Archives

THE HANDS REMEMBER by Andrea Rinard

I sit on the bench outside Publix. A little boy ran by me in light-up sneakers when I was almost, almost, almost to the door, and suddenly I could hear Caleb’s feet, encased like two meat loaves in the shoes I got him before he started K-3, drumming against the cart. He was so careful not to kick me after that one time–Don’t hurt Mommy!  I’d had to let go of the cart and sit down because everything was narrowing down to a tunnel with Caleb at the other end. I tried to count my breaths, and I told Tom

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MARKS by Monica Dickson

‘The phantom scribbler strikes again’ – Biro on gloss, 1976 The cubicle door is freshly scarred, blue ink on institutional green. This is where John learns to read. John has been constipated since he started school. His mother takes him to the doctor and they send him to hospital where he drinks barium, so they can see what’s wrong with his insides. They let him take the x-ray home. There it is, a white cloud shaped like a question mark.   ‘Fuck exams’ – Compass on wooden desk, 1981 John could do better if only he would apply himself. John

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THE CLOCKMAKER by Lucy Zhang

Far away—further than the deli store only frequented by the patrolling police officer and a few custodians, further than the farm with three cows and a horse and several chickens guarded from preying hawks by a fishing line ceiling, further than the white oak tree and its branches striking outward, and certainly much further than the borders of the city—is a cottage. Planks of wood bar the windows shut; mold creeps across the brick walls; pipes wind down from the roof to the ground, and the sound of water dripping on metal beats steadily to the murmurs of wind against

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THE CLOCKMAKER by Lucy Zhang

Far away—further than the deli store only frequented by the patrolling police officer and a few custodians, further than the farm with three cows and a horse and several chickens guarded from preying hawks by a fishing line ceiling, further than the white oak tree and its branches striking outward, and certainly much further than the borders of the city—is a cottage. Planks of wood bar the windows shut; mold creeps across the brick walls; pipes wind down from the roof to the ground, and the sound of water dripping on metal beats steadily to the murmurs of wind against

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LITTLE KNIFE by Candace Hartsuyker

Finger  Deep in the bowels of the circus tent, the air is sage and sweetgrass. A bundle of snapdragon pods lie on the table, faces like skulls. The hermaphrodite gives me tea laced with rum in a teacup that has no handle. His index finger taps the cards, tell me what I already know. I am a girl who will live many lives. Body A man with a gap in his teeth, a gold hoop glinting in his ear. A thin, dirty hand. Every day a lemon. A yellow rind sharp as the sun. My lips puckering at the bitterness.

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SATURDAY NIGHT (AT THE ER) by Fran-Claire Kenney

Trigger Warnings: anxiety, mental illness, self-harm, suicide At best (at first), it feels like mooching off. There are all these kids in the pediatric ward with oxygen masks gripping their faces like leeches, or their scalps shiny against the fluorescents, or their parents sitting watch in a casually tragic state of exhaustion next to big beds containing little, broken people. And there I am, looking twenty-one though I’m actually not, and I’ve got, wait for it, anxiety. Everybody says they have anxiety. People don’t just say they were in a crash and felt each rib snap under the car door.

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A NOTE TO YOKO OGAWA by Michael Farfel

a note to Yoko Ogawa, I think that others might say you make key lime pie like all other confections. You pick the fruit—found in trees and sometimes pockets—and you open it and line it up and chop. It takes patience, of course, to form the pastry dough and fold it out and fill it up.  I found a recipe, in the back pages of your books, a sort of misdirection in the language and the wording. A few drops of this, a subtle push and an open door. A room revealed. A kitchen and a stove. The fruit is

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BEACH HOUSE by Jenny Stalter

Our house faces neither east nor west and sits in shadow. The tiny green house with the too much wicker. The tinted glass dishes full of seashells and tapestries accented with smooth beach glass. Oil paintings of seagulls. Mom really went for the beach look. Most people acquire a life over a lifetime, but it’s like she stopped in 1986. Stopped making a home, stopped making herself. The house smells like sour sweat and coconut rum. Mom, drunk on the couch as a permanent fixture, her robe hanging off the sofa, mouth open. I place a pillow under her head

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I DIDN’T MEAN TO WRITE THIS. by Susan Rukeyser

I meant to write about young environmental activist Greta Thunberg and her impact, how she was received on her recent visit to the US. I loved how uncomfortable Greta made the “grown-ups,” including me. I was dismayed and unsurprised by the sexism chucked at her like crumpled, plastic water bottles: How dare she not smile?  But Greta’s visit coincided with the final stages of my divorce, and—perhaps you understand?—in that tender time, everything was metaphor.  ~ I read about a funeral held for a 700-year-old Icelandic glacier which had melted to the point that it could no longer move. It

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SUBFLOOR by Jason Fox

Your refrigerator is yawning. It spills an egg-yellow rectangle on the floor. A ticking clock somewhere beyond. Then the fridge door closes and seals itself with a magnetic kiss. Plum dawn darkness washes in. You barefoot-shuffle through a current of cold air. Past your trash can and over some spilled coffee grounds that stick to your feet. It starts in this good morning darkness. First, a warmth coming from below the floorboards. Not possible. This carriage house, which is more a renovated barn, was built in 1880. It has only earth beneath the floors. No basement, no crawl space, just

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