LIBERTY KID by Lanny Durbin

I saw the kid's face when he got hit by the car. He was standing there on the sidewalk with a blank look and then the car jumped the curb. Just nailed him. The blank look stayed on his face when he flew through air, stared right at me. Like he meant to do it. A party trick.

He was wearing a statue of liberty costume, which, for a short moment, made the visual a little funny. He stood out in front of the Liberty Tax building a few nights a week, one of those preying fast tax return spots in the same lot as the grocery store I work in. He stole a pack of smokes out of my car one night I'm pretty sure, but he was just a kid, seventeen at max. I wished it was the regular guy standing there that day, the day shift statue. That guy danced and waved at the passing cars like he really cared. Either he would have seen the car coming and been vigilant enough to dodge it or he would've been the one to get creamed. Both seemed like better outcomes. The kid was just there for a couple extra bucks—he wore the foam green hat and matching frock with no pride and stared at his cell phone. Lady Liberty's lost disappointment of a son. The hat caught the wind and drifted away when he careened over the hood of the Nissan. It looked like he was doing a killer move on an invisible skateboard.

The EMTs showed up, cops showed up, blinking lights and stoic professionalism. They set out orange cones, scraped the kid up off the asphalt. I watched them work quickly. I stocked shelves most of the day. I opened the store and counted the till. I dealt with the customers, took the trash out, locked up the store at 9 PM. I watched the EMTs take the kid away and thought that I could probably do that. A little training and I’d be alright, but then someone would need to be here to receive the produce delivery, so I’ll leave the rescue work to guys with nothing else to do.

The officer was terse when taking my statement, like, this dipshit in his work uniform better give me a straight answer. I thought, hey man, we both wear uniforms. Yours is dark blue, mine's orange and white creamsicle. We both have our names on our shirt pockets, but hey, mine's only safety pinned—they stitched yours right into the fabric. Officer Ottman. You’re locked into the force, like a blood oath. I could take my name tag off right now and disappear to a new life. I can stock shelves anywhere. A valuable skill set.

Maybe I don't know how to hold a pistol or book a perp at the station but I do know when the frozen goods delivery is coming, what'll be on it, where to stock it. You don't have to deal with Ms. Henderson when I tell her the Amy's Chile Relleno meal was out of stock, she'll have to wait until Friday. Your stern bullying wouldn't work on her—she requires a more delicate approach. I'd like to see you be the shift supervisor in this goddamn place. I'd love to see it.

They towed the woman’s Nissan away while she gave her statement. She was crying, inconsolable. Was on her cell phone and bam, jumped the curb. She probably killed a teenager but she did get to read that Facebook notification. I recognized her from the store. She came in to buy slivered almonds, which reminded me that the bulk order was due in by noon and all this police business was holding me up.

The next morning, the regular Statue of Liberty guy was out on the curb, inches from where the kid was nailed. The guy danced and waved like a real dipshit. I went out and asked him if he’d heard about the kid.

“Yeah,” he said. “Heard he broke his legs and ruptured his spleen or something.”

“So he’ll live, huh?”

“Sounds like it.”

“Can’t you live about the same without your spleen?” I asked. “I think I read somewhere your liver just takes over for it.”

“Heck if I know,” dancing statue said with a big dopey grin. “Hey, I’ve got to cover his shifts until he gets back, so hopefully one can live without a spleen. I should get back to work now.”

I walked back inside to the office in the backroom and googled spleens. I thought about the kid without a spleen. I read that you sure can live just about the same without one; you could just become more susceptible to infection. I thought, hey, that’s not so bad, considering. Plus, working in the vitamin section here at the store, I’ve picked up a few things about nutrition. The kid would want to cut back on dairy fats, for starters. I decided that, if I saw him again, I’d offer the kid a job on the spot, here at the grocery store. Your life was rarely on the line in here, Nissans rarely careened into you in here.

I knew that Officer Ottman wasn’t going to help the kid get back on his feet. Offer the kid a badge? Yeah right. He didn’t really know anything about protecting and serving his community. I’d love to see Officer Ottman try to run this store. I’d love it.

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LONGBEARDS by Chris Dankland

Before The Smiths signed the contract for the brand new house they were set to purchase, the real estate broker said: I have to tell you that in the last few weeks a few of the construction workers have sighted some Longbeards near the woods. I'm only mentioning it because you said you have a small dog.

Yes, said Mr. Smith. Thank you. We'll be sure to keep him inside the house at night.

That's what I'd do, said the real estate broker, nodding. Just in case. I'm sure that as more and more people move into the neighborhood, the the Longbeards will retreat further into the woods. Longbeards like to be left alone. Maybe you'll hear them howling late at night.

Gregory! said Mrs. Smith, playfully poking their seven year old in his chubby belly. Are you excited about hearing some Longbeards howling? Sounds like fun, huh?

Gregory nodded ecstatically, lifted his head and cried: A-WOOOOOOOOOO!

Laughter filled the office like the bubbles in their glasses of champagne.

///

The first time the family heard the Longbeards was two weeks after they moved in. A sound like seven singing trumpets broke the seal of night. It was 3am. Mr. and Mrs. Smith sat up in bed at the same moment.

Longbeards! said Mrs. Smith in a hushed gasp, touching her lips.

There's a lot of them, said Mr. Smith. He headed toward the window.

Gregory appeared at their bedroom door. Mommy! he shouted. On stubby chubby legs he ran in and dived into their bed.

It's okay baby, said Mrs. Smith, cradling her son to her stomach. It's just Longbeards.

Everything's fine. Listen! Do you hear them howling?  Gregory moaned and pushed his face deep into his mother's side.

Sparky ran into the bedroom and hid beneath the bed.

They sound sort of spooky, don't they? said Mrs. Smith. The Longbeards' howls were a combination of tornado sirens, rat screams, and alligator snarls. Woe to the usurping inhabitors of the earth, they howled. Woe to those who wear the crown of pride. Woe to those who scatter and destroy the sheep of the pasture. Woe to the wicked gluttons. Woe to you all on the day of our furious wrath.

Mr. Smith nodded. They do sound strange, he said. A wave of unease rolled through the room. But they're much more frightened of us than we are of them, he added.

///

The Smiths were one of the first families to move into the new neighborhood. All day the surrounding streets were filled with the sound of hammers and buzzsaws and the chatter of Latin American construction crews. But at night, after the construction crews had gone, the neighborhood was as still and silent as a stone dropped in the ocean.

Mr. Smith was proud of the new house that he'd bought for his family. It had not been acquired easily. It had cost tens of thousands of hours of toil at the law firm where he worked. His legal specialty was handling peanut allergy lawsuits. Mr. Smith worked for a candy company that made a small chocolate covered confection called Bloopers. The candies were sold in nearly every movie theater in the country.

But, six or seven times a year, some unfortunate soul with a deadly peanut allergy would purchase these candies, consume them in the dark theater seats, and go into immediate anaphylactic shock. Due to the contents of the candies, which contained a particularly potent peanut butter cream center, these allergic reactions were sudden and almost always fatal. Men, women, and children alike would swell up and suffocate in a matter of minutes, choking in their seats even before the previews were over. This created terrible litigation problems for the company. It was Mr. Smith's job to ensure that lawsuits from grieving families had a minimal impact on company profits.

But they are gone! the families whined. The ones we loved are dead forever! And now we are alone.

It's the unfortunate nature of the universe, answered Mr. Smith. The universe gives and the universe takes away.

You are responsible! the families cried.

We are not responsible, answered Mr. Smith.

You are the cause of all our misery! You have destroyed our happy home! the families cried.

It wasn't on purpose. We all just want nice houses, answered Mr. Smith.

///

The house is on fire! screamed Mrs. Smith. It was ten o'clock at night.

What? asked Mr. Smith. He was in the living room, watching cable news.

THE HOUSE ACROSS THE STREET IS ON FIRE! screamed Mrs. Smith.

They ran to the backyard and poked their head over the fence. The fucking house is on fire! shouted Mr. Smith. Luckily it was an unoccupied house far away from them, in another part of the neighborhood that was still being built. Bright orange flames swirled through the house's walls and windows like solar flares on a distant star. A giant black river of smoke snaked up from the burning roof.

Longbeards! shouted Mrs. Smith.

Fifteen or twenty Longbeards surrounded the house, jumping up and down on their heavy hindlegs. They were screaming. With giant clawed paws they beat their furry chests and kicked dust into the air. Their gaping mouths were wet with slobber, silver in the moonlight. Their huge eyes glowed like yellow light bulbs. Thick mossy beards hung from their jaws all down their bodies, tangled hair tossing through the air while they danced and howled, blurring the air. They shook their fists above them as if to rip open and tear down the sky.

I'm getting the machine gun! said Mr. Smith, rushing inside. Call the cops!

A minute later Mr. Smith had his machine gun in hand, pointing it over the top of the fence. He pulled the trigger and sprayed wild bullets at the Longbeards. The Longbeards darted in twenty different directions. In less than fifteen seconds they had completely disappeared into the night.

///

Mr. Smith didn't sleep that night, but his family did. Mrs. Smith dreamed that a Longbeard arm was growing out of her mouth. At first the arm was limp and dead, but then it started moving. Little Gregory dreamed that there were thousands of lollipops in his veins. Suddenly a hundred gaping slobbery mouths appeared all around him, sucking at the air. Little Gregory rose up into the air and was pulled apart by the suction. Sparky dreamed that he was trying to run away on broken legs.

After the fire department put out the fire, after the cops came by the house and wrote down his report, Mr. Smith stayed up in the living room with the machine gun resting on the loveseat. His wife had wanted a house with lots of big windows. She loved sunlight. Mr. Smith drank coffee and sat in the living room till dawn. He watched. He listened. He waited. He worried.

///

In the deep dark woods, The Longbeards huddled in their cave. The Longbeards waited too. They lay awake, stretched longwise against the wet March soil, full of freshly sprouted spring buds not yet emerged but slowly clawing out. One by one by one the humans would all be turned to whispers, mere coils in the wind. Evaporated. Dissipated. Forgotten. Tear their poison roots from the ground and purify the dirt that life might rise anew. Better to blast the trumpet and drown the deafened world with silence than to let it mumble endlessly its parched and wicked sickbed hallucinations.

Furious breaths filled The Longbeards black twitching noses. Kill them all and eat the children.

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TUNA SANDWICH by Jennifer Greidus

He orders tuna salad because he always orders tuna salad. Today, he also orders bacon potato soup. It’s too hot for soup. He likes to wipe his pretty mouth with the back of a hand. He sneers at the waitresses and only pays attention to the ones with fat tits. One of them, Trina, is my favorite waitress. Her tits are fat. I want to tell her to cover them up. Her skirt is tight, too, and the material that’s supposed to hide the zipper is pulled too far to do its job. He’s not an ass man, though.

My mother’s tits are like that, fallen and fat. Jiggly. To the trucker sitting next to him, Tuna Sandwich whispers, “ A loose handful’s where it’s at, am I right?”

I know my mother’s a whore. But lots of the mothers that Tuna Sandwich fucked weren’t whores. Trina’s a mom, and she’s never whored. Her skin is too pale and clear to be that of a cocksucker. Plus, Trina lets me sit in her booth without ordering anything but seltzer for seven nights straight during the dinner rush. She’s kind. I bet she knits and watches TV until exactly ten p.m. Trina lets me sit here with seltzer and saltines just so I can stare at this fuck who pumped cum in my mother and sliced her cunt when he was done.

I still popped out of her, though. Nine months later. My mother likes to tell me that it’s almost a blessing, her sliced cunt, because she had a wider hole to push me out of.

I have been useless to her until now. She loves me, yeah. She always saves me the last piece of donut. But I was in tow wherever she went: welfare office, subsidized child care drop-off, the casino parking lots at two a.m., Hank’s to buy weed and share rum that I was occasionally allowed to sip if I was quiet. I was always quiet.

I was also always useless. For sixteen years, she used the room next to mine to blow guys for ten dollars because she was too scarred up to fuck. If I were a good son, I would have gotten a job. I just stayed in bed and hoped she was focused enough to make them ejaculate quickly so I could sleep.

When she saw him--Tuna Sandwich--she peeped. My mother never does anything quieter than guffaw. It’s the only way I knew; she peeped, turned me around by the shoulders, and we left the convenience store without papers, Fritos, or grape Gatorade.

Now, I spit a thick gob onto my fingertips, walk behind Tuna Sandwich, and fling it into his greasy hair. Trina sees me and lifts an eyebrow. She smiles, then, because Tuna Sandwich calls her Trina Tits-a-lot. He has tucked money into the shirt pocket of her uniform while copping a feel more than once. Until now, her only revenge was wiping her pussy juice on his tuna sandwich white bread.

For me, Trina lifted his keys. Trina told me she serves him his last cup of coffee at 10 p.m. and that my six green pills will be crushed in it. Trina told me he's small but strong.

She joins me in the men’s room, drops his motel key in my hand, and slaps my ass. “You look so fuckin’ good tonight. I’m not going to see you in here tomorrow, am I?”

“No.”

“Do good work.” She kisses my cheek, straightens her skirt, and leaves me be.

------------

Tuna Sandwich wakes up on a creeper. When I said, “Do you sell those dolly things? You know, the ones that go under cars?” the auto parts guy sneered at me. I’m sixteen, for one, and I’m frail, for two. Also, I lisp a little. He asked me if I needed help getting it into my van, and it sucked, because I did.

If I woke up on a creeper in my motel room, it would take me a minute or two to panic. I’d be almost curious when I came to. I might take some time to assess. It wouldn’t make any sense to a good person.

It doesn’t take Tuna Sandwich but twelve seconds to panic, though, because I know the fuck knows he’s led the kind of life where waking up cocooned to a creeper with rope and bungee cords and duct tape over your mouth is the kind of thing he’s been waiting to come around the corner since puberty.

He shakes his head like a dog after a swim. He groans through the tape. I smile from the bed. I was watching Fixture, the one where Kimmy does the bull run in Barcelona. I turn up the TV, super loud. I go to him. I hover.

He’s using his feet and lower legs to push himself away from me. He bumps his head into the wall and squeezes his eyes closed. His nostrils are blown to the size of dimes. His eyes burn: what, what, what.

He knows what. It’s a hundred whats.

It’s me taking off his shoes and socks and jamming my mom’s metal emery board under his big toenail what. It’s me dragging his faggot ass over to the writing table so I can steady myself on the chair, stand on his chest, and stomp up and down on him until I’m sure I’ve broken ribs what. It’s me moving to his balls and cracking down with my heel. It’s me plunging the emery board into his right eyeball.

Best of all, it’s me struggling to cut through the cartilage of his throat with my Swiss Army knife, because I am sixteen, frail, and lispy. A hundred whats let me take my time, and his left eyeball screams at me the whole time I do.

I’m going to sit here. I’m going to sit here and see what kind of piece of shit person shows up looking for this cocksucker because they missed him. No one will miss him. No one. I’ll be sitting here for days, sucking in his stench until I’m bored and go to Atlantic City.  

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ZERO PINEAPPLES by Timothy Willis Sanders

Billy asked Chris and Molly what movie they had picked and Chris held up a DVD copy of The Birds.

Billy shot a look at Meg.

“Hitchcock had a really fucked up obsession with Tippi Hedren. I read about it online so I decided to never watch the movie,” said Billy.

“Who’s Tippi Hedren?” said Chris, sliding the DVD into the Playstation.

“Exactly,” said Meg.

“Well, sorry about Tippi, but I have a surprise for you both after the movie,” said Molly.

Billy pictured Molly wheeling out a human-sized box with a large gold ribbon, from which Gene Wilder, dressed as Willy Wonka, flipped out of and tipped his hat.

“It’s pineapple upside-down cake,” Meg whispered to Billy.

“You think so?” said Billy.

“Yeah, I saw it in the kitchen. Don’t eat too much,” said Meg.

2

Billy fell asleep 30 minutes into The Birds. He woke up to Tippi Hedren’s catatonic and bandaged face staring back at him. He announced to the others he still understood what was going on.

“Thanks for the update, babe,” said Meg, patting Billy’s knee.

Billy looked at the birds covering the landscape of Bodega Bay. He said, “Good for these birds, taking back their beachfront property,” and imagined a seagull wearing sunglasses and sipping a margarita.

After the movie, Molly brought out the surprise: a pineapple upside-down cake on a large white plate.

Just before finishing his first slice, Billy decided to ask for a second slice.

“Sorry, but anyone mind if I jump in again?” Billy said, pointing to the cake.

Molly laughed and said, “Wow, Billy,” while pointing to everyone else’s plate, each one occupied with a barely-half-eaten slice of pineapple upside-down cake.

Billy cut a second slice and licked his lips dramatically as he lowered the slice onto his plate.

“Billy’s blood sugar is so high that his blood is sugar,” said Meg.

“He had a physical and the doctor told him he was pre-pre-diabetic,” Meg said to Molly in a low voice.

“It’s literally crack cocaine,” said Billy, crumbs falling out of his mouth, “like you literally cooked rock cocaine into your pineapple-upside down cake. It’s that good.”

“Thanks Billy,” said Molly.

3

Billy contemplated asking for a third slice of pineapple upside-down cake. He looked at the other plates and noticed everyone was still nursing their first slice of pineapple upside down cake. “Even after all this time,” he thought and wondered if he was the only one that actually liked the pineapple-upside down cake.

Billy listened to Chris talk about greed in the banking industry. Meg tried to interject things about the sexism in the tech industry but each time Chris steered the conversation towards greed in the banking industry. Billy checked out of the conversation and tried to think of a company that makes pineapple-upside down cake available in 7/11s around the country.

“This is boring. Let’s talk about something else,” said Meg.

“Sorry, Chris is just ‘incredibly attuned’ to all the ways the banks are fucking you over,” said Molly.

“Uhm, the banks are fucking you over?” said Chris.

“Okay, time to go,” said Meg.

“Yeah, it’s time to go,” said Billy.

Billy put on his coat and just before he left he wondered how rude it would be to ask for a plate of pineapple upside-down cake to-go.

4

Billy flipped his pillow and closed his eyes. He scratched his forehead and felt sweat on his fingertips. He wondered if Alfred Hitchcock gained weight by eating too much pineapple upside down cake. He thought about how common it is for a man to imprison a woman. He imagined Alfred Hitchcock in a recliner, eating pineapple upside down cake from a TV tray and thinking up ways to imprison Tippi Hedren.

Billy wondered if he had the ingredients to make pineapple upside down cake. He tried to take a mental inventory of his baking supplies. “I have zero pineapples,” he thought, sensing his body become restless. He flipped himself over and woke Meg up in the process.

Meg said, “Why are you awake?” but before he could answer she rolled over and fell asleep. Billy thought about how she’d regret falling asleep before hearing his plan to put pineapple upside down cakes in 7/11s around the country.

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DEATH BED by Dóra Grőber

You're sitting in your bed, legs pulled up to your chest, black, unkempt hair in an unusual ponytail and you don't talk, not because he's not home but because you have nothing to say. Just a few hours ago you were standing on your desk and painting on the wall, first with a brush and then with your hands, listening to the song Rolling by Soul Coughing, not on repeat. You didn't feel like an artist but you didn't feel fake. You felt like this was recovery or at least some level or element of it, something he could see and think "he's getting better" and he would smile but he didn't come home and the half-done portrait feels more crazy than healthy now.

This woman in the group told you the other day you don't have to be happy, you just have to stay sober because realistic goals are key if you really want to reach them.

3 days ago J. came over and bought cola instead of booze and you wanted to tell him not to bother, to feel free to drink a beer or ten because you won't sway. It's been 4 months. You wanted to say if I want to get fucked up, I will, just like James Frey wrote in his book, and it doesn't matter whether you have a case of beer with you or not. You didn't drink because you felt like it would've been embarrassing, like losing a fight not against yourself but against J., which is stupid. You felt like it would make you look ridiculous and weak which you believe you are anyway even though you're trying hard to bring something home from all those sessions you sit through. Most of the time you just stare at your hands and listen and occasionally you offer a made-up story about yourself - you don't particularly need to fabricate stories, you just want to check if they can detect lies. They can't or they stick to their rule of respecting everybody's words equally. It makes them seem absolutely useless to you but you go every time anyway because you promised him you will and you don't feel like you've been trying enough yet. You think they can't or shouldn't be too soft or permissive if they want to help addicts, they have to be brutal because that's the only thing they understand or at least this seems to be true when you think about yourself. J.'s cheerful and forgiving and his forgiveness kills everything natural between you, you desperately hope only temporarily.

Self-forgiveness is the hardest part and you don't know what to do with the things you don't think you should forgive yourself for.

He's not home and he won't be for another 3 months and he said bad timing and he didn't want to go but you made him, you told him you needed to do this alone because he can't always be there to save you and you've always learned everything the hard way anyway, pushed right in the deepest of waters, but you miss him so much and you wish he were here and you remember how the leader of the group said you need to do this for yourself not for anybody else but sometimes you think it's bullshit and sometimes you think you'd be able to put up with anything, literally anything, 'til the end of times, to make him feel loved because words are cheap and you only use them to make a living. If he were here you wouldn't sit in your bed, you would be lying down.

You talk on Skype. You call each other. That means you call him too and not only when you're in need or trouble. You call him to tell him you made eggs for lunch and you call him to tell him nothing in particular. He always sounds calm and you can hear his smile and it makes your chest tighten with something elemental but you don't ask him to come home because you promised yourself not to be selfish, at the very least when it comes to him.

You deliberately don't tell him when you're in a bad mood - particularly bad because you almost always feel either numb or very anxious - because you don't want him to worry. He's worried anyway and you know it and you hate it because it makes you feel like some kind of a recurring illness instead of a partner. Cancer, cured for the moment, but you can never be entirely sure or relaxed. You jump at every sign, real or imagined.

Now the paint is slowly drying on the wall and you feel old and sad. This is not that blinding, heavy, sticky sadness that makes you sigh and make resigned gestures. This is sudden and not connected to him or his absence. As far as you can tell it's not connected to anything, maybe other than your whole life, your existence which simply narrows down to you sitting in your bed at this very moment. You don't feel pathetic, or that's not a dominant feeling. You feel small and you laugh at yourself for all the cliché thoughts that come to your mind about everything being meaningless and people not being more significant than mere specks of dust in the universe.

Most of the time you're bored out of your skull.

It's dark outside and the music stopped god knows when and you're getting hungry which is another newish feature or ability of yours, or at least newly discovered as O. reminded you once, and you tell yourself maybe something sweet or you think that and you say this is unreal. You want a drink to make the beginning of this unstable feeling go away. You want fifteen drinks and you want to be unconscious, preferably for a few hours or the whole night, and you want to pick a fight with someone stronger than you. He's never willing to hurt you even when you ask him to. The paint is slowly drying on the wall and you decide to paint something over that stupid face tomorrow. You want a drink. You want fifteen drinks. It's been 4 months.

You're slowly lying down.

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CREATION STORY by Bob Schofield

At first the world was just one spiral.

Then that spiral grew a face.

The face was hungry. It filled with water. The face was silent, but never sleeping. A single tooth grew through the bottom.

The face was a word, and that word was “lake.”

The lake was tended by older creatures. Giants with horns and black spiral faces. The whole earth cooled beneath their shadow. They danced over the hills on cloven feet.

The lake was the twisting center of a universe.  Gears were built to keep it all in motion. Fish were constructed, to keep the water swirling. If a fish got caught in the gears, well, that was tragic. But they found it made the machine spin even faster. All that was needed was heat. A touch of fire.

The lake was a factory that ran on smoke.

Empty space hung above the lake. A vacuum, roaring. This displeased the spiral giants, so they painted over it with sky. Papered over it with clouds as the bright blue paint dried. They attached blackbirds there with nails and a length of wire. Smoke was bound to paper wings.

The giants pulled dirt from their hooves, wrapped it in trench coats. They called the dirt “policemen,” and told them to stand guard over the lake.

Now the world was almost ready. Each part fit together. The sky. The stars. The fish. The blackbirds. Everything clicked in its proper position. Held with wire. Moving in slow motion. Line upon line, tracing the outer counters of the lake.

And the world was good.

Or, at the very least, not as terrible as it could be.

Then the giants carved themselves coffins out of lake water, and lay their bodies down to sleep, leaving the rest of it there to spin and spin

So much smoke and hurt and fishbones. So many chewed up blocks of ice.

But beneath the lake, the fish were changing.

Their bodies grew long. They started speaking. They climbed to the top of the lake, and decided to stay there. They had fallen in love with their own reflections. The sight of their new shapely legs.

From there, everything moved quickly. The fish wore fur. They turned into foxes and bears and people. They climbed even higher, and mated with blackbirds. Their children took stones, and built a city in the sky. They lived in relative peace there, putting on corsets and inventing light bulbs. They paid their rent, and poured white powder on their wigs.

In time the fish forgot about the caves and gears beneath the lake. They forgot the smoke and all that spinning. The constant hunger of the waves.

But a lake needs fuel to keep it spinning. Something disposable to burn. So each night the clouds would roll in, weighed down with the dead, the dying. The sick and ruined. Or those just left behind.

A door would bloom in each cloud’s belly. The knob would turn, the hinges creaking. A bloom of heat, and the sky would turn orange. Like a second sunset, only this one framed in writhing bodies. Wrapped in flame and crying softly. From a distance they looked so small you might not even see them clearly. You might mistake them for fireworks over the lake.

Afterwards the doors would shut. The clouds would retreat. The lake was fed, and the world kept spinning. Things went on like this for years. A mound of bodies formed in the lake’s center. Each night it grew by a few inches.

Soon the mound became a mountain, and the fire inside was not so small.

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THE JANNICK OVERTURE by Avee Chaudhuri

Nacogdoches, Texas

Jannick Meissner claimed to be from Eastern Bavaria. He spoke theatrically, e.g. “I will revenge myself upon Castro.”

Castro had slighted Jannick by not inviting him to an ongoing, Sunday afternoon table-top role playing game. Jannick was livid.

“I am an excellent storyteller,” he told me. We were drinking on Jannick’s front porch. I sat and he paced back and forth in a very tortured manner. “I will revenge myself upon Castro,” he repeated.

“You don’t even like role playing games,” I pointed out.

“This is accurate,” Jannick conceded. Jannick was a very cultured, seemingly intelligent German male in his early 30s. He did not like games. He preferred to drink whiskey, listen to Wagner and talk about the demise of Western culture. It was his favorite topic of conversation. Then, when he was very drunk, incredibly drunk, -- which was often -- he would make a solemn display of his sexual impotence, even in mixed company, and then stumble into the kitchen to cook you these extraordinary chicken quesadillas. I don’t think he even played cards.

Still, it was a matter of principle. Jannick felt like he was being ostracized because of his superior wit and charm. It was a matter of envy on Castro’s part. Castro is admittedly a bit of an ass, but the reality is Jannick could be very unpleasant. And his penis smelled horrible.

#

We were crossing the Straits of Colchis when Jannick rang the doorbell. Castro’s wife let him in and showed him to the game room, unaware of the fact that Jannick was not an invited guest. We all greeted him sheepishly. Castro managed to ask him how his day had been.

“Very good, Castro. I was walking through the neighborhood and thought I would stop by and say hello. What is it you are all doing?”

Castro explained impatiently that we were playing the Knights of New Corinth.

“May I observe the game for a little while? Would anyone care for a touch of mineral water and blended scotch? Castro, do you have a lemon and a sharp knife with a wide bevel?” Jannick sat down next to me and produced a flask without waiting for a reply.

Castro sighed audibly but we continued the game. I was never really worried that Jannick would revenge himself that afternoon. Traditionally, the man had never followed through on anything.

He was still overweight and still a drunkard, despite vowing tearfully on numerous occasions to give up cheeseburgers and highland single malt, his favorite pairing. But I did not realize then that Jannick’s vengeance that afternoon would be swift and costly.

We had made landfall on the Troezen Coast and were hiking to the caves further inland to mine for Adamantine, which was not a very glamourous undertaking, but necessary in order to defeat the Troll Wizard Pandonia X. This did not please Jannick.

“You’re miners, now?” He was incredulous. “This game is a fantasia, no? Why aren’t you fighting and pillaging? Kill the men and sexually humiliate the women in front of their children. Then sexually humiliate the animals in front of the clergymen. Then kill the clergymen. Let God watch this tapestry of devastation unfold.” Bear in mind that all of this was uttered unsmilingly, in a thick German accent.

“Jannick, right now we’re mining for Adamantine. You’re free to leave,” Castro said.

A pained expression crossed Jannick’s face. “Castro, Castro, I am sorry. I am not being a good guest. I apologize. Would you like some mineral water and scotch?”

Castro ignored him and kept narrating. As we were mining for Adamantine, a Praxis Dragon entered the cavern, attracted to the smell of our smoked whitefish.

“What’s the plan?” our buddy Stan asked.

“Well, fuck, I think we’ve got to make a run for it,” Castro opined.

Based on our diminished stores of magic and the abject state of our weapons (hence the visit to the mine), a retreat was a logical course of action. Jannick, again, objected.

“Stay and fight! Cowards!” “Goddammit, Jannick.”

But Jannick had a plan. Apparently, he’d done his research. “Use the Nabulus Vestibulovus spell to flood the cave with gas. Then shield yourself with the Adamantine you’ve unearthed. When the dragon releases his fire, he will blow himself up and you will be safe.”

“That’s not a bad idea,” Stan said.

Castro, to be fair, acknowledged as much. “Alright, not bad, Jannick. Want a beer?”

Jannick happily accepted a beer. For the next two hours he was polite and inquisitive. He and Castro seemed to be getting along. When Castro’s kids came home from the park, they were introduced to “Uncle Jannick.” Jannick insisted on ordering pizza for everyone.

It happened after his third slice of mushroom and sausage. Jannick stood up abruptly and raised his fist. He was trying, I think, to make a serious declaration of his enmity, but before he could he leaned over the table and projectile vomited over everything, the seas, the mountains, the small village we massacred Sunday last, the sacred brothel of the elves. He kept vomiting for several minutes. When Castro ran back from the garage and offered Jannick a bucket, Jannick pushed him aside and kept willfully throwing up on the game table.

“Jesus! What the fuck, Jannick!” Castro cried as he tried to forcibly remove Jannick from the tableside. But Jannick gripped the table for dear life and kept vomiting.

When he was finally done, Jannick took a swig from his flask and wiped his mouth.

“I am an excellent story teller,” he said to Castro. Then he collapsed. I rode with him in the ambulance.

He was severely dehydrated. Jannick had eaten a big meal at home before he walked over to Castro’s, and he drenched his last pizza slice in syrup of ipecac, the well-known emetic. Wisely, he was put under psychiatric observation for 24 hours. I visited him, but Castro, understandably, refused.

Jannick complained, “Where is Castro? Why does he fail to visit me?” “He’s busy trying to repair the damage you caused.”

“Well, I think he is rude, and I shall, once more, revenge myself upon Castro,” Jannick declared.

The next day Jannick checked himself out of the hospital against the doctor’s advice. A few hours later they arrested Jannick for setting fire to the play structure in Castro’s backyard, then attempting to extinguish the flames by urinating on them. Despite a jubilant effort, he was not successful.

“I am no longer dehydrated. That doctor is a fraud,” Jannick declared as he was led to the police cruiser.

Some towns have their resident drunks and fading beauties. Ours has Jannick, arguably a synthesis of the two but so much more, eternally aggrieved, openly vain and routinely impotent by his own hand and bottle. His notoriety survives ice storms and the yearly lice and handjob epidemics at the middle school. Of course he seethes and bitches that Castro has yet to attend to him in prison. When they release him, any day now, Jannick tells me he will find another town, with more personable adversaries and perhaps a more sympathetic biographer.

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“NO BOOK BLURB, NO CRY” EXCERPT by Brian Alan Ellis

An Inspirational/Crazy Informative Guide to Proper Book Blurbage

(An excerpt from Sad Laughter, forthcoming from Civil Coping Mechanisms)

“[This book] will fry up some prose eggs in your ol’ brain pan.”

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“[This writer] is the kind of poet whose madness and how [he/she] exorcises that madness is a thing of dark brilliance one can admire from afar but if you ever let [him/her] crash at your house for a few days [he/she] would scare the living shit out of you.”

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“[This writer] can fix your pipes and your roofing but [his/her] book of durable, brick-layered stories can also fix your mind plumbing, too.”

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“[This book] sends a roundhouse kick to your funny bone before blowing it up. Disagree? Then I don’t con­sider you a person; you are a terrorist towards good taste.”

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“Reading [this book] is like waking up to find a bloody horsehead in bed with you and then screaming but not screaming because you’re repulsed but because you’ve actually discovered a fresh way to look at life and it’s amazing.”

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“[This writer] definitely has a way with words—they aren’t written; they’re kicked and fondled before being splattered across the page like a dead, wet dog.”

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“[He/She] is the type of writer you’d let crash at your apartment and then wake up to find they’ve murdered your pets and then turned them into dancing puppets that are now lip-synching to all your favorite Debbie Gibson cassingles, so yeah, a real party animal.”

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“[This book] takes readers on an uncompromising fun­house ride of damaged people attractions.”

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“[This writer] is the type of poet who will put [his/her] head through a plate glass window just to make killer poetry out of [his/her] face.”

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“[This book] is a brave and poignant look into a per­son’s mind as they struggle to exist in a world where Hulka­mania is generally not the strongest force in the uni­verse and we are all in danger of being crushed by a 500-pound giant hailing from parts unknown.”

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“[This book] is recommended for anyone who knows how to read.”

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“[He/She] is the kind of writer clever enough to moon­light as a lawyer/sociopath capable of freaking out a table full of squares by using hella unassuming meth­ods, so yeah, a wonderful talent.”

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“[This writer] writes like a sadistically imaginative child who plays house by burning down the house.”

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“[This book is] a coming-of-age fever dream [the author] carved into some Ouija board [he/she] later used to summon the spirits of David Koresh, Jesus Christ, and Richard Ramirez.”

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“[This writer] is like the Tombstone of frozen descrip­tive prose pizza.”

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“While reading [this book] you’ll feel as though you’ve been taken hostage, like you’ve been stuffed and then zipped inside of [the author’s] emotional baggage, which is okay because it’s warm in there, at least.”

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“[This book] is kind of like Dostoevsky’s The Brothers Karamazov meets Soundgarden’s Badmotorfinger, or maybe like The Notebook meets Re-Animator, I don’t fucking know.”

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“[This writer] is like Sissy Spacek in the movie Carrie when they dump pig blood on her but instead of setting the prom on fire [he/she] ignites your thoughts using dark and mysterious word torches.”

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“If the literary scene were a slammin’ mosh pit, [this writer] would be commanding that shit using wind­mills and crazy roundhouse kicks.”

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 “[This book’s] narrative is like the music video for Van Halen’s ‘Right Now,’ except it makes sense, and it’s funny for the right reasons, and it isn’t as preachy.”

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“[This book] is the literary equivalent of Kid Rock’s dandruff.”

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“Though [this writer] has never won a literary award, it’s quite possible they’ve accidentally urinated on themselves while drunk, so…”

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“Crackling with powerful satanic energy, [this book] is like When Harry Met Sally except Harry listens to nu metal and Sally is possessed by Zuul from Ghostbusters, has an addiction to shitty speed, and may or may not be a juggalo.”

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“[He/She] is the type of writer you’d let crash at your apartment and then wake up to find naked and sum­moning weird spirits while kneeling in the center of some pentagram they’ve drawn out on your living room floor using your pet’s blood, so yeah, a real pain in the ass.”

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“Reading [this book] is like having your emotions con­stantly dunked on by Shaq.”

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“[He/She] is the kind of writer who will pilfer a leather bomber jacket out of a garbage can and then hit the shitty neighborhood bar thinking they look real god­damn good in it, so yeah, a kindred spirit.”

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“[This book is] dripping with comical dark poignancy... like a bacon, egg and cheese McGriddle.”

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“Reading [this writer] is like getting a totally sweet hand job from someone with an MFA—someone really smart, but also someone kinda shifty, kinda dangerous.”

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“[This writer] is the type of person who’d eat the fries off your plate after you’ve gotten up to use the bathroom at Perkins, which means they’re a real sneaky ass.”

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“Sorry, book blurb was replaced by Metallica’s St. Anger snare drum sound.”

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PENNY GORING’S hatefuck the reader REVIEW by Chris Dankland

GET THE BOOK (read online + download epub and mobi versions for free)

LENGTH: 7,000 words

PUBLISHER: 5everdankly publications, 2016

YOU MIGHT LIKE THIS BOOK IF YOU LIKE: Kathy Acker, Édouard Levé, Sarah Kane

Penny Goring’s book ‘hatefuck the reader’ starts with the sound of someone talking so close to your ear that you can feel hot breath:

when i was invincible i believed beauty lasts forever and i died every day. you gave me nothing. i prefer to think you hit me because you are ill. i prefer to stroke my cold pillow. i prefer to sit on a chair than a sofa. i have a plastic joint in my right big toe. you permanently damaged every part of me. my aches and pains are not caused by ageing they are the aftermath of the violence. the end of a story is something i forget. in the month leading up to the twin towers event, i kept waking from a dream where an aeroplane was crashing through my window. i look better in photographs than irl. i don't truly believe in anything. i am startled when anyone calls me Pen, it implies familiarity and affection. i am slow to learn from my mistakes in life, but not in my work. i am attracted to boys girls women men anyone anything anybody. competition repels me. to describe what remains would distress me. i wonder if i will ever truly want to give up smoking. when i sit on the edge of my bed i worry about damaging the mattress, i try to sit on a different area every time, there are not enough different areas. you said i was boring in bed, then you fucked me every day for 2 years. i have cheated on all of my lovers, they were easy to fool, so was i. i joke about Art when it is invoked with a capital A. i wonder if i love anybody except my daughter, it often feels like hate. i do not intentionally remember hurt. i do not trust you. i was fined £1000 for criminal damage, this is how it happened, you punched me in the face until i stopped talking, then you grabbed a knife, then you stabbed holes in my thin plaster walls, then you ran outside, then i knew what had hurt me was outside, then i wanted to hurt the hurt, then i hurled dirty plates and cutlery out the window, then a plate smashed the sunroof of a BMW parked in the road way down below. it is a serious crime to damage a car because car equals money on wheels, and that is the true meaning of beauty.

The book comes at you in a non-stop flood of confessions:

“i got my 1st black eyes, broken nose, walking home through the park after school. i curled in a ball in the mud, a crucial bone in my spine got kicked into a new shape”

“at times i have lived with people who are now dead, believing it to be a forever thing.”

“i have seen a dead junkie hovering 2" above me in bed, yes, i have known ghosts, and i have felt their fabric.”

The book looks beautiful to me. It’s one of my favorite examples of digital literature. I look forward to the time when print versions of books become collectors items and pdfs become the norm. Nowadays most of us consume our music and movies in digital, streaming formats. We don’t need cds and dvds to enjoy albums and movies. We don’t need print books to enjoy great works of literature.

‘hatefuck the reader’ never stops to take a breath, and even by the last sentence it seems like it could keep going forever. What does Penny talk about? Poverty, abuse, art, memories, sex, habits, apartments, dreams, death, children, drugs, unconsciousness, sickness, hope, and everything else. It’s hard for me to think of many other books that have as much sustained energy. It’s relentless.

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ON OUR WAY TO SEE YOU by Ashley Hutson

Right now we're stuck behind a funeral procession and it looks like we're going to be late. Mack keeps saying, How long, how long? We're on our way to see you.

I adjust the rear-view mirror, and Mack is in the back seat, bouncing around. He never settles down when the car goes slow, refuses to be lulled like other children, does not even want to be sung to. He's saying, How long, how long?

And it is about noon right now, and it is a beautiful day and it is November. There is a hearse way up at the front. The cars in the line are mismatched and strangely colorful. Funny how these things appear without warning. An hour ago I got the call, and I swept up Mack and yanked some clothes on him and we piled into the car and I hit the gas. I flew out of town, I don't mind telling you, and it seemed like I turned around for a second—just one second, to yell at Mack to calm down and quit screaming—and when I turned back there was this line of traffic in front of me stopped dead. It happened so quick that I slammed on the brakes, throwing Mack and me forward to strangle on our seat belts for a second. Uh-oh, Mack said.

These long, narrow roads between towns. You know them. You always complained about them when you had to get up in the pre-dawn hours, never knew what animal would jump out from the black woods and drive you off the road into death. Every morning in winter I'd listen to you grouch as I poured the coffee, and this was before Mack was born, this was when everything between us was an adventure and the only thing that worried you was a lonely road in the dark, and my biggest fear was a spider lurking in a kitchen corner. The kitchen of that house we loved, that was a long time ago, remember? And now here we are, me here on this road and you there, and Mack is in the back seat wailing like a devil, ignoring me like he was birthed out of some other woman's loins. Like I am not his mama at all.

Mack starts counting the cars ahead of us. They don’t make noise. I wind down my window and there’s only silence and wind. It is colder than it looks. I close the window. We're a mile outside of town, at the part of the road where it stretches wide and flat after a steep hill, and the cornfields spread out, and at the horizon are rounded mountains so far away they look blue. An open space like this is something special around here, you remember how the first time Mack saw this part of the road and yelled Roller coaster! like it was some big deal.

Now he's in the backseat and saying How much longer? and I tell him to keep counting cars. He skips numbers. He goes from eleven back to three.

I start counting, too. Everything is slow. And I am telling you what, these cars are all clean. I don't see a filthy one in the bunch, not like our old beater that I haven't taken to the carwash in who knows how long. And this day is so fine, so clear, and it's November and just as brown and gold and blue as a late fall day can be, crisp as flint corn. On these kinds of days you and me used to go out right before dusk, we would take walks in the woods down by the old gristmill's abandoned skeleton and I'd kiss you on a path so private no one but deer would see, and then on Sundays we'd go to your Granny's house and eat pot-pie until we were sick.

I am on my way to see you but I am stuck. A procession is ahead of me, a long, crooked line. How long? How long? Mack is saying.

He's lost count, and so have I. I can't see the hearse anymore, it's gone over the far hill and out of sight. There are three cemeteries between you and me and we’ve already passed two, and I keep hoping these cars will stop, I keep waiting for them to turn. But the cars keep moving in a slow drip-drip-drip fashion, and for some reason I am thinking of water, thinking of the word wet, thinking of sex, trying to think of the last time we did it in that small bed in our apartment before you got the night-cough and started with the pills. That apartment we had to move into after you got laid off, you hated it because you thought I hated it, but let me tell you right now: I never hated any room you were in. Right now I am thinking of your jaw clicking when you bit into a sandwich, and how the noise sounded like you were crushing gravel. The sound would satisfy me so, as if your mouth were mine.

The third cemetery is approaching, and Mack is in the backseat like some kind of ghoul that was visited upon me, upon both of us, like a night flower that bloomed in my stomach, like a premonition saying How long? How long? Mack is like a lot of things but the thing I most regret is that he looks exactly like me and not like you at all, even though that was something you cooed and congratulated the baby for—you congratulated a baby—while I lay there in the hospital bed, wondering if my insides would ever feel properly arranged again. And Mack being born sickly, with my spongy bones and looking like me, surely that was some kind of punishment? An omen? But of course you took his birth as a boon, to you Mack was a gift and it didn't matter that he was smaller than most or couldn't get his words out clear like other kids or that maybe my blood was to blame. You said he was a good kid because he was us put together and that blood was not poison, blood was just blood, and you'd never seen an omen in your life.

We've been following this funeral parade for what seems like a few hours now. I am trying to get to you but there is this line of cars I cannot pass or see the end of. I still cannot see the hearse. Sometimes I get glimpses, but you know how this countryside is hilly, is rocky and rough, and I keep losing sight of the hearse over the next hill or around the narrow curves that infest this place, the steep inclines that laugh at this old car, the landscape sneering at the humans who tried to carve a road into it.

The cars passed the last cemetery miles ago and I can't help it, I keep following them. Now they're splitting off the main road, going up a mountain. The night is coming fast. I forgot how early darkness falls this time of year. My ears are going shut. Mack is quieter now, lying down in the backseat. He's whimpering a little. I can't get the memory of a normal afternoon two weeks ago out of my brain. Do you remember? It was October then. You were setting trash bags on the curb outside the apartment, and I was at the kitchen sink skinning an apple, and Mack was watching the TV in another room, and when I caught your eye through the window you gave me a smile. You raised up your hand and waved.

From the back seat I hear, How much longer? but I ignore it. I gun the engine, willing the car to climb higher, higher. Where this mountain ends, I don't know.

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