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ANALOGUE by Sara Kachelman

December 5, 2018

I share a face with a famous killer. Before I was nobody. Now women ask to have their pictures made with me. When we stand together I slide my hand down their backs until they quiver. It thrills them. I am a dangerous man! The killer kills women. He says it is not sexual. I know him. We stood next to each other in a lineup. I admit he is attractive. We shook hands at the station. “You are good at what you do,” I said. “You are good at what you do,” he replied. Then he winked. I had the extraordinary feeling of watching myself on film. They released him that day. Lack of evidence. I know I should not like him, but I do. He is a man who does not take himself too seriously. The killer has a good supply in Amsterdam. He passes a woman in the bike lane after the bars close. He has no preference on how they look. As I said before, it is not about that. Maybe she looks slow or small or kind. He crashes a few meters in front of her and grabs his leg, moaning. Then the woman stops and offers to call an ambulance. When she gets off her bike, the killer jumps her and drags her aside.He's a strangler. He is consistent that way. But women are so stupid, they continue going out at night. They pretend they are smarter than the others before them. Many died before he was caught. They caught him in a public latrine. People have no respect. Before the killer was arrested I squatted in a cathedral with other young foreigners. But now, with endorsements, I may be able to afford an apartment of my own. I am the most popular disc jockey in town. Dark wave, doom metal, post punk. Many women want to fuck me. I take them to the park at night. I put my hands around their necks. I squeeze until I feel their pulse in my hands. They beg me never to stop.

MORE MORE MORE by Neil Clark

December 4, 2018

First thing on your first day, you were instructed to go down the basement and have a picture taken for your security pass.

Down there, they told you a joke and said, “Now hold that smile and look at the camera.”

‘Click’

They printed the photo and handed it to you. You were pleased with how it turned out. Your smile was genuine. The joke they’d told you was a good one.

Then they passed you a piece of sticky tape and said, “Stick the photo to your forehead, please. And smile a little more.”

‘Click’

They printed the second photo - of you smiling a little more with the first photo stuck to your forehead. Handed it to you. Told you to stick it to your forehead.

“Please smile more and look at the camera.”

‘Click’

They handed you that photo. “Stick it to your forehead. And can you smile a little more than that, please.”

‘Click’

This process continued through your lunch break and into late afternoon.

“More.” ‘Click’ “Even More.” ‘Click’ “More still.” ‘Click’

‘Click’

By 5pm, the floor was scattered with discarded photographs and pieces of used sticky tape mottled with dead forehead skin. Lactic acid paralyzed your jaws and cheeks. The corners of your mouth trembled, not daring to drop south.

They asked if you’d stay a few more hours. They just wanted your security pass to be perfect.

“Of course,” you said.

Finally, they clipped clothes pegs to your cheeks and hoisted them towards the ceiling.

‘Click’

You showed your security pass to your new boss and got asked why 745 unanswered emails had built up in your inbox since the morning. This, you were told, was not in keeping with #1 and #177 of the Sacred Company Values: ALWAYS HAVE A CLEAR INBOX.

At your retirement party sixty years later, you preach all 177 Sacred Company Values in a stirring speech that you cap off by raising your glass and saying, “More more more!”

Your employees applaud. Raise their glasses high. Hoist the clothes pegs on their cheeks higher still as they repeat, “More more more!”

Afterwards, in private, you make sure your inbox is clear before unhooking your own sixty-year clothes pegs. Your cheeks droop to the floor and dangle by your feet like tired rubber bands.

You place your security pass on your desk. Before leaving the office for the last time, you stare at the old photo: your innocent face; its plush hoisted cheeks; your trembling mouth; the photo taped to your young forehead.

You look at the photo within the photo, then into the photo within the photo, the photo within that photo, the photo within that. You keep going. Deeper. More deep. Deeper still, until your eyes pinpoint the first photo taken on the morning of your first day. The one with the genuine smile.

It was a good joke, you remember.

LOVE IS THE PLAYGROUND OF THE THING by Michael Mungiello

December 3, 2018

This love story has nothing to do with me. I’m not involved. Even the small parts—the earrings, the dog, the money—I only care a little bit about. What’s actually important is how it ends. It ends on a boat.I started following Lorenzo because he lived next door and he looked exactly like me. It was an added advantage that he was ignorant of almost everything. For example, he never noticed I was following him. I followed in my car and on foot, I took buses I didn’t have to and sat in the row behind him. Lorenzo always wore headphones.I was amazed at the emptiness of his life: how much of it he spent at work. There was a coffee place across the street from the BMW dealership. I read some good books there when spying got boring. Mostly self-help books. How to Find a Job. How to Find a Job Part 2. How to Find Another Job. Etc. Lorenzo biked to work.I saw him sell. He made my hand gestures. His teeth were whiter, he seemed more at ease than me but I saw him clench his jaw after customers walked away. I followed him back by car, relying on mild traffic to make my otherwise menacing creeping speed look accidental.I’d watch and wonder, is that what my back looks like? Do my shirts also get detucked during the day? I guess I hoped some other stranger (maybe another neighbor) was following me. (He could answer my questions.)The whole time I lived next door, I never heard Lorenzo play music. Which means he wore headphones inside his own house. Do you see Lorenzo? As tall as a refrigerator, pale, blue eyes, prematurely grey hair; long pants even when it’s hot outside, button-ups. I never saw the inside of his apartment, I can only imagine it perfectly. Delivery people rarely came so he cooked his own food. Then came Sheila. Sheila ruined everything. One day Sheila thought, “Well, why don’t I buy a car?”On that day I did what I’d never done before: cross the street, cross the lot, come inside and look around. BMW 1 vs BMW 2 and so on. Made a thinking face. Fixed my posture like I’m a regional manager with kids.Lorenzo looked up and saw me. I saw his face go, “What? No way. What?” And he got up to come talk to me like I was a normal customer and cancel out the uncanniness. But he failed. The door opened and he was distracted.It was Sheila.Short as an oven, artificially white hair, very small nose.And Lorenzo forgot I exist. Seeing Lorenzo see Sheila, for a second I forgot I exist too. Sheila broke through his big ignorance. I felt him change.I assumed they became boyfriend and girlfriend because I heard him say, “I’m Lorenzo” and I heard her say, “I’m Sheila.” My face was velvet drapes. I didn’t belong there anymore. I dashed out and never followed Lorenzo again. I went home and fed no pets, watered no plants, watched no TV. I didn’t read anything. I didn’t have plants or pets or a TV, although I did have books.Next day, a knock at my door, a note slid under.

Dear Weirdo,

I know you’ve been stalking me. Stop. Get help. Or I’ll call the cops.

I thought about telling him I’d already decided to stop, but no. I didn’t want to stoop to his level.I did want to explain myself, though. “Hey buddy” or “Dude” or “My man” or “Uh excuse me?” My fingers went numb with excitement as I contemplated the first words I’d say to Lorenzo.I opened the front door in time to see a shiny BMW pull out of the parking lot. Sheila driving, Lorenzo in the passenger seat. I felt whatever song they were playing, the car’s bass hurt. I thought, “BMW must stand for ‘Blasting Music, WOO!’” I thought, “Ha.” Then I thought, “Blasting music? Lorenzo, you’ve changed.”I was going to go back in but I saw something glint in Lorenzo’s bristly welcome mat. I bent down and saw two earrings.

. .

Modest but elegant. The kind of restrained jewelry that says, “I’m actually rich.”I picked them up and put them in my jacket. They clinked together with spare change. I walked to the beach. It was 7 on a Wednesday night. Lorenzo and Sheila were probably on a mid-week date night date. They were probably eating dinner at a place where the napkins were linen and on a table, not paper that came from a cube.I got a dollar slice and took it to the beach. I sat on the sand and munched. I chomped. I scharfed. I was some kind of gavone I kept my mouth open because the slice was so hot.A lady was walking a dog. Both of them were tiny and white with frizzy hair. I love dogs so I trained my eyes on some adjacent cloud so I could watch the dog out of my peripheral vision without making the lady suspect I was staring at her. I didn’t want to stare like a “weirdo.” But soon enough I was staring because the dog saw something and started barking. But not a normal bark, a bark like it was begging for its life, crazy. The lady said the dog’s name four times: confused; cloying; stern; scared. She pulled on the leash but the dog pulled harder and the lady fell forward and let go of the leash. The dog looked left and darted left then looked right and darted right then stared straight ahead past the horizon and ran into the water.“Oh my god,” I said.“My dog,” the lady said.Then the crazy thing. The dog doggy paddled maybe five feet out. Retrieval’s no problem, right? Except a dolphin slid by and swam under the dog, essentially acting as a self-steering surfboard for the dog, who was shuttled far away before our eyes. I imagined doggy legs quivering.“Wow,” I said.The lady looked upset.“Don’t worry,” I said. “He’ll probably come back when he’s hungry.”She nodded at me solemnly like I was right. Or like she wanted to tell me to go fuck myself.A long whistle insinuated itself. It was Lifeguard Joe, huge arms, with his paddleboat.“Let’s go,” he said. This was the day he’d been preparing for his whole life.The lady started to walk over but fainted.“Shit,” Joe said.“Wait,” I said. “Sir, that dog is my wife’s pride and joy. She’d never forgive me if I didn’t try to save him myself and besides the dog is very anxious and only responds to me or my wife.”We rowed hard for a long time. I teared up when it was clear the dog was gone.“Dolphins move fast,” Joe said. “I’m sorry I got your hopes up.”We got back but the lady was gone now too. Or maybe we’d just rowed away from her by accident and she was still waiting. I never saw her or Joe again, after I helped Joe put away the rowboat.I lay on the beach. I closed my eyes. I couldn’t sleep, probably because I was outside. My jacket wasn’t actually warm. But I bet Lorenzo and Sheila were snug near a blazing candelabra at their fancy restaurant. BMW’s had seat warmers. I left the beach and took a Lyft home. The driver’s name was Fred. I said nothing.When I got back my key didn’t work. I tried four more times before I for some reason knocked. Of course nobody answered.I used the flashlight on my phone to look at the lock. I also saw an envelope taped to my door.

Dear Tenant,

We are alarmed to hear of your behavior which has affected another tenant. We have changed the lock on your door using your security deposit. Your possessions will be returning in due course.

Regards,

Management

I fidgeted with the earrings, turning them around in my fist like they were stress release balls but they weren’t stress release balls so one I wasn’t less stressed and two the earrings stabbed my palm. My bleeding hand.“Fuck.”I didn’t want to stain the jacket pocket so I slapped my hand onto Lorenzo’s door and smeared. I smeared until the tiny hand holes stopped.On the boardwalk I saw flyers. “See This Dog? Call 1-800-LORENZO, it belongs to (my gf) Sheila’s sister, $5,000 reward.”Who was the dog? The dog on the dolphin. I was touched by Lorenzo’s generosity. And if he could be so selfless, I could too. Why not? We looked just like each other. This flyer told me something about myself, some soft bright thing.I remembered where Joe left the boat.I picked it up.I ran to the ocean while carrying the boat.The whole time I was thinking how meaningful Lorenzo’s flyers must’ve been to Sheila.Imagine, some guy loves you and proves it.Tries to find your sister’s dog.The water was too cold but I ran further, slowly.I threw the boat on the water and got on.Sheila was opening Lorenzo’s door, probably, returning from a visit with her sister.I paddled.Lorenzo finished cleaning the kitchen. He got a glass of water for each of them.I was looking left and looking right and paddling forward.Lorenzo showed her dogs up for adoption on Craigslist. He showed her pictures of a dog on the beach. She smiled. She said, “Our own family.” She said, “Alaska.” She lay her legs on his lap. She knew he wanted to quit his job. His life before her—creepo neighbor, shitty job. His life with her—“it would be amazing,” he said. She put her hands on her stomach.I didn’t dress for this; it was cold. I thought salt from the water was being blown into the holes in my hand. I had nowhere to live. I didn’t even know what dolphins do at night.For all I knew Lorenzo was proposing to Sheila that night, on the couch, on their way to Alaska. They were sharing his headphones. They were on Craigslist selling his bike. Lorenzo was reading a book about Alaska, learning everything, stroking Sheila’s hair. Attentive.The moon was big. No stars or clouds. And I saw a tiny white dog gliding toward me on the back of a dolphin. The dog was making its long way from far off and I realized that in my fantasy Lorenzo had cleaned my blood off the door before Sheila came home so she wouldn’t get scared.The dog telepathically asked me, “Are you scared?”The moon telepathically answered, “He is.”The dog was zooming now, closer, and I tried to paddle backwards but couldn’t. I was excited like I’d been playing a game with someone better at the game than me. He was about to make the winning move and out of admiration I took pleasure in my own defeat because it was his victory.The dolphin zipped past me and into the horizon forever.I paddled.

THIS IS WHAT I WANT by Tina Wayland

December 2, 2018

This is what I want.

I want to change the locks on our front door. My front door. I want to pry the deadbolts from the wall, break them with a hammer. Feel the echo of every strike travel up my arms and through my skin, settle in my bones.

I want to throw away the key that hangs from your belt buckle, forget the way you’d bend your hips to the lock like a dance, swaying to catch the keyhole, then tumbling into the room as the door swung open, catching your balance on the picture of us that always hung crooked.

I want to sweep out whatever’s left of you under the bed—the t-shirt you bought at some concert and wore until it grew armpit holes. The corners of old condom wrappers and clumps of dust made from your dead skin, like some snake that took years and years to shed its old life.

I want to scrub your fingerprints off all the dishes, remove the grease stains your lips left on the glasses, the smudges on the silverware. I want to erase the way you hold a cup in your palm, fingers splayed, balancing its weight against your skin. That delicate touch I thought you took with everything.

I want to pull down all the pictures of you off the wall, leaving nothing but dirty outlines and patches of clean nothingness underneath. The parts you couldn’t get to. I want to tear them to pieces, destroy every evidence of you, of us—

—at the beach that first summer, when I burned my mouth on marshmallows and cut the pain with the last of your whisky

—with our used blue Cavalier, when you made the salesman take a picture of us—me in the backseat, and you upfront, my chauffeur in a tweed cap

—at your graduation, wearing the long black gown I spent hours ironing, trying to take out every crease so everything would be perfect

—in the mountains on our last trip—late spring? early summer?—when you wore a new shirt I didn’t recognize and I asked you about it but you didn’t answer…

I want to de-ink this tattoo of our names on my arm, turn the intertwined letters into serpents that eat one another whole until we disappear. You folded your fingers into mine when I said it hurt, promised to run the pain into your own skin so we’d be forever imprinted on each other. So we’d be carved into layers too deep to cut out.

I want to wash your smell out of everything. Bleach the towels and sheets, scour the white leather couch where you’d sit texting, laughing, telling me never mind, babe, doesn’t matter. I want to whitewash the blue screen that reflected off your face in our room, in the middle of the night, filling our space up with the light of words that left me in the dark.

I want to rip up every road that drove us to your parents’ farm, where you’d toss hay bales into the attic and bless me when I sneezed. When the cows came in for winter we’d warm up in a stall—the thick, animal smell of us filling the barn, the cattle echoing our lowing. Once you called me city girl and I bought a checked fleece to prove you wrong. I wore it the day you wanted to leave early, and when I stood up my shirt was covered in hay. A hairshirt. My hair tangled in straw.

I want to forget all the names you ever called me, all the things you whispered up close or not quite far enough away—

—darling

—babe

—listen

—I can’t…

I want to break the hands of the clock that ticked away at our final days, filled every room with a beating heart that hadn’t yet broken. I want to tear the spines from the books you’d bring back, pages warped and lined in yellow marker like beacons. Like warnings. I want to take back all the times I said OK, stay late, study. Then you’d stack your books in piles by the bed, the bookmarks bent but barely moving.

I want to burn the stairs where you stood when you told me. The long, spiral staircase that we’ve walked a hundred hundred times to our apartment. My apartment. I want to set the top step alight and watch it burn away the memory, turn the wood to ash that will fall to a pile and scatter in the wind, your chain of painful words floating down some dirty alley to bury themselves amongst the other garbage there.

I want to forget the way you held my arm like we were at a funeral. The way you said her name, a life preserver, a rescue raft come to whisk you away. I want to erase the feel of your cheek off my fingers, where they slapped you hard enough that you lost your balance. When you grabbed the railing I wished it would melt in your hands, let you slip through the molten metal, trap you forever at the top of the staircase.

I want to retrieve all those years. To be 18 again. To tell myself not to listen. Cover my ears when you asked me to come for a walk. Push you away when you pulled me behind the tree. Plucked a leaf and held it up to my face. Told me I was a reflection of nature, with the green of the earth and the blue of the sky in my eyes. I want to warn myself that your kiss was not worth it. That your hand cupped my cheek in a clasp, not a caress. I want to stop my back from falling against the tree trunk and letting go.

I want to go back and delete it all.

I want it to never have been.

I want us to have never existed.

I want you to have never been here at all.

This is what I want.

X-R-A-Y ISSUE #8

December 1, 2018

LELAND CHEUK !! KATHERINE BEAMAN !! MARC OLMSTED !! ISABELLA ESSER-MUNERA !! ZARAH BUTCHER-MCGUNNIGLE !! DELVON MATTINGLY !! TARA ISABEL ZAMBRANO !! JAMES TADD ADCOX !! WAYLAND TRACY !! KRISTIN LAFOLLETTE !! BRAXTON YOUNTS !! JP SORTLAND !! JOEL TOMFOHR !! SHANE KOWALSKI !! MOLLY MONTGOMERY !! NIKOLAS SLACKMAN !! GREGG WILLIARD !! rob mclennanDOWNLOAD ISSUE #8 DECEMBER 2018

A STROLL THROUGH THE ENGINE ROOM by Gregg Williard

November 30, 2018

It had been arranged that she would take a stroll through the engine room before supper. Captain Venkman had assured her that they would hold a place at the captain’s table for her if she were detained. Not for his command were the martinet’s peevish demands. He prided himself on, not only an “untight” ship, but a downright anarchic one. “I have found over the years of our voyage, Randi,” the captain had confided on their first interview, “that a rudderless, aimless, and frankly lost ship is no place for unnecessary rules.”

“Some might differ,” Randi protested gently. She sensed a game of some kind that she wished to negotiate in a properly playful spirit. “In the absence of external order, internal discipline is said to be the only refuge of the survivor, don’t you think?”

Captain Venkman laughed long and heartily at Randi’s words. “That might apply to the usual kind of lost, where there is still hope of finding one’s way, but you see, the Sundstrum is not merely lost to land or destination. Within we are truly lost to the world.”

"I don’t understand,” Randi said. “There are plentiful provisions, and the crew and passengers all seem filled with hope and expectation.” She found her breath caught in her throat. “I myself have someone waiting. To be told there is no hope…” She regained her composure and rebuffed his warm eyes with a sharper tone. “You said that anarchy reigns here, Captain. I see no evidence of this. Everyone seems perfectly well behaved, and the ship and crew are smartly appointed. There is lights out at nine bells, and stewards fluff our pillows with alacrity and cheer.” Her voice faltered and tears clouded her eyes. She was furious and distraught.

Captain Venkman gave Randi a monogrammed handkerchief stitched with HMSS in the queen’s blue and gold. “I’m sorry, Randi. Of course there is order and regulation. Up here there is hope and steady compass, sextant and GPS and the stars. There will always be steady progress marked, and made. I only meant to suggest that if you are a little late for dinner we will understand, and accommodate.”

“But Captain, why invoke this vision of chaos?”

“Randi,” and here Captain Venkman’s eyes darkened and his voice grew low and rough, “it’s the engine room. Down there, we are lost. There is no governor. There is no way.”

“Do you forbid me to go, then? Why not declare it off limits?”

Captain Venkman stood then, the cabin suddenly shrinking with his girth. “No, Randi. I don’t forbid your stroll through the engine room.” He pushed open the cabin door roughly and stabbed a shaking finger into the passageway. “I command it. Go.”

A SELECTION OF ESSENTIAL K(NOT)S by Anita Goveas

November 29, 2018

How to tie a Slip Knot

A simple loop in a piece of rope, this functions well by itself on the surface. It’s easy to undo, remake. The void it creates is reaching out for something, wanting purpose, to be entwined. Some may tell you it cannot be defined, but these are the people who tell tales of elusive mermaids and fiercely protective sea-serpents.

How to tie the Fisherman's Knot

Tie a loose knot with the working end of a rope around another rope. Best used to tie two separate but equal pieces together quickly, but not so quickly that they don’t know what they’re getting into. Can be pulled in two different directions to test it, such as thinking of long nights at sea with the world rocking under your feet versus searching for the salty taste of zephyrs.

How to tie the Backup Knot

If you have established the Fisherman’s Knot will probably hold, but it is inexplicably filled with yearning for something it cannot touch and can hardly describe, wrap the free end of a rope around an extra piece. Work the end back to the primary knot, for extra security against slippage such as dreams filled by the memory of water droplets against scales.

How to tie the Water Knot or Ring Bend

This is the best knot for webbing, for straps or harness, not for unexpected connective tissue developing between fingers or toes, or other throwbacks. Tie an overhand knot in one end leaving a measured length free, for a given definition of freedom that changes every day. Retrace the knot in the opposite direction and pull tight. Be sure to inspect for signs of slippage such as falling into stagnant water and not coming up for air.

How to tie the Constrictor Knot

If tied carefully, it grips to itself and cannot be undone. One mistake and many years of hard work can be released like an oyster expelling its pearl. Starting in front of the desired object, wrap from right to left, bind and cross over. Remember to make enough eye-contact for dominance but not so much that it makes you consider the impact of these actions.

Repeat until there is no searching, no dreaming, no falling. Revel in the rawness as the rope burns your hands. Ignore the voices chanting that the more you try and hold onto something that doesn’t belong to you, the more likely it is to find a way to slither out of your grasp.

ARBORIST by Lanny Durbin

November 28, 2018

Guy was just standing there in my backyard. He was hacking at the Sweet Gumball Tree that reached up through powerlines and my touched my neighbor’s roof with its old, outstretched arms. Chopping at it with an axe. I’d been watching him for fifteen minutes from my kitchen window. He’d barely gotten through the stiff bark. The spiky little gumballs that grew from the tree’s veins were raining down on him. He just kept chopping, chopping, chopping.

This was bullshit. I’d called off work again, spent the morning willing myself from the bed. I’d driven across town to the used video game store and bought a Sega Genesis. I was depressed and I was going to try to numb it by sinking into some old soft memory for the day, because that’s what you do sometimes when you’re depressed, you line up every futile gesture you can think of. I was going to play Zombies Ate My Neighbors until things cleared up or until my boyfriend came home and shamed me, whichever came first.

I watched him chop away. He looked so angry yet so determined. I decided I should find out why he was trying and so far failing to kill my tree.

“Why are you chopping at this tree?” I asked as I approached.

“S’posed to do it,” he said.

“Yeah, okay, but I mean...you know.”

It seemed that the man couldn’t be reasoned with.

“Who sent you?” I asked. I didn’t see a work truck around or any orange flags or a company logo on his grey T-shirt. He didn’t have the build of a city worker, that burly, greasy look. He was skinny and soft like me. “Do you have some ID or something?”

“No ID,” he said. “Listen, buddy, I work for the city. Tree removal.”

“But this tree doesn’t need removed.”

“Says who.”

“Me. It’s my tree.”

The man stopped hacking then. He considered me and considered the tree again. “Is it really anyone’s tree?”

“Mine. My house, my yard, my tree.”

“But think about it. You didn’t plant this tree. Way too old, look at it. Can you own something that’s already there? It’s just there?”

“What is happening right now?”

He wiped the sweat from his forehead and swung the axe at the tree again. I went back inside. I poured a glass of water and drank it over the sink. I stared at the brown tile behind the sink, wondered what the hell just happened out there. He had me stumped, no pun intended. I wondered if I was getting pranked. I sat down on the couch and tried to focus on the video game again. Still, the chopping continued over the digital bleeps. I poured another glass of water and went back into the yard.

“What about this,” I said to the guy’s back. “If the tree’s not mine then it’s not yours either. By your own logic this tree belongs to no man, so what gives you the right?”

He stopped and leaned against the axe while he reflected on my inquest. Finally he said, “Well, got me there.”

“I suppose,” I said. I handed him the glass of water. “Hot as hell out here.”

He smiled and drank up.

“Can I assume that you’ll stop chopping my tree down now?”

“I’ve already gotten through the bark though,” he said. “Would seem cruel to stop now. Listen, I don’t know what I’m doing here.”

“You’re telling me.”

“I thought this would do the trick,” he said, almost as he if he was just thinking out loud. “See, I don’t work for the city. It’s just, well, things aren’t going so good for me. I don’t know anymore. I wanted to be an arborist when I was a boy but now I’m too old to follow that dream, huh?”

“I don’t think arborists just chop trees for no reason,” I said. “They study them?”

“Study, chop down, what’s the difference.”

He looked like he could cry. I walked away and went into my garage. It was packed full of shit my boyfriend James and I had bought and never used. We’d come to the realization that there wasn’t anything left that we liked in one another, so we started buying shit. To fill the space, I don’t know, but now I understood this man in my back yard chopping my tree. In my garage there was a brand new axe we’d bought for some reason. I had to peel the plastic sticker off the handle.

“Know what,” I said to the guy when I returned. “I hate this tree.”

We started hacking at it together, one on either side. Maybe if we’d been better prepared we would have gotten one of those long, two-manned saws. We chopped together, the spiky gumballs raining down hard. Bugs crawl away, squirrels took the hint and hopped to another tree, birds wondered what the hell. The guts of the tree really started to show, pale and splintered. My arms were killing me already.

Still, it felt good. Something was loose inside again.

James came home from work and flipped. The guy and I shook hands and he walk on, axe over his shoulder. I think of him now when I see an arborist on the landscaping TV show and wonder if he’s okay. I think of him when I don’t want to see James anymore. I think of him when I wonder what’s wrong with me. I think of him, and I wait for him to come back so we can finish chopping down this fucking gumball tree.

TIME-EATERS by Kaiter Enless

November 27, 2018

“I don't have no problem.”

“Sure seem like you do.”

He shook his head, a fractional gesture, noticeable only due the couple's proximity.

“Well, I don't. Was you what started yappin.”

She folded her arms below her breasts, turning slightly away, staring at nothing, muttering, “Fine.”

“Yeah. It is. Why you being this way, Lyla? Ain't never was like this between us before. Now, all a sudden, you're constantly screwing up your face, hmph-ing all over the place, snapping at me for no good reason, constantly try'n ta start something...”

“Ain't try'n ta start nothing.”

“Good, cuz there ain't nothing to start.”

She made an expression that was midway betwixt the spitting-upon-of-disgust and the-self-indulgent-sigh-of-petty transgression. Harmon Kessel finished his frozen yogurt, threw it in the parking-lot trash can and turned to his girl with a expression she could not place and then fished out a cigarette and stuck it between his blood-red lips and stood smoking and watching the gulls turn circles in the thermals above the pavement.

It was one big cliché. A stupid and boring one, Harmon thought to himself with mild irritation. This venomous exchange and the countless ones that had gone before it. He was not a intemperate man but his reserve – like as every others – had its limits and in Lyla's constant scrapping he was finding his. He blew a circle of smoke up and out over the parking lot before the ramshackle plaza, proud he'd remembered how.

“We've had this conversation before, Bluebird, and before we had it, we heard it.”

She turned to look at him from the corners of her eyes. He didn't like that. The way she side-eyed him as if he weren't worth the fullness of attention, as if he were merely a speck of colorful paint, floating at the terminus of all perception.

“What are you on about?”

“It's the same argument I always hear from couples – that everyone hears – whether its from memories of my parents or from the parents of my friends or from my friends, newly-wed, or from some book or movie. I've heard it and so have you. I reckon people have been hearing it since they was able to do so. People arguing bout nothing. Eating up time. We're time eaters. Time eaters what pay no mind to whats on their plate. That's our problem as a species.”

She cracked an awkward smile, frailer and less broad than it used to be. He dearly missed the way she used to smile, a little slice of moon with the twin suns of her dark coffee eyes shining above it.

“Anyone ever tell you that you're strange?”

Harmon took a drag, considering. Nodded and spoke flatly.

“Bout once a week nowadays.”

“Can't say I'm surprised.” She was flipping through her phone now, less than half-listening. Harmon took another drag, his expression falling into a drab blankness. He'd meant the statement as a joke. She used to laugh at that sort of thing, at his dry, off-kilter humor drive by flat overstatements of the commonplace. Just two years ago she'd have been cackling like a hyena. Now she couldn't seem to tell when he was being serious or not. Harmon thought maybe in him some fault lay for that; maybe he was too serious, too tense on the thread of life, like as his father had said. He never smiled anymore. It was just his way. One of the gulls swooped down to the parking lot and pecked a greasy hamburger wrapper that some litterbug had left behind. Prodding with its baldish beak til it found a fry. As Harmon watch it abscond with its prize and flutter up into the shine he wondered why he couldn't feel sadness. Given the situation, it seemed appropriate; like as it would be the normal response. For all Lyla's accusations of peculiarity, Harmon had always considered himself a relatively normal person. Average in most ways. Average height, average looks, or maybe, a little above average looks, average job ghostwriting with under average pay, average build, maybe leaner than most. Lean but muscular. It was only when it came to his mind that any peculiarities began to manifest themselves, odd turns of phrase and archaic words which pleased his ear and so oft poured from his lips; ruminations on the state of things that seemed beyond all ken, save his own. His grandfather had once said that Harmon spoke like a man that were unweaving a secret loom that only he could see. The random girls at the bar thought it was “sophisticated,” their boyfriends “pretentious,” Harmon's amiable acquaintances just said he “talked funny.” He took a long drag of the fervid Fortuna and thought on the phrase “amiable acquaintances.” Most of what he had that were social were such. He reckoned he didn't have any friends. Not anymore. None save Lyla. Only she was different. Friend and lover. Sweetheart since high school. A bond worked for nearly 12 years. Most of the others he'd withdrawn from. He liked his solitude and hated hypocrites, whiners and backstabbers of every stripe and in his estimation the great writing mass were usually some combination of the aforementioned. His snail-like ways had never caused him any trouble, like some he'd knew who'd moan about being misunderstood. Most people weren't hard to understand and if one found oneself alone it was only for two reasons: because one were worse than all or because one were better and didn't seek to lead. Harmon knew he weren't the latter as the socially ostracized were merely the plaything of the moment for him, no different than changing a tire or scaling a blue gill. Just another thing to do. But he wasn't too sure about the former.

He looked away from the gull. Back to his girl.

She was still on her phone, drifting towards the passenger-side door.

“I've gotta meet, Serena.”

“Right, right. Art show.”

Harmon finished off his cigarette, dropped it to the blacktop and crushed it out beneath his heel with a faded serpentine hissing and then got in after the girl and drove out of the frozen yogurt shop where they'd shared their second kiss, the gravel sputtering beneath the ceaseless, half-deflated wheels of the battered 1990 Ford Escort Hatchback.

He looked over at her and smiled.

“I had a good time with you. Been too long, Bluebird.”

“Yeah.” She replied without excitement, gaze still fixed to her phone, as if afraid to look up. He guessed she was still talking to Serena or one of her other art school friends he'd never met.

His smile faded and he drove the rest of the journey in silence, smoking and tapping the ash out the crack of the window and watching it sputter in butterfly whorls into the oblivion-warp beyond the ambit of the roiling machine.

ANIMAL HOUSE by Kara Vernor

November 26, 2018

Hard Rock Hare clamped headphones over his ears and hopped around in front of the stereo. He liked The Clash and Black Flag, but today he listened to Johnny Cash. He thought Cash was good too, if not a little somber.

Stoner Hare reclined on the couch and smoked a joint, first watching his roommate’s pogo, then becoming distracted by the involuntary twitching of his own nose. He focused on it, his eyes crossing a bit, and tried to still it with his mind.

The Tortoise barged in, as much as a tortoise can barge. He said, What’s going on in here? I can’t concentrate with all the banging.

The hares rushed him, laughing, and bounced back and forth over his shell.

Cut the crap, the Tortoise said. I was trying to meditate. Now I’m going to chomp some lettuce. Maybe you’d like some, too?

Stoner Hare would have eaten a couch leg had he been offered one. Hard Rock Hare never turned down food. He’d toured extensively in a multi-species grindcore band and learned to eat whenever the eating was good. They joined the Tortoise around the lettuce bowl until they grew sluggish and full, eventually tilting onto the floor.

Do you think there’s life on other planets? Stoner Hare said gazing at the popcorn ceiling above them, its moon-like divots and bumps.

Most definitely, said Hard Rock Hare. They’re here already, running biological experiments. How else do you explain ferrets?

(His drummer had been a ferret.)

The Tortoise thought to defend ferrets but instead said, Let’s focus on our breath.

The hares breathed themselves into a soundless slumber, the headphones bellowed I'm stuck in Folsom prison, and the Tortoise, his mind now alight with thoughts of alien life, tapped a foot to the beat