The composer used his Guggenheim and several other grants for the purchase of twelve children. Pitching for conditioned octave he specified three teens with tinsel, flinty, and flintiest timbres, five prepubescent boys whose vocal chords had rashes of uniquely layered crackle, and four soprano toddlers of separately valued screech. His house’s twelve TV rooms were built for private occupancy. In one the tube was empty and the toddler hit the screen. Enacted blurs of violence against the reflective surface. Posing afterwards flexed muscles, elbows out-crotched biceps straining. Kissing a mirage of Barbie while she lasted hand-lined in the air. The…