young man’s search for purpose, part character study and part surreal, page-turning romp. Above all, it is a lot of fun. The novel follows Simon, a driftless 19-year-old driver for the rideshare app HYPR, whose world is upended when the app offers him a seemingly life-changing opportunity. This combination of breadth, emotional acuity and fast-moving plot is nothing new

ALL OUR TOMORROWS: AN INTERVIEW WITH AMY DEBELLIS by Chris Dankland

June 17, 2025

Over the last year or so, Amy DeBellis has been one of my favorite newer short story writers. Now she has a new novel, ‘All Our Tomorrows,’ published by CLASH Books, which is one of my favorite books of the year. Her writing is so skillful: the language, the plots, the pacing, the characters. But I also love her writing because I find many of her stories to be dark and bleak. To me, her stories feel steeped in depression, menace, and a kind of claustrophobic doom. I want to present the reader some examples of stories we’ve published by

WHISPERING GALLERY: AN INTERVIEW WITH WILL CORDEIRO by Rebecca Gransden

May 28, 2025

Will Cordeiro’s fiction unfurls a kindly finger and beckons you to follow an uncommon path. As you tramp along seldom visited trails, your mind wanders as much as your feet. You arrive at the peculiar, the disquieting and the mysterious, without a clue how you got there or even if you want to leave. With Whispering Gallery (DUMBO Press, 2024), Cordeiro invites entry to an off-kilter world, where those who disappear into the mist entrust their steps to the uncertain ground beneath them. I spoke to the author about this curious collection. Rebecca Gransden: Some people claim that time isn’t

SIGNAL ISSUES AND FUZZY SNIPPETS: AN INTERVIEW WITH CHASE GRIFFIN by Rebecca Gransden

May 13, 2025

Chase Griffin’s alchemical style continues with Peter Zoidoid & the Commonplace (Corona/Samizdat, 2026). At once a fanciful record of an unfathomable mind and experiment in merriment, the book is unabashed with its lingual adventurousness. When life gives you strange frequencies it’s time to whistle your own tune. Griffin is a psychedelic jester, and, as is common to that type, also the smartest guy in the room. I spoke to him about the book. Rebecca Gransden: Where there are gaps in this text, there are gaps in my life. I was only able to write this introductory material after an

DREAMS OF EXURBIA: AN INTERVIEW WITH DONOVAN REYES by Rebecca Gransden

May 6, 2025

Donovan Reyes’s domain is that of the illuminated store, the lonely places on the outskirts of town, the back rooms of an America in thrall to the failure of its own myth. With denouement (Anxiety Press, 2025) Reyes envisions a peripatetic slumberland, surroundings subject to abstruse moods. Nowhere addicts succumb to an anaesthetised pulse, ensnared by the numb rhythms of a society gone ill on its symptoms. I spoke to Donovan about the book. Rebecca Gransden: Simple place to start, where did denouement begin? It strikes me as a piece that has a lifetime’s worth of backstory and experience

DO THESE BOOKS MAKE ME LOOK WEIRD?: JACK SKELLEY RECOMMENDS

April 15, 2025

Madison Murray, My Gaping Masshole (Self-published, 2025) A tart is born: Announcing Madison Murray’s fiction, poems, collages. The collection is replete with references to Boston (especially North Shore, Massachusetts). You know, Dunkin Donuts, clam chowdah, the Red Sox Big Green Monstah, Paul Revere, etc. My Gaping Masshole is one unholy, whole, big-ass jam on the concept. Murray’s lewd charm stains every page. My fave parts are Murray’s stories, with real laff-per-paragraph settings, characters, dialog. Of today’s several new writers who are also sex workers (or sex worker-adjacent), Murray is the raunchiest… and funniest. The geo-specificity reminds me of this essential

KYLE SEIBEL’S ‘HEY, YOU ASSHOLES’ IS NOT NEAT, BUT IT’S PERFECT: A CONVERSATION by Naya Clark

March 26, 2025

Kyle Seibel is not a veteran writer or a magical realism writer, but he is a veteran and his writing has magical and realistic attributes. He is still breaking into the literary world even though he seems to have a hang of it. He’s witty on a website we used to call Twitter, and can write a hell of a short story. Rarely does he add quotes when his characters are speaking and he doesn’t capitalize his story titles. Seibel is based in Santa Monica and lives with his wife and dog named Snacks—who also has an established internet presence