IMITATION CRABMEAT by Nathaniel Duggan

Dad spends Christmas Eve on the beach killing green crabs, before he returns home to turn on all the holiday lights. The house flashes and dazzles like a landing strip. The sky, meanwhile, looks foreclosed.

“You should’ve seen the fuckers,” he tells me, pinching his fingers to imitate claws. “Some of them big as your face.”

He has no heat, furniture, or future, so we sit in lawn chairs in the living room, our breath glowing like neon. His expression is sour-smug: he is a man who knows his own expiration date. When he dies shortly thereafter—without complication—I bury him in the garden and discover the action figures he stole from me during my youth to prove important points. There they all are tucked an inch below the soil, dirt-clotted and tangled in rhododendron roots.

I crack a beer, plotting my next move.

I spend maybe a few too many years sitting alone in dark living rooms at 3AM.

People claim I approach them with slanted intentions. I am between jobs and lovers. I live as an alleyway, defined mostly by the clutter and the things I keep apart.

For the sake of staying busy, I steal my last friend’s wife. The friend himself cannot be reached for comment; he has long since scuttled off to some forgotten corner of Alaska. As for the wife, she drinks.

This works out pretty well until it doesn’t. We drink too much too early, spend most of our days passing out. Our lives live outside and without us, and we are perpetually slumped against the kitchen cabinets or else spread-eagled on the bathroom floor, piecing together where we last left off: usually the entangling business of her bra.

Sleep scrubs her skin as pale and thin as a bedsheet. Her eyes close into her face. She fades, recedes into the background of herself, until all that’s left is a mapped suggestion of a person, pure theory and postulation.

On the other hand I grow puffy, weighted with my somnolence. I develop certain unsociable tendencies, namely clamming and a technique of eating Chinese food by the fistful. By the time I notice her absence, she’s already gone.

What do you do with so much nothing? Me, I leave the clams to die in the basement. Whole pounds of them, just slowly dying. They make little screaming noises throughout the night, but it’s one of those things like lobsters: you’re not sure if they’re really screaming or if it’s just the water compressing inside their shells or whatever.

Lately the rum I drink has taken on the plastic tang of action figures.

Lately my heart is the size of a face.

Midsummer I set up Christmas lights. I drape the bannisters, hedges, drainpipes. The bulbs throb sickly, pulsate underfoot like crabs on the march. This accomplished, I stumble into the front yard, chug the last of my cocktail. The house swims in my vision, so lucid I can’t look at it straight on. For a while I feel that I am expecting the arrival of something, until I realize I am expecting to have finally arrived somewhere else.

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THE NAVIGATOR by Kelby Losack

Because your friends are assholes, they toss us in the trunk in the sixty-nine position.

They duct-taped my ankle to the steel rod of my prosthetic leg. I don’t even know how to feel about that.

You think that twin telepathy shit is real?

Check, one, two.

Nod your head or something if you hear me.

How are we getting out of this alive?

One-two, one-two.

Fuck.

We’re going to die, huh?

Check, check, one, two.

If I had any memories of being in the womb with you, I think being curled up next to you in this cramped darkness would trigger some flashbacks. Nod your head if you feel me.

I can’t imagine where your friends might be taking us. This ride is bumpy as fuck, though. Remember learning how to drive? We couldn’t see where we were going then, either. Too small to see over the wheel, so we learned how to drive by the feel of the road. I was always careful not to keep the wheel too straight, swerving this way and that, like I’d learned from watching Mom. Always thought of her driving all over the road as her version of rocking us to sleep. It usually did the trick, except for when she’d slam on the brakes and laugh hysterically at some shit we weren’t privy to, reaching back with a hand that always shook, saying, “You okay back there, babies?”

Then there was the time she didn’t so much slam on the brakes as she did just let off the gas and sink into the driver’s seat, hands sliding to her lap, head bobbing against her shoulder in rhythm with the tall grass blades slapping the rearview mirror. I don’t remember if that was the first time we rock-paper-scissored for who would drive/who would navigate standing in the shotgun, but it wasn’t the last time, I know that.

Those times, when we took Mom by the underarms and ankles and sort of carried/sort of dragged her gently as we could into the backseat—thankful she didn’t weigh much more than the pitbull we had at the time—she always smelled like burning plastic, like when we’d use one of her lighters to pretend those little green soldiers had real flamethrowers. Same way she smelled when we found her the last time, slumped against her bedroom door, not waking up.

That first time we drove Mom’s car out of a ditch, it was you standing in the seat, telling me which way to turn as I steered blindly with my foot reaching down to the pedal, my chin ready to get smacked by the airbag if I fucked this up and crashed us into something. I was too scared to take us all the way home, so you told me where to turn into a gas station parking lot and that’s where we stayed until Mom woke up several hours later and she was so proud of us, she gave us some money and said, “Go inside and get you some candy, and bring Momma a pack of cigarettes,” but the clerk wouldn’t let us buy cigarettes, so we came out empty-handed and she said, “Fine, I’ll get it,” and she adjusted her hair and bra strap and checked her teeth in the mirror then staggered inside and when she came back out, she didn’t have any candy, but we didn’t say anything about it.

Check, check.

One-two, one-two.

Are you hearing any of this?

You know, come to think of it, you were always the one navigating, and I was always the blind driver.

That’s why I can’t blame you for any of this.

Your friends are going to kill us—probably tell us to run off into the woods and then shoot us in our backs—and yeah, it might be ‘cause I freaked out thinking the neighbor’s TV was a real police raid and went and flushed all the dope down the toilet, but this is your fault, too. I was just the one steering.

Still, I can’t blame you.

And if we could go back, I’d probably do it again, because without you, I’d be lost.

Nod your head if you can hear me.

Check, check, one, two.

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LITTLE CACKLES by Derick Dupre

A windy morning outside Denny’s in Carefree. Windshields and gas pumps ping with dust. Rosettes of yucca twitch and sway. Inside it sounds like a light rain passing through. A waitress saunters up to a table where three men sit. Her dirndl skirt swishes in time to the dust, and for a moment it seems like the only sound in the world. The three men are John Huston, Rich Little, and Orson Welles. She recognizes Little right away and fangirls out in front of the two older men.

Oh my god I knew it, it’s him, can I have an autograph Mr. Little? Make it out to Sue. No to Ralph.

Make it out to Ralph. Oh my god. Do Nixon. Do Bing.

Little smiles uneasily, accepting Sue’s pen, knowing that in a just world she should be asking for John’s or Orson’s hasty scrawl, not his, not that of one whose sole talent is sounding like other people. But what do other people know, anyway. The older men fidget on the leatherette. To Ralph, he writes aloud, best, wishes, always. Rich. Little slides the napkin to Sue.

Joan! It’s the man of a thousand voices! Sue shouts to a coworker. Oh my god. Do Jimmy Stewart.

Do Jack Benny. What are you doing in Carefree, Mr. Little?

Little, doing Johnny Cash, says, Well we thought we’d check up on the Carefree sundial. We were driving through and John here wanted to know the time, so I said, let’s make a stop in Carefree.

Johnny Cash! Joan get over here. Oh, we do have quite the sundial, don’t we, Sue says.

Joan saunters up and twitches a hip to the right, indicating Welles, and asks Little, So who’s your fat friend?

Welles, nosedeep in a menu, shifts his glance from Hot n Hearty to Lean n Low to Tempting Desserts.

Little, in a rare moment of speechlessness, slowly widens his eyes. Huston, not known for his whipcrack humor, clarifies: We actually don’t know this man. Wepicked him up on the highway and he seemed undernourished. We were planning to feed him and send him on his way.

Little cackles.

Huston just stares at the menu, forgetting whether or not Denny’s serves scotch. Welles squirms against the leatherette. Huh. I’m not surprised. I used to work up at the Denny’s up in Seligman. All kinds of freeloaders there. So, big boy, what’ll you have? Sue says.

Peaches, cottage cheese, hold the rye wafers, please, Welles says, as though delivering a line he’s waited his whole life to give. His order has the tone of a funeral toll. An atmospheric shift disrupts the dining room, in the way it will if somebody farts or breaks a glass. Other tables are silent. Meandering jowls now pause midchew. The dust outside is again the only sound in the world. After a few moments, Joan breaks the trance. I know that voice. I’ve heard that voice. Mr. Little, who’s this friend of yours?

Little, doing John Wayne, says, This man here is the bravest man I know. This man staged an entire war. This man is as good as any general, the great Orson Welles.

Duke! Joan squeals.

Orson Who? Sue says. Oh my god I can’t believe I’m taking Rich Little’s order. What is your order, Mr. Little?

Little does Cagney, delivering his order and snapping his fingers with immense menace. Jumbo Dennyburger, got it? Hold the lettuce, I don’t wanna see no lettuce at all. Cook it well-done - bravo, you got it? There better be extra ketchup, and a coffee.

Sue can hardly contain her squealing. Extra kitchup! Did you hear that Joan? Jimmy Cagney - she winks at Little - wants extra kitchup! Of course! Well-done!

Huston sighs and says, Is there any chance you have single malt.

We have all kinds of rich and creamy malts sir, yes.

Huston looks at Welles, indicating he’s run out of fucks to give. I’ll just have a coffee, please.

Two coffees all day. And what’ll your fat friend have to drink?

Welles fidgets and thinks of Oja, of her love and cunning, thinks by now she would’ve stabbed one of these women. He thinks of something rich and creamy. A hot tea, please, with a slice of lemon.

Another atmospheric disruption befalls the Denny’s in Carefree, Arizona. The dust sings. Joan says, I don’t know who that man is but he sure knows how to talk.

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A BOLD NEW KIND OF STORY by Michael Mungiello

Something new…

Something new…

I need to do something new…

Something new…

Something new…

I need to do something new…

It will be new…

It will come now…

Somehow…

Somewhere…

I know…

It will start on the next page…

One time I was reading important books…

It was very important that I read them…

They addressed concerns…of the people…of the elites…history…art…religion…politics…

I was interested in those things…

People I admired were interested in those things…

So I read in pursuit of these people’s interest…

In the hopes that one day…a book would be written…about me…by all those I admired…

When we are young we believe such things…

We feel born to be admired…

Books feel like they can go on forever…and we can keep riding the train…along with these writers, their writing, their voices, their faces waiting for us at the station of arrival…

I was on a train…

I saw a sign…a train sign…

A sign for the train…

To tell it what was coming…

How fast to go…

How far away it was from somewhere…

What it was leaving behind…

I don’t know…

It was in another language…

I was travelling by train, to see a woman I was in love with…

No I wasn’t…

I was there to visit my Dad…

He was on a business trip…

I was abroad…

But I was reading a book about a love affair…

And I thought to myself…

My, what splendor…

The romance…

What it must be like to be young and travel in a train in Europe to the woman you love, whose role in your life is…mysterious…

Yeah…

Hey…

Give me a break…

I was young…

Books made an impression on me…

But this sign distracted me from this book…

Which I thought meant so much to me…

And which I thought would continue to mean very much to me my entire life…

But I looked up from the book…

To contemplate a line I’d read in it…

To look out the window and think…

Oh, wow…

What a good line…

So true to life and my heart…

Look, the landscape…

It almost reflects what that line means…to me…

But I saw the sign…

And the font…was so much bigger…

And I thought to myself, That…

That contains more meaning…

Than anything I’ve ever seen before…

I couldn’t read it…but it was telling me something…

Not just me…but the whole train…

The letters were so big that even people who couldn’t read would be interested…

The letters were so big…God would be interested…

This…

This was something new…

This was something I would never forget…

I forgot the exact letters…

But I have never forgotten the sign…

The feeling…

To perceive something I knew was important but also knew nothing about…

I have tried all my life to capture that feeling once again…

I had the feeling that I could recapture this feeling by…

By…

By…

Doing something new…

Getting back there…

But how…

Become…rich…

No…

Become…good…

No…

Become…strong…

No…

Become…pure…

No, haha…

I could do it one way and one way only…

By writing a book of my own…

To make my own letters…

My own signs…

Charting the course of my own voyage…

That was the ticket…

But how could I write a book…I had nothing to say…no argument…no expertise…no polemic…no religion…no politics…no art…only the desire for people to never forget something that didn’t mean anything to them, beyond being unforgettable…

But that still had something to do with Dad…

With love…

With journeys…

Was that enough to make a book for… with…towards…against…

Well…

Well…

Well…

I don’t know…

But then I thought…

Well…

Well…

Well…

If I just…make the font…really big…then…

Then the book will write itself…

All I need to do is provide the…elementary materials…

A narrator…(me)…

A setting…(Europe)…

A character…(my dad)…

A plot…(the quest to recapture a feeling)…

A point of view…(mine, the correct one)…

A theme…(literarture)…

And it’s all there…

And everyone will root for my demise…

The end of the book…

The return back to life…

Which you didn’t like while you were there…

But now that it’s been interrupted…by this story about me and my Dad…and my imaginary lover…and Europe…

Now that you’ve come this far…

You’re back in your life…and you can regard your life…the same way you would home…after a trip…the pleasure of return…

Thank you for reading this…

It is a mystery, is it not…

The ways we deserve each other…

How we see each other across the tracks…

Books are like trains…books are like tickets…books are like stations…

But reading is boring…

We just do it for…some other reason…

 

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LIBERTY KID by Lanny Durbin

I saw the kid's face when he got hit by the car. He was standing there on the sidewalk with a blank look and then the car jumped the curb. Just nailed him. The blank look stayed on his face when he flew through air, stared right at me. Like he meant to do it. A party trick.

He was wearing a statue of liberty costume, which, for a short moment, made the visual a little funny. He stood out in front of the Liberty Tax building a few nights a week, one of those preying fast tax return spots in the same lot as the grocery store I work in. He stole a pack of smokes out of my car one night I'm pretty sure, but he was just a kid, seventeen at max. I wished it was the regular guy standing there that day, the day shift statue. That guy danced and waved at the passing cars like he really cared. Either he would have seen the car coming and been vigilant enough to dodge it or he would've been the one to get creamed. Both seemed like better outcomes. The kid was just there for a couple extra bucks—he wore the foam green hat and matching frock with no pride and stared at his cell phone. Lady Liberty's lost disappointment of a son. The hat caught the wind and drifted away when he careened over the hood of the Nissan. It looked like he was doing a killer move on an invisible skateboard.

The EMTs showed up, cops showed up, blinking lights and stoic professionalism. They set out orange cones, scraped the kid up off the asphalt. I watched them work quickly. I stocked shelves most of the day. I opened the store and counted the till. I dealt with the customers, took the trash out, locked up the store at 9 PM. I watched the EMTs take the kid away and thought that I could probably do that. A little training and I’d be alright, but then someone would need to be here to receive the produce delivery, so I’ll leave the rescue work to guys with nothing else to do.

The officer was terse when taking my statement, like, this dipshit in his work uniform better give me a straight answer. I thought, hey man, we both wear uniforms. Yours is dark blue, mine's orange and white creamsicle. We both have our names on our shirt pockets, but hey, mine's only safety pinned—they stitched yours right into the fabric. Officer Ottman. You’re locked into the force, like a blood oath. I could take my name tag off right now and disappear to a new life. I can stock shelves anywhere. A valuable skill set.

Maybe I don't know how to hold a pistol or book a perp at the station but I do know when the frozen goods delivery is coming, what'll be on it, where to stock it. You don't have to deal with Ms. Henderson when I tell her the Amy's Chile Relleno meal was out of stock, she'll have to wait until Friday. Your stern bullying wouldn't work on her—she requires a more delicate approach. I'd like to see you be the shift supervisor in this goddamn place. I'd love to see it.

They towed the woman’s Nissan away while she gave her statement. She was crying, inconsolable. Was on her cell phone and bam, jumped the curb. She probably killed a teenager but she did get to read that Facebook notification. I recognized her from the store. She came in to buy slivered almonds, which reminded me that the bulk order was due in by noon and all this police business was holding me up.

The next morning, the regular Statue of Liberty guy was out on the curb, inches from where the kid was nailed. The guy danced and waved like a real dipshit. I went out and asked him if he’d heard about the kid.

“Yeah,” he said. “Heard he broke his legs and ruptured his spleen or something.”

“So he’ll live, huh?”

“Sounds like it.”

“Can’t you live about the same without your spleen?” I asked. “I think I read somewhere your liver just takes over for it.”

“Heck if I know,” dancing statue said with a big dopey grin. “Hey, I’ve got to cover his shifts until he gets back, so hopefully one can live without a spleen. I should get back to work now.”

I walked back inside to the office in the backroom and googled spleens. I thought about the kid without a spleen. I read that you sure can live just about the same without one; you could just become more susceptible to infection. I thought, hey, that’s not so bad, considering. Plus, working in the vitamin section here at the store, I’ve picked up a few things about nutrition. The kid would want to cut back on dairy fats, for starters. I decided that, if I saw him again, I’d offer the kid a job on the spot, here at the grocery store. Your life was rarely on the line in here, Nissans rarely careened into you in here.

I knew that Officer Ottman wasn’t going to help the kid get back on his feet. Offer the kid a badge? Yeah right. He didn’t really know anything about protecting and serving his community. I’d love to see Officer Ottman try to run this store. I’d love it.

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LONGBEARDS by Chris Dankland

Before The Smiths signed the contract for the brand new house they were set to purchase, the real estate broker said: I have to tell you that in the last few weeks a few of the construction workers have sighted some Longbeards near the woods. I'm only mentioning it because you said you have a small dog.

Yes, said Mr. Smith. Thank you. We'll be sure to keep him inside the house at night.

That's what I'd do, said the real estate broker, nodding. Just in case. I'm sure that as more and more people move into the neighborhood, the the Longbeards will retreat further into the woods. Longbeards like to be left alone. Maybe you'll hear them howling late at night.

Gregory! said Mrs. Smith, playfully poking their seven year old in his chubby belly. Are you excited about hearing some Longbeards howling? Sounds like fun, huh?

Gregory nodded ecstatically, lifted his head and cried: A-WOOOOOOOOOO!

Laughter filled the office like the bubbles in their glasses of champagne.

///

The first time the family heard the Longbeards was two weeks after they moved in. A sound like seven singing trumpets broke the seal of night. It was 3am. Mr. and Mrs. Smith sat up in bed at the same moment.

Longbeards! said Mrs. Smith in a hushed gasp, touching her lips.

There's a lot of them, said Mr. Smith. He headed toward the window.

Gregory appeared at their bedroom door. Mommy! he shouted. On stubby chubby legs he ran in and dived into their bed.

It's okay baby, said Mrs. Smith, cradling her son to her stomach. It's just Longbeards.

Everything's fine. Listen! Do you hear them howling?  Gregory moaned and pushed his face deep into his mother's side.

Sparky ran into the bedroom and hid beneath the bed.

They sound sort of spooky, don't they? said Mrs. Smith. The Longbeards' howls were a combination of tornado sirens, rat screams, and alligator snarls. Woe to the usurping inhabitors of the earth, they howled. Woe to those who wear the crown of pride. Woe to those who scatter and destroy the sheep of the pasture. Woe to the wicked gluttons. Woe to you all on the day of our furious wrath.

Mr. Smith nodded. They do sound strange, he said. A wave of unease rolled through the room. But they're much more frightened of us than we are of them, he added.

///

The Smiths were one of the first families to move into the new neighborhood. All day the surrounding streets were filled with the sound of hammers and buzzsaws and the chatter of Latin American construction crews. But at night, after the construction crews had gone, the neighborhood was as still and silent as a stone dropped in the ocean.

Mr. Smith was proud of the new house that he'd bought for his family. It had not been acquired easily. It had cost tens of thousands of hours of toil at the law firm where he worked. His legal specialty was handling peanut allergy lawsuits. Mr. Smith worked for a candy company that made a small chocolate covered confection called Bloopers. The candies were sold in nearly every movie theater in the country.

But, six or seven times a year, some unfortunate soul with a deadly peanut allergy would purchase these candies, consume them in the dark theater seats, and go into immediate anaphylactic shock. Due to the contents of the candies, which contained a particularly potent peanut butter cream center, these allergic reactions were sudden and almost always fatal. Men, women, and children alike would swell up and suffocate in a matter of minutes, choking in their seats even before the previews were over. This created terrible litigation problems for the company. It was Mr. Smith's job to ensure that lawsuits from grieving families had a minimal impact on company profits.

But they are gone! the families whined. The ones we loved are dead forever! And now we are alone.

It's the unfortunate nature of the universe, answered Mr. Smith. The universe gives and the universe takes away.

You are responsible! the families cried.

We are not responsible, answered Mr. Smith.

You are the cause of all our misery! You have destroyed our happy home! the families cried.

It wasn't on purpose. We all just want nice houses, answered Mr. Smith.

///

The house is on fire! screamed Mrs. Smith. It was ten o'clock at night.

What? asked Mr. Smith. He was in the living room, watching cable news.

THE HOUSE ACROSS THE STREET IS ON FIRE! screamed Mrs. Smith.

They ran to the backyard and poked their head over the fence. The fucking house is on fire! shouted Mr. Smith. Luckily it was an unoccupied house far away from them, in another part of the neighborhood that was still being built. Bright orange flames swirled through the house's walls and windows like solar flares on a distant star. A giant black river of smoke snaked up from the burning roof.

Longbeards! shouted Mrs. Smith.

Fifteen or twenty Longbeards surrounded the house, jumping up and down on their heavy hindlegs. They were screaming. With giant clawed paws they beat their furry chests and kicked dust into the air. Their gaping mouths were wet with slobber, silver in the moonlight. Their huge eyes glowed like yellow light bulbs. Thick mossy beards hung from their jaws all down their bodies, tangled hair tossing through the air while they danced and howled, blurring the air. They shook their fists above them as if to rip open and tear down the sky.

I'm getting the machine gun! said Mr. Smith, rushing inside. Call the cops!

A minute later Mr. Smith had his machine gun in hand, pointing it over the top of the fence. He pulled the trigger and sprayed wild bullets at the Longbeards. The Longbeards darted in twenty different directions. In less than fifteen seconds they had completely disappeared into the night.

///

Mr. Smith didn't sleep that night, but his family did. Mrs. Smith dreamed that a Longbeard arm was growing out of her mouth. At first the arm was limp and dead, but then it started moving. Little Gregory dreamed that there were thousands of lollipops in his veins. Suddenly a hundred gaping slobbery mouths appeared all around him, sucking at the air. Little Gregory rose up into the air and was pulled apart by the suction. Sparky dreamed that he was trying to run away on broken legs.

After the fire department put out the fire, after the cops came by the house and wrote down his report, Mr. Smith stayed up in the living room with the machine gun resting on the loveseat. His wife had wanted a house with lots of big windows. She loved sunlight. Mr. Smith drank coffee and sat in the living room till dawn. He watched. He listened. He waited. He worried.

///

In the deep dark woods, The Longbeards huddled in their cave. The Longbeards waited too. They lay awake, stretched longwise against the wet March soil, full of freshly sprouted spring buds not yet emerged but slowly clawing out. One by one by one the humans would all be turned to whispers, mere coils in the wind. Evaporated. Dissipated. Forgotten. Tear their poison roots from the ground and purify the dirt that life might rise anew. Better to blast the trumpet and drown the deafened world with silence than to let it mumble endlessly its parched and wicked sickbed hallucinations.

Furious breaths filled The Longbeards black twitching noses. Kill them all and eat the children.

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TUNA SANDWICH by Jennifer Greidus

He orders tuna salad because he always orders tuna salad. Today, he also orders bacon potato soup. It’s too hot for soup. He likes to wipe his pretty mouth with the back of a hand. He sneers at the waitresses and only pays attention to the ones with fat tits. One of them, Trina, is my favorite waitress. Her tits are fat. I want to tell her to cover them up. Her skirt is tight, too, and the material that’s supposed to hide the zipper is pulled too far to do its job. He’s not an ass man, though.

My mother’s tits are like that, fallen and fat. Jiggly. To the trucker sitting next to him, Tuna Sandwich whispers, “ A loose handful’s where it’s at, am I right?”

I know my mother’s a whore. But lots of the mothers that Tuna Sandwich fucked weren’t whores. Trina’s a mom, and she’s never whored. Her skin is too pale and clear to be that of a cocksucker. Plus, Trina lets me sit in her booth without ordering anything but seltzer for seven nights straight during the dinner rush. She’s kind. I bet she knits and watches TV until exactly ten p.m. Trina lets me sit here with seltzer and saltines just so I can stare at this fuck who pumped cum in my mother and sliced her cunt when he was done.

I still popped out of her, though. Nine months later. My mother likes to tell me that it’s almost a blessing, her sliced cunt, because she had a wider hole to push me out of.

I have been useless to her until now. She loves me, yeah. She always saves me the last piece of donut. But I was in tow wherever she went: welfare office, subsidized child care drop-off, the casino parking lots at two a.m., Hank’s to buy weed and share rum that I was occasionally allowed to sip if I was quiet. I was always quiet.

I was also always useless. For sixteen years, she used the room next to mine to blow guys for ten dollars because she was too scarred up to fuck. If I were a good son, I would have gotten a job. I just stayed in bed and hoped she was focused enough to make them ejaculate quickly so I could sleep.

When she saw him--Tuna Sandwich--she peeped. My mother never does anything quieter than guffaw. It’s the only way I knew; she peeped, turned me around by the shoulders, and we left the convenience store without papers, Fritos, or grape Gatorade.

Now, I spit a thick gob onto my fingertips, walk behind Tuna Sandwich, and fling it into his greasy hair. Trina sees me and lifts an eyebrow. She smiles, then, because Tuna Sandwich calls her Trina Tits-a-lot. He has tucked money into the shirt pocket of her uniform while copping a feel more than once. Until now, her only revenge was wiping her pussy juice on his tuna sandwich white bread.

For me, Trina lifted his keys. Trina told me she serves him his last cup of coffee at 10 p.m. and that my six green pills will be crushed in it. Trina told me he's small but strong.

She joins me in the men’s room, drops his motel key in my hand, and slaps my ass. “You look so fuckin’ good tonight. I’m not going to see you in here tomorrow, am I?”

“No.”

“Do good work.” She kisses my cheek, straightens her skirt, and leaves me be.

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Tuna Sandwich wakes up on a creeper. When I said, “Do you sell those dolly things? You know, the ones that go under cars?” the auto parts guy sneered at me. I’m sixteen, for one, and I’m frail, for two. Also, I lisp a little. He asked me if I needed help getting it into my van, and it sucked, because I did.

If I woke up on a creeper in my motel room, it would take me a minute or two to panic. I’d be almost curious when I came to. I might take some time to assess. It wouldn’t make any sense to a good person.

It doesn’t take Tuna Sandwich but twelve seconds to panic, though, because I know the fuck knows he’s led the kind of life where waking up cocooned to a creeper with rope and bungee cords and duct tape over your mouth is the kind of thing he’s been waiting to come around the corner since puberty.

He shakes his head like a dog after a swim. He groans through the tape. I smile from the bed. I was watching Fixture, the one where Kimmy does the bull run in Barcelona. I turn up the TV, super loud. I go to him. I hover.

He’s using his feet and lower legs to push himself away from me. He bumps his head into the wall and squeezes his eyes closed. His nostrils are blown to the size of dimes. His eyes burn: what, what, what.

He knows what. It’s a hundred whats.

It’s me taking off his shoes and socks and jamming my mom’s metal emery board under his big toenail what. It’s me dragging his faggot ass over to the writing table so I can steady myself on the chair, stand on his chest, and stomp up and down on him until I’m sure I’ve broken ribs what. It’s me moving to his balls and cracking down with my heel. It’s me plunging the emery board into his right eyeball.

Best of all, it’s me struggling to cut through the cartilage of his throat with my Swiss Army knife, because I am sixteen, frail, and lispy. A hundred whats let me take my time, and his left eyeball screams at me the whole time I do.

I’m going to sit here. I’m going to sit here and see what kind of piece of shit person shows up looking for this cocksucker because they missed him. No one will miss him. No one. I’ll be sitting here for days, sucking in his stench until I’m bored and go to Atlantic City.  

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ZERO PINEAPPLES by Timothy Willis Sanders

Billy asked Chris and Molly what movie they had picked and Chris held up a DVD copy of The Birds.

Billy shot a look at Meg.

“Hitchcock had a really fucked up obsession with Tippi Hedren. I read about it online so I decided to never watch the movie,” said Billy.

“Who’s Tippi Hedren?” said Chris, sliding the DVD into the Playstation.

“Exactly,” said Meg.

“Well, sorry about Tippi, but I have a surprise for you both after the movie,” said Molly.

Billy pictured Molly wheeling out a human-sized box with a large gold ribbon, from which Gene Wilder, dressed as Willy Wonka, flipped out of and tipped his hat.

“It’s pineapple upside-down cake,” Meg whispered to Billy.

“You think so?” said Billy.

“Yeah, I saw it in the kitchen. Don’t eat too much,” said Meg.

2

Billy fell asleep 30 minutes into The Birds. He woke up to Tippi Hedren’s catatonic and bandaged face staring back at him. He announced to the others he still understood what was going on.

“Thanks for the update, babe,” said Meg, patting Billy’s knee.

Billy looked at the birds covering the landscape of Bodega Bay. He said, “Good for these birds, taking back their beachfront property,” and imagined a seagull wearing sunglasses and sipping a margarita.

After the movie, Molly brought out the surprise: a pineapple upside-down cake on a large white plate.

Just before finishing his first slice, Billy decided to ask for a second slice.

“Sorry, but anyone mind if I jump in again?” Billy said, pointing to the cake.

Molly laughed and said, “Wow, Billy,” while pointing to everyone else’s plate, each one occupied with a barely-half-eaten slice of pineapple upside-down cake.

Billy cut a second slice and licked his lips dramatically as he lowered the slice onto his plate.

“Billy’s blood sugar is so high that his blood is sugar,” said Meg.

“He had a physical and the doctor told him he was pre-pre-diabetic,” Meg said to Molly in a low voice.

“It’s literally crack cocaine,” said Billy, crumbs falling out of his mouth, “like you literally cooked rock cocaine into your pineapple-upside down cake. It’s that good.”

“Thanks Billy,” said Molly.

3

Billy contemplated asking for a third slice of pineapple upside-down cake. He looked at the other plates and noticed everyone was still nursing their first slice of pineapple upside down cake. “Even after all this time,” he thought and wondered if he was the only one that actually liked the pineapple-upside down cake.

Billy listened to Chris talk about greed in the banking industry. Meg tried to interject things about the sexism in the tech industry but each time Chris steered the conversation towards greed in the banking industry. Billy checked out of the conversation and tried to think of a company that makes pineapple-upside down cake available in 7/11s around the country.

“This is boring. Let’s talk about something else,” said Meg.

“Sorry, Chris is just ‘incredibly attuned’ to all the ways the banks are fucking you over,” said Molly.

“Uhm, the banks are fucking you over?” said Chris.

“Okay, time to go,” said Meg.

“Yeah, it’s time to go,” said Billy.

Billy put on his coat and just before he left he wondered how rude it would be to ask for a plate of pineapple upside-down cake to-go.

4

Billy flipped his pillow and closed his eyes. He scratched his forehead and felt sweat on his fingertips. He wondered if Alfred Hitchcock gained weight by eating too much pineapple upside down cake. He thought about how common it is for a man to imprison a woman. He imagined Alfred Hitchcock in a recliner, eating pineapple upside down cake from a TV tray and thinking up ways to imprison Tippi Hedren.

Billy wondered if he had the ingredients to make pineapple upside down cake. He tried to take a mental inventory of his baking supplies. “I have zero pineapples,” he thought, sensing his body become restless. He flipped himself over and woke Meg up in the process.

Meg said, “Why are you awake?” but before he could answer she rolled over and fell asleep. Billy thought about how she’d regret falling asleep before hearing his plan to put pineapple upside down cakes in 7/11s around the country.

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DEATH BED by Dóra Grőber

You're sitting in your bed, legs pulled up to your chest, black, unkempt hair in an unusual ponytail and you don't talk, not because he's not home but because you have nothing to say. Just a few hours ago you were standing on your desk and painting on the wall, first with a brush and then with your hands, listening to the song Rolling by Soul Coughing, not on repeat. You didn't feel like an artist but you didn't feel fake. You felt like this was recovery or at least some level or element of it, something he could see and think "he's getting better" and he would smile but he didn't come home and the half-done portrait feels more crazy than healthy now.

This woman in the group told you the other day you don't have to be happy, you just have to stay sober because realistic goals are key if you really want to reach them.

3 days ago J. came over and bought cola instead of booze and you wanted to tell him not to bother, to feel free to drink a beer or ten because you won't sway. It's been 4 months. You wanted to say if I want to get fucked up, I will, just like James Frey wrote in his book, and it doesn't matter whether you have a case of beer with you or not. You didn't drink because you felt like it would've been embarrassing, like losing a fight not against yourself but against J., which is stupid. You felt like it would make you look ridiculous and weak which you believe you are anyway even though you're trying hard to bring something home from all those sessions you sit through. Most of the time you just stare at your hands and listen and occasionally you offer a made-up story about yourself - you don't particularly need to fabricate stories, you just want to check if they can detect lies. They can't or they stick to their rule of respecting everybody's words equally. It makes them seem absolutely useless to you but you go every time anyway because you promised him you will and you don't feel like you've been trying enough yet. You think they can't or shouldn't be too soft or permissive if they want to help addicts, they have to be brutal because that's the only thing they understand or at least this seems to be true when you think about yourself. J.'s cheerful and forgiving and his forgiveness kills everything natural between you, you desperately hope only temporarily.

Self-forgiveness is the hardest part and you don't know what to do with the things you don't think you should forgive yourself for.

He's not home and he won't be for another 3 months and he said bad timing and he didn't want to go but you made him, you told him you needed to do this alone because he can't always be there to save you and you've always learned everything the hard way anyway, pushed right in the deepest of waters, but you miss him so much and you wish he were here and you remember how the leader of the group said you need to do this for yourself not for anybody else but sometimes you think it's bullshit and sometimes you think you'd be able to put up with anything, literally anything, 'til the end of times, to make him feel loved because words are cheap and you only use them to make a living. If he were here you wouldn't sit in your bed, you would be lying down.

You talk on Skype. You call each other. That means you call him too and not only when you're in need or trouble. You call him to tell him you made eggs for lunch and you call him to tell him nothing in particular. He always sounds calm and you can hear his smile and it makes your chest tighten with something elemental but you don't ask him to come home because you promised yourself not to be selfish, at the very least when it comes to him.

You deliberately don't tell him when you're in a bad mood - particularly bad because you almost always feel either numb or very anxious - because you don't want him to worry. He's worried anyway and you know it and you hate it because it makes you feel like some kind of a recurring illness instead of a partner. Cancer, cured for the moment, but you can never be entirely sure or relaxed. You jump at every sign, real or imagined.

Now the paint is slowly drying on the wall and you feel old and sad. This is not that blinding, heavy, sticky sadness that makes you sigh and make resigned gestures. This is sudden and not connected to him or his absence. As far as you can tell it's not connected to anything, maybe other than your whole life, your existence which simply narrows down to you sitting in your bed at this very moment. You don't feel pathetic, or that's not a dominant feeling. You feel small and you laugh at yourself for all the cliché thoughts that come to your mind about everything being meaningless and people not being more significant than mere specks of dust in the universe.

Most of the time you're bored out of your skull.

It's dark outside and the music stopped god knows when and you're getting hungry which is another newish feature or ability of yours, or at least newly discovered as O. reminded you once, and you tell yourself maybe something sweet or you think that and you say this is unreal. You want a drink to make the beginning of this unstable feeling go away. You want fifteen drinks and you want to be unconscious, preferably for a few hours or the whole night, and you want to pick a fight with someone stronger than you. He's never willing to hurt you even when you ask him to. The paint is slowly drying on the wall and you decide to paint something over that stupid face tomorrow. You want a drink. You want fifteen drinks. It's been 4 months.

You're slowly lying down.

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CREATION STORY by Bob Schofield

At first the world was just one spiral.

Then that spiral grew a face.

The face was hungry. It filled with water. The face was silent, but never sleeping. A single tooth grew through the bottom.

The face was a word, and that word was “lake.”

The lake was tended by older creatures. Giants with horns and black spiral faces. The whole earth cooled beneath their shadow. They danced over the hills on cloven feet.

The lake was the twisting center of a universe.  Gears were built to keep it all in motion. Fish were constructed, to keep the water swirling. If a fish got caught in the gears, well, that was tragic. But they found it made the machine spin even faster. All that was needed was heat. A touch of fire.

The lake was a factory that ran on smoke.

Empty space hung above the lake. A vacuum, roaring. This displeased the spiral giants, so they painted over it with sky. Papered over it with clouds as the bright blue paint dried. They attached blackbirds there with nails and a length of wire. Smoke was bound to paper wings.

The giants pulled dirt from their hooves, wrapped it in trench coats. They called the dirt “policemen,” and told them to stand guard over the lake.

Now the world was almost ready. Each part fit together. The sky. The stars. The fish. The blackbirds. Everything clicked in its proper position. Held with wire. Moving in slow motion. Line upon line, tracing the outer counters of the lake.

And the world was good.

Or, at the very least, not as terrible as it could be.

Then the giants carved themselves coffins out of lake water, and lay their bodies down to sleep, leaving the rest of it there to spin and spin

So much smoke and hurt and fishbones. So many chewed up blocks of ice.

But beneath the lake, the fish were changing.

Their bodies grew long. They started speaking. They climbed to the top of the lake, and decided to stay there. They had fallen in love with their own reflections. The sight of their new shapely legs.

From there, everything moved quickly. The fish wore fur. They turned into foxes and bears and people. They climbed even higher, and mated with blackbirds. Their children took stones, and built a city in the sky. They lived in relative peace there, putting on corsets and inventing light bulbs. They paid their rent, and poured white powder on their wigs.

In time the fish forgot about the caves and gears beneath the lake. They forgot the smoke and all that spinning. The constant hunger of the waves.

But a lake needs fuel to keep it spinning. Something disposable to burn. So each night the clouds would roll in, weighed down with the dead, the dying. The sick and ruined. Or those just left behind.

A door would bloom in each cloud’s belly. The knob would turn, the hinges creaking. A bloom of heat, and the sky would turn orange. Like a second sunset, only this one framed in writhing bodies. Wrapped in flame and crying softly. From a distance they looked so small you might not even see them clearly. You might mistake them for fireworks over the lake.

Afterwards the doors would shut. The clouds would retreat. The lake was fed, and the world kept spinning. Things went on like this for years. A mound of bodies formed in the lake’s center. Each night it grew by a few inches.

Soon the mound became a mountain, and the fire inside was not so small.

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