Micro

A BEETLE TRAPPED IN GLASS by Meghan Proulx

First, he’s packed and put on ice like a seabass. Then he’s put in a state of vitrification and becomes a non-crystalline amorphous solid like a beetle trapped in glass. Seeing him during this time is like visiting someone in a coma, except I can’t touch him because there’s a risk of shattering. For one month a year, his body is reheated and drained of all preservation liquid. This is when the science happens and I find out what it means for him to have donated his still-living body to science. There are educational posters about it on all the walls. They describe the process beautifully, using metaphors about butterflies to great effect. My mother and I visit him daily during the month. We watch specialists poke at him, inject him with diseases, and test him with trial-stage medications. One experiment goes wrong and he loses a foot. In exchange for his body, we’re paid generously. We can afford organic groceries now. My dad also receives a retirement fund and a promise that if he dies before his term is up, our family will get a payout. This happens in about 35% of cases.I’ll be forty when he’s warm again and when I imagine our reunion we’re looking at each other with similarly lined faces. His doctor tells me to be thankful, the facility says we should be proud, and after several years his body helps them find a cure. His sacrifice is for you they say, and so I wear my gratefulness as best I can and when the doctor turns away I touch my father's fingers. They’re soft, like the inside of a slipper, and when I leave I feel his handprint on me and bring it home where all the pieces left behind live.
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WANTED: DANCE PARTNER by Brian Benson

It’s late afternoon, day five million of this insatiable year, and I’m melting into an overstuffed chair, doing whatever I’m doing on my computer—checking email, collecting fun facts about my father’s mortality, finding new things to be ashamed of—when suddenly I hear a sound like a leaking balloon and I glance up and there he is, the dog I’ve married into owning, lying belly up on the couch, looking like he was dropped from a helicopter and landed comfortably on his back. Paws to the sky, tongue lolling from his mouth. He’s taking me in with upside-down eyes, waiting to see if I’m going to move in the direction of the door that leads to squirrels or the door that leads to the box full of the matzoh he’s recently developed a taste for. I’m not. I’m not even his real dog dad. I’m just a sad guy in a big chair, looking at a dog over the top of the computer I’m too often looking into, thus the neck pain, the ache behind my eyes, between my lungs. I shut the computer, though, and as I do, the dog cocks his head, angling for a better view of my feet. He’s got one front paw folded, the other extended, like young Travolta. He’s half asleep but looking to dance. He’s ready if I am.
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TEENAGED GIRL GROWS ANTENNA IN SCHOOL BATHROOM STALL #3 by Suzanne Richardson

I always thought I was a science project. Maybe all girls are. Today I listen too hard and become a sound reflector, sound detective. I click my converse and my head splits like Zeus. Through my skull my alloy daughter emerges. She is like me but picks up gossip frequencies. Particular metal. Flagellum and scape. Dipoles and cables. A sci-fi fascinator for prom. Now more radio than girl. I lean, press, pick up the waves of other girls. Someone said the trees were moving, but it was the world. Silence does not exist here on the moon, in this girls bathroom. Talk, talk, talk. Some of it alien. Who is wearing a bra that doesn’t need one? I search for my name in the washroom static: somebody fell down the stairs at a party, somebody had sex, somebody is too messed up to go back to class, someone is climbing out the window, someone’s period, someone studied and failed, someone talked too much shit. My name isn’t on the air today. I will be patient and ritualistic. I will take tests instead of falling out of the nest. One day soon I will be on the girl radio and they’ll send my name up like a rescue flare asking me how I got out.
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THE CHILLED SUNLIGHT by Steve Gergley

In town there were a series of murders. Each attack occurred beneath the almond tree spiking through the pavement in the center of Second Ave. No one seemed to care. Everyone walked the sidewalks as if nothing strange had happened. They chatted about the weather and watched the mailman wander the knotted maze of the streets. They met up for brunch and dinner and played games with their children and dogs in the park. My wife and I were terrified. We drove to the supermarket using an alternate route each day. We avoided our friends on the weekends in fear of their possible secret lives of violence. We breathed the flakes of obsidian in the air and vomited blood into the downstairs toilet each night. It was a strange year. In December, the wagonwheel of reeking bodies disappeared underneath a jagged tarp of glistening snow. The engines of our cars screamed upon starting. Our neon lips shimmered within the milky glow of the chilled sunlight.
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NOT HANDLED WITH CARE by M.A. Boswell

After Olivia tore out of the parking lot, Hyundai stuffed with all the nice shit from their place, Josh mixed batter and slammed it into a bruised Teflon pan. He’d survived on easy food before, when other exes ruined his life. Josh flipped the pancake, watched it coil into a lopsided heap. Earlier, Olivia changed the title of their shared playlist from Babe to You’re a literal adult child, deleted everything except one Taylor Swift breakup song. Josh rammed his spatula under the wreckage, realizing how bad this would be. The pancake grinned from the plate, torn and ugly, but never judging.
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NEEDFUL by Scott Garson

Needful men, undisciplined men, look at me, and keep looking at me. My sense: it is out of compulsion. They like what they feel when they’re taking me in. They want to have more of that feeling. This boy, nineteen, thereabouts, is different. He camouflages the work of his glance in little shows of expression: it is as if he is tangled in thought. Then he goes back to his work on the page. He’s drawing. Drawing me. I say, “Let’s see it.”The boy has also hidden the fact that he’s seen me approaching his table. He blinks, unbothered, holding my gaze. I get that he’s managed to flip a page in his sketchbook. Sleight of hand. He says, “Pardon?”I smile and give a nod at the book, which the boy then turns to display. The drawings feature a man, the same man. In a sense, they’re pretty faithful: tight and scrupulous acts of capture. In another sense, they are secret romance: attuned, by weight and shading, to the question: what this person shows. Who this person is.  I say, “Those are good.”“Thank you,” the boy responds, as if glad to be sure of his lines. I say, “Let’s do this.”Which is my line, and which I’m also glad to be sure of. But it’s true: I feel like I’m ready. Like I have been waiting, and for a long time. I see the boy deciding not to act like he doesn’t know what I mean. I see him looking at me in a new way. More the usual way. I peer at him. “Do it,” I say. “Turn the page.”
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TWO MICROS by JP Vallières

T BALL

There’s a tee ball league for grownups. You have to be thirty-five to participate. Thirty-five is the cutoff. If you’re younger you’re not old enough. Joe hit a homer his first time at bat. We cheered and gave him back and butt slaps while he rounded the bases. We hoped to do the same. There was real glory to be had. Trisha hit a double, which is pretty respectable. Donny bunted, we think it was a joke, but Donny seemed ill-humored. Perhaps it was strategy? In the bottom of the seventh, the last inning, I came up to bat. Joe (who was going for the cycle) suffered a pulled hammy, he couldn’t risk further straining a muscle he hadn’t used in decades. I wasn’t supposed to play. I had just joined the team. They didn’t seem to want me at first but I had an in with the coach. He’s my stepdad, Greg. Greg always let me do stuff with him. All I had to do was beg. Before I got up he slapped my back, spit tobacco on my shoe, and told me if I didn’t win this one for the team I’d be a total failure, like Mom.  

FLOOD II

There are species that didn’t make the ark. Some were not chosen. Others simply chose not to board. A gator with monkey fists. A cat, but there were already too many cats. Opossum like reptile with gills. There were chickens that could move boulders by clucking. Plenty of orphaned dog breeds. A monster that sang sweet songs of remorse. Something called a Liptirloot, which cannot be compared to anyone or anything. Unicorns never made it. Neither did the winged liger. But none died. They’re on the bottom of the ocean, biding their time. In the underark. Huddling behind a gate caked in salt.
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THE OLD WOMEN AND THE SEA by Kate Faigen

Sybil unsticks her thigh from the side of the banana boat. She’s been lost at sea with Celeste for sixty-one days now. Sixty-one salty-aired days of morning dips and back floats at sunset. Stolen sandwiches dropped by seagulls into their laps, lunches and dinners enjoyed over chats about everything and nothing. Don’t feel badly for Sybil and Celeste—the old women are coasting. In the sun, they spread their arms and tan their skin, speaking like sailors. They laugh so loud and deep they make waves. At nighttime, Sybil and Celeste lie down and hug the banana boat—Cary Grant, they call it—their heads almost touching in the middle. When the sun rises, they sit up and say good morning to schools of fish already on their way.To people on land, Sybil and Celeste are a news story, a sensation. But “presumed dead” would be sublime, they agree. Not everyone cares to be found. Some days, they lament what they miss: screwball comedies, scented candles, omakase. They’ve found, though, that unobstructed stars at night are a panacea for missing.When they’re feeling especially light, Sybil and Celeste lift the stray oar from the foot area of the banana boat. The one that drifted to them thirty-something days ago. HAPPY CAMPER, reads the blade’s inscription. Sybil and Celeste use the oar as a microphone for karaoke—today, Sybil sings Sinatra, later, Celeste will channel Elvis. The oar takes them to stages big and small, where the main act performs for a one-person audience, each show the greatest on earth.
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THE QUIET SHORE by Belinda Rowe

Everything has an end — even stars, but still, when I caressed your face that morning, my fingers panicked at the cold of you.Steadfast for thirty years. Every Friday night we dined at our favourite restaurant, ordered spaghetti aglio e olio and a glass of Chablis. You sat opposite the fish tank where the blue groper circled, I sat overlooking the ocean. Remember you whispered, that’s no life.I didn’t think I could go on; cloven heart, heft of silence, but I kept up Friday nights for as long as it took, sat opposite the fish tank, declined the Chablis. I didn’t give a fig about consequences. I mean, what did I have to lose?I dressed for the occasion in my white silk blouse with the cameo carved from conch shell, the silver necklace you cast in delft clay for me, your old military pants rolled up and belted, black tactical boots from the OP shop. I tucked my hair into your green beret.I moved like a sapper to the restaurant bathroom, kindled a smokescreen from damp lichen and twigs. Orange flames crackled and hissed. Gliding through the plumes and wailing alarms, I swept the blue groper into a sack, cradled him down the path to the waiting ocean.Every Friday night since, the smell of salt and seaweed are a salve. I sip Chablis from your hipflask, light a tea light, settle it on a bed of swamp she-oak bark — gentle it out. Watch it bobbing.
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POTENTIAL DOWNSIDE OF REPLACING YOUR EYEBALLS WITH CORN ON THE COB by Tyler Plofker

Me and Johnny replaced our eyeballs with corn on the cob. One cob stickin’ out of each socket. Buttered. Went in easy. Johnny’s aunt, Joann, said, “Stop that, you boys need your eyes!” We said, “Shut your trap, ya old hag!”We ran into the backyard. Could see just fine. The cobs fell into our skulls and bumped around as we climbed into Johnny’s treehouse. He dared me to dare him to jump from the treehouse to the grass, which was uncharacteristic. I dared him to jump from the treehouse to the grass. Johnny jumped from the treehouse to the grass and broke his right leg and right hip bone, and then we weren’t allowed to hang out with each other for three and a half months.
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