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BOLOGNA by Sean Hayes

We stood on top of our worlds as we knew them. The fall could kill us. Or worse. All part of the thrill. Henny, Walsh, and I were on the last level of scaffolding wrapped around the Bronson Windmill in Fairfield. We were heading into our senior year at Greenfield College Preparatory School. If you think we had on boat shoes judging from the last sentence, you’re wrong. Only Henny and I had on boat shoes. Walsh wore oversized flipflops with bottle openers on the soles. We sat down, dangling our feet over the edge of the scaffolding, swinging them

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An Interview with Jeffery Renard Allen by Kenny Meyer

I was introduced to Jeffery Renard Allen’s brilliant short story collection, Fat Time (Greywolf Press, 2023), by Chaya Bhuvaneswar (prize winning author of Dancing Elephants). At the time I was a participant in her short story class. She made a habit of urging me to get out of my reading rut and explore the work of writers from divergent cultural backgrounds. Chaya had plenty of good things to say about Allen’s Fat Time, so I bought a copy. I should explain that I come from the opposite end of the cultural universe from Mr. Allen and the characters he portrays.

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TEENAGED GIRL GROWS ANTENNA IN SCHOOL BATHROOM STALL #3 by Suzanne Richardson

I always thought I was a science project. Maybe all girls are. Today I listen too hard and become a sound reflector, sound detective. I click my converse and my head splits like Zeus. Through my skull my alloy daughter emerges. She is like me but picks up gossip frequencies. Particular metal. Flagellum and scape. Dipoles and cables. A sci-fi fascinator for prom. Now more radio than girl. I lean, press, pick up the waves of other girls. Someone said the trees were moving, but it was the world. Silence does not exist here on the moon, in this girls

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CHARLENE ELSBY RECOMMENDS: Books from the Void

Since I went to VoidCon 2023, I’ve pretty much been catching up on the books I acquired there. And the problem only got worse after VoidCon 2024. Organized by Evan Dean Shelton and Edwin Callihan, VoidCon is a curated convention for weird fiction and weird horror, including literature, art and music. Art’s that, like, “wouldn’t it be nice if it found commercial success” but nobody’s expecting it to. The void aesthetic is irreverent and fun while dark and existentially horrid, and militantly encourages the participation of diverse voices on their own terms. So as an artificial way of imposing order

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THE SLEEPING BANKER by Matthew Binder

The factory closed the week before Christmas. The owner had moved his operations to Bangladesh. Emanuel had spent eleven years on the assembly line. It was the only job he knew. Marta, his wife, could no longer cut hair. Her condition made her hands tremble to the point that her clients had begun to complain about nicks on their necks and ears. They were three months behind on rent, the electricity was shut off. Their kids were eating crackers and trekking through the snow with holes in their shoes. Emanuel had once had luck betting on football matches. That ended,

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THE CHILLED SUNLIGHT by Steve Gergley

In town there were a series of murders. Each attack occurred beneath the almond tree spiking through the pavement in the center of Second Ave. No one seemed to care. Everyone walked the sidewalks as if nothing strange had happened. They chatted about the weather and watched the mailman wander the knotted maze of the streets. They met up for brunch and dinner and played games with their children and dogs in the park. My wife and I were terrified. We drove to the supermarket using an alternate route each day. We avoided our friends on the weekends in fear

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AUG STONE RECOMMENDS: Steve Aylett, Kevin Maloney, Madeline Cash, John Patrick Higgins

Steve Aylett, The Book Lovers (Snowbooks, 2024)   Steve Aylett is back with a new novel that could very well be his best work yet. In The Book Lovers, Aylett’s fireworks are at maximum intensity – dazzling, dizzying, and coming straight at you. Launched from one of the all-time great opening lines – ‘A book is like you and me – glued to a spine and doing its best’ – the text is hilarious, profound, and just a delight to engage with. Almost every sentence is rich, full of meaning, and contains enough avenues of thought to construct a city

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NOBODY’S DAUGHTER by Ryan-Ashley Anderson

I was almost five years old, it was Christmas day, and I knew something was wrong because I’d gotten everything I’d asked for: a blue and white-checked gingham romper with buttons up the front; black, mid-calf cowboy boots with red stitching; and, most surprisingly, a fluffy black puppy with a bright white chest whom I would come to call Kentucky. I had never been to Kentucky and am not even sure how I’d learned the name, but I’d tested out several words from my dog name list and determined this was the best one.  A dog’s name should ring out

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THE HAUNTED MEMORY OF A DEAD PLACE: An Interview with Derek Fisher by Rebecca Gransden

Is there something up with modern dread? Derek Fisher’s enigmatic collection Container (With an X Books, 2024) strokes the lid of contemporary malaise, and teases the release on stories that simmer like a broiling pressure cooker. This is writing cast adrift on strange currents, Fisher’s domain that of diseased architecture, where dark impulses meet bad vibes. I talked to Derek about this unsettling and dynamic collection.   Rebecca Gransden: When did you write your first short story? Has your approach to the short story form evolved over time? Derek Fisher: Yooo. Hi Rebecca, my fellow Lizard Brain! My first short

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NUNS & ROSES by Ana Carrete

A nun was cloistered in a convent near me. I knew her. She was the Mother Superior. She was the main bitch. Top energy. She left that cloistered convent and moved to the Midwest.  I was visiting the Midwest for poetry and to fuck a writer I’d been sexting with for months. I waxed my pussy right before I went on that trip and that was a mistake. My boyfriend dropped me off at the airport.  I took a pill to fall asleep on the plane. When the plane landed, my head was resting on the stranger next to me.

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