THE WASP by Tyler Engström

I look out the kitchen window and wonder why the flowers won’t grow. I can’t even remember what I planted, what sort of beauty I’m disappointed in not receiving. I’ve given them plenty of water. Was it too much water? I don’t know. I’ve never known. What life does water make, anyway?

Anyway, a wasp comes up to the window and lands on what would be my nose, if not for the window. I lovingly watch his little hands scrape against each other. Adorable! “You look like a fly,” I tell him, “like all the little flies that crowd every rotting meal.”

I tap gently on the window and say, “Little wasp, I love you!” and the wasp zips off. I lose sight of him and miss him already. Has anyone ever kept a wasp as their own? I would’ve been the first. How about an equal? There’s potential there. I think about all the things we could’ve been together and hear a pop against the window. The wasp is back, but this time as a lifeless little Rorschach test exploded against the window. The kind you only ever see on your windshield driving Highway 9 in the middle of July, but I wasn’t going anywhere just now.

If you love something, you’re supposed to let it go, and if it comes back, it’s yours forever. It’s something that doesn’t have to be true to feel good, so what remains of the wasp was my responsibility now. I owe him that much.

I step outside and pick the pieces off the grass. His head, thorax, other parts I’m sure I learned the names of in school, but some things are so easy to forget. Most things are like that, I guess. I wash everything that was once inside of the wasp off the window and place the wet tissue and his little body in the bin. “Back to the earth where you came from,” I say. I throw a handful of dirt in the bin with him for good measure. He was a very good wasp, as wasps go. We had a great time, once.

My neighbor notices my funeral procession and walks over. The down trip must be palpable from across the street, I figure. He asks what I’m doing. “Well,” I say, “I’m tending to the garden and doing what mother nature never had the guts to do, no pun intended. Do you think the wasp would be offended by that? God, I hope not.” He stares through me and I can tell I’ve shared more than I care to. There are no shadows on the ground and the air is damp. His eyes are so glassy, and he looks like he’d been crying. “What’s this about a wasp?” he asks. “The one in the compost, and never mind about that, anyway.”

He starts telling me about my flowers, “They need water,” he says. But what does he know about it? What does he know about the life water gives? What does he know about smashing your head through the glass pane of the world?

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BIG DINKY ENERGY by Josh Sherman

You really need to figure out how to stop drinking so much. You could ask your doctor to refer a therapist or join some 12-step program. But you’ve got a better idea. It’ll just have to wait until the weekend, when you aren’t busy writing marketing copy for real-estate developers.

***

‘The Mulberry Estates are a charming collection of spacious single-family homes in leafy Elgin County.’

‘Set to rise in Toronto’s vibrant Entertainment District, the Foxtrot is a luxurious 45-storey condo tower by the award-winning Mango Development Corporation.’

These are the sentences you’re paid to write eight hours a day, Monday to Friday, from an office downtown.

You wish AI would hurry up and make your job redundant.

***

Saturday morning you’ve got a raging headache. You don’t even throw up when hungover anymore. It’s like your body has tapped out from the constant abuse, or maybe it’s just your natural state now.

Though you’re resolved to stick to your plan no matter how shitty you feel, you’re also nervous and pace your apartment for an indeterminate length of time. A small part of you wants to back out while you still can.

***

It’s so bright out as you walk across a bridge to your destination. You want to capture the brightness — put it in a package like a light bulb so you can use it later. Someone has spray painted RUTHLESS LOWLIFE on a cement barrier. Seeing the graffiti tag, which is all over your neighbourhood, brings you joy. You consider RUTHLESS LOWLIFE to be your favourite street artist. You think of RUTHLESS LOWLIFE as a kind of light bulb.

***

Automatic doors usher you into Canadian Tire. You haven’t been in a hardware store in a long time — probably not since you were a little kid, when your mom made you wear that colourful leash thing so you wouldn’t wander away and get abducted. Recently, while helping your mom move, you found the leash in a box in the crawlspace of her old place. You wanted her boyfriend to take a picture of you two tethered at the wrists once again, but neither he nor your mom were willing to participate for some reason.

Weird.

***

It doesn’t take long for you to get your bearings. There’s a comforting logic to the store’s layout, and you sense intuitively where the aisle you’re looking for is located. Just in case, you’ve rehearsed a backstory for what you’re about to do.

And then you see it, what you came here for: the dinky-car display.

***

Suddenly you’re eight years old again.

You’ve never had alcohol.

Your organs are pink and healthy.

You wake up early to watch cartoons.

Your main concern is your Hot Wheels collection.

You are safe and secure on your leash.

If you could just recapture something of that lost time, even at 1:64 scale, you might find a way out of your predicament. These die-cast toy cars haven’t changed in decades. Something of your childhood remains static, sealed in plastic, and perfect.

So you flip through the packages, picking out a couple models: an ’85 Honda City Turbo, a ’68 Mazda Cosmo Sport, a Nissan Silvia.

You’re already making plans for an Instagram account to post pictures of your toy-car collection. You’ll create it when you get home. The username will be @bigdinkyenergy.

***

You stand in line feeling like you did the first time you bought condoms. You hope the cashier is an old person, someone whose judgment you don’t give a fuck about.

Instead, you end up with a hot 20-something ringing through and bagging your items. You feel totally castrated.

“Just picking these up for my nephew,” you say.

“He really… loves Japanese cars,” you add.

The cashier avoids eye contact when she hands you the bag.

***

As you walk back over the bridge on your way home, there’s a City of Toronto truck pulled up to the curb. Someone in a City of Toronto uniform is power-washing RUTHLESS LOWLIFE off the cement barrier. You just wish some things wouldn’t change, and you’re reminded of the versatility of grief, of all its variants.

Then you notice something else. The bag you’re carrying is so much lighter than what you lug home every day from the liquor store around the corner. And you think maybe you’re more excited to open its contents, too.

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I THINK ABOUT YOUR COCK DURING TIMES OF CRISIS by Lexi Kent-Monning

The first thing I thought of during the coup was your cock. I think of it when I need comfort, and what I wanted to remember was the first time it saved me. We were on your bed, a Friday afternoon, both skipping work. I’d been bent over in the shower, but you know I faint easily so you moved us out of the hot water. Our just shampooed hair made dark blotches and streaks on your grey sheets, while stars encroached on my vision and echoes rolled through my ears, the two telltale symptoms I’m about to pass out. Instead of the stars and echoes, I focused on your cock like my life depended on it, and the deeper I plunged it into my throat, the more I kept the fainting at bay. Your cock brought me back to full consciousness, so now when I don’t have my faculties or when my faculties are too present, when I need a jolt or a numbing, it returns me. When I have to wake up in a few hours but haven’t gotten a whisper of sleep, your cock comes faster than sheep into my head and soothes me. When I almost drive off the road and need to stay awake for a few more miles, remembering the taste of the first lick of the head puts me on cruise control until I pull into the garage. When I’m on my knees about to retch into a toilet, I think about swallowing you down, and my stomach immediately stops churning. So when guns and Confederate flags filled the screens again, the first thing I thought of was your cock, and how it’s never been used for violence. When crises arise, I think of your cock and I know how to stay alive.

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LOW GAS AND A LION IN THE BACKSEAT by Hannah Gregory

My hand lives in her belly. That belly has a tumor the size of a banjo. I like to think my hand keeps her company, playing a soothing song on her tumor banjo whenever she cries in pain. I use my one hand to play my non-tumor banjo for her, my actual banjo, like hum-di-bum-hum-di-dee-hum-di-bum-hum-di-dee. No chords because, hello, one hand over here. My girlfriend Tracy is always yelling at me for getting a lion, but Theory: Is it really about the banjo? Tracy refuses to help me with the chords so she just hears me singing in Open G all day. I tell her that every townie who’s been trapped in the town where they grew up deserves to play banjo for a lion they love. Checkmate. Conclusion: Tracy hates banjos.

My lion breathes heavy these days, breathing the breaths of like… really hard breathing. Tracy doesn’t think I’m a biologist, but what about that online course I took? Checkmate. Theory: Tracy is jealous. She says to stop spending all of my money on that lion. Tracy has had to pick me up because my car ran out of gas. More than once. I spend all of my tips from the bar on the lion’s treatments and we barely make rent. Last night, I did donuts in the high school parking lot until my Low Fuel light popped up, blasting Earl Scruggs with the lion in the backseat as a treat in her final days. Tracy says I’m going to have to start paying for my own AAA if I don’t get rid of that lion. Conclusion: Tracy is jealous. She gives me the silent treatment like she knows how to use it, but there’s a button behind her ear. When I press it eight times, she stops giving me the silent treatment. “Stahp. Staaaaaaahp. Quit it. Please. Okay. Stop now. Ha ha. Okay. Ha ha. You really know how to get on my nerves.” It always goes like that and then we make sweet, salty townie love.

I would cry if this car could run on tears and anxiety instead of gasoline. Theory: If my palm sweats the whole way to the vet’s office, I’ll be able to make it there before my tank runs out of gas. My lion can’t get comfortable in the backseat because of the banjo in her belly. Her brain refuses to quit even though her body is trying to kill her. If I run out of gas, I’ll need to put a sign on the window that says: Careful! Lion in the backseat! She bites but be nice to her. She’s dying! I pass by a gas station, but keep driving because I know where I can get gas two cents cheaper. Conclusion: The car coasts into the vet’s parking lot and it shuts off before I can park. Conclusion: Tracy misjudges my thrift.

My body quakes ugly tears and I rest my head on my lion’s. She licks the tears off my face and she has that smile, that desire to keep living, to keep sleeping, to keep waking up, to keep eating her favorite dinner of fresh carcasses and sweaty hands, to keep listening to my one-handed banjo while I sing her a sweet song about love and heartache.

I sit with her until the vet comes out. We all walk inside together and I walk out alone.

Theory: My heart’s going to fall out and never make its way back home. My lion’s name was Bette, by the way. She was young. Only about five years old. I hum Bette’s favorite song until Tracy comes and picks me up. We leave my car stranded in the vet’s parking lot. Conclusion: I’m going to cry until I die.

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