FIFTY-FIVE AND OLDER by Christopher Notarnicola

I’m about to be sick on the front porch. Granddad is at the back, beating his cane against the screen door to scare the Muscovy ducks. The neighbors understand—nobody wants duck mess on the walkway. We’ve split a buttered bagel and yesterday’s half pot. He’s probably finishing breakfast while my first bite slips from my tongue in a string of saliva, landing like egg yolk in the flowerbed. I gag. The neighbors have a hard time with my prolonged presence, though no one seems to have heard my heaving. Drum and bass in the front drive after midnight, and in come the questions via landline. Granddad could tell them nothing they would readily understand—the loss of a wife can only excuse so much noise. Two ducks have made their way around front, three puffy ducklings in tow. The adults are black and white with red growths around the eyes and bills. The little ones are yellow with brown over top, stumbling along, chittering through their perfect beaks. I find it hard to understand how a creature can bear such mutation. Granddad has stopped with his cane. And I am surprised to see that a butterfly casts a shadow. The coffee has gone lukewarm again, which seems to be better, and the sip goes down. More ducklings round the flowerbed, intrigued by my aborted breakfast. A gag sends them off. The older ducks are past the mailbox, crossing the neighbor’s front walk, leading the brood. The neighbor’s door opens a crack, and slivers of gold reach for the lawn. My stomach flips, pulling me to the mulch. The coffee comes up with a burn. Bile sinks in the shade of a peace lily. Out back, Granddad has started with his cane again.

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ALERT by Caelyn Cobb

We all regret downloading that crime reporting app. “I’ve learned that I’m always a few blocks from some guy swinging a chain,” our friend says at dinner. For us, it’s gunshots or fires. Gunshots reported, four hundred feet. One mile. Six hundred yards. People on the app give these alerts thousands of likes. That’s what you get, someone comments. “Probably just fireworks,” I say. Those distances don’t feel that close. One mile might as well be a different universe. They have a different congresswoman and everything.

When we’re getting ready for bed the app says there’s a fire at Food Universe. Their lemons are always moldy and they don’t even have goat cheese. Burn, motherfucker! the commenters cheer. A few weeks ago the worst pizzeria in the neighborhood burned down at three in the morning. That time everyone on the app was devastated. Where will I get my pizza now? Literally anywhere else, we both agreed. Now the pizzeria is almost done rebuilding. We walked by and the door was open: white tiles accented with green, all the chrome new and shining. 

“You know what my father would have called that?” you asked. I did, but I didn’t say it. Some things shouldn’t be said, even if it was someone else who said them.

A siren wails. A woman who lives across from the grocery store posts a video. We expect smoke, black and billowing, red-orange lights flashing, but it’s nothing. Y’all are fuckin dumbasses, a commenter says. Fuck you, someone else replies.  Laugh emoji. Thumbs up. Some people aren’t laughing. Some people have darker things to say. The siren is still going, farther away—who knows to where. Someone on the app will figure it out. Someone on the app is probably there already. 

The local paper tweets that a woman set herself on fire. She was trying to get bedbugs out of her car. “Can you even get bedbugs in your car?” you want to know. They could be anywhere, I remind you. When we had them in that first apartment I would see them in the hallway. If only someone would set fire to that place. Sometimes fire is the only option. Your grandma told us that’s what they did back in the forties: big bonfires of their beds and chairs and clothes, right on the sidewalk. Someone on the app is probably filming that burning car right now, getting thousands of fire emoji reactions. 366 yards away, the woman is probably already in the ambulance, a paramedic rubbing silver into her wounds, pushing medication to keep her calm.

Another siren. My phone buzzes. I turn it to silent and roll onto my side to sleep. You’re still sitting up, awake, the bright white square of your phone lighting up the hollows of your face, vigilant.

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HALF-SISTERS by Kristen M. Ploetz

red + blue

Her birthstone is amethyst and she has his blue eyes. At the fair, he buys her a purple balloon; when it slips from her grip, he buys her another and ties it to her wrist, winks as he promises, this one will always stay. When he reads to her at night he points to the lupine in Miss Rumphius and tells her about the importance of family. On sunny days he holds her hand as they meander through rocky tide pools where they look for the purple arms of sea stars under shimmering water. She steps barefoot on an urchin and he wipes away her tears. When she is eight, he walks her from house to house on Halloween, a wizard dressed in purple and gold who still believes in magic and forever. A week later, in the wake of a November hurricane that gives birth to a lilac sky, he tells her he’s leaving and not coming back. Her veins purple with sorrow, her breath uneven and shallow as she waits and waits for things to go back to the way they were. Each night she dots lavender oil on her temples and wrists to coax slumber, to quiet the heartpound in her ears. Her mother buys her an orchid for the south-facing sill in her room and still tucks grape BubbleYum in her lunches, but everything remains irrevocable and broken. 

Years pass. She finally musters the nerve to visit on Christmas. Over runny pie and under the heavyweight safety of her hoodie she discovers devotion doesn’t come with a lifetime guarantee. She texts her mother from the bathroom: can u pick me up? total waste of time, wipes her eyes on her sleeve as she strides past the table.

He drives her to her first year at the university, an offer her mother forces her to accept because he has the truck and she can’t get the day off. They ride in silence except when he nods toward the hills and says, That’s where the grapes grow. It is the last time she’ll ever be within arm’s reach, confirms the magic of him withered on the vine too long ago. She tacks her course schedule to the cork board above her desk and sets a cup of pencils under the box store lamp, drops a sharpener in the top drawer. Her lavender bunny with the missing ear and folded belly leans against her pillow just like it has since she was a toddler. She vows to sketch out her own life from this new beginning, to study only beautiful things. In art class she discovers violet is a spectral color with its own wavelength, that purple is similar to the eye but a fundamental difference exists—just like him before and after. She is seduced by Claude’s violettomania and Vincent’s ear, doesn’t think either of them were mad but bruised somewhere deep inside like her. She draws on the warm backs of friends, plants iris and crocus between valleys of scapulae, and soon drops out to apprentice and hone her craft where a neon tube hangs in the dirty bay of a street level window, the periwinkle argon glow of Tattoo City a beacon for those who seek something that lasts. Her first client pays her in tears and a fistful of tens, bares her shoulder and talks about how heliotrope is a flower of devotion, once the permissible color of half-mourning after weeks of wearing black, talks about how she buried her sister five weeks ago. Dots of blood trail the needle. She thinks of the urchin that pierced the sole of her foot that one summer. Her attention breaks when the woman says, Do you have any sisters? She draws pale purple ink into her needle and thinks about how November is drawing near, how it will soon be time to buy another orchid for her window sill.

 

yellow + blue

Her birthstone is emerald and she has his blue eyes. On her first birthday, he ties a green balloon to the back of her high chair, watches it shrink and pucker over a few days before he tucks the cool flap of latex into a memory box at the back of the closet. He doesn’t want to forget this time. He reads her The Wizard of Oz, points to the Emerald City and alludes to the importance of home; her eyes are heavy with sleep when his lies of omission come easy. On sunny days, he holds her hand along the rocky tide pools where they look for sea lettuce under the shimmering water, where he guides her to pockets of soft sand and smooth, algae-coated stone so her flesh remains unbroken. He shields his eyes from the glare bouncing off the water, averts his gaze from a purple constellation of sea stars. On Halloween night he walks her from house to house; she is Tinkerbell and waves her wand as she says, I love you, Daddy, effortlessly beguiling him with her captive magic.

One Christmas—the one when she gets the parakeet she names Limey Lime—a teenage girl comes for dessert wearing an oversized hoodie in a clearance rack shade of purple. Her mother is silent when she sets down the festive green plates runny with apple filling and whipped cream, “Holly Jolly Christmas” bleating from the living room stereo. There is something familiar about the girl, something in her frowning profile. After two bites of pie, the girl spends a long time in the bathroom. Her father throws his napkin on his chair and knocks on the bathroom door, comes back a few minutes later with his lips pressed into a thin, angry line. The girl emerges while the plates are being cleared and a horn beeps out front. The girl doesn’t say goodbye, doesn’t ever come back. 

He shows her the world, gives her every spare moment: quetzals of Guatemala and grassy Irish coasts and malachite beads being strung onto necklaces by Kenyan women and the undulating green of the Northern Lights, every summer endless and carefree in that verdant filter of childhood. Hears about her first kiss near the back nine of the country club, helps heal the heartbreak with a week of mint chip double scoops he picks up on the way home from work. When he drops her off at college, he slides the edge of an American Express under the heirloom Emeralite lamp she plucked from his home office, says he’ll text her later that day. She studies botany, presses her cheeks against woodland mosses during field studies, mounts ferns onto large pages in the university herbarium late into the night, talks for hours with her father when he calls every Sunday. With a loan he never actually wants her to pay back, she opens a small flower shop in a trendy pocket of Knoxville, watches him hang the palm frond wallpaper and dig holes for young gingkos in the sidewalk planter and paint the potting bench Kermit green. Friday nights on her veranda she sips absinthe cocktails with friends in their own private l’heure verte where she tells them—every time—This was Van Gogh’s green muse before they talk about the virtue of being loved by so many, how it comes so easy. The business blooms and she can’t believe her luck at selling succulents and air plants to the Instagram masses, has a four-leaf clover etched onto her hip as Ink Street hums with a green krypton glow outside the picture window. She watches the needle drag across her skin and rests her hand above her still-taut belly as she watches, imagines the day her blue-eyed child will bounce on her father’s knee, wonders whatever happened to that girl that one Christmas, if she is happier now, happy like her.

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THREE SELECTIONS FROM MORE ANIMIST BABBLE (A WIP) by Bram Riddlebarger

The Hornworm and the Green Tomato

 

The hornworm had eaten the better part of the upper reaches of the tomato plant.

The green tomato was petrified. It was already late in the season and now this.

“YOU BETTER NOT EAT ME,” screamed the green tomato as the hornworm cast glances its way.

“I’m so fucking horny,” said the hornworm. Its rear horn rigid.

“I’ll BE RED IN A FEW DAYS,” negotiated/bargained/pleaded the green tomato with a faint blush.

“You’ll be red-y now,” leered the worm. It ashed a cigarette as tobacco worms did. The cherry burned.

The hornworm bit deeply. The sexual juices of the green tomato grew into flight.

   

Fern

 

“Nobody loves me,” said the fern.

The water of the pond reflected a gray sky.

“I hate this fucking job,” said the fern.

The wind blew across the cubicle of the earth.

“There’s no future,” said the fern. “No hope for a better life.”

The western fires had all died.

But they would return.

“It’s cold out here. I’m freezing to death!” said the fern.

The sun set on the ridgeline.

“Even Job was better off than me,” said the fern. Its fronds covered its face.

The fern swayed as the cold settled in from on high.

“Boy, you sure are a sensitive fella aren’t you?” asked the sedge grasses grown brown and brittle. “What kinda fern are you anyway?”

The fern’s nose cleared with the change in season.

“A sensitive fern,” said the fern.

The sedge fashioned a casket for the fern.

The first frost set in.

  

The Bumblebee and the Stink Bug

for Graham  

The bumblebee sat exhausted on the large green leaf of a delicata squash plant overtaking the beans. The bumblebee was covered head to toe in orange pollen. It had been up since 4am. It barely slept at all.

“Fucking shit,” the bumblebee cursed. It combed the pollen to fly.

A stink bug watched from the next row of beans.

“God, I’d murder someone to be carefree,” said the bumblebee taking longer than the regulated 15 minute break.

“That’s not pollen, baby,” said the stink bug. “It’s just my sexual juices.”

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COURT MANDATED THERAPY by Sage Tyrtle

Bill is not having flashbacks to Vietnam. Even though the shiny-haired psychiatrist says there's no doubt at all, even though the list of symptoms looks like his autobiography. Bill sits on the burnt orange couch. He looks at the palm frond wallpaper. He says in his most even tone, "No, I believe you're mistaken," and he's being careful because if the psychiatrist decides that he's a danger to himself or others then he could end up a Thorazine zombie like Harry Alessi up at the sanitarium. Bill clears his throat and makes himself look into the psychiatrist's eyes. Makes himself say, "But let's explore it further."

Bill is not having flashbacks to Vietnam. Yesterday, when Bill was kneeling on the floor at the local Goodwill, keening, he wasn't hearing gunfire. He couldn't feel socks that had been wet for so long they were disintegrating. His hands weren't dripping in blood. Bill didn't feel the horror the psychiatrist is telling him he felt, and avoiding places that remind him of the war won't help. When Bill was on the floor, shaking his head in response to the Goodwill manager who was pleading with him to leave, he was holding a Holly Hobby doll.

Bill is not having flashbacks to Vietnam. Yesterday, curled into a ball on the floor in the Goodwill, he was also in 1971, he was also back at the house in Munroe Falls. He was ripping his draft notice into a hundred pieces and flushing those pieces down the toilet. He was stuffing clothes into a duffel bag. He was emptying the Green Giant Frozen Peas box of his mother's pin money with a muttered apology. He was walking backwards on the highway, sticking out his thumb, muttering, "North, just north," to the drivers. He was thinking of his Canadian wife who bounced out of bed at 5 AM, who made up silly songs whenever she saw a bumblebee, who never existed. The tiny apartment they never shared in Montreal and their imaginary little girl named Judy. Who pointed at the picture in the book he was reading and said, "I am Sylvester and you are the Magic Pebble, okay?" He is mourning his nineteen-year-old self, his gentleness in the years before he reported for duty, Sir.

Bill is not having flashbacks to Vietnam. But he nods and nods and tries to remember how to grin in a way that is convincing. He shakes the psychiatrist's hand and promises to fill that prescription, doctor, and when he makes it outside he sits on a park bench where a pigeon flies over and looks up at him with bright eyes. He rips the prescription into a hundred pieces. He lets the wind take them.

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‘BLUE BANJO: THE HIRAM SADLER STORY’ DELETED INTERVIEWS by Bodie Fox

HAZEL COX (Hiram’s first wife): I was pregnant with our first the night he played the Russian Roulette. We was in a dive bar after a show in Lubbock, Texas—I’ll never forget the place, neither, ’cause it had a sawdust floor and the piano played itself. He was drunk, of course. Except for that first year we knew each other—from the day he walked into my music store to the night of our wedding—he always had something to sip on, whether it was a bottle of rye or a bit of sippin’ cream. 

He lost. But, in a way, he won. He survived. The bullet was only a .22. It went under his skin, ricocheted off his temple, bounced up and around his skull, and tore out behind his right ear.

HANK SADLER (Hiram’s oldest son): Yeah, Pa fought in the World War, the second one, even survived the Battle of the Bulge with nothing more than frostbite in his picking hand, which the docs had to cut out. They took his pointer and bird fingers. Still got em, though. Shoot, ask him about it next time y’all bunch head out to his house. Keeps ‘em up there on the mantle in a TOPS Sweet Snuff tin, all blackened and wrapped in frayed tissue. Likes to take ‘em down anytime he got company over. 

“SWEET TOOTH” (convenience store clerk in town where Hiram resides): I coulda done told youins how the ole boy got the Cancer in his throat. After all the business up at the Ryman, after they’d done blackballed him over the lawnmower, he stayed in town more and he drove down here every day for two packs of Winstons. Rain, snow, sleet, hail, he’s here. About twice a week, when I’m just about to leave for home to take my supper, he comes back in, stands on them tiles—those two sticky ones there—and gets him anotheren.

PARSON LYMON (preacher at Hiram’s church home): It’s always a good Sunday to see Hiram strut through those back doors, under the brick arch. Although, he’s late every single Sunday. I can’t recall a time he ever arrived before the hymn that leads into my sermon. We tried to work it out to where he could play backup banjo to the piano sometimes, something to encourage him to come early, but it never worked out.

HARRIET SADLER (Hiram’s eighth daughter): It’s not like he was around anyways, but, yeah, Mom—that’s Erin Massey, his third, dead now—left him. He came in roaring drunk one night and threw turtle stew at me for smarting off, something about how fat he’d got. Luckily he missed, and it splattered on the dresser that Mom kept in the dining room. What they had left, which isn’t much, was over after that. 

PARSON LYMON: Rambling man as he was, he always seemed to stay married. I officiated all seven of his weddings, but I think Hiram only counted six. He had one annulled on the grounds of incapacity. However, that argument could probably be made for all his marriages, except the one with Hazel; I know without a doubt that he was sober for the year before they tied the knot.

HUNTER SADLER (Hiram’s fifth son): If I ever wanted to see him, had to go to his shows.

LEE SHARR (former friend of Hiram’s) After that whole mess with the lawnmower on the Ryman stage, he was bored and sitting around with me in the carport most days, chain smoking Winstons, taking pulls off my rye. That’s when I suggested we should make Brunswick stew, give us something to keep busy. That’s the shit that he later jarred, labeled and sold as “Brunswick Blue.” Stole my recipe, the bastard.

HAZEL COX: He won’t admit it to you, but there wouldn’t be no Hiram Sadler without me. Sure, he was good, but he was in a bad place when we met. After they cut off his picking fingers, he about drank himself to death and it didn’t stop until the day he came into my music store, where I showed him a left-handed banjo, the one he bought, the one that made him who he was, the one with the blued head on it. He won’t tell you that I was the one who taught him to play again, play left-handed. He never even told them kids how it happened. Told ‘em that he taught himself to play over again. Bet he said the same thing to y’all folks. 

CLAIRE SADLER (Hiram’s second daughter): All of us kids seemed to get different Hirams. A few, like Hank and maybe Steff, say that he was good to them, and I think he tried with me, at least when I was young, but I wish he hadn’t. 

There was this one time: my school had a Career Day and I’d begged and begged him to come. I mean, what kid wouldn’t? He was Hiram Sadler, the living Bluegrass legend. When it was my turn, he wasn’t there and I did all I could to not cry in front of everyone. 

He was two hours late, but he came, smelling like rye. Mrs. Dubbie only let him talk because she felt bad for me. Didn’t bring no banjo. Didn’t bring no finger picks. Came dressed in his old fatigues and passed around his TOPS Sweet Snuff tin for all the kids to see.

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MOVEMENT STUDY by Amelia C. Winter

The only way they had was their nakedness. This and this alone delivered them through the many corridors of their pursuit: their innumerable stations of falling over and springing upright. 

Their eyes, their pupils, were open, bright, darting: brilliantly black-on-white. They were silent—mutists—but too antic for the soliloquy over the straitjacket. They were turned out of the asylums as quick as they were caught, hopped then over hedges and fences, scattering the hills. 

The realm of objects at all times tried to court them; its advances went unrequited. (That is what a prop is, said Marx: a thing that tries to dominate you and fails.) They were slippery as fish, and in time they were common as pigeons, though they never scavenged or roosted or even seemed to perch, and certainly they did not breed. 

Some were captured on motion picture cameras—but very few, and only by desperate pursuit. Stories were fitted to this footage at great cost. The dramatic scenes were done by costumed doppelgangers, all of whom later sat abed and drank, copiously—copiously.

When I say that they were naked, I mean that they were clothed, relentlessly and essentially clothed, even the tops of their heads covered with an inalienable hat. 

When I say that they were naked, I mean that some of those who saw them also studied them, wrote of them, but one would then be found giving suck to a piglet or taking a wife in legal ceremony and the arguments would fall apart. Even the poems of praise were outdated in weeks. 

When I do say that they were naked, I mean that they lacked the impression of weight and volume; one could chase them up, reach out and palpate their necks and yet feel no surer of them as things of real duration. 

But their real duration was discovered at last when they vanished. They came all at once, and they went all at once. It seemed they were to be nobody’s sport.

And then:

A man ran for a train and caught it. 

A man came into a secret and never told it. 

A man kissed another man on the mouth and got the hell slapped out of him. (He never lost his hat.) 

A man drove to the detention centre and detonated his bomb, then fled across a heat camera that tracked him. The heat camera tracked him live to a bog into which he waded out, in which he submerged himself, until his signature died. He was never caught. On the shore, by a tree, he left a ratty tramp’s coat.

These were tributes.

Myself: I have spoken to nobody friendly in months. I eat tuna-on-toast in my little brown garret and attempt to write. I spend my evenings laid up in bed, cold-calling people by voice-over-IP, trying to sell them insurance. 

When I go running—always by night—I imagine that I’m Eadweard Muybridge, of chronophotography fame, having just killed my wife’s lover. Muybridge was acquitted for that in 1875, but I live in a different time. 

When I think, as I run, of my wife’s dead lover—of my finger depressing the gun’s trigger, the bullet piercing his heart, of how he staggered backward into his bookshelf and conducted all his books, knick-knacks, and tchotchkes down onto the floor, on top of him—I know I’ll need to spend my life on the run—running in place against a black background—each minute movement an exquisitely-lit anatomy—a stationary plate of black-and-white impressions. 

This, too, I tell myself, is a variety of escape. Just narrowly.

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GREAT BLOOD by Zee Carlstrom

Every day, during his half-hour lunch break, Horace Median Dahl strolls along the ornamental concrete pathway that cuts through the center of Grace Hill Cemetery. During this restive walk, he eats his usual brown-bag lunch: a snack-sized sack of Doritos and a chicken and cheddar sandwich with BBQ sauce, the way his mama always makes it. 

Today, however, Horace strays from the ornamental concrete path and tosses his mama’s lunch into the garbage. Unencumbered by tradition, he strides down a weedy gravel walkway that takes him into a dark corner of the cemetery, devouring a tilapia salad sandwich and a can of ranch-flavored Pringles he purchased from a deli. 

He does this, makes these changes, because other things in his life need to change—bigger things than chips or lunchtime walking routes—and Horace believes he can start small and work his way large, hoping decisions are like atomic particles, minuscule molecules that, when combined, create universal shifts. The kinds of shifts that move a thirty-seven-year-old warehouse manager out of his mama’s spare bedroom and into the warm embraces of greater hopes and truer lovers, lovers of a sexual variety, with fascinating private organs and lips that taste, he imagines, nothing like BBQ sauce. 

The gravel path crunches beneath his Asics, a comforting sound as he meanders past the crumbling graves, far older and poorer than the grand monuments lining the central pathway. Beneath the yellowing oaks and orangish maples, he pops his Pringles’ top and inhales the new-can smell. Intoxicating and vaguely alluring. 

High on ranch-flavored dust and the potentiality of his future, Horace strolls toward a statue—a fat angel with a wreath of dead flowers on its head. Chuckling, he stops and observes the angel, which seems to stare into the place where Horace keeps his secrets. Then, he hears a lustful voice behind him.

“Hey there, big fella.”

Startled, Horace wheels toward the voice. There, on the other side of the path, he finds a middle-aged woman wearing a red-white-and-blue bikini. She’s seated on a gravestone with her arms resting on her knees, her head cocked, and her lips set with a curious smile. 

“I assume you’re here cuz of my Craigslist advertisement,” the woman continues. “And if not, then I’m wonderin’ if you’d like to be my baby’s daddy.” 

Horace nearly drops his chips but holds fast to the can. He studies the woman. She is not particularly attractive, but still out of the league he has come to accept as his own. Flesh bunches around the edges of her patriotic bikini, and her nose is the size and shape of a parrot’s. And yet, regardless of these and other shortcomings, Horace is drawn to the woman’s countless folds and ripples, and the question of fatherhood echoes in the meager vaults of his masculine mind.

The woman sighs. “Judgin’ by your obvious surprise, I’m gonna take it you haven’t read my Craigslist post. If that’s the deal, please lemme explain—” 

She does explain, and Horace listens, nodding and smiling while the woman makes jokes about her father’s death, his kooky last request, his alarming insistence that she preserve their ancient bloodline, their ancestral greatness, the Knights Templar and the Freemasons, Benjamin Franklin and Joan of Arc. She says her first name is Guinevere, her last name is Magdalene, and her father specifically requested she breed a heroic descendant on his grave, taking as her mate an average stranger with poor eyesight and questionable prospects. 

“I know it all sounds a little nutty,” Guinevere continues. “But your glasses are pretty thick, and your shirt’s too large, so I’m assumin’ you meet my daddy’s requirements.” 

Horace stress-chews a mouthful of Pringles and swallows with difficulty. “I do.” 

“Super.” Guinevere smiles—warm yellow teeth—and unties the strings binding her bikini bottom. With a flick of her wrist, she exposes herself. 

Mortified, Horace averts his gaze, turning back to the fat angel with the dead flowers on its head. 

“Oh my God,” he mutters. “Oh my God, oh my God, oh my God.” 

“Relax.” The woman lays back on the grave and stares at the sky. “You got this.” 

Horace shifts on his feet. He looks up and down the gravel path. Surely, there are hidden cameras in the bushes. Surely, this is not happening to him in real life. But then, it must be. He’s never had a dream before, not even during the day, and this is all too imperfect for fantasy. Too impossible. 

“What are you waitin’ for?” murmurs Guinevere. “I’m offerin’ you everything.”  

“I’m coming,” Horace whispers, stumbling forward, unzipping his khakis with his non-Pringles hand and wondering what mama would think if she knew he threw away her sandwich, her chips, her kindness.

“There ya go,” Guinevere coos as Horace climbs onto her body. “It’s only weird if we think about it.” 

Horace clears his throat and avoids his thoughts. He drops the Pringles can into the grass. He does his best. Long seconds pass, and he tries to breathe through his nose, sparing Guinevere his fish-tinged breath. He moves like the men he’s seen in the videos. He moves like a man worthy of responsibility. He moves like a hero with a future, a house of his own, a life worth living. He grunts and struggles, and Guinevere sniffs and coughs. 

“This don’t mean nothin’,” she mutters. “This ain’t for you or me.” 

“I know,” Horace gasps, willing his body to cooperate, envisioning his eventual child. A genius, perhaps. A titan of industry. An eminent world leader who will forget his father entirely the way Horace has long tried to forget his own. 

“Oh God,” Horace hisses. “Oh God, help us all.” 

“Why you cryin’?” Guinevere asks, tenderly, but it’s too late. Lunch break is over. The Pringles are finished. Horace can already feel himself deflating, the great urge dying, the chance passing like time.

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THE SHAPELESS by Gregory T. Janetka

When they told her how the body had been found thirty feet from the road by prisoners who were scouring the gutter for trash, the only thing she could think to ask was if there was any way to save his sperm. The police did their best to express their regret in broken English but she didn't hear a word, lost as she was in the minute details of DNA harvesting. Months had passed since then, or was it years? Maybe it was yesterday, who could tell? His body's blueprint might be gone from this earth but in its absence came flashes of body parts throughout the apartment: a forearm in the refrigerator, a jaw bone on the nightstand, a left leg—no longer able to support its own weight—crumpled up on the closet floor.

Neither had wanted a baby but the dream of reanimation, of scraping blood from the overgrown grass where he fell, only grew stronger. This life—escaping their country, building something new, traveling unsettled and joyful, burning bright and leaving their bloodlines to die—it was all they ever wanted. Their plans, never codified beyond such romantic ideals, were filled in as the need arose. When there was nowhere to live they bartered for an apartment, when they ran out of money they took the first jobs they were qualified for—he as a courier, her an English teacher. He enjoyed learning the city and surrounding towns on his bike, but hers was a hollow means to a paycheck. None of her coworkers had any higher ambition, any dream, any reason to live here other than survival. But to be fair, inspiration was a useless quality when students wanted nothing beyond a basic proficiency in the language that had come to dominate their own.

#

“Donorcycle.” 

That's what the nurses called it, at least until they learned she was an American. After that, they didn't speak at all. 

"Another donorcycle accident..." 

She looked up the phrase. It wasn't a mistranslation but slang, a term to denote the propensity of healthy young men with healthy young organs to die riding motorcycles. It was a phrase accompanied by an eye roll that easily wrote off his entire life.

News of his death brought no word from home. 

Home. 

It was as silly a term as donorcycle. Home was where she came from, where she'd been stuck, like a bus terminal. With nowhere else to go she remained in the one-bedroom apartment, unsure where she'd find the next index finger, shoulder, or vertebrae, while his scent grew weaker and weaker.

#

Drowning out the silent apartment with an indecipherable TV soap opera, she lit the stove, put oil in the pan, and dropped in a dozen shishito peppers. It was the last thing she expected to find in a market in the Madrid countryside. One in ten was hot, they said, like Russian roulette. 

Tossing the plastic bag into the trash she watched it fall on a fresh, pink human kidney that sat precariously atop a pile of torn junk mail and broken egg shells. Thinking nothing of it, she closed the lid as the doorbell rang. Every knock, every noise might be him—they never did let her see the body—but would he appear standing tall, his 6 3 frame looming over her with the comfort and safety it brought? Or would it be the pile of mannequin parts that were left by the roadside? 

At the door was neither, but rather a perfect circle that looked as if it were cut out of wax paper, hovering in midair. It moved forward with no deliberate speed, disappearing when it came into contact with her chest. As it hit, she felt the coarse sand of the Jersey shore beneath her toes, smelled the nitrite-rich, overcooked hot dogs of the boardwalk. Nothing else appeared and she closed the door.

The peppers popped and screamed, filling the place with choking black smoke. She removed the pan, turned off the gas, and threw open the small window high above the couch. Despite being hundreds of miles inland, salt air roared into the room. The sand beneath her feet shuddered at the taste and turned to mud, bringing with it the smell of fresh tar baking in suburban sunlight. She fell to the ground and rolled in the substance like a happy baby pig, unaware of its future. As the brown-black mess seeped into her skin she thrashed about, searching the muck for hidden body parts as if on a game show. Finding none, she fell onto her back, exhausted, and listened as the sound of crashing waves filled her ears. A rectangular column of water squeezed through the window like Playdoh, hung suspended for a moment, then rained down. It stank of dead fish and tasted like iced tea. Her belly full, she extracted herself and closed the window.

She stirred the peppers and watched the legs of oil skirt the edges of the pan. Grabbing one by the stem she bit down and her mouth swelled with heat and spice. When her throat hollered for relief she grabbed a second pepper. One by one she made quick work of the dozen, every one hotter than the last. Sweat poured from her forehead, armpits, and under her breasts. 

#

The heat subsided, the smoke dissipated, and the water dried. Seated at the desk she stared past the blank computer screen to the space where a nothingness planted and grew fruit, colorless, tasteless and unsatisfying. She took out her phone and dialed his number—still disconnected. It would be reassigned one day. Feeling her belly, she dialed another number and walked outside. The stars, filled with lightning, pulsed as if in a power surge.

"Hello?"

"Hi mom."

"Dena. What is it?"

"Mom...I'm pregnant."

"Pregnant? What do you mean pregnant? Who could possibly be the father?"

"Everyone. Everyone in the whole world. Everyone who ever was and ever will be. Isn't it grand?"

Before her mother could answer she threw the phone to the sky. As it climbed and climbed she felt her belly again and watched as the phone joined the stars.

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CALCULUS by Calvin Westra

Last to first, his girlfriend dumped him, he did not get the job, his accent sailed out the window of my car, and he sneezed harder than I’d ever seen before.

It was an incredible sneeze, the kind that has you spitting and slobbering over the windshield, catching your breath, feeling like something knocked the wind out of you.

We watched as the accent flapped over the median, through oncoming traffic, and off among the tumbleweeds.

I said, “Is that what I think it is?”

And he said, “Yeah, that’s right. My accent.”

It was a horrible accent and I’d never before heard him speak without it. It was like he was trying to imitate some British politician or celebrity or it was like he was trying to imitate someone who imitated a British politician or celebrity.

If he got too excited it went all over the place. He’d be telling a joke and out of nowhere he was John Cleese on research chemicals.

But I had never heard him speak without it so I had kind of thought it was real.

We pulled to the shoulder and searched for the accent but it was a windy day and it was clearly not coming back.

“That accent is long gone, bro,” I said and he told me he couldn’t do the job interview without it.

I told him the airport Starbucks probably would not care if he didn’t have an accent. I told him he might even be better off without it.

I didn’t have to tell him how important getting this job was because, like me, he had been wiping his ass with old magazine pages for weeks. But I told him anyway and I reminded him that earning a paycheck would mean returning to the world of luxury, of on-demand toilet paper.

He had gotten up early that morning, before the sun had dragged itself out, and he had been slamming all of our vodka and referring to it as “morning vodka.”

He had also smoked the last of our weed, taking massive hits out of the ice cream maker he had fashioned into a bong.

On top of that, we had pooled all of our change and used it to buy almost a gallon of gas.

And here we were, on the side of the highway, considering turning back.

He somehow knew he wouldn’t get the job but I didn’t believe him so I drove him to the interview anyway.

He was right, he didn’t get the job. He swore to me his whole life was over now, without the accent.

Next his girlfriend dumped him.

She called him mid afternoon the next day and told him she wanted to take a break. The last few times she had been at our apartment she had complained about things like how we didn’t have toilet paper or that he smelled pretty bad and wouldn’t ever shower, even when she hinted at it politely. He smelled like old socks (her words), ground beef (my words), and weed (objective).

“It’s the accent,” he told me. His eyes were huge and wet and red. He stared a thousand miles into the future and explained to me that without the accent all he would ever be to people was his stutter, his GED, his greasy hair, his inability to read social nuances, and so on.

He told me that I could not fathom all the things he knew about Calculus, while I sat at the desk we shared, trying to fill out my own job applications.

Hand to God, brother, I know unfa-fa-fathomable things, is exactly what he said and how he said it.

He had this job application on the desk and it had little boxes for your education: where you went, the years you went there, your graduation date, and your major. In hard to read cursive he had written his high school major as Calculus.

In reality, he never finished high school. He had dropped out because “it was just fights and bullshit.” If you didn’t want to eat shit every day you got your GED and that’s what he did.

Since I had first moved in with him, he had spent every afternoon scaring up weed at the park.

It took him all day but he could show up with whatever change he found in the couch cushions and hustle people for stems and seeds, for residue, for whatever. He would huddle over park benches and playground equipment waiting for people to pass him by. As soon as someone neared him a disconnected sentence would shoot from his mouth and straight into the mind of the person.

He could say anything he wanted. He didn’t even know what he was saying. But words slipped past his crooked and broken teeth and fluttered on the breeze, gently rocking and waving through the air until they found the right angle to slip into some bystander’s brain.

And what do you know, sure enough, that person had come to the park specifically to buy whatever stems and bullshit he was trying to sell for ten dollars or they had crossed town specifically to sell him whatever random shit weed excess they might have in a baggy somewhere on their person, for whatever change he was offering.

People served him for whatever pennies and nickels he was holding in his outstretched hand. People bought whatever weed-adjacent garbage he was offering at whatever price he named. He could talk the sun into orbiting the earth, so long as he didn’t think about it too much.

Back at the apartment, we smoked whatever he had scavenged. His fingers always spilling out of his hoodie holding “one last roach” that formed from the dust in his pockets.

“You can’t even fathom all the things I know about Calculus,” he says. He holds accumulated quantities. We smoke the weed his patience buys.

First to last, he explains to me he needs to get his accent back and then he’ll get a job and then he’ll win over his now ex-girlfriend.

He calls her, briefly manic, to tell her how he is going to track the accent down, somehow inhale it back into his being. But she never returns the calls.

He turns depressive, withdraws, sits quietly with the ice cream maker in his lap, inhaling forever and then trying to talk to me about the accent with a lung and a half of smoke tumbling out as he does.

He draws imperceptible lines between how hard he sneezed and the way the hiring manager fixated on his GED. He stuttered too much, he admits, but only because he was nervous, only because he couldn’t stop thinking about his accent jerking around in the breeze like an abandoned bag, like a helium balloon wrestled free of a toddler’s grip.

He explains scientifically how all this bullshit is because of the accent or its absence and if I have questions, he says he isn’t explaining it well, the words just aren’t there. But there is truth, he promises me, to what he is saying.

It’s the accent’s fault or the mad winds that propelled its send off.

Those mad winds or the gods who sent them.

Those gods or maybe us, the bastards who named the gods. If he doesn’t think too hard while he explains, it makes a sense too perfect for me to even write.

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