Archives

BOLD NEW ‘DO by James R. Gapinski

The hairdresser takes too much off the top. Whoops, sorry! she says, holding out a piece of scalp for me to see. I take the little hand-mirror and inspect the damage. A swath of skin pulls away from my brow and wraps around, like a halo. I take the scissors and plunge it into the hairdresser’s leg. Whoops, sorry! I say. She laughs and smears the blood around her leg. It’s red and vibrant. She is liquid inside. There is a glossy sheen brighter than the brightest no-smudge, stay-on, fire-engine-red lipstick. The hairdresser smiles and says I think we should

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AN ALLEGORY by Dan Crawley

Take your brother to the orange grove, and do not let your friends throw rotten fruit at his head, or any other part of his body. Take your brother to Stop-N-Go, and do not spend these dimes on anything else but candy bars for you and him. Take your brother up to bed, and do not hide in the closet and scare him. Take your brother outside to play street football, and do not let your friends tackle him on the asphalt. Take your brother to school, and do not let him gawk and gag at all the dog poop

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INTERVIEW WITH JAMES McADAMS by Jo Varnish

James McAdams’s Ambushing the Void is released this month by Frayed Edge Press. I caught up with him for a chat about his book, his writing process, and his inspirations. JV: Ambushing the Void is a collection of stories drawn together by themes such as relationships, loss, and nostalgia, and told through truly memorable characters. Professor Pankova and Teo are two of many that will stay with me. Did you draw from real life counterparts for these and other characters? JM: It’s pretty easy for me to look at a person, or read/hear about a person on a podcast or Tweet,

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¿CÓMO ESTÁ TU MADRE? by Phebe Jewell

Every morning Mom digs in the garden plot behind our house, dressed in a faded red shirt and ripped jeans. She refuses to wear black. “I’m done mourning,” she says. “I’ve been grieving since the day he enlisted.” Kneeling in the dirt, Mom turns the soil with a hand spade. It’s a small plot, maybe five by seven. She says she’s putting it to bed for the winter. No cover crop seeds yet, so there’s nothing to bury, just dark loamy soil she churns and churns. She’s still there in the afternoon when I open my Spanish workbook at the

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A TRANSVERSE PROGRESSION by Alyssa Jordan

iv. Late one night, Fred acted on a whim. She reached out to the one friend who still took her calls.  Together they stood, poised on a street corner with coffee cups in hand. The Friend was tall and blonde and intrigued. Red lipstick lined her mouth, wet like a bloody smear. She held a cigarette in her other hand, taking demure drags that did nothing to distract Fred from the pink smoke that curled around her shoulders. “How about them?” The Friend asked.  When she squinted at the couple heading toward the bus stop, Fred was met with a

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SALT IN THE BODY by Kelsey Ipsen

Ghosts do not come to me because I grew up by the ocean and my body is still full of salt. Girl; all limbs, all eyes and sudden fearlessness, dared the waves to become bigger and they did. And of course she was sucked under, tossed about, close enough to death. Of course she was rag-doll, rag-doll, rag-doll. Remember when your body was your body but now it is not. The feeling is like this. I know my body is other things, is waves, is salt. Is once a house/a host/a body with another body’s cells in it. The other

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THINGS TO SHIP TO AMERICA by Jessica Evans

Is heaven a proper noun? Here, I learned to love myself. To love the thick full shimmy of thighs against one another; to appreciate the height of my traps compared to the valley of my clavicle. I fell in love with butter churned from cream produced by cows who live only a few kilometers away. I learned to seek out the salted rotisserie chicken, its skin crispy and shimmering after hours on a spit. As much to bite into something with savage need as because there’s ownership that comes from eating simply to eat. But chicken is only good when

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A GROCERY LIST FOR A SAND DUNE by K Chiucarello

The grains could never contain me. I had always been a shape-shifting blurry little thing packed tall behind foundation slabs, their windows blown out with the shutters ringing loose, paint chipping off the front tooth. When the coastline birthed me, I was a miracle of wonder: pretty as a Cadillac slicked straight, my mother said. Daughters of the fishermen ran atop me, ribbons rippling in the breeze, pairs of feet driving down towards my candied belly, full of a momentum that had me wanting the snow. I explained by long way of lecture to the hills what it was like

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SING TO ME THE ONE ABOUT THE RIGHTEOUS EMBRACE OF THE INEFFABLE by Pat Foran

Something My name is Phineas and if I can get the pose right, a photograph of me will appear in the 1979-80 Ridgid Tools Two-Year wall calendar.  In a two-piece and six-inch heels, I am holding a No. 930 1/2-inch D-Handle Reversing Drill like it’s a semi-automatic weapon.  “I need a little more…something, Phineas,” the photographer said. “A little more serendipity, a little more world-weariness. Show me a righteous embrace of the ineffable. And a little more gam.” *** Level We were fixing up a place that needed fixing up. We were going to live there. Her parents were helping,

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