Welcome to Transmissions, an interview feature in which X-R-A-Y profiles book podcasts and youtubers.Nathan is an aries who spends his time avoiding real life responsibilities with literary fiction and foreign films, having existential crises in dressing rooms, and drinking too much coffee. Hailing from Los Angeles, he currently lives in Korea where he tries to embody Joan Didion by day and Eve Babitz by night. His novella, Adolescence Leaves explores loss and love in memories of a relationship ripped apart between Los Angeles and Tokyo. You can find Nathan on Instagram or Youtube. Or at any of the links here.Rebecca Gransden: How would you describe the channel to someone who is unfamiliar with what you do?Nathan Truong: Tiny bags, big brain books, cold brews, and clubbing.RG: Does the channel have a mission or manifesto?NT: I make it known that: “I read because reading is sexy, and if you’re not reading, you’re not sexy.” I demand you pick up a book.RG: How long has the channel been in existence, and how have you seen it grow over that time?NT: The channel is a little over a year old now heading to year two in March 2024. Growth has been gradual, and it has been such an incredible experience discovering different booktubers. In the lit fic niche, everyone is so kind, smart, and wonderful. I’ve made such incredible friendships that I felt I’ve been missing my entire bookish life.RG: Where did the idea for the channel come from?NT: I originally started the channel because I never had a physical place or person to talk books with. Reading is such a solitary act, but when you come out of it, you desperately want to connect because the world that you encompassed yourself in after however many pages has ended. There is a reaching. So, I reached out online and it’s been incredible to talk about books with so many people now.RG: How did you decide upon a title for the channel?NT: I wanted alliteration out of the channel name with my own. Something easy, something simple. RG: Are there any channels that influenced or encouraged you to start the project?NT: I have to pay thanks to @rebeccaeatsbooks for giving me the jumpstart in starting booktube. She only filmed from her phone and I thought, why not? I also have to thank @cjreads for showing me the lit fic world and allowing myself to find a personal brand within how I wanted to present books and myself.My last thanks goes to @whatpageareyouon for his review of Ocean Vuong’s On Earth We’re Briefly Gorgeous for speaking so thoughtfully of the book when I had no one around me to talk to about it. His video appeared first in the Youtube search engine and validated a lot of feelings I had about the book. It also made me realize Youtube as a space to talk about books.RG: Which of your videos would you recommend to someone who is new to what you do?NT: It would have to be the Book Recommendation Tag Video as it’s a pretty good look at some of the books I read if you’re curious about my reading tastes.Another good video is this LA Vlog capturing bits and bobs of Sula, Breasts and Eggs, and my general life and vibe. It’s short, non-committal. So, a very good appetizer to the channel.RG: How do you go about selecting what to feature on each video?NT: I’m in the camp of long-form content, so whatever I have as backlog footage, I try to piece together to make a 30-40 minute video that is somewhat coherent. Otherwise, if there’s a specific book I want to feature, I will do a singular vlog on the book.RG: If your channel features guests, how do you go about finding them?NT: Location location location! I had the chance to meet Modern Ajumma (@yenasung) when I was home in LA because we live quite close to each other. And I had the chance to meet @bibliosophie because she lives in New York and I was there when I was on vacation. Meeting booktubers in person has been such a pleasure and I hope to meet many more in the near future.RG: If you are a writer, has the channel impacted your writing life? and conversely, has a writerly disposition influenced the channel?NT: I am indeed a writer! The books I read for the channel have lent an eye into what kind of fiction I want to create and has helped me with my proofreading and edits. What to keep, what to cut. Naturally, more reading calls for better writing.In the near future, I want to feature more writing/reading vlogs because, whether I like it or not, I’m a brand. And the brand has got to be branding!RG: Do you watch videos about books?NT: Being part of booktube ultimately means involving yourself in the worlds of other booktubers. It’s community I’m after. Watching booktube has also put incredible books on my never-ending tbr.RG: What do you dislike about book videos?NT: Hot Take: I HATE when people read the back of books (though I am sometimes guilty of this) but I don’t care for the synopses of books. I’d rather hear how a booktuber emotionally resonates with the book. The mood, the vibe, what it reminds them of. I think those emotional ties with the book are what connects me a lot better with the video and the book.RG: Who is your dream guest?NT: I hope to feature more casual chit chats with booktubers with Youtube Lives or Zoom calls. Would love to have a fireside chat with @alsopato about books, movies, music, etc.RG: Is there a theme, subject or book you are burning to cover?NT: I’m hoping to do a Clarice Lispector tier list video as I am a Lispector stan. We worship her!RG: Is there a lit channel that doesn’t exist, but you wish did?NT: I love watching vlogs. Combining the everyday with lit fic is something I want to see more of in the booktube-sphere. RG: Is there a lit channel that exists, but you wish didn’t?NT: The lit fic niche is so small. There are so many other genres of fiction that get a lot of love, but lit fic is incredibly important in how we navigate through the world and interlink our lives with others. We need more lit fic stans.RG: For techheads, which single item of kit do you consider essential for the production of the channel, and what would you say are the basics needed for those new to videos?NT: I think the big question is always camera-centric. The channel started out with an iPhone 12 Mini and is now filmed with an iPhone 13 Pro Max. In my opinion, Apple is the best in terms of sound, video, and stabilization for daytime and nighttime filming.RG: If someone would like to support independent creators, what are the best ways to do this?NT: The best way to support is to connect. You can do this with a comment, a follow, a like, a share. Because the booktube community is so interlinked, we’re all bound to be talking of each other, bouncing ideas back and forth, and, essentially, reading the same books.RG: Looking back on the channel, are there favorite videos, videos that stand out to you, or videos that didn’t go as you would’ve liked?NT: Yes, I play favorites. Everything is a work in progress, but I do consider "we just want to make our mistakes" vlog a shift in the way I read books and read a bit closer to the text by the line of life. The video is mostly about Parade by Rachel Cusk, but also about Heti's recent Alphabetical Diaries, and how autofiction is working between the two.Another video that I cherish a lot is my All Fours | Miranda July vlog. It's a special book with special times that capture the whimsy of the entire book. It's who I am.RG: What are your plans for the future?NT: More books, more coffee, more clubbing, and more honest, open, and compelling conversations around books. And I demand there be more sexy readers.RG: If you liked that, you may also like this. Are there any lit channels on a similar wavelength to your own that you would recommend to a viewer who appreciates what you do?NT: The best influencers are your friends. So check out all my friends. Love them as much as I do.@kiranreader @thelefthandedreader6632 @benjaminjournal @soireadthisbook @TheBarandtheBookcase @batumanslittleidiot @MatthewSciarappa @katsfieldnotes @DogEaredMusings @pleasuresofthetext @Grandpasbookclub @rebareads@benreadsgood@TheDiscoKingOfficial @lucyrutherford @nadsluvs2read @noorsbookshelf @jameskatie @savidgereadsnathan’s nook can be found on YouTube. 

Books Of Some Substance can be found at the website, Apple podcasts and YouTube.David Southard reads. He’s written a book or two. Maybe he’ll write another someday. He co-hosts the Books Of Some Substance podcast from his home in South Korea.Nathan Sharp is a graphic designer, an amateur motorcycle mechanic, an explorer of sounds, a reader of fictions, a collector of cameras, and a fixer of discarded things. He co-hosts the Books of Some Substance podcast and lives with his partner and his cat in California. Rebecca Gransden: How would you describe the podcast to someone who is unfamiliar with what you do?Books Of Some Substance: Imagine you’re at your local library’s book sale, rummaging through the vintage paperbacks and the yellow-paged hardbacks, buzzing with the anticipation for your next great find, distracted by the seemingly endless possibilities before you when you overhear an enthusiastic and wide-ranging conversation about a book you realize you’ve always wanted to read.RG: Does the podcast have a mission or manifesto?B.O.S.S.: Our mission on our website is ‘to inspire listeners to deepen their love of reading and expand their understanding of the world through engaging conversations about books of substance’. Basically, we want to spread the love of literature. We aren’t scholars or professors. We don’t know all the answers. But we believe in the value of stories. We see stories as perhaps the very source of what we call ‘meaning’. With so many different things vying for our attention, it is easy to feel like there is no time for Tolstoy, no time for Proust. We want to hold space for works like this and encourage others to do the same, not out of some aesthetic or scholastic obligation, but because they are beautiful and relevant. RG: Where did the idea for the podcast come from? How did you decide upon a title for the podcast?B.O.S.S.: The podcast started as a bookclub that met in a dive bar in the Mission district of San Francisco. Our cofounder, Nick, used the phrase while we were discussing what kinds of books we would read. Something along the lines of ‘we will keep it broad, but we should only read books we think have some substance’. That evening we set up a Goodreads account and made ‘Books of Some Substance’ the name, then Photoshopped a logo onto the back of a leather jacket in a photo of a Japanese motorcycle gang. David, who did not live in San Francisco proposed that we create a podcast, something none of us knew anything about. For the first eight years the local book club and the podcast ran more or less in parallel. As of November 2023, the podcast has become its own thing entirely. RG: What episode of the podcast would you recommend to someone who is new to what you do?B.O.S.S.: Start with an episode of a book you know and have read. We don’t do a lot of intro-to or summary-of-plot episodes. These are not lectures for a course, but conversations about the language and ideas of the book, conversations which often go in strange directions. So, start with a book you read recently or something you know. RG: How do you go about selecting what to feature on each episode?B.O.S.S.: As is stated in the name of the podcast, we aim to read and discuss books of some substance. What that means exactly is open to debate, but there are a few parameters we generally follow: the novel might be found in the literature aisle of a bookstore, it might be considered to have cultural or stylistic significance, it was published between the end of the 19th century and the late 20th century, and typically the author is no longer alive (although there are episodes where this is not the case). Within those parameters, we follow where our interests lead, whether those are informed by recent events or the last book we read. We try to balance episodes on books and authors that might be found in the traditional Western canon with literature from international, and lesser known authors.With the current season of the podcast, we decided to restrict our reading to the theme of Control. RG: If you are a writer, has the podcast impacted your writing life? and conversely, has a writerly disposition influenced the podcast? B.O.S.S.: What the podcast has been for us is a regular, semi-structured conversation about books. The fact that it is recorded adds a peculiar dimension to the conversation because you must always speak, respond, and question regardless of whether you quite know what you are going to say. This performative aspect engages a different part of the brain than a completely casual conversation. The risky part is that we are confronted from time to time with parts of ourselves that we might not be the most proud of (the foolish, the naive, the arrogant), but that are nonetheless true. The podcast becomes, in addition to an exercise in reading and understanding, an exercise in confronting, accepting, and growing comfortable with and even learning to trust that voice within that speaks without thinking. This trust is prerequisite to ‘getting out of one’s own way’ and is immensely helpful when writing as well as speaking. Perhaps it is the same desire to write, to articulate the strangeness of being oneself and perceiving the world from that particular perspective. It is not only strange, it is also somehow significant.RG: For techheads, which single item of kit do you consider essential for the production of the podcast, and what would you say are the basics needed for those new to podcasting?B.O.S.S.: A decent mic, solid internet connection, a quiet space, and a loving partner who accepts you for who you are and encourages you, or, at the very least, tolerates your hobby that eats up time and space.  Books Of Some Substance can be found at the website, Apple podcasts and YouTube.