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SNAPSHOT BEFORE THE INCIDENT by Brian Brunson

September 6, 2019

With no foreboding of the approaching cataclysm, an orange brown finch, pecking at fallen crumbs, is startled by a fat gray pigeon flying down; a nervous young man watches the barista behind the cart in the courtyard; the barista clears the moist used espresso grounds from the filter with two loud thwacks against the rubber bar as her phone chimes in a text message from that boy listed under her contacts as ‘tinydicpic’; the sun hits the four story glass building reflecting the five story concrete building opposite; a broad shouldered well-suited man holds the hand of his elderly father, slowly walking along the sidewalk; the air swirls ever slightly between the buildings, kicking up a napkin and a leaf; a bee flits between the flowers on the bush in the corner; a man, deep into middle age, his pot belly accentuated by his polo shirt tucked into his jeans, carries his mocha gingerly so as to not spill any; one lone nebulous cloud in the blue sky creeps toward the sun, but never quite covers it; a one-footed pigeon rests on the gravel landscape along the wall; the palo verde tree soaks up the spring sun; a teenager on the wooden bench pauses from his game app to trace with his eye the figure of a business woman rushing past, getting particularly stuck on the curve of her hips; a woman tells, with a tone of disapproval, her younger sister, “I understand, I understand”; the hazy daytime moon drifts towards the horizon; a woman stands in the sun outside her black sedan, searching through her pocketbook for any loose change to feed the meter.

A block away a man, naked, filthy, crawls out of the storm drain.

LOVE RUNS AWAY TO JOIN THE CIRCUS by Kieron Walquist

September 4, 2019

The Ringleader lets the circus run itself into the ground, unsupervised. Ever since the accident, he hides himself in his trailer. Away from the police, the press, the public. All who lie in wait outside, hunched and hungry. Ready to ambush. Ready to accuse: how could you let this happen? Confined by choice, the ringleader doesn’t eat much. Drinks religiously. Sleeps. Occasionally peeks behind the dusty blinds at the sun. You stay with him in his misery. Longing to be loved. But he refuses to want you. Says: you don’t belong in the circus! Go home. You tell him the back door is unlocked. That anyone could break into such sadness.

***

The Acrobat makes the dance look effortless. Without the weight of wings, she flies. Streaks the skyline of the tallest circus tent. Bound in a blood-red ribbon of silk, she unravels. Becomes undone. Tumbles towards you. The cops, the cameras, the citizens. Down below, everyone evacuates. Clearing a patch of hard-packed earth for her. There’s no safety net. Suddenly, she stops. Hangs herself by an ankle. Unharmed, the acrobat spreads her arms. TA-DAH! But the onlookers leave, having seen it all before. You promise that she was enough. That your love is enough. She swears it isn’t. Sighs. She really felt it this time. Fame. You tell her they wanted a fall. One more circus catastrophe.

***

The Beast Tamer feeds the menagerie of animals raw, red meat. Refills the empty stock tanks with cool, crisp water. Scrubs the dust and dirt off the elephants. Tousles the winter coat of the black bear. Playing nice, the beast tamer puts on a show for the authorities, the anchormen, the audience. But you know better. Before the accident, his animals were often sedated and starved. Never let loose. You want to be abused. To have that harsh, heavy kind of love. He says you’re feral. Too wild to hold down. You counter that his crime is obvious. That others will see the suffering safari and wonder: where did the meat come from?

***

The Fire Eater buries the evidence deep inside a burn barrel. With blistered and blackened hands, he rains gasoline over the remains. Strikes a match. Ignites a fountain of fire. Inhales the smoke. Singed by the hush of heat, he walks away from the blaze. Burning up. Bejeweled in beads of sweat. You follow. Feverish from head to toe. You vow to keep it all a secret. You won’t tell a soul. Not the rangers, the reporters, the residents—no one. He thanks you, but rejects the thought of romance. With you, it’s just too cold. You ask, if he eats fire, when did he become so scared?

***

The Magician replays and rehearses the old routine. He shuffles the cards, carefully picks the one unknown. Stuffs a rabbit into a top hat. Makes it vanish, then reappear. He saws the pretty girl in-half, but she always comes back together. Every trick he has up his sleeve works. He makes no mistakes. Nothing goes wrong. Yet, something did go wrong. Just once. And they want an explanation. The law, the live broadcast, the locals. You come to his defense. A good magician never reveals his secrets. That’s what you love about him. He begs you to leave. You’re only making it worse. You have no trouble disappearing on your own.

***

The Fortuneteller meets with the ringleader. The acrobat. The beast tamer. The fire eater. The magician. Welcomes them into her sanctuary. A small space—a room crowded by candles. Air thick with the scent of incense. Roses. Beeswax. Something dead. With milk-white eyes, she considers her crystal ball. Translates her Tarot cards. Looks over the lines pressed into palms. She forewarns them of a frightening future. This time, they believe it—before, they had laughed. You believe the fortuneteller. Offer your hand. Ask: is there love between us? She looks. Shakes her head. I see no future with you.

***

You were the brave volunteer. Out of hundreds of outstretched hands, they reached for yours. Chosen, you were carried from the crowd. Brought up on the stage. Held still by the ringleader, the acrobat, the beast tamer, the fire eater, the magician. Electric, the circus performers declared dangerous acts. The swell of sound from the audience—cheers and cries—left you feeling frozen. But you couldn’t have backed out. Not in front of the high-wire. The black bear. The flamethrower. The water-filled tank. You had to play the part. And you did. But before you died in the accident, you looked back at the performers. Thought they all felt it. Love.

A CHILDHOOD IN FIVE ACTS by Suzanne Craig-Whytock

September 3, 2019

Out back behind the house, there was a rusty old oil drum that Da used late at night for burning stuff. Once Sammy and I found what looked like some kind of animal bones in it, but we didn’t dare ask about the kitten that Sammy had found the week before. This is how I grew up.

I couldn’t help Sammy, I couldn’t save him because he would always cry, even when I whispered, “Don’t cry, don’t.” He couldn’t stop his eyes from leaking like a broken tap, that’s what Da would call him, “Ya fucking little broken tap,” and Sammy would squeeze his eyes together tight, but the more Da yelled at him, the more he cried, and there was nothing I could do about what happened next. This is how I grew up.

I never talked at school, and my clothes and fingernails were dirty. Ms. Carmody would ask, “What’s wrong, Delilah?” but I couldn’t answer because deep inside I liked her, and I couldn’t stand to see her eyes change when she looked at me, like I was a little broken tap too. This is how I grew up.

Once, I got caught in a tree, and Da looked out the back window and saw me hanging there, choking. He ran out and saved me, and then he took off his belt and hit me with the folded leather over and over and over again, yelling, “Stupid bitch, you coulda died,” until I wished I had. But I didn’t cry, I wasn’t like Sammy. This is how I grew up.

Da was Hephaestus, forging us and pounding our wings until we couldn’t fly and we couldn’t remember ever having feathers. Sammy evaporated in the quench, but I got folded into myself and hammered flat over and over and over again until I was hard as Damascus and double-edged and no longer myself. This is how I grew up.

JUDITH, MOTHER by Matthew Lovitt

August 11, 2019

Judith didn’t want to force the boy, but Jacob refused the chance to be reborn in His image. Willow, the regression therapist, said he suffered a PTSD-like disease, and that simulating a second birth would release him from the trauma of years of processed food, daycare by television. And so she held tight the down blanket wrapped around his body, the mock vaginal lips that parted at the crown of his head. He kicked and screamed, and she whispered that soon they would be together again.

Willow said, Again?

And Judith imagined what it would be like to cut the crusts off of her boy’s sandwiches, chauffeur him to cotillion, and buy him his first semi-automatic weapon—everything that she didn’t get to do for her first Gift. Because God bestowed upon the faithful riches—Judith was a vessel for Him. Perfect posture, tiny steps, shirtsleeves past the wrists.

The boy vomited in his womb, and the therapist considered Judith’s many mounted animal heads—antelope, deer, and ram.

What would you call this room? Willow said.

An office, I guess.

And how many rooms do you have?

Twelve if you count the workshop out back.

Willow whistled a cartoon whistle, as if she was impressed. Judith sensed a twinge of contempt. But the therapist didn’t know how dearly she paid—a dead husband and organs.

Judith forced a smile. I’ve been blessed.

Willow said, It would be better for him to birth into your arms, so that you can wipe away the afterbirth from his eyes, nose, and lips.

But his mess, Judith said.

The first of many, I’m afraid.

She grimaced.

And to have him otherwise could make him upset.

Well I’d rather not.

Who would?

Ruin this blouse, I meant.

In his down womb, Jacob writhed, gagged, and spit.

Judith held the mock-opening against her chest.

Willow reached for the boy.

She yanked him away, shot the therapist a look like you’re next.

He could die, Willow said.

Every life comes with certain risks.

And then Judith hummed a lullaby until Jacob’s life passed through her—water through a sieve. The remnants: tiny deposits of sin. But now the boy was free to enter heaven. Or burn in hell, as God wished. And then Judith lay the boy’s body on the ground, rocked forward to a crouch, and lunged at Willow, pummeled her face and chest. She was surprised by how little blood stained her fists. When the bitch was good and dead, Judith looked over her shoulder to Jacob, and noticed the body fluids seeping through the comforter, blotting the carpet yellow and red.

She muttered, Shit.

Judith dragged Jacob by the feet, to the metal shed out back, and into the storage closet where he and Willow could be stashed. The following day she would dump them in a wastewater pit one county west. The chemical sludge would eat away their skin or at least the fingerprints that might tie her to them. But first, but now, she needed to ask for His forgiveness, receive His wisdom.

Judith sat in the last pew of Calvary Assembly. A gaggle of accordion-shaped matrons gathered near the front of the hall, around Joseph, the preacher, preaching The End. Their task was to hold one another witness to be saved from sin. And it was through such service they might glimpse heaven. Then Joseph said he had to take to the shop his Benz, but there was time if anyone would like to testify their faith to Him. Two women shot to their feet, gave one another a sideways glance.

Judith laughed, lifted her gaze to the heavens, and prayed: God, thank you for saving me. It’s been a long journey, and I’m trying my best, but sometimes I’m not sure if I’m cut out to be in Your service. I know the two followers I delivered to you today were unclean—that woman smelled like cigarettes and likely the boy couldn’t complete a quick slant. For this I ask your forgiveness, and another chance. Please give me a sign: a healthy prospect or a new, functional uterus. Sure every setback is an opportunity, but I’m at the end of my wits.

Judith parked her Escalade two blocks from the elementary. She waited for the last girl to lope down the schools front steps, toward her car, then held out the window a rope of saltwater taffy.

She said, Hungry?

The girl grimaced. Not for your garbage candy.

Judith gasped.

And why are you so creepy?

My word.

Against mine.

I don’t know what you mean, Judith said.

The girl plucked her cellphone from her pocket. Well maybe we should call the police, and see what happens then.

SLEEPY TIGER by Matthew Bookin

August 9, 2019

Paul started doing deliveries. He was 19 days sober. The passenger side of his car still looked like a carefully crushed soda can. The travel bottle of Listerine was still in his glove box.

Emir’s food truck business had expanded into an actual restaurant. Paul was hired on as their 31-year-old delivery boy. He picked up racks of steamed dumplings from the restaurant and loaded them into the back of his nearly defeated red car. It was early summer and sometimes, mostly on the weekends, he could be out making deliveries until dawn. He felt quiet and newly alive. He was experiencing traffic lights in an honest, gentle way. People smiled at him and tipped with paper money. A woman handed him an apple with a lipstick-lined bite taken from its side. Fire hydrants bled happily into the streets. Strangers seemed mysterious, hungry, and kind. Light rain washed the city dust from his windshield when he couldn’t afford a new jug of electric blue washer fluid.

The sobriety app he’d downloaded offered up an inspirational quote every day. “Be in love with your life. Every minute,” Jack Kerouac told Paul from some place in the past. Paul knew that Jack Kerouac drank himself to death while living in his mother’s guest room. Paul flipped his phone facedown in the passenger seat of his car and imagined a long stem rose floating dumbly in a full bottle of non-alcoholic beer.

When he was wasted, every day was a casino. Now that he was sober, every day was a boardwalk at dawn.

Paul felt good in a fragile way, like an old light bulb that would pop and burn out at any moment. He could barely make eye contact with anyone. He carried mammoth stacks of dumpling trays up marathon flights of apartment complex stairs. He fed lonely people and he fed families. Some doors opened and he’d find himself facing a mirror. He never tried the food.

The feeling he had when he stopped moving was deep and kaleidoscopic. It swirled and absorbed him. It dryly intoxicated. His psychedelic sadness posed no mysteries. It was his belt, looped tightly to the doorknob of the closet. It was circles inside of boxes. Cages and codes. Heart attacks and cracked pitchers of spiked lemonade. Bad vibes he paid for. No giving, just getting. The fifth can of a six-pack. A vast field of patiently unlit green candles arranged like guillotined sunflowers. The “blah blah blah” of his broken heart.

The restaurant closed quickly and sadly. Emir was widely accused of gentrifying the neighborhood, so he shuttered the place and vanished from the city. For a few weeks, every evening after the delivery job died, Paul would buy several cartons of dumplings from a Chinese takeout place next to his Stepmom’s apartment, where he’d been staying. He’d drive around all night long with the unfamiliar dumplings in his backseat, not really going anywhere. His car would smell like scallions forevermore and the wind was getting colder. When the mornings rolled around he’d donate the untouched food to a shelter downtown.

At his very best, he felt like the only man working behind the scenes at a fireworks display.

Six months later, at the conclusion of a particularly cruel day, Paul bought a tall can of Budweiser beer from a gas station lacking a front door. That was pretty much the end of him.

AS SEEN ON TV by Kyra Kondis

August 8, 2019

Bedazzler

It’s your idea to go as KISS for your first real Halloween party in your freshman year of high school, and of course nobody warns you that your three friends will back out of the costume at the last second. You won’t get their text until your mother drops you off a block away from the party’s actual location. A few weeks before, you’d begged her for the $19.95 you needed to punch plastic rhinestones up and down the legs of too-small black jeans; you have to wear these jeans. It starts to drizzle before you get to the door of the house—everything is always at some rich kid’s stone-sided house, and there are always rigid family photos taken against a cloudy studio backdrop hanging on the wall, and you can never find the bathroom because you’re not used to a house so big—and when you get inside, your thick face paint is dripping down your neck and all three of your friends are nurses in low-cut white smocks. No one offers you a drink, so you make your own, and at the end of the night, Jeremiah Lewis puts his arm around your waist, and his hand brushes against the studs on the seat of your jeans, and he smells like vodka and Sprite when he whispers to you that he always thought clowns were kind of hot.

ShamWow

Your first summer job is a lifeguarding gig at your neighborhood pool, and your first paycheck goes to buying a crop top, bright pink and snug and off-the-shoulder, the kind everyone’s wearing with high-waisted shorts. In front of the mirror, admiring the shock of pink against denim and the way your hair falls over your bare shoulders, you think you look more grown-up now, like a girl who could drive or vote or be in college. You wear the outfit all weekend, pausing to enjoy it every time you pass your reflection in a store window, the glass door at the smoothie place, the side of your parents’ freshly washed car. The following morning at work, an elderly man complains that his lounge chair is wet and hands you his square shammy towel: Be a dear, he says, smiling, and help me wipe this up. Quickly, you flatten the chair, mop the water off the resin-coated wicker, and prop the chair back up, skimming it for extra droplets. When you’re done, the man tells you that he likes that suit you wear, the two-piece red one with the plus-sign on the chest.

Chia Pet

Ryan Daniels is in his first year of college, and it’s over winter break that he asks you out on a date, and of course you say yes because it’s your senior year of high school, and this is how you become somebody. He takes you to the Wendy’s drive-through and parks by the empty lake, so dark and so quiet you can’t believe there’s more city on the other side. You pinch your French fries daintily when you eat them, and you don’t dare dip them in ketchup, and everything feels like part of a movie, either romance or horror, you’re not quite sure. On the floor of the passenger’s side of Ryan’s car, you notice a tan-orange bust of Bob Ross, his green sprout-curls wilting away from his face; you love Bob Ross, you tell Ryan, giddy to make a connection on your mostly-quiet date. You say: you didn’t have much around the house growing up, but you always had paint. Ryan laughs and says he took the dumb thing from his lame little brother. Then he reclines your seat for you and stifles a French-fry burp before his weight covers yours. Wait, you say once, or maybe more than once, but he doesn’t hear you. The lights in the car click off.

Snuggie

In your first year of college, your roommate’s boyfriend makes fun of you when he realizes you have a sleeved blanket; it looks like a bathrobe, he gasps between laughs, or a tent. As the first semester passes, you spend most of your days curled up in it, in your lofted bed where you can always hear your neighbor’s alarm clock go off in the mornings. When your roommate asks if something is wrong, you tell her you’re just cold. But the more class you miss, the more you remember you’re wasting your loans, and the more you waste, the less you see the point of anything at all. One day, your roommate lets her boyfriend take a nap in the room while she goes to intramural soccer practice, and if everything didn’t feel so heavy, it would be hard to drift back to sleep with a near-stranger sprawled out under your roommate’s purple bedspread. It’s as if they’ve forgotten you’re in there, too, or they’ve decided it no longer matters. About an hour after you finally doze off again, a strange sound wakes you up, and you open your eyes to your roommate’s boyfriend holding a photo of something, the purple bedspread moving up and down along with his hand. You shut your eyes again and burrow your arms in your blanket sleeves and wait, your gut coiling. When he’s finished, your roommate’s boyfriend goes to the bathroom, and you open your eyes again. There’s a picture missing from your corkboard, the one of you and your cousin together at the lake the summer before.

OxiClean

Your therapist at the university health center asks if you’re happy, and you say yes. You tell her how your boyfriend took you out last night to your favorite restaurant with the spinach dip and steak frites. You tell her how he told you he loved you. Finally, you think, you’ve done enough for someone to love you. You don’t tell her that when you went back to your apartment, he did it again, the thing where he says he doesn’t expect sex but that it would be foolish for him to be in a relationship without it when there are so many girls who could give it to him. You don’t tell her that you lay there and hoped it would be quicker this time. You don’t tell her that when you got up afterward, you left a red stain behind, small and round like an egg. Your therapist raises her eyebrows, writes something down, says not to be afraid to share the whole story. You answer that you aren’t. When you get home, you pull the soiled sheets from the hamper and attack them with stain remover, scrubbing at the spot in the middle. This is the most energy you’ve had in weeks. You run the sheets through a rinse until the stain is gone, and looking at the newly clean fabric, you wonder how to tell what’s real. You’d know for sure, you decide, if you’d really been wronged.

Right?

TO MY SON AND ONLY CHILD: YOUR MOTHER IS CLOSE TO FADING by Nathan Elias

August 7, 2019

This may come as a shock, but since my death I’ve spent copious hours (each hour a lifetime) relearning the laws of the living. I rediscovered what it means to mourn when you wept capriciously at the side of my casket. I’ve also reimagined gravity as the weight of my sorrows sifts through the sieve of time’s welcoming hands. But now, my boy, my final hour is upon me. The hourglass drains, and so I must transmit, as well as the dead are able, these lessons I’ve procured since the time we spoke last:

The dead’s days, too, are numbered. Upon entering death’s doors, all personal memories are stripped from the ghost-mind until only those of fleeting, trivial observations remain. When I was a girl in pigtails, I once watched from my bedroom window a mourning dove fly from its branch, only to hang in the air, flutter its wings, and return to its branch. After the dead have fully detached from their sorrows and hopes (I had so many for you), we are granted access to a lens through which we may temporarily view the lives of those we loved.

I was there, at your wedding, and you were right to tell your wife I would have loved her.

When the last grain of the dead’s days approaches the tunnel toward the bottom chamber of the hourglass, we begin to fade completely. We are sent back briefly to embody one of our trivial memories from a torn perspective outside of our bodies.

I’m flying from my branch, only to hang in the air and flutter my wings before returning to my branch.

COYOTES by Dan Crawley

August 6, 2019

I find myself fading under ballooning khakis, a parachuting buttoned-down shirt. I let myself in Big Sis’s place through an open sliding glass door. Last time, I found a bundle of twenties in a kitchen cabinet drawer, next to the stove. I ripped out most of the blue paper from a pad on the counter, keeping a few twenties on top of the rubber-banded roll. This time, a million paper clips and batteries like polished coins and plastic measuring spoons litter the bottom of the drawer. I could weep four ounces.

Then I hear another’s weeping and I see Big Bro letting himself in the front door, his crying toddler in tow. My nephew is held like a football on his father’s hip, most likely adding to his uproar. Big Bro stares at my damp forehead, chin, and wonders, “How do you have a key?” I tell him I got an extra the same time he did, a lie. He wonders also, “So what are you doing here?” I tell him I’m retrieving money Big Sis owes me, another lie. He tells me, “I brought over this screaming meemie because I’ve got somewhere to go…for…something, something, and Big Sis is babysitting. Where are you, Big Sis?” I tell him she is not home from work yet, and I’ve got somewhere to go with the money owed to me, for something, something. “My somewhere is more important than your somewhere,” he points out. I can’t help but point out Big Bro’s clammy expression, too. So he points out also, “My something, something is more urgent than whatever your something, something is.” I tell him to gaze upon my shrunken sack of skin, trapped at the bottom of a desolate gulch, and beg for a few bucks. Big Bro tells me, “Someone with a high-powered, corner-office set up like you should have a bank vault full of money for your something, something.” I beg for forty bucks, which could work. Then Big Bro remembers, “I left my truck running.” I tell Big Bro I’m incapable of watching his son as he performs a flawless hand-off of the screaming meemie to the futon on his way out. I pace in tight circles. My hair bristles.

My nephew thrashes all over the futon, his yowl a loose fan belt. So I start yowling a pitiful wheeze. Down in a dried-out creek bed, a thicket of cholla cacti hemming me in. I can’t stay on my feet any longer and collapse onto the edge of the futon and curl up. Big Sis won’t even know I’m here. Just a pile of clothes left by her boyfriend. My nephew stands like a boozer and clutches my billowing shirt and yowls into my ear. Next comes the pounding. Both of us go silent. We hear Big Sis’s uproar on the other side of the door, “I don’t know how you coyotes got in, but I’ve called animal control and the cops to get you out.” My nephew growls. Now that I can do.

NEW CORNERS by Alexondria Jolene

August 5, 2019

The ocean goes unseen. Water scares her, she chokes as she sips it.

She stays in her room while new people load in. It happens every few days. The room doesn’t have a window. The feeling of waves make her sick; she can’t stand to look at them in motion. A tiny pastel painting of a palm tree reminds her of one she saw in a doctor’s office as a child.

Coiled on her bed, the silence strains her ears until horns and fireworks make tiny explosions. They sound small. They sound far. She steps into the hallway for some boxed cranberry juice. Frozen rats fill the ice machine, their cold blood dripping onto the floor. “It’s not what you think,” a man whispers behind her.

Guests are brought to the bingo room just before dinner. She’s the only one who actively plays. No one else even cares to win. Hardly any of them move their pieces. They don’t finish.

In the dining hall, no one sits next to her. “You smell gross,” says an older man.

“Your hair looks like a moldy spider’s nest,” says another.

“I’m lovely,” she says to them.

As she stands in line for a tray of food, she realizes it’s not the buffet she imagined. Employees in tan uniforms hand her applesauce for dessert. She doesn’t like applesauce, but that’s all they serve her. It’s free, so she takes it, but she doesn’t like it.

The other guests get mad at the ones in uniforms. They throw their applesauce, dumping their meals onto the dull floor. She grabs another man’s cheesecake right off of his tray. “You don’t want this cheesecake with your motion sickness, do you, sir? Surely you can’t hold it down with these rough waters.” The man doesn’t respond; he’s slouched over in his chair, his emesis bucket tilted over on his lap.

A man in his late thirties, with hair not thinning at all, rushes down the hallway. His finger lacks a wedding ring. He wants me, she thinks.

***

An employee in a tan uniform removes her empty food tray and leads her into a small office. The man without a wedding ring tells her to undress. She screams. The employees in tan carry her to her room.

She sits on her bed, watching the pastel painting. The palm leaves sway. They fall to the ground, becoming waves. Confident in the patch behind her ear, she walks up the painting and removes it from the wall. Behind it, a porthole, waves crashing against it. She falls to the ground and begins to wretch. Thawing rats roll into her room.

“Your last pill, dear. It’s time for you to leave,” the man without a wedding ring tells her. He hands her a small blue pill. She notices his badge for the first time. The pill dissolves in her warm hand.

“I’ve been wanting to switch rooms for a while now,” she replies. “But please, nothing with a window. I’m scared of water. No paintings, either.”

“You’ve run out of financial assistance,” he says.

“I don’t want any more applesauce,” she says. “My daughter needs to come pick me up. There’s a rat problem. Let me call her.”

He looks at an employee in tan clothes. “I thought her chart said she has no kids?” he says.

“She doesn’t,” the employee replies.

The man without a ring bends down to the woman’s level. “You have no kids,” he says.

“When my daughter was seven, I told her to put me on a cruise instead of a nursing home,” she says. “But this isn’t the right cruise. I don’t like the paintings here.”

“This is a senior behavioral health unit at the community hospital. You have run out of government assistance. We have to discharge you. I hope you find somewhere to stay.”

***

The employee in tan walks the woman through a lobby she doesn’t remember seeing on the way in. A reflection in the mirrored wall stares at her. Small, wrinkled, dreadlocks to her breasts. Gross, she thinks. That woman is disgusting. The reflection dances alongside her until she reaches the sliding doors.

The employee in tan walks her outside and lets go of her hand.

“The corner of 68th and Havenway is mine,” says a lady sitting on the curb.

INTERVIEW WITH NOAH CICERO by Benjamin Scott

August 4, 2019

Noah Cicero has a new book out called Give It to the Grand Canyon, published by Philosophical Idiot in July (available here). It is his first fictional book in several years. I interviewed him about the book, his writing process, and his views on the current state of America.

BS: How would you categorize Give It to the Grand Canyon? Is it fiction, a short story collection, a memoir? At first I thought it was a memoir because the narrator doesn't state his name until a couple chapters in. Are the characters based on people you met?

NC: It definitely is not a memoir. There are scenes that happened, but there are scenes that were made up. In general, the real moments of my life were specifically selected to suit the story’s purpose. Billy Cox isn’t me. Billy is better educated, and more “every person” than me. If it was a memoir, I would have written about how my psoriasis was killing me and I basically only ate apples and salad the entire summer. At one point, my tooth chipped and that was really bad. I sat in bed listening to "Sara" by Fleetwood Mac a lot. Also, someone very close to me died right before I went out there, and that’s not mentioned. I was stalked by a Romanian woman for a lot of the summer. At least I don’t think I mentioned that.

BS: Much of the book seems to revolve around themes of the passage of time, humanity, the state of American society, letting go of the past, questioning the future, and the power of nature. Will you please explain what inspired you to write this book?

NC: I’ve been to a lot of National Parks. They are my favorite places. At every National Park there is a visitor center with a bookshelf, containing books specifically about the park. They are all written by the park rangers, scientists and historians. Nobody that has worked concessions ever wrote one. What I mean by concessions is for the private company that the government contracts to run the hotels, gift shops and restaurants. No book like that exists. So I made one.

If those themes you mentioned made it into the book, they came naturally. I didn’t purposely add those themes. I had no intention to do that.

BS: Many of your books are clearly political/philosophical. This book is very subtle in any political/philosophical message. Do you think that readers are tired of politics/philosophy? Are YOU tired of politics and philosophy?

NC: The book is about a summer at the Grand Canyon. It was about the shadow of a woman. The Grand Canyon was here before politics, and it will outlast all of us and probably even politics. I want to respect your question, though, and answer. Am I tired of politics? I think when I wrote about politics when I was younger, it was the voice of an Ohio white guy. Ohio people in general love to make political opinions. It is a sport for them, but it means nothing. I realized what I was saying meant nothing. It was unserious and facile. I really struggled with this, like something died in me, and the rotting corpse of my stupidity stunk horribly inside me. I decided to not give random opinions anymore. If I feel strongly about something, then I need to do something, even if it is very small. Last week, I ended up in a meeting with Corey Booker. None of my facile opinions led me to that. It was doing something.

BS: This is your first published fiction book in several years. How long did it take you to write Give It to the Grand Canyon?

NC: It took nine months. I wrote the book in 2016. I never submitted it to anyone, and then I saw Philosophical Idiot was going to publish books. I love them and their aesthetic, so I submitted to them.

BS: Do you write every day? Do you use a laptop/pen, paper/type writer? What is your writing environment like?

NC: I wrote randomly, a few times a week. I would go to Starbucks on Lake Mead and Buffalo and write a chapter. I would listen to Willie Nelson and other Outlaw Country Bands. I tried to find the voice of an old country singer. When I write a book, I try to imagine how the story is told. For this book, I imagined an old man holding a Martin guitar, strumming away in his living room. Then his grandson comes in, holding a picture of him at the Grand Canyon alone and in South Korea standing next to a mysterious woman that isn’t grandma. He asks grandpa, “What’s this?”

BS: Are you working on any other writing projects?

NC: No, I think something is taking its course. When it is over, there will probably be words then.

BS: Although the book is not specifically about climate change, it does show the power and danger of living in an extreme climate. You posted that everything was shaking in Las Vegas during the California earthquakes. What is your view on climate change and the state of the environment? Do you think the environment can survive with capitalism/consumerism?

NC: I don’t think I can answer some of these questions. I’m not a climate scientist. Do I think the environment can survive capitalism/consumerism? This is an opinion question, like I am supposed to give an opinion. This opinion would define me, and if you enjoy my definition, you might want to buy my book. I do not think I can give that opinion. I will say, I don’t think it is capitalism. I think it is our culture. The act of fair exchanges, binding contracts, growing food and then turning it into chips is not evil. What is evil is that they have convinced us to be slaves to the Ideal of Wealth. We are slaves to the idea that wealthy is best, that we should be able to make wealth by destruction and thievery, that if someone is wealthy they are automatically better than everyone who isn’t.

People often talk about how Catholicism makes you feel guilty for being a sinner, but American capitalism makes you feel embarrassed just for existing. The attacks on your sense of self are relentless. Most of our society is crippled by the anxiety of not being good enough. Oh man, I’ve already lost. See the language I just used? “...crippled by the anxiety of not being good enough”? Immediately people will be thinking, "Good enough for a great job.” No! Not that. Good enough to love your friends, be friendly, enjoy the life you have, have the body and intelligence genetics/God gave you, and help each other with confidence. In this society, if you are bad at math, they start shaming you in kindergarten. Your body is shaped a few deviations off of a TV Actor, shame. You don’t live in a good neighborhood, shame. Your parents aren’t married, shame. You don’t have kids, shame. You are a man, but you cry sometimes, shame. We have so many cultural shaming methods, and they are about the dumbest things.

BS: How do you feel about the upcoming campaign season for the 2020 election? Are there any candidates you support?

NC: I feel a little scared, because I am unsure if Ohio and Florida can be won by the Democrats. Those states seem to have been lost by the Democrats, and they will have to make up those points in other states. How and what states? In a very innocent way, something seems really wrong, like why can’t we lower the military budget? Like why? Why can’t we help the immigrants on the border? Why can’t we give at least residency status to immigrants that have been waiting for years? Why don’t we have single-payer healthcare or some variant? It says in the constitution we are all equal. If we are not equal when it comes to healthcare, then the document is a lie. The big Republican states of Mississippi, Louisiana and Alabama are becoming theocracies, but at least poor people can live there. In California, the liberal apex, if you can get a job making $80,000, you live in a cute utopia. But if you don’t, your quality of life is horrible. These are not good advertisements.

I don’t want to comment on the candidates.

BS: What are you currently reading?

NC: I just read the autobiography of Saint Theresa Lisieux and The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life by James Martin. They both helped me. I need to learn how to love. I have to learn how to pray for those who mistreat me.

BS: Are there any writers you would like to recommend readers check out?

NC: Juliet the Maniac by Juliet Escoria.

(If you want to check out some of Juliet the Maniac, here's a taste. If you want to get yourself a copy of one of Noah's books—and we suggest you do—go here. --Chris & Jennifer)